Synagogue (John Singer Sargent)

Last updated
Synagogue
John Singer Sargent, Synagogue, 1919.jpg
ArtistJohn Singer Sargent
Year1919

Synagogue is an allegorical mural by John Singer Sargent in the Boston Public Library. [1] It is part of Sargent's larger Triumph of Religion mural cycle in the library's central branch at Copley Square. Synagogue was unveiled in 1919, and it sparked immediate controversy. [2] The cowering and feeble personification of the Synagogue stood in contrast with Sargent's glorified depiction of the Church in the mural cycle, and members of the Jewish community observed that the series delivered an implicit message of Jewish decline and Christian triumph. [2] Sargent was reluctant to respond publicly to criticism of the work, but privately wrote in 1919, "I am in hot water with the Jews, who resent my ‘Synagogue,’ and want to have it removed– and tomorrow a ‘prominent’ member of the Jewish colony is coming to bully me about it and ask me to explain myself. I can only refer him to Rheims, Notre Dame, Strasbourg and other Cathedrals, and dwell at length about the good old times." [2] :233 Responding to charges that the work was antisemitic, the Massachusetts legislature passed a bill ordering the removal of the mural in 1922, but the law was soon repealed, and the work has remained in place. [2] :236

Contents

Background: Triumph of Religion

Part of the Triumph of Religion cycle in the Boston Public Library Sargent Hall at Boston Public Library.jpg
Part of the Triumph of Religion cycle in the Boston Public Library

The Triumph of Religion is a commissioned work by Sargent at the Boston Public Library. In official correspondence with the library, Sargent described it as "Triumph of Religion—a mural decoration illustrating certain stages of Jewish and Christian religious history." Designed and painted in London, the cycle is divided into 17 works that were transferred to Boston in installments. Sargent began sketching the murals in 1891, and the cycle remained unfinished at the time of his death in 1925. [3]

Synagogue and its counterpart, Church, appear on the East wall, on either side of a space reserved for a depiction of Jesus giving the Sermon on the Mount, which was never finished. [2]

Iconography

Michelangelo's Cumaean Sibyl, Sistine Chapel CumaeanSibylByMichelangelo.jpg
Michelangelo's Cumaean Sibyl, Sistine Chapel

Scholars have identified many themes and influences in the larger mural cycle. Sally M. Promey identifies three key themes: individualism and subjectivity overcoming law and doctrine; a reaction to World War I; and concealment and revelation. She also notes the visual similarity between Synagogue and the Cumaean Sibyl in Michaelangelo’s Sistine Chapel. [2] Sargent also may have been influenced by the writing of Ernest Renan. [2]

Antisemitism controversy

Even before Synagogue was unveiled to the public, there were already fears about Sargent's handling of the religious subject matter. Promey writes that prior to the mural’s installment, Boston Herald critic  Frederick William Coburn opined that "in the interest of racial and religious amenity in this community, one hopes that Mr. Sargent has avoided the old middle-age bigotry in working out this perilous theme, as no doubt he has done." [4] Given the antisemitism and immigration restriction of the 1920's, Sargent’s treatment of religion had the potential to be extremely divisive. [2] Indeed, after the painting was revealed, many viewers did find it offensive, and there were numerous attempts to remove it in subsequent years. [4]

Ideological criticisms

Critics of the painting objected to the representation of the Synagogue as a huddled woman wearing a blindfold, especially next to the representation of the Christian church, a pietà. Many saw the painting as representing a triumph of Christianity, rather than one of religion. [4] Leo Franklin, the President of Reform Judaism’s Central Conference found that the painting presented "Judaism as a broken faith, as a faith without a future," and therefore should not be placed in a public library. [4] This depiction of Judaism, in addition to being offensive, was also historically inaccurate. Massachusetts State Representative Coleman Silbert wrote that the representation “represent[ed] Judaism as downfallen or dead, which is far from the truth... it is against the broad spirit of Americanism." [4] Artist Rose Kohler also found the work to be un-American, writing that "it was felt that in this century and in America, we had advanced sufficiently to cast aside the notions and prejudices of the dark ages." [4] She also designed a monument in response to Sargent’s painting, a medallion entitled Spirit of the Synagogue, which depicted the Synagogue figure as upright and triumphant. [4]

Due to the antisemitic nature of the painting, many asserted that it was inappropriately placed in a public, educational building. The rabbi Henry Raphael Gold found its placement to be unfair to Jewish students. [4] Coburn called the placement of such a mural "distasteful… in a building supported by public taxation." [4]

Proposed removal

The first attempt to remove the painting occurred just after it was unveiled in 1919, when local citizens circulated an unsuccessful petition. [4]

Shortly after, many organizations wrote to the library, arguing for the removal of the painting. These included the National Council of Jewish Women, the Central Conference of American Rabbis, the Young Women’s Hebrew Association, the Young Men’s Hebrew Association, and the Anti Defamation League, as well as the Federation of Churches and Young Men’s Christian Association. [4] However, the library asserted that because the painting was the result of a contract between Sargent and citizen donors, the library could not legally take it down. [4] The library also cited the recent court case Eliot v Trinity Church, which concerned a different public religious artwork: a statue of Philips Brooks at Trinity Church, directly across the street in Copley Square.[ citation needed ]

In 1922, Representative Silbert introduced a bill that would allow the state to remove the painting, which passed in the Senate and was signed by the Governor. The bill would have seized the painting by right of eminent domain. However, the bill was struck down as unconstitutional, and repealed in 1924. [4]

On February 2, 1924, The New York Times reported that a "black, inklike substance" was thrown on the painting. [5]

Defense and Sargent's response

Sargent himself, averse to controversy and public statements, said little to the press about the controversy. One Boston newspaper reported in 1922 that he "made it known through a friend that no reflection on the Jewish race was intended." [4] :189 Privately, he asserted that the painting was justified due to its medieval precedent, and expressed gratitude that the library allowed it to remain. [4]

After the installation of Synagogue, the final panel of the cycle, a representation of the Sermon on the Mount, was never installed. [6] Although it could be argued that Sargent’s death caused the mural to remain unfinished, Promey notes that Sargent never tried to collect his final payment for the mural, pointing towards the fact that he had stopped working on it. [4]

The American Fine Art Society, following the controversy, passed a resolution defending Sargent, and American Art News wrote that, "whether judiciously chosen or not, the subject was historically correct. It belonged logically in the series." [4]

Present status

The painting remains visible in the Boston Public Library today. Between 2003 and 2004, the Triumph of Religion cycle was restored by the Straus Center for Conservation and Technical Studies at Harvard University. [7]

See also

Related Research Articles

Some Christian Churches, Christian groups, and ordinary Christians express religious antisemitism toward the Jewish people and the associated religion of Judaism.

<span class="mw-page-title-main">Judaism</span> Oldest Abrahamic religion

Judaism is an Abrahamic, monotheistic, and widely an ethnic religion. It comprises the collective spiritual, cultural, and legal traditions of the Jewish people, having originated as an organized religion in the Middle East during the Bronze Age. Contemporary Judaism evolved from Yahwism, the cultic religious movement of ancient Israel and Judah, around the 6th/5th century BCE, and is thus considered to be one of the oldest monotheistic religions. Religious Jews regard Judaism as their means of observing the Mosaic covenant, which was established between God and the Israelites, their ancestors. Along with the Samaritanism, Judaism is one of the two oldest Abrahamic religions.

<span class="mw-page-title-main">Synagogue</span> Place of worship for Jews and Samaritans

A synagogue, also called a shul or a temple, is a place of worship for Jews and Samaritans. It has a place for prayer where Jews attend religious services or special ceremonies such as weddings, b'nai mitzvah, choir performances, and children's plays. They also have rooms for study, social halls, administrative and charitable offices, classrooms for religious and Hebrew studies, and many places to sit and congregate. They often display commemorative, historic, or modern artwork alongside items of Jewish historical significance or history about the synagogue itself.

<span class="mw-page-title-main">John Singer Sargent</span> American painter (1856–1925)

John Singer Sargent was an American expatriate artist, considered the "leading portrait painter of his generation" for his evocations of Edwardian-era luxury. He created roughly 900 oil paintings and more than 2,000 watercolors, as well as countless sketches and charcoal drawings. His oeuvre documents worldwide travel, from Venice to the Tyrol, Corfu, Spain, the Middle East, Montana, Maine, and Florida.

<span class="mw-page-title-main">Copley Square</span> Square in Back Bay, Boston, Massachusetts

Copley Square, is a public square in Boston's Back Bay neighborhood, bounded by Boylston Street, Clarendon Street, St. James Avenue, and Dartmouth Street. The square is named for painter John Singleton Copley. Prior to 1883 it was known as Art Square due to its many cultural institutions, some of which remain today.

<span class="mw-page-title-main">Dura-Europos synagogue</span> Ancient synagogue in Syria

The Dura-Europos synagogue was an ancient synagogue uncovered at Dura-Europos, Syria, in 1932. The synagogue contains a forecourt and house of assembly with painted walls depicting people and animals, and a Torah shrine in the western wall facing Jerusalem. It was built backing on to the city wall, which was important in its survival. The last phase of construction was dated by an Aramaic inscription to 244 CE, making it one of the oldest synagogues in the world. It was unique among the many ancient synagogues that have emerged from archaeological excavations as the structure was preserved virtually intact, and it had extensive figurative wall-paintings, which came as a considerable surprise to scholars. These paintings are now displayed in the National Museum of Damascus.

<span class="mw-page-title-main">Claude Montefiore</span> British Jewish religious leader and scholar (1858–1938)

Claude Joseph Goldsmid Montefiore, also Goldsmid–Montefiore or just Goldsmid Montefiore (1858–1938) was the intellectual founder of Anglo-Liberal Judaism and the founding president of the World Union for Progressive Judaism, a scholar of the Hebrew Bible, rabbinic literature and New Testament. He was a significant figure in the contexts of modern Jewish religious thought, Jewish-Christian relations, and Anglo-Jewish socio-politics, and educator. Montefiore was President of the Anglo-Jewish Association and an influential anti-Zionist leader, who co-founded the anti-Zionist League of British Jews in 1917.

Aniconism is the cultural absence of artistic representations (icons) of the natural and supernatural worlds, or it is the absence of representations of certain figures in religions. The prohibition of material representations may only extend to a specific supreme deity, or it can encompass an entire pantheon, it can also include depictions of a prophet, saints, or sages, or even depictions of living beings and anything in existence generally. It is generally codified by religious traditions and as such, it becomes a taboo. When it is enforced by the physical destruction of images, aniconism becomes iconoclasm.

Aniconism in Judaism covers a number of areas. The portrayal of God in any kind of human or concrete form is strictly prohibited.

<span class="mw-page-title-main">B'nai Yosef Synagogue</span> Orthodox synagogue in Brooklyn, New York

The B'nai Yosef Synagogue is an Orthodox Jewish synagogue located at 1616 Ocean Parkway and Avenue P in Brooklyn, New York City, New York, in the United States. The congregation practices in the Sephardi rite. The synagogue is considered "America's busiest synagogue for Middle and near-Eastern Jews", with over 30 prayer services daily.

<span class="mw-page-title-main">John Elliott (artist)</span> British-American painter

John Elliott was an artist, illustrator, and muralist. Born in Lincolnshire, England, he studied in Paris at the Académie Julian under Carolus-Duran. In 1878, he went to Rome to study with José Villegas Cordero and there met his future wife, Maud Howe, Pulitzer-prize-winning American writer and the daughter of Julia Ward Howe, the author of "The Battle Hymn of the Republic." Elliott is known for his epic Symbolist murals including working alongside his friend and colleague John Singer Sargent to provide murals for the Boston Public library, as well as creating a mural in the National Museum

A religious image is a work of visual art that is representational and has a religious purpose, subject or connection. All major historical religions have made some use of religious images, although their use is strictly controlled and often controversial in many religions, especially Abrahamic ones. General terms associated with religious images include cult image, a term for images, especially in sculpture which are or have been claimed to be the object of religious worship in their own right, and icon strictly a term for Eastern Orthodox religious images, but often used more widely, in and outside the area of religion.

<span class="mw-page-title-main">Musée d'Art et d'Histoire du Judaïsme</span> Jewish museum, Art museum, History museum, Historic site in rue du Temple Paris

The Musée d'Art et d'Histoire du Judaïsme or mahJ is the largest French museum of Jewish art and history. It is located in the Hôtel de Saint-Aignan in the Marais district in Paris.

<span class="mw-page-title-main">Depictions of Muhammad</span>

The permissibility of depictions of Muhammad in Islam has been a contentious issue. Oral and written descriptions of Muhammad are readily accepted by all traditions of Islam, but there is disagreement about visual depictions. The Quran does not explicitly or implicitly forbid images of Muhammad. The ahadith present an ambiguous picture, but there are a few that have explicitly prohibited Muslims from creating visual depictions of human figures. It is agreed on all sides that there is no authentic visual tradition as to the appearance of Muhammad, although there are early legends of portraits of him, and written physical descriptions whose authenticity is often accepted.

Beth Alpha is a sixth-century CE synagogue located at the foot of the northern slopes of the Gilboa mountains near Beit She'an, Israel. It is now part of Bet Alfa Synagogue National Park and managed by the Israel Nature and Parks Authority.

<span class="mw-page-title-main">Ecclesia and Synagoga</span> A pair of subjects in medieval art, representing Judaism and Christianity

Ecclesia and Synagoga, or Ecclesia et Synagoga in Latin, meaning "Church and Synagogue", are a pair of figures personifying the Church and the Jewish synagogue, that is to say Judaism, found in medieval Christian art. They often appear sculpted as large figures on either side of a church portal, as in the most famous examples, those at Strasbourg Cathedral. They may also be found standing on either side of the cross in scenes of the Crucifixion, especially in Romanesque art, and less frequently in a variety of other contexts.

<span class="mw-page-title-main">Boston Public Library, McKim Building</span> United States historic place

The McKim Building is the main branch of the Boston Public Library at Copley Square in Boston, Massachusetts. The building, described upon its 1895 opening as a "palace for the people", contains the library's research collection, exhibition rooms, and administrative offices. The building includes lavish decorations, a children's room, and a central courtyard surrounded by an arcaded gallery in the manner of a Renaissance cloister. The library regularly displays its rare works, often in exhibits that will combine works on paper, rare books, and works of art. Several galleries in the third floor of the McKim building are maintained for exhibits.

<span class="mw-page-title-main">Finding of Moses</span> The finding in the River Nile of Moses as a baby by the daughter of Pharao

The Finding of Moses, sometimes called Moses in the Bullrushes, Moses Saved from the Waters, or other variants, is the story in chapter 2 of the Book of Exodus in the Hebrew Bible of the finding in the River Nile of Moses as a baby by the daughter of Pharaoh. The story became a common subject in art, especially from the Renaissance onwards.

<span class="mw-page-title-main">Star-painted ceiling</span> Design motif in a cathedral or Christian church, replicates the night sky

A ceiling painted with stars frequently occurs as a design motif in a cathedral or Christian church, and replicates the Earth's sky at night. Ceilings painted with stars are often found in these buildings because of the symbolic associations of stars in Christianity, Judaism, and Islamic faith. In religious buildings, this decorative feature is often depicted with white or gold stars on a blue background. As well as being a decorative technique, star-painted ceilings are also associated with astrology. It has been used as a way to accurately depict the night sky, in planetariums, for example. Ceilings painted with stars are also a decoration feature sometimes found in houses, particularly in children's rooms.

<span class="mw-page-title-main">Ancient Jewish art</span>

Ancient Jewish art, refers to Jewish art created prior to the middle ages. characterized by symbolic or figurative motifs, with portrayals often influenced by biblical themes, Judaism as well as the local power of the time be they the Egyptians or the Hellenistic and later Roman empires. Concentrated in the Levant region, during the second Temple period and in late antiquity, the biblical commandment avoidance of figurative or symbolic painting was gradually ignored in part due to the influence of Christianity. Symbols such as the Menorah served as both artistic as well as national symbols of Jewish identity, growing more acute after the destruction of the Temple in Jerusalem.

References

  1. "Synagogue". Digital Commonwealth. Retrieved 26 December 2022.
  2. 1 2 3 4 5 6 7 8 Promey, Sally M. (1997). "Sargent's Truncated Triumph: Art and Religion at the Boston Public Library, 1890-1925". The Art Bulletin. 79 (2): 217–250. doi:10.2307/3046244. ISSN   0004-3079. JSTOR   3046244.
  3. Farrell, Eugene; Olivier, Kate; Hensick, Teri (1998). "John Singer Sargent's Forgotten Mural Cycle, The Triumph of Religion at the Boston Public Library". Studies in Conservation (43).
  4. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 Promey, Sally, M. (1999). Painting Religion in Public : John Singer Sargent's Triumph of Religion at the Boston Public Library. Princeton, NJ: Princeton University Press. pp. 176–225.{{cite book}}: CS1 maint: multiple names: authors list (link)
  5. "Ink or Paint is Spattered on the 'Synagogue' Sargent Painting That Caused Row in Boston". The New York Times. February 22, 1924. p. 1. Retrieved 2023-03-29.
  6. Promey, Sally M (1998). "The Afterlives of Sargent's Prophets". Art Journal (57): 31–44.
  7. "Central Library: McKim Building Points of Interest". Boston Public Library. Retrieved April 6, 2023.