Visual art of the United States or American art is visual art made in the United States or by U.S. artists. Before colonization, there were many flourishing traditions of Native American art, and where the Spanish colonized Spanish Colonial architecture and the accompanying styles in other media were quickly in place. Early colonial art on the East Coast initially relied on artists from Europe, with John White the earliest example. In the late 18th and early 19th centuries, artists primarily painted portraits, and some landscapes in a style based mainly on English painting. Furniture-makers imitating English styles and similar craftsmen were also established in the major cities, but in the English colonies, locally made pottery remained resolutely utilitarian until the 19th century, with fancy products imported.
Gilbert Charles Stuart was an American painter from Rhode Island Colony who is widely considered one of America's foremost portraitists. His best-known work is an unfinished portrait of George Washington, begun in 1796, which is sometimes referred to as the Athenaeum Portrait. Stuart retained the portrait and used it to paint scores of copies that were commissioned by patrons in America and abroad. The image of George Washington featured in the painting has appeared on the United States one-dollar bill for more than a century and on various postage stamps of the 19th century and early 20th century.
John Trumbull was an American artist of the early independence period, notable for his historical paintings of the American Revolutionary War, of which he was a veteran. He has been called the "Painter of the Revolution".
Thomas Cole was an English-born American artist and the founder of the Hudson River School art movement. Cole is widely regarded as the first significant American landscape painter. He was known for his romantic landscape and history paintings. Influenced by European painters, but with a strong American sensibility, he was prolific throughout his career and worked primarily with oil on canvas. His paintings are typically allegoric and often depict small figures or structures set against moody and evocative natural landscapes. They are usually escapist, framing the New World as a natural eden contrasting with the smog-filled cityscapes of Industrial Revolution-era Britain, in which he grew up. His works, often seen as conservative, criticize the contemporary trends of industrialism, urbanism, and westward expansion.
Asher Brown Durand was an American painter of the Hudson River School.
Thomas Sully was an American portrait painter in the United States. Born in Great Britain, he lived most of his life in Philadelphia, Pennsylvania. He painted in the style of Thomas Lawrence. His subjects included national political leaders such as United States presidents: Thomas Jefferson, John Quincy Adams, and Andrew Jackson, Revolutionary War hero General Marquis de Lafayette, and many leading musicians and composers. In addition to portraits of wealthy patrons, he painted landscapes and historical pieces such as the 1819 The Passage of the Delaware. His work was adapted for use on United States coinage.
Daniel Huntington was an American artist who belonged to the art movement known as the Hudson River School and later became a prominent portrait painter.
The Yale University Art Gallery (YUAG) is the oldest university art museum in the Western Hemisphere. It houses a major encyclopedic collection of art in several interconnected buildings on the campus of Yale University in New Haven, Connecticut. Although it embraces all cultures and periods, the gallery emphasizes early Italian Renaissance painting, African sculpture, and modern art.
The Portrait of Juan de Pareja is a painting by Spanish artist Diego Velázquez of the enslaved Juan de Pareja, a notable painter in his own right, who was owned by Velázquez at the time the painting was completed. Velázquez painted the portrait in Rome, while traveling in Italy, in 1650. It is the earliest known portrait of a Spanish man of African descent.
The American Academy of the Fine Arts was an art institution founded in 1802 in New York City, to encourage appreciation and teaching of the classical style. It exhibited copies of classical works and encouraged artists to emulate the classical in their work. The mayor of New York city at the time, Richard Varick, and Gulian Verplanck, a New York politician, were some of the academy's original organizers. Younger artists grew increasingly restive under its constraint, and in 1825 left to found the National Academy of Design.
Beauty Revealed is an 1828 self-portrait by the American artist Sarah Goodridge, a watercolor portrait miniature on a piece of ivory. Depicting only the artist's bared breasts surrounded by white cloth, the 6.7-by-8-centimeter painting, originally backed with paper, is now in a modern frame. Goodridge, aged forty when she completed the miniature, depicts breasts that appear imbued with a "balance, paleness, and buoyancy" by the harmony of light, color, and balance. The surrounding cloth draws the viewer to focus on them, leading to the body being "erased".
AnnHall (1792–1863) was an American painter and miniaturist.
Blueskin was a gray horse ridden by George Washington. He was one of Washington's two primary mounts during the American Revolutionary War. The horse was a half-Arabian, sired by the stallion "Ranger", also known as "Lindsay's Arabian", said to have been obtained from the Sultan of Morocco. Blueskin was a gift to Washington from Colonel Benjamin Tasker Dulany of Maryland. Dulany married Elizabeth French, a ward of Washington's, who gave her away at her wedding to Dulany on February 10, 1773.
Alexander Hamilton is a marble bust portrait of American Founding Father Alexander Hamilton, done in the style of a Roman Senator, by the Italian sculptor Giuseppe Ceracchi. Ceracchi also created many replicas, in both marble and plaster. The bust was later used as a model for several notable sculptures, paintings, and other works featuring Hamilton.
George Washington, also entitled George Washington and William Lee, is a full-length portrait in oil painted in 1780 by the American artist John Trumbull during the American Revolutionary War. General George Washington stands near his enslaved servant William Lee, overlooking the Hudson River in New York, with West Point and ships in the background. Trumbull, who once served as an aide-de-camp to Washington, painted the picture from memory while studying under Benjamin West in London. He finished it before his arrest for high treason in November. The portrait, measuring 36 in × 28 in, is on view in Gallery 753 at the Metropolitan Museum of Art in New York City. Originally in the possession of the de Neufville family of the Netherlands, it was bequeathed to the museum by Charles Allen Munn in 1924.
The Death of General Mercer at the Battle of Princeton, January 3, 1777 is the title of an oil painting by the American artist John Trumbull depicting the death of the American General Hugh Mercer at the Battle of Princeton on Friday, January 3, 1777, during the American Revolutionary War. The painting was Trumbull’s first depiction of an American victory. It is one of a series of historical paintings on the war, which also includes the Declaration of Independence and The Capture of the Hessians at Trenton, December 26, 1776.
General George Washington Resigning His Commission is a large-scale oil painting by American artist John Trumbull of General George Washington resigning his commission as commander-in-chief of the Continental Army on December 23, 1783 to the Congress of the Confederation, then meeting in the Maryland State House at Annapolis, Maryland. The painting was commissioned in 1817, started in 1822, finished in 1824, and is now on view in the United States Capitol rotunda in Washington, D.C., along with three other large-scale paintings by Trumbull about the American Revolutionary War.
General George Washington at Trenton is a large full-length portrait in oil painted in 1792 by the American artist John Trumbull of General George Washington at Trenton, New Jersey, on the night of January 2, 1777, during the American Revolutionary War. This is the night after the Battle of the Assunpink Creek, also known as the Second Battle of Trenton, and before the decisive victory at the Battle of Princeton the next day. The artist considered this portrait "the best certainly of those which I painted." The portrait is on view at the Yale University Art Gallery in New Haven, Connecticut, an 1806 gift of the Society of the Cincinnati in Connecticut. It was commissioned by the city of Charleston, South Carolina, but was rejected by the city, resulting in Trumbull painting another version.
Washington at Verplanck's Point is a full-length portrait in oil painted in 1790 by the American artist John Trumbull of General George Washington at Verplanck's Point on the North River in New York during the American Revolutionary War. The background depicts the September 14, 1782 review of Continental Army troops Washington staged there as an honor for the departing French commander Comte de Rochambeau and his army.
George Washington is a large full-length oil painted by American artist John Trumbull in 1790.
