| By the Seashore | |
|---|---|
 | |
| Artist | Pierre-Auguste Renoir  |
| Year | 1883 |
| Medium | oil paint, canvas |
| Dimensions | 92.1 cm (36.3 in) × 72.4 cm (28.5 in) |
| Location | Metropolitan Museum of Art |
| Accession No. | 29.100.125 |
| Identifiers | The Met object ID: 437430 |
By the Seashore is a painting by Pierre-Auguste Renoir completed in 1883 and is now housed in the Metropolitan Museum of Art in New York City. [1]
Renoir made a trip to Italy in 1881-82 and was deeply influenced by Renaissance art. After this trip he began to explore a new manner of painting, different from impressionism. He started to emphasize contours and modeling, abandoned the principle that scenes should be painted outdoors to capture light and atmosphere. [2]
Late in the summer of 1883, Renoir spent about a month in St. Peter Port, the capital of Guernsey, and admired the rocks, cliffs and stunning view of Moulin Huet Bay in St. Martin. He painted the starts of fifteen pictures during his stay, most of which were finished later in his Paris studio. Guernsey lies 48 km off the coast of mainland Normandy. Both share the same geology and Guernsey fulfills the "by the sea" criterion in the exhibition title. [3]
However, By the Seashore is thought to have been painted in the artist's studio. [1] The beach depicted here is probably not in the Channel Islands but near Dieppe, on the Normandy coast. The model was Aline Charigot, his then girlfriend, whom he married in 1890. [2] The arc of the sitter's dark eyebrows and saucily tilted nose in that pleasant, rosy-cheeked face are common to works by Renoir.
By the Seashore proto-typically reflects this period in Renoir's art. He worked with small compositions in the field that he then pulled together in more elaborate, larger works while in his studio. He was also playing with the disparity of space and scale between figure and background at this time. [3]
The painting is in the collection of the Metropolitan since 1929 from the bequest of Mrs. H. O. Havemeyer. [4]
Oscar-Claude Monet was a French painter and founder of impressionist painting who is seen as a key precursor to modernism, especially in his attempts to paint nature as he perceived it. During his long career, he was the most consistent and prolific practitioner of impressionism's philosophy of expressing one's perceptions of nature, especially as applied to plein air (outdoor) landscape painting. The term "Impressionism" is derived from the title of his painting Impression, soleil levant, exhibited in 1874 initiated by Monet and his associates as an alternative to the Salon.
Impressionism was a 19th-century art movement characterized by relatively small, thin, yet visible brush strokes, open composition, emphasis on accurate depiction of light in its changing qualities, ordinary subject matter, unusual visual angles, and inclusion of movement as a crucial element of human perception and experience. Impressionism originated with a group of Paris-based artists whose independent exhibitions brought them to prominence during the 1870s and 1880s.
Pierre-Auguste Renoir was a French artist who was a leading painter in the development of the Impressionist style. As a celebrator of beauty and especially feminine sensuality, it has been said that "Renoir is the final representative of a tradition which runs directly from Rubens to Watteau."
Bal du moulin de la Galette is an 1876 painting by French artist Pierre-Auguste Renoir.
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Lise Tréhot was a French art model who posed for artist Pierre-Auguste Renoir from 1866 until 1872, during his early Salon period. She appeared in more than twenty paintings, including notable works such as Lise with a Parasol (1867) and In Summer (1868), and she was the model for almost all of Renoir's work featuring female figures at this time. Tréhot married Georges Brière de l'Isle in 1883 and raised four children to whom she bequeathed two of Renoir's paintings, Lise Sewing (1867–68) and Lise in a White Shawl (1872), both of which are currently held by the Dallas Museum of Art.
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Lise with a Parasol is an oil on canvas painting by French artist Pierre-Auguste Renoir, created in 1867 during his early Salon period. The full-length painting depicts model Lise Tréhot posing in a forest. She wears a white muslin dress and holds a black lace parasol to shade her from the sunlight, which filters down through the leaves, contrasting her face in the shadow and her body in the light, highlighting her dress rather than her face. After having several paintings rejected by the Salon, Renoir's Lise with a Parasol was finally accepted and exhibited in May 1868.
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Blonde Bather is the name of two very similar paintings by French painter Pierre-Auguste Renoir, created in 1881 and 1882. The model was Aline Charigot, later to become Renoir's wife. Influenced by Renaissance painting that Renoir saw in Italy in 1881, both paintings show a marked change of style from Renoir's previous work. Some commentators consider these are works of great beauty, others that they are vulgar. There has been criticism of the conservation work performed on the 1881 painting.
Aline Victorine Charigot was a model for Auguste Renoir and later became his wife while continuing to model for him and then caring for him when he became disabled. She is pictured in many of his paintings over very many years, most famously in the early 1880s Luncheon of the Boating Party, and Blonde Bather. They had three children together, two of whom, Pierre and Jean, went on to have distinguished careers in film, and the third, Claude, became a ceramic artist. Pierre had a son Claude who became the well-known cinematographer. She predeceased her elderly husband.
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Victor Chocquet was a French art collector and an ardent propagandist of Impressionism. As a senior editor at the Directorate-General of Customs and Indirect Taxes, he was present at all the exhibitions where he defended painters confronted with mockery and insults. His collection was huge. It was dispersed after his death in 1899. Many of the paintings are currently in American museums.
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Media related to By the Seashore (1883) by Pierre-Auguste Renoir in the Metropolitan Museum of Art at Wikimedia Commons
