| Arcadia | |
|---|---|
 | |
| Artist | Thomas Eakins |
| Year | c.1883 |
| Medium | Oil on canvas |
| Dimensions | 38 5/8 x 45 in (98.1 x 114.3 cm) |
| Location | Metropolitan Museum of Art, New York |
| Website | The Met |
Arcadia is a c.1883 painting by Thomas Eakins, Goodrich #196. It is part of the collection of the Metropolitan Museum of Art, in New York. [1]
In the early 1880s, Eakins, instructor in painting at the Pennsylvania Academy of the Fine Arts, began to photograph models dressed in classical garb or nude and posed in vaguely classical poses. He used his friends and students as models, although taking nude photographs of a student was contrary to PAFA policy. [2] Some of the photographs were used as studies for subsequent works, including those of nude young men swimming and relaxing on the shore of Dove Lake for the painting The Swimming Hole (1884-85).
Eakins's models for Arcadia were his former student and soon-to-be wife, Susan Macdowell, his teaching assistant at PAFA, J. Laurie Wallace, and his six-year-old nephew Ben Crowell (son of his sister Fanny). He photographed them outdoors in a number of poses and used the photographs as studies for Arcadia and several related works. [3] The Arcadian works were very personal to Eakins—he even had himself photographed as the piper. [4]
Thomas Cowperthwait Eakins was an American realist painter, photographer, sculptor, and fine arts educator. He is widely acknowledged to be one of the most important American artists.
William Rush was a U.S. neoclassical sculptor from Philadelphia, Pennsylvania. He is considered the first major American sculptor.
John Laurie Wallace (1864–1953) was an Irish-born American painter.
Thomas Pollock Anshutz was an American painter and teacher. Known for his portraiture and genre scenes, Anshutz was a co-founder of The Darby School. One of Thomas Eakins's most prominent students, he succeeded Eakins as director of drawing and painting classes at the Pennsylvania Academy of Fine Arts.
Max Schmitt in a Single Scull is an 1871 painting by Thomas Eakins, Goodrich catalogue #44. It is in the permanent collection of the Metropolitan Museum of Art. Set on the Schuylkill River in Philadelphia, Pennsylvania, it celebrates Eakins's friend Max Schmitt's victory in the October 5, 1870, single sculls competition.
The Swimming Hole is an 1884–85 painting by the American artist Thomas Eakins (1844–1916), Goodrich catalog #190, in the collection of the Amon Carter Museum of American Art in Fort Worth, Texas. Executed in oil on canvas, it depicts six men swimming naked in a lake, and is considered a masterpiece of American painting. According to art historian Doreen Bolger it is "perhaps Eakins' most accomplished rendition of the nude figure", and has been called "the most finely designed of all his outdoor pictures". Since the Renaissance, the human body has been considered both the basis of artists' training and the most challenging subject to depict in art, and the nude was the centerpiece of Eakins' teaching program at the Pennsylvania Academy of the Fine Arts. For Eakins, this picture was an opportunity to display his mastery of the human form.
The Agnew Clinic is an 1889 oil painting by American artist Thomas Eakins. It was commissioned to honor anatomist and surgeon David Hayes Agnew, on his retirement from teaching at the University of Pennsylvania.
The Thinker: Portrait of Louis N. Kenton is an oil painting of 1900 by the American artist Thomas Eakins. It is a depiction of the artist's brother-in-law, Louis N. Kenton (1865–1947), and it has been called "one of Eakins's most memorable portraits". The painting is one of a series of life size standing male portraits painted late in Eakins's career.
William Rush and His Model is the collective name given to several paintings by Thomas Eakins, one set from 1876–77 and the other from 1908. These works depict the American wood sculptor William Rush in 1808, carving his statue Water Nymph and Bittern for a fountain at Philadelphia's first waterworks. The water nymph is an allegorical figure representing the Schuylkill River, which provided the city's drinking water, and on her shoulder is a bittern, a native waterbird related to the heron. Hence, these Eakins works are also known as William Rush Carving His Allegorical Figure of the Schuylkill River.
Susan Hannah Eakins was an American painter and photographer. Her works were first shown at the Pennsylvania Academy of the Fine Arts, where she was a student. She won the Mary Smith Prize there in 1879 and the Charles Toppan prize in 1882.
Howard Roberts was an American sculptor based in Philadelphia, Pennsylvania. At the time of the 1876 Centennial Exposition, he was "considered the most accomplished American sculptor." But his output was small, his reputation was soon surpassed by Augustus Saint-Gaudens and others, and he is now all but forgotten. Examples of his work are in the collections of the Pennsylvania Academy of the Fine Arts, the Philadelphia Museum of Art, and the U.S. Capitol.
Samuel Aloysius Murray was an American sculptor, educator, and protégé of the painter Thomas Eakins.
The Fairman Rogers Four-in-Hand is an 1879-80 painting by Thomas Eakins. It shows Fairman Rogers driving a coaching party in his four-in-hand carriage through Philadelphia's Fairmount Park. It is thought to be the first painting to examine precisely, through systematic photographic analysis, how horses move.
Art Students' League of Philadelphia was a short-lived, co-operative art school formed in reaction to Thomas Eakins's February 1886 forced-resignation from the Pennsylvania Academy of the Fine Arts. Eakins taught without pay at ASL from 1886 until the school's dissolution in early 1893.
Frank Benton Ashley Linton was an American portrait-painter and teacher. He was a student of Thomas Eakins, studied the École des Beaux-Arts, and won a bronze medal at the 1927 Salon Nationale in Paris. Likely a closeted gay man, he lived with pianist Samuel Meyers for more than thirty years.
David Frost Sellin was an American art historian, curator, educator, and author. He taught at a number of universities, worked on the staffs of several museums, and served as curator of the U.S. Capitol, 1976-1980.
Joseph E. Temple Fund Gold Medal (defunct) was a prestigious art prize awarded by the Pennsylvania Academy of the Fine Arts most years from 1883 to 1968. A Temple Medal recognized the best oil painting by an American artist shown in PAFA's annual exhibition. Recipients included James Whistler, John Singer Sargent, Winslow Homer, Thomas Eakins, Robert Henri and Edward Hopper.
Charles Bregler was an American portrait painter and sculptor, and a student of artist Thomas Eakins. Bregler wrote about Eakins's teaching methods, and amassed a large collection of his minor works, memorabilia and papers. Following Bregler's death, his widow safeguarded the Eakins collection for decades before selling it to the Pennsylvania Academy of the Fine Arts.
Elizabeth Macdowell Kenton (1858–1953) was an American artist known for her figure paintings and portraits. She was also a photographer.