The British Museum is a public museum dedicated to human history, art and culture located in the Bloomsbury area of London. Its permanent collection of eight million works is the largest in the world. It documents the story of human culture from its beginnings to the present. Established in 1753, the British Museum was the first public national museum to cover all fields of knowledge.
Contrapposto is an Italian term that means "counterpoise". It is used in the visual arts to describe a human figure standing with most of its weight on one foot, so that its shoulders and arms twist off-axis from the hips and legs in the axial plane.
Praxiteles of Athens, the son of Cephisodotus the Elder, was the most renowned of the Attic sculptors of the 4th century BC. He was the first to sculpt the nude female form in a life-size statue. While no indubitably attributable sculpture by Praxiteles is extant, numerous copies of his works have survived; several authors, including Pliny the Elder, wrote of his works; and coins engraved with silhouettes of his various famous statuary types from the period still exist.
Ancient art refers to the many types of art produced by the advanced cultures of ancient societies with different forms of writing, such as those of ancient China, India, Mesopotamia, Persia, Palestine, Egypt, Greece, and Rome. The art of pre-literate societies is normally referred to as prehistoric art and is not covered here. Although some pre-Columbian cultures developed writing during the centuries before the arrival of Europeans, on grounds of dating these are covered at pre-Columbian art and articles such as Maya art, Aztec art, and Olmec art.
The Diadumenos ("diadem-bearer"), together with the Doryphoros, are two of the most famous figural types of the sculptor Polyclitus, forming a basic pattern of Ancient Greek sculpture that all present strictly idealized representations of young male athletes in a convincingly naturalistic manner.
The Venus de' Medici or Medici Venus is a 1.53 m tall Hellenistic marble sculpture depicting the Greek goddess of love Aphrodite. It is a 1st-century BC marble copy, perhaps made in Athens, of a bronze original Greek sculpture, following the type of the Aphrodite of Knidos, which would have been made by a sculptor in the immediate Praxitelean tradition, perhaps at the end of the century. It has become one of the navigation points by which the progress of the Western classical tradition is traced, the references to it outline the changes of taste and the process of classical scholarship. It is housed in the Uffizi Gallery, Florence, Italy.
The Crouching Venus is a Hellenistic model of Venus surprised at her bath. Venus crouches with her right knee close to the ground, turns her head to the right and, in most versions, reaches her right arm over to her left shoulder to cover her breasts. To judge by the number of copies that have been excavated on Roman sites in Italy and France, this variant on Venus seems to have been popular.
In ancient Greek religion, kriophoros or criophorus, the "ram-bearer," is a figure of Hermes that commemorates the solemn sacrifice of a ram; thus, one of the god's epithets is Hermes Kriophoros.
The Guilford Puteal is a Pentelic marble Ancient Roman sculpture. Its name derives from its use as a puteal or wellhead, and one of its previous owners, Frederick North, second Earl of Guilford. Its discovery in Corinth gives rise to an alternative modern name, the Corinth Puteal.
Adolf Michaelis was a German classical scholar, a professor of art history at the University of Strasbourg from 1872, who helped establish the connoisseurship of Ancient Greek sculpture and Roman sculpture on their modern footing. Just at the cusp of the introduction of photography as a tool of art history, Michaelis pioneered supplementing his descriptions with sketches.
The Museum of Fine Arts of Lyon is a municipal museum of fine arts in the French city of Lyon. Located near the Place des Terreaux, it is housed in a former Benedictine convent which was active during the 17th and 18th centuries. It was restored between 1988, and 1998, remaining open to visitors throughout this time despite the ongoing restoration works. Its collections range from ancient Egyptian antiquities to the Modern art period, making the museum one of the most important in Europe. It also hosts important exhibitions of art, for example the exhibitions of works by Georges Braque and Henri Laurens in the second half of 2005, and another on the work of Théodore Géricault from April to July 2006. It is one of the largest art museums in France.
Sir Francis Cook, 1st Baronet, 1st Viscount Monserrate was a British merchant and art collector.
The History Museum of Armenia is a museum in Armenia with departments of Archaeology, Numismatics, Ethnography, Modern History and Restoration. It has a national collection of 400,000 objects and was founded in 1920. Of the main collection, 35% is made up of archaeology-related items, 8% is made up of ethnography-related items, 45% is made of numismatics-related items, and 12% is made up of documents. It is regarded as Armenia's national museum and is located on Republic Square in Yerevan. The state financially supports the museum and owns both the collection and the building. The museum carries out conservation and restoration work and publishes works on Armenian architecture, archaeology, ethnography, and history. They also have published a series of reports on archaeological excavations since 1948. The museum carries out educational and scientific programs on Armenian history and culture as well.
The Lansdowne Heracles is a Roman marble sculpture of about 125 CE. Today it is in the collection of the J. Paul Getty Museum's Getty Villa on the Malibu Coast, Los Angeles. The statue represents the hero Heracles as a beardless Lysippic youth grasping the skin of the Nemean lion with his club upon his shoulder. The work was discovered in 1790 in Tivoli, Italy, on the site of Hadrian's Villa, where many fine Hadrianic copies and pastiches of Greek sculptures had been discovered since the 16th century. Today, the sculpture is considered to be an example of Roman-era improvisations on the Greek sculptural style of the fourth century BCE rather than a copy of a specific Greek original.
The Chaourse Treasure is a hoard of Roman silver found in Chaourse, a village near Montcornet, Aisne in northern France in 1883. Dating between the 2nd and 3rd centuries AD, the treasure is one of the most complete table services to survive from antiquity. This important hoard is now part of the British Museum's collection.
The Paramythia Hoard or Paramythia Treasure is the name of a Greco-Roman hoard of bronze figurines and other objects found in Paramythia, north-west Greece in the late 18th century. Of the original nineteen objects found in the hoard, fourteen are now in the British Museum
Ancient Greek art stands out among that of other ancient cultures for its development of naturalistic but idealized depictions of the human body, in which largely nude male figures were generally the focus of innovation. The rate of stylistic development between about 750 and 300 BC was remarkable by ancient standards, and in surviving works is best seen in sculpture. There were important innovations in painting, which have to be essentially reconstructed due to the lack of original survivals of quality, other than the distinct field of painted pottery.
The Rearing Horse and Mounted Warrior or Budapest horse is a bronze sculpture attributed to Leonardo da Vinci. Depicting Francis I of France on a destrier horse, it is estimated to have been cast from a clay or wax model in the first half of the 16th century. The sculpture is in the permanent exhibit of the Budapest Museum of Fine Arts.
Floating Figure is a 1927 sculpture by Gaston Lachaise.
The Torlonia Collection is a private art collection of 620 Ancient Greek and Roman art works assembled by the noble Torlonia family of Rome, Italy. It has been called "the greatest private collection of ancient Roman antiquity" by archaeologist Darius Arya. Around 180 pieces are busts, one of the largest collections of Roman portraiture in the world.
