Winslow Homer was an American landscape painter and illustrator, best known for his marine subjects. He is considered one of the foremost painters of 19th-century America and a preeminent figure in American art in general.
Jonathan Eastman Johnson was an American painter and co-founder of the Metropolitan Museum of Art, New York City, with his name inscribed at its entrance. He was best known for his genre paintings, paintings of scenes from everyday life, and his portraits both of everyday people and prominent Americans such as Abraham Lincoln, Nathaniel Hawthorne, Ralph Waldo Emerson, and Henry Wadsworth Longfellow. His later works often show the influence of the 17th-century Dutch masters, whom he studied in The Hague in the 1850s; he was known as The American Rembrandt in his day.
Horace Pippin was an American painter who painted a range of themes, including scenes inspired by his service in World War I, landscapes, portraits, and biblical subjects. Some of his best-known works address the U.S.'s history of slavery and racial segregation. He was the first Black artist to be the subject of a monograph, Selden Rodman's Horace Pippin, A Negro Painter in America (1947), and The New York Times eulogized him as the "most important Negro painter" in American history. He is buried at Chestnut Grove Cemetery Annex in West Goshen Township, Pennsylvania. A Pennsylvania State historical Marker at 327 Gay Street, West Chester, Pennsylvania, identifies his home at the time of his death and commemorates his accomplishments.
Henry Ossawa Tanner was an American artist who spent much of his career in France. He became the first African-American painter to gain international acclaim. Tanner moved to Paris, France, in 1891 to study at the Académie Julian and gained acclaim in French artistic circles. His painting Daniel in the Lions' Den was accepted into the 1896 Salon, the official art exhibition of the Académie des Beaux-Arts in Paris. Tanner's Resurrection of Lazarus was purchased by the French government after winning the third-place medal at the 1897 Salon. In 1923, the French government elected Tanner chevalier of the Legion of Honor.
Laura Wheeler Waring was an American artist and educator, most renowned for her realistic portraits, landscapes, still-life, and well-known African American portraitures she made during the Harlem Renaissance. She was one of the few African American artists in France, a turning point of her career and profession where she attained widespread attention, exhibited in Paris, won awards, and spent the next 30 years teaching art at Cheyney University in Pennsylvania.
The Gulf Stream is an 1899 oil painting by the American artist Winslow Homer. It shows a man in a small dismasted rudderless fishing boat struggling against the storm-tossed waves and perils of the sea, presumably near the Gulf Stream, and was the artist's statement on a theme that had interested him for more than a decade. During the time he explored this theme, Homer, a New Englander, boated often near Florida, Cuba, and the Caribbean.
The Port Royal Experiment was a program begun during the American Civil War in which former slaves successfully worked on the land abandoned by planters.
Eldzier Cortor was an African-American artist and printmaker. His work typically features elongated nude figures in intimate settings, influenced by both traditional African art and European surrealism. Cortor is known for his style of realism that makes accurate depictions of poor, Black living conditions look fantastic as he distorts perspective.
Archibald John Motley, Jr., was an American visual artist. Motley is most famous for his colorful chronicling of the African-American experience in Chicago during the 1920s and 1930s, and is considered one of the major contributors to the Harlem Renaissance, or the New Negro Movement, a time in which African-American art reached new heights not just in New York but across America—its local expression is referred to as the Chicago Black Renaissance. He studied painting at the School of the Art Institute of Chicago during the 1910s, graduating in 1918.
Elizabeth Hobbs Keckley was an American seamstress, activist, and writer who lived in Washington, D.C. She was the personal dressmaker and confidante of Mary Todd Lincoln. She wrote an autobiography.
Peter Hutchins Wood is an American historian and author of Black Majority: Negroes in Colonial South Carolina from 1670 through the Stono Rebellion (1974). It has been described as one of the most influential books on the history of the American South of the past 50 years. A former professor at Duke University in North Carolina, Dr. Wood is now an adjunct professor in the History Department at the University of Colorado Boulder, where his wife, Elizabeth A. Fenn is a professor emeritus in the History Department.
The Emancipation Memorial, also known as the Freedman's Memorial or the Emancipation Group is a monument in Lincoln Park in the Capitol Hill neighborhood of Washington, D.C. It was sometimes referred to as the "Lincoln Memorial" before the more prominent national memorial was dedicated in 1922.
Anne Goldthwaite was an American painter and printmaker and an advocate of women's rights and equal rights. Goldthwaite studied art in New York City. She then moved to Paris where she studied modern art, including Fauvism and Cubism, and became a member of a circle that included Gertrude Stein, Henri Matisse, and Pablo Picasso. She was a member of a group of artists that called themselves Académie Moderne and held annual exhibitions.
The Bright Side is an oil painting by the American artist Winslow Homer. Painted in 1865, the concluding year of the American Civil War, the work depicts four African American Union Army teamsters sitting on the sunny side of a Sibley tent. The painting is in the collection of the Fine Arts Museums of San Francisco-(De Young)
Negro Life at the South (1859) is a painting by American artist Eastman Johnson that depicts the private life of African-American slaves in Washington, D.C. It was painted in Washington, D.C., and is now owned by the New York Public Library, on permanent loan to the New-York Historical Society. Johnson also created two versions of the painting in the 1870s, now owned by the High Museum of Art in Atlanta.
The Cotton Pickers is an 1876 oil painting by the American artist Winslow Homer. It depicts two young African-American women in a cotton field.
Stately, silent and with barely a flicker of sadness on their faces, the two black women in the painting are unmistakable in their disillusionment: they picked cotton before the war and they are still picking cotton afterward.
Lucy May Stanton was an American painter. She made landscapes, still lifes, and portraits, but Stanton is best known for the portrait miniatures she painted. Her works are in the National Portrait Gallery in Washington, D.C., Metropolitan Museum of Art in New York, the Museum of Fine Arts in Boston, and the Philadelphia Museum of Art, where Self-Portrait in the Garden (1928) and Miss Jule (1926) are part of the museum's permanent collection.
Portrait of Phillis Wheatley is a lost painting used as the frontispiece for poet Phillis Wheatley's poetry collection Poems on Various Subjects, Religious and Moral, first published in 1773. Wheatley was the United States' first professional African American woman poet and the first African-American woman whose writings were published. She is also the third woman in the United States, regardless of ethnicity, to have her written work published. Copies of the engraving reside in the National Portrait Gallery at the Smithsonian Institution, the Library of Congress, the Beinecke Rare Book & Manuscript Library of the Yale University Library, and the Metropolitan Museum of Art.
The Banjo Lesson is an 1893 oil painting by African-American artist Henry Ossawa Tanner. It depicts two African-Americans in a humble domestic setting: an old black man is teaching a young boy – possibly his grandson – to play the banjo.
Grace Hoops is a genre painting by the American artist Winslow Homer. It depicts two young women outdoors playing the game of graces. Scenes of childhood innocence constituted one of Homer's recurring subjects throughout the 1870s. The work is now in the collection of the McMullen Museum of Art at Boston College, having been donated as part of the Carolyn A. and Peter S. Lynch collection.
