John Singer Sargent was an American expatriate artist, considered the "leading portrait painter of his generation" for his evocations of Edwardian-era luxury. He created roughly 900 oil paintings and more than 2,000 watercolors, as well as countless sketches and charcoal drawings. His oeuvre documents worldwide travel, from Venice to the Tyrol, Corfu, Spain, the Middle East, Montana, Maine, and Florida.
A necklace is an article of jewellery that is worn around the neck. Necklaces may have been one of the earliest types of adornment worn by humans. They often serve ceremonial, religious, magical, or funerary purposes and are also used as symbols of wealth and status, given that they are commonly made of precious metals and stones.
Madame X or Portrait of Madame X is a portrait painting by John Singer Sargent of a young socialite, Virginie Amélie Avegno Gautreau, wife of the French banker Pierre Gautreau. Madame X was painted not as a commission, but at the request of Sargent. It is a study in opposition. Sargent shows a woman posing in a black satin dress with jeweled straps, a dress that reveals and hides at the same time. The portrait is characterized by the pale flesh tone of the subject contrasted against a dark-colored dress and background.
Isaac Newton Phelps Stokes was an American architect. Stokes was a pioneer in social housing who co-authored the 1901 New York tenement house law. For twenty years he worked on The Iconography of Manhattan Island, a six-volume compilation that became one of the most important research resources about the early development of the city. His designs included St. Paul's Chapel at Columbia University and several urban housing projects in New York City. He was also a member of the New York Municipal Arts Commission for twenty-eight years and president for nine of these.
The year 1897 in art involved some significant events.
Rosina Ferrara (1861–1934) was an Italian artist's model from the island of Capri, who became the favorite muse of American expatriate artist John Singer Sargent. Captivated by her exotic beauty, a variety of 19th-century artists, including Charles Sprague Pearce, Frank Hyde, and George Randolph Barse, made works of art of her. Ferrara was featured in the 2003 art exhibit "Sargent's Women" at New York City's Adelson Galleries, as well as in the book Sargent's Women published that year.
Anson Phelps Stokes was a wealthy American merchant, property developer, banker, genealogist and philanthropist. Born in New York City, he was the son of James Boulter and Caroline Stokes. His paternal grandfather was London merchant Thomas Stokes, one of the 13 founders of the London Missionary Society. His maternal grandfather, Anson Greene Phelps, was a New York merchant, born in Connecticut and descended from an old Connecticut family.
Robert Bowne Minturn Jr. was an American shipping magnate of the mid to late 19th century.
Ellen Terry as Lady Macbeth is an oil painting by John Singer Sargent now in Tate Britain. Painted in 1889, it depicts actress Ellen Terry in a famous performance as Lady Macbeth in William Shakespeare's tragedy Macbeth, wearing a green dress decorated with iridescent beetle wings. The play was produced by Henry Irving at the Lyceum Theatre, London, with Irving also playing Macbeth opposite Terry. Sargent attended the opening night on 29 December 1888 and was inspired to paint Terry's portrait almost immediately.
William Verstille (ca.1757-1803) was an American artist who worked in Boston, Philadelphia and New York. He specialized in portraits. Examples of his artwork reside in the collections of the Harvard Art Museum, Massachusetts Historical Society, Metropolitan Museum of Art, Museum of Fine Arts Boston, New York Historical Society, Philadelphia Museum of Art, Smithsonian, and Yale University.
Lady Agnew of Lochnaw is an oil on canvas portrait painting of Gertrude Agnew, the wife of Sir Andrew Agnew, 9th Baronet. The painting was commissioned in 1892 and completed the same year by the American portrait artist John Singer Sargent. It measures 127 × 101 cm (50.0 × 39.8 in) and is owned by the Scottish National Gallery in Edinburgh, Scotland. The museum acquired it through the Cowan Smith Bequest Fund in 1925.
Edith Minturn Stokes was an American philanthropist, artistic muse and socialite during the Gilded Age.
Lady with the Rose (Charlotte Louise Burckhardt) is an 1882 painting by John Singer Sargent. It is part of the collection of the Metropolitan Museum of Art in New York City.
The Wyndham Sisters: Lady Elcho, Mrs. Adeane, and Mrs. Tennant is an 1899 painting by John Singer Sargent. It is part of the collection of the Metropolitan Museum of Art. The painting was hailed by the critics and dubbed “The Three Graces” by the Prince of Wales.
Egyptians Raising Water from the Nile is an 1890–1891 painting by John Singer Sargent. It is part of the collection of the Metropolitan Museum of Art, New York City, United States.
Bringing Down Marble from the Quarries to Carrara is a 1911 painting by John Singer Sargent which is part of the collection of the Metropolitan Museum of Art.
Mrs. Hugh Hammersley is an 1892 painting by John Singer Sargent. It is part of the collection of the Metropolitan Museum of Art.
Alpine Pool is a 1907 painting by John Singer Sargent. It is part of the collection of the Metropolitan Museum of Art.
Mariette Leslie Cotton (1866–1947) was an American artist who usually gave her name as Mrs. Leslie Cotton. A student of William Merritt Chase, Carolus-Duran, and Jean-Jacques Henner, she worked mainly in Paris but also maintained studios in London and New York. By birth and marriage she possessed a level of wealth and social prestige that, together with her artistic skill, enabled her to obtain lucrative commissions from prominent individuals. The portraits she painted were praised for their veracity, style, and fine technique. Their subjects included kings, aristocrats, celebrities, and members of wealthy families. Late in her career a critic wrote that her "popularity has a sound basis, for her portraits combine such abstract artistic qualities as effective and infinitely varied design and daringly unconventional arrangements of color, with strong characterization and a likeness that never fails to be convincing," and added, "her concern with the artistic problem never makes her obtrude her own personality or offend the sitter's susceptibilities."
Rosa Bonheur is an 1898 painting by Anna Elizabeth Klumpke. The portrait of the French artist Rosa Bonheur has been in the collection of the Metropolitan Museum of Art since 1922.
