Édouard Manet was a French modernist painter. He was one of the first 19th-century artists to paint modern life, as well as a pivotal figure in the transition from Realism to Impressionism.
John Singer Sargent was an American expatriate artist, considered the "leading portrait painter of his generation" for his evocations of Edwardian-era luxury. He created roughly 900 oil paintings and more than 2,000 watercolors, as well as countless sketches and charcoal drawings. His oeuvre documents worldwide travel, from Venice to the Tyrol, Corfu, Spain, the Middle East, Montana, Maine, and Florida.
Joe Randolph "J. R." Ackerley was a British writer and editor. Starting with the BBC the year after its founding in 1927, he was promoted to literary editor of The Listener, its weekly magazine, where he served for more than two decades. He published many emerging poets and writers who became influential in Great Britain. He was openly homosexual, a rarity in his time when homosexual activity was forbidden by law and socially ostracised.
Events from the year 1882 in art.
Madame X or Portrait of Madame X is a portrait painting by John Singer Sargent of a young socialite, Virginie Amélie Avegno Gautreau, wife of the French banker Pierre Gautreau. Madame X was painted not as a commission, but at the request of Sargent. It is a study in opposition. Sargent shows a woman posing in a black satin dress with jeweled straps, a dress that reveals and hides at the same time. The portrait is characterized by the pale flesh tone of the subject contrasted against a dark-colored dress and background.
Victorine-Louise Meurent was a French painter and a model for painters. Although she is best known as the favorite model of Édouard Manet, she was an artist in her own right who regularly exhibited at the prestigious Paris Salon. In 1876, her paintings were selected for inclusion at the Salon's juried exhibition, when Manet's work was not.
Sophie Gengembre Anderson was a French-born British Victorian painter who was also active in America for extended periods. She specialised in genre paintings of children and women, typically in rural settings. She began her career as a lithographer and painter of portraits, collaborating with Walter Anderson on portraits of American Episcopal bishops. Her work, Elaine, was the first public collection purchase of a woman artist. Her painting No Walk Today was purchased for more than £1 million.
The Daughters of Edward Darley Boit is a painting by the American artist John Singer Sargent. The painting depicts four young girls, the daughters of Edward Darley Boit, in their family's Paris apartment. It was painted in 1882 and is now exhibited in the new Art of the Americas Wing of the Museum of Fine Arts in Boston. The painting hangs between the two tall blue-and-white Japanese vases depicted in the work, which were donated by the heirs of the Boit family.
Rosina Ferrara (1861–1934) was an Italian artist's model from the island of Capri, who became the favorite muse of American expatriate artist John Singer Sargent. Captivated by her exotic beauty, a variety of 19th-century artists, including Charles Sprague Pearce, Frank Hyde, and George Randolph Barse, made works of art of her. Ferrara was featured in the 2003 art exhibit "Sargent's Women" at New York City's Adelson Galleries, as well as in the book Sargent's Women published that year.
El Jaleo is a large painting by John Singer Sargent, depicting a Spanish Romani dancer performing to the accompaniment of musicians. Painted in 1882, it currently hangs in the Isabella Stewart Gardner Museum, in Boston.
Ellen Terry as Lady Macbeth is an oil painting by John Singer Sargent, now in Tate Britain, in London. Painted in 1889, it depicts actress Ellen Terry in a famous performance as Lady Macbeth in William Shakespeare's tragedy Macbeth, wearing a green dress decorated with iridescent beetle wings. The play was produced by Henry Irving at the Lyceum Theatre, London, with Irving also playing Macbeth opposite Terry. Sargent attended the opening night on 29 December 1888 and was inspired to paint Terry's portrait almost immediately.
Lucia Fairchild Fuller was an American painter and member of the New Hampshire Cornish Art Colony. She was inspired to pursue art by John Singer Sargent. Fuller created a mural entitled TheWomen of Plymouth for the Woman's Building at the World's Columbian Exposition in Chicago in 1893. Best known for her portrait miniatures, she was a founding member and treasurer of the American Society of Miniature Painters.
The Misses Vickers is an oil painting by John Singer Sargent. The painting depicts three young ladies, from the Vickers family, in their estate in Bolsover Hill, Sheffield, England.
Carnation, Lily, Lily, Rose is an oil-on-canvas painting made by the American painter John Singer Sargent in 1885–86.
Lady Agnew of Lochnaw is an oil on canvas portrait painting of Gertrude Agnew, the wife of Sir Andrew Agnew, 9th Baronet. The painting was commissioned in 1892 and completed the same year by the American portrait artist John Singer Sargent. It measures 127 × 101 cm (50.0 × 39.8 in) and is owned by the Scottish National Gallery in Edinburgh, Scotland. The museum acquired it through the Cowan Smith Bequest Fund in 1925.
Albert Gustavus de Belleroche, also known as Albert Belleroche, was a British painter and lithographer, who lived most of his childhood and his adulthood in Paris and England. He began as a painter, but at the turn of the century focused on lithography, for which he is most well-known. He was awarded the Chevalier de l’Ordre de Leopold by King Albert I of Belgium in 1933.
The Wyndham Sisters: Lady Elcho, Mrs. Adeane, and Mrs. Tennant is an 1899 painting by John Singer Sargent. It is part of the collection of the Metropolitan Museum of Art. The painting was hailed by the critics and dubbed “The Three Graces” by the Prince of Wales.
Mrs. Hugh Hammersley is an 1892 painting by John Singer Sargent. It is part of the collection of the Metropolitan Museum of Art.
Dr Pozzi at Home is an 1881 oil painting by the American artist John Singer Sargent. The portrait of the French gynaecologist and art collector Samuel Jean de Pozzi was Sargent's first large portrait of a male subject: it measures 201.6 cm × 102.2 cm. It was the first work that Sargent exhibited at the Royal Academy in London. It was acquired by Armand Hammer in 1967, and has been held by the Hammer Museum in Los Angeles since 1991.
Madame Georges Charpentier and Her Children is an 1878 oil on canvas painting by Pierre-Auguste Renoir. It depicts Marguerite Charpentier, a French salonist, art collector, and advocate of the Impressionists, and her children Georgette and Paul. The painting is held by the Metropolitan Museum of Art.
