Related Research Articles
Heavy metal fashion is the style of dress, body modification, make-up, hairstyle, and so on, taken on by fans of heavy metal, or, as they are often called, metalheads or headbangers. While the style has changed from the 1970s to the 2020s, certain key elements have remained constant, such as black clothes, long hair and leather jackets. In the 1980s, some bands began wearing spandex. Other attire includes denim or leather vests or jackets with band patches and logos, t-shirts with band names, and spiked wristbands.
Paul Poiret was a French fashion designer, a master couturier during the first two decades of the 20th century. He was the founder of his namesake haute couture house.
Leonor Fini was an Argentinian-born Italian surrealist painter, designer, illustrator, and author, known for her depictions of powerful and erotic women.
Empire silhouette, Empire line, Empire waist or just Empire is a style in clothing in which the dress has a fitted bodice ending just below the bust, giving a high-waisted appearance, and a gathered skirt which is long and loosely fitting but skims the body rather than being supported by voluminous petticoats. The outline is especially flattering to pear shapes wishing to disguise the stomach area or emphasize the bust. The shape of the dress also helps to lengthen the body's appearance.
Viktor & Rolf is a Dutch avant-garde luxury fashion house founded in 1993 by Viktor Horsting and Rolf Snoeren. For more than twenty years, Viktor & Rolf have sought to challenge preconceptions of fashion and bridge the divide between fashion and art. Viktor & Rolf have designed both haute couture and ready-to-wear collections. The duo is renowned for their avant-garde designs, which rely heavily on theatrical and performative fashion runways.
Alexander Mark "A. M." Hanson is an English artist and photographer. He is based in London.
Adelle Lutz is an American artist, designer and actress, most known for work using unconventional materials and strategies to explore clothing as a communicative medium. She first gained attention for the surreal "Urban Camouflage" costumes featured in David Byrne's film True Stories (1986). She has designed costumes for film director Susan Seidelman, theater directors Robert Wilson and JoAnne Akalaitis, and musicians including Byrne, Bono and Michael Stipe. In the 1990s, she began to shift from costume to sculpture, installation art and eventually, performance. Lutz's art and design have been exhibited at the Metropolitan Museum of Art and Fashion Institute of Technology (FIT), the Victoria and Albert Museum and Barbican Art Centre (London), the Montreal Museum of Decorative Arts and the Rock and Roll Hall of Fame (Cleveland), among many venues. In 2002, the Judith Clark Costume Gallery in London presented a career survey. Her work has also been featured in The New York Times, Harper's Magazine, Newsweek, Village Voice, Vanity Fair and Paper and in books on fashion, costume and public art, including Fashion and Surrealism (1987), Designed for Delight (1997), Twenty Years of Style: The World According to Paper (2004), and Because Dreaming is Best Done in Public: Creative Time in Public Spaces (2012). Her work Ponytail Boot (2002) is part of the Metropolitan Museum of Art collection.
The bals des victimes, or victims' balls, were balls that were said to have been put on by dancing societies after the Reign of Terror. To be admitted to these societies and balls, one had to be a near relative of someone who had been guillotined during the Terror. The balls came to prominence after the death of Robespierre, supposedly first being held in early 1795 and first mentioned in popular writing in 1797. While anecdotal evidence attests to the balls' occurrence, and generations of French and non-French historians described them and accepted them as fact, some recent scholarship, citing a near-total lack of primary evidence, argues that they may have been fabrications based on rumor. Historian David Bell concludes: "The bals des victimes... never took place — they were an invention of early nineteenth-century Romantic authors."
The Incroyables and their female counterparts, the Merveilleuses, were members of a fashionable aristocratic subculture in Paris during the French Directory (1795–1799). Whether as catharsis or in a need to reconnect with other survivors of the Reign of Terror, they greeted the new regime with an outbreak of luxury, decadence, and even silliness. They held hundreds of balls and started fashion trends in clothing and mannerisms that today seem exaggerated, affected, or even effete. They were also mockingly called "incoyable" or "meveilleuse", without the letter R, reflecting their upper class accent in which that letter was lightly pronounced, almost inaudibly. When this period ended, society took a more sober and modest turn.
Gary Simmons is an American artist from New York City. Using icons and stereotypes of American popular culture, he creates works that address personal and collective experiences of race and class. He is best known for his "erasure drawings," in which he draws in white chalk on slate-painted panels or walls, then smudges them with his hands – a technique that renders their imagery ghostly.
Derek Ridgers is a British photographer known for his photography of music, film and club/street culture. He has photographed people including James Brown, the Spice Girls, Clint Eastwood and Johnny Depp, as well as politicians, gangsters, artists, writers, fashion designers and sports people. Ridgers has also photographed British social scenes such as skinhead, fetish, club, punk and New Romantic.
The Met Gala, or Met Ball, formally called the Costume Institute Gala or the Costume Institute Benefit, is an annual fundraising gala held for the benefit of the Metropolitan Museum of Art's Costume Institute in New York City. The Gala is popularly regarded as the world's most prestigious fashion event, and an invitation is highly sought after. Celebrities from various professional spheres, including fashion, film, television, theater, music, business, sports, social media, and politics, are invited to the gala, organized by the fashion magazine Vogue.
Alexander McQueen: Savage Beauty was an art exhibition held in 2011 at the Metropolitan Museum of Art featuring clothing created by British fashion designer Alexander McQueen, as well as accessories created for his runway shows. The exhibit was extremely popular in New York City and resulted in what was then record attendance for the museum. The curators were Andrew Bolton and Harold Koda.
The Anna Wintour Costume Center is a wing of the Metropolitan Museum of Art's main building in Manhattan that houses the collection of the Costume Institute. The center is named after Anna Wintour, the longtime and current editor-in-chief of Vogue, artistic director of Condé Nast, and chair of the museum's annual Met Gala since 1995. It was endowed by Lizzie and Jonathan Tisch. As of August 2017, the chief curator is Andrew Bolton.
The Chapeau à la Paméla, Pamela hat or Pamela bonnet described a type of straw hat or bonnet popular during the 1790s and into the first three quarters of the 19th century. It was named after the heroine of Samuel Richardson's 1741 novel Pamela; or, Virtue Rewarded. While Pamela hats and bonnets underwent a variety of changes in shape and form, they were always made from straw. The mid-19th-century version of the Pamela hat was a smaller version of an early 19th-century wide-brimmed style called the gipsy hat.
Jean-François Bony was a French painter, draftsman, embroiderer, silk manufacturer, and flower painter. A talented artist, his designs include studies of a dress and mantle proposed for the wearing of Josephine de Beauharnais at the coronation of Napoleon. Bony was active before, during and after the French Revolution, also designing fabrics for Marie Antoinette, Empress Marie Louise and Napoleon himself.
Camp: Notes on Fashion was the 2019 high fashion art exhibition of the Anna Wintour Costume Center, a wing of the Metropolitan Museum of Art in New York that houses the collection of the Costume Institute.
Jacqueline Kennedy: The White House Years was a 2001 exhibition that was presented by the Costume Institute at the Metropolitan Museum of Art. The event was timed to mark the 40th anniversary of her "emergence as America’s first lady." Organized by The Metropolitan Museum of Art and the John F. Kennedy Library and Museum, the exhibition was devoted to exploring the former First Lady's iconic style and impact on the fashion world.
AngloMania: Tradition and Transgression in British Fashion was an exhibition curated by Andrew Bolton at the Metropolitan Museum of Art that ran from May 3 to September 4, 2006. The exhibition featured fashion from throughout Europe in the eighteenth-century that was influenced directly by British attitudes, ideas, and trends. However, these were not accurate depictions of British fashion, but idealized depictions of "a nation's notorious vanity, a romance with itself, and the eccentric desire of English designers to re-establish the establishment." The exhibit is composed of nine "theatrical installations containing clothed mannequins and paintings" that contrasted historical and modern aspects of fashion.
Heavenly Bodies: Fashion and the Catholic Imagination was the 2018 high fashion art exhibition of the Anna Wintour Costume Center, a wing of the Metropolitan Museum of Art (MMA) which houses the collection of the Costume Institute.
References
- 1 2 3 "Katell le Bourhis by Elizabeth Cannon – BOMB Magazine". bombmagazine.org. March 7, 1993. Retrieved September 26, 2020.
- 1 2 3 4 5 Costume Institute (New York, N.Y.), ed. (1992). Fashion and history: [installation photographs, wall text] a dialogue, December 7, 1992 – March 21, 1993.
- ↑ Tobi Tobias (March 7, 1993). "Design for living". washingtonpost.com. Retrieved September 26, 2020.
https://fashionexhibitionmaking.arts.ac.uk/fashion-and-history-a-dialogue/
