| Glass Blowers of Murano | |
|---|---|
 | |
| Artist | Charles Frederic Ulrich |
| Year | 1886 |
| Medium | Oil on wood |
| Dimensions | 66.4 cm× 53.7 cm(26.1 in× 21.1 in) |
| Location | Metropolitan Museum of Art, New York |
Glass Blowers of Murano is a late 19th-century painting by American artist Charles Frederic Ulrich. Done in oil on wood, the work depicts a glassblowing foundry in Murano, Italy, which was famed for its glass. The painting is in the collection of the Metropolitan Museum of Art. [1]
Murano is a series of islands linked by bridges in the Venetian Lagoon, northern Italy. It lies about 1.5 km (1 mi) north of Venice and measures about 1.5 km (1 mi) across with a population of just over 5,000. It is famous for its glass making. It was once an independent comune, but is now a frazione of the comune of Venice.
Glassblowing is a glassforming technique that involves inflating molten glass into a bubble with the aid of a blowpipe. A person who blows glass is called a glassblower, glassmith, or gaffer. A lampworker manipulates glass with the use of a torch on a smaller scale, such as in producing precision laboratory glassware out of borosilicate glass.
Antonio Salviati was an Italian glass manufacturer and founder of the Salviati family firm.
Venetian glass is glassware made in Venice, typically on the island of Murano near the city. Traditionally it is made with a soda–lime "metal" and is typically elaborately decorated, with various "hot" glass-forming techniques, as well as gilding, enamel, or engraving. Production has been concentrated on the Venetian island of Murano since the 13th century. Today Murano is known for its art glass, but it has a long history of innovations in glassmaking in addition to its artistic fame—and was Europe's major center for luxury glass from the High Middle Ages to the Italian Renaissance. During the 15th century, Murano glassmakers created cristallo—which was almost transparent and considered the finest glass in the world. Murano glassmakers also developed a white-colored glass that looked like porcelain. They later became Europe's finest makers of mirrors.
Chevron beads are special glass beads; the first specimens of this type were created by glass bead makers in Venice and Murano, Italy, toward the end of the 14th century. The first examples were invented by Marietta Barovier. They may also be referred to as rosetta, or star beads. The term rosetta first appeared in the inventory of the Barovier Glass works in Murano, in 1496, in context with beads as well as with other glass objects.
Opaline glass is a style of antique glassware that was produced in Europe, particularly 19th-century France. It was made by adding particular phosphates or oxides during the mixing process of the glass' processing, giving the material a quality of opalescence.
Murano beads are intricate glass beads influenced by Venetian glass artists. Since 1291, Murano glassmakers have refined technologies for producing beads and glasswork such as crystalline glass, enamelled glass (smalto), glass with threads of gold (aventurine), multicolored glass (millefiori), milk glass (lattimo) and imitation gemstones made of glass.
Lino Tagliapietra is an Italian glass artist originally from Venice, who has also worked extensively in the United States. As a teacher and mentor, he has played a key role in the international exchange of glassblowing processes and techniques between the principal American centers and his native Murano, "but his influence is also apparent in China, Japan, and Australia—and filters far beyond any political or geographic boundaries."
A family called Salviati were glass makers and mosaicists in Murano, Venice and also in London, working as the firm Salviati, Jesurum & Co. of 213 Regent Street, London; also as Salviati and Co. and later as the Venice and Murano Glass and Mosaic Company.
Robert William Willson was an American artist and sculptor notable for his creative use of solid glass. He was one of the first Americans to work with solid glass in partnership with the glass blowers of Murano, Italy.
Jean-Michel Othoniel is a French contemporary artist. He has worked in a variety of artistic media, including film, installation, photography and sculpture. In 2000 he designed a new entrance for the Palais Royal–Musée du Louvre station of the Paris Métro.
Flo Perkins is an American glass artist currently working and residing in the Pojoaque Valley north of Santa Fe, New Mexico. She received her Bachelor of Arts from the Philadelphia College of Art (1974), Master of Arts from the University of California at Los Angeles (1981), and she studied under renowned Italian master glass blower Lino Tagliapietra. Her work can be found in several museum collections including the Corning Museum of Glass, the Los Angeles County Museum of Art, the Albuquerque Museum and the Racine Art Museum as well as numerous public and private collections.
Pauly & C. - Compagnia Venezia Murano is one of the oldest glass factories of Murano: it was founded more than 150 years ago. The company produces glass art, most notably Roman murrine, mosaics and chandeliers.
Paolo Venini emerged as one of the leading figures in the production of Murano glass and an important contributor to twentieth century Italian design. He is known for having founded the eponymous Venini & C. glassworks.
Charles Frederic Ulrich was an American Realist painter who spent most of his career in Germany. He is best known for his genre scenes of working-class people.
The Murano Glass Museum is a museum on the history of glass, including local Murano glass, located on the island of Murano, just north of Venice, Italy.
Berengo Studio is a glass studio transforming the art of glass and glass art through collaborations with contemporary artists based in Murano, Venice, Italy.
The Seguso family has been dedicated to the art of Murano glass in Venice since May 3, 1397. Seguso is one of the most esteemed, historical and respected glass manufacturers on the island, and among the largest glass furnaces in Murano, which has a few, homonymous furnaces. Glass made by the Seguso furnace can be found in over 75 museums worldwide, such as MOMA in New York and the Victoria and Albert Museum in London. Today, Seguso is known for its high end Venetian glass objects, lighting, accessories and custom installations. Seguso glass has been made for the Pope, Royalty and numerous luxury interiors throughout the world.
The Palazzo da Mula is a Venetian villa on the island of Murano in the Venice Lagoon, on the sub-island of San Pietro Martire, on the south bank of the Canale degli Angeli, near the Ponte Vivarini bridge that leads to the main island of Murano, San Donato. The palazzo is the last remnant of Venetian villas built in Murano in the 15th and 16th centuries. Originally there were only a few villas with extensive gardens on the island, but today the Palazzo da Mula is integrated into a row of houses. The 16th and 17th-century structure and details of the palazzo can be traced back to the Da Mula family, who had acquired the palazzo from the aristocratic Diedo family in 1621. The Da Mulas resided in this palazzo until 1712, when it was rented to the aristocratic family of Giacomo Fontanella, a member of the new aristocracy of glass masters, for a sum of 110 ducats. The property then passed to Giacomo's son, Zuanne Fontanella.
Flavio Poli (1900-1984) was an Italian artist, known for his designs in glass.
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