Still Life: Flowers (Nature morte: fleurs) is an oil on canvas by Pierre-Auguste Renoir in the Thannhauser Collection at the Guggenheim Museum, New York.
This 1885 painting is similar to Still Life: Flowers and Prickly Pears believed to be painted a year earlier, but in this case Renoir did not include the fruit and table cloth and was more restrained in his use of color. [1]
Pierre-Auguste Renoir was a French artist who was a leading painter in the development of the Impressionist style. As a celebrator of beauty and especially feminine sensuality, it has been said that "Renoir is the final representative of a tradition which runs directly from Rubens to Watteau."
The Musée d'Orsay is a museum in Paris, France, on the Left Bank of the Seine. It is housed in the former Gare d'Orsay, a Beaux-Arts railway station built between 1898 and 1900. The museum holds mainly French art dating from 1848 to 1914, including paintings, sculptures, furniture, and photography. It houses the largest collection of Impressionist and post-Impressionist masterpieces in the world, by painters including Berthe Morisot, Claude Monet, Édouard Manet, Degas, Renoir, Cézanne, Seurat, Sisley, Gauguin, and van Gogh. Many of these works were held at the Galerie nationale du Jeu de Paume prior to the museum's opening in 1986. It is one of the largest art museums in Europe.
Suzanne Valadon was a French painter who was born Marie-Clémentine Valadon at Bessines-sur-Gartempe, Haute-Vienne, France. In 1894, Valadon became the first woman painter admitted to the Société Nationale des Beaux-Arts. She was also the mother of painter Maurice Utrillo.
Luncheon of the Boating Party French: Le Déjeuner des canotiers is an 1881 painting by French impressionist Pierre-Auguste Renoir. Included in the Salon in 1882, it was identified as the best painting in the show by three critics. It was purchased from the artist by the dealer-patron Paul Durand-Ruel and bought in 1923 from his son by industrialist Duncan Phillips, who spent a decade in pursuit of the work. It is now in The Phillips Collection in Washington, D.C. It shows a richness of form, a fluidity of brush stroke, and a flickering light.
The Thannhauser Galleries were established by the Thannhauser family in early 20th century Europe. Their cutting-edge exhibitions helped forge the reputations of many of the most important Modernist artists.
By the Seashore is a painting by Pierre-Auguste Renoir completed in 1883 and is now housed in the Metropolitan Museum of Art in New York City.
Auguste Pellerin was a French entrepreneur and art collector. He was one of the most important collectors of the works of Édouard Manet and Paul Cézanne at the beginning of the 20th century.
Young Girls at the Piano is an oil-on-canvas painting by French artist Pierre-Auguste Renoir, a leading painter in the development of the Impressionist style. The painting represents his late work period (1892–1919). It was completed in 1892 as an informal commission for the Musée du Luxembourg. Renoir painted three other variations of this composition in oil and two sketches, one in oil and one in pastel. Known by the artist as repetitions, they were executed to fulfill commissions from dealers and collectors. The work is on public display at the Musée d'Orsay in Paris, Metropolitan Museum of Art in New York, and the Musée de l'Orangerie in Paris.
Justin K. Thannhauser (1892–1976) was a German art dealer and collector who was an important figure in the development and dissemination of modern art in Europe.
Dance at Bougival is an 1883 oil-on-canvas painting by the French artist Pierre-Auguste Renoir, currently in the collection of the Museum of Fine Arts in Boston, Massachusetts, United States. Described as "one of the museum's most beloved works", it is one of three in a collection commissioned by Paul Durand-Ruel. It depicts a scene in the French village of Bougival, about 15 km from the center of Paris, a site utilized by many Impressionists besides Renoir including Claude Monet, Alfred Sisley, and Berthe Morisot.
Madame Clémentine Valensi Stora (L'Algérienne) is an oil painting by Pierre-Auguste Renoir, completed in 1870. It depicts a young Jewish woman, Rebecca Clémentine Stora, in Algerian costume and is untypical of Renoir's work, leading to debate about the place of the painting within his oeuvre. Renoir and Stora both later repudiated the work.
Toward the end of his life, Vincent van Gogh began to explore portraiture. Before he was ready to have friends and family sit for him, his subjects were anonymous like the portrait Head of a Girl. He sent this portrait, as well as the one depicted in The Zouave, drawn in late June, 1888, in a letter to his friend the Australian painter John Russell.
Portrait of Countess Albazzi is a painting by Édouard Manet, executed in 1880, which became a part of the Thannhauser Collection of the Solomon R. Guggenheim Museum as a bequest of Hilde Thannhauser.
Woman Ironing is a 1904 oil painting by Pablo Picasso that was completed during the artist's Blue Period (1901—1904). This evocative image, painted in neutral tones of blue and gray, depicts an emaciated woman with hollowed eyes, sunken cheeks, and bent form, as she presses down on an iron with all her will. A recurrent subject matter for Picasso during this time is the desolation of social outsiders. This painting, as the rest of his works of the Blue Period, is inspired by his life in Spain but was painted in Paris.
Woman with Parakeet is a painting by Pierre-Auguste Renoir created in 1871. It is in the holdings of the Solomon R. Guggenheim Museum in New York as part of the Thannhauser Collection. The painting portrays model Lise Tréhot, who posed for Renoir in over twenty paintings during the years 1866 to 1872.
Aline Victorine Charigot was a model for Auguste Renoir and later became his wife while continuing to model for him and then caring for him when he became disabled. She is pictured in many of his paintings over very many years, most famously in the early 1880s Luncheon of the Boating Party, and Blonde Bather. They had three children together, two of whom, Pierre and Jean, went on to have distinguished careers in film, and the third, Claude, became a ceramic artist. Pierre had a son Claude who became the well-known cinematographer. She predeceased her elderly husband.
Victor Chocquet was a French art collector and an ardent propagandist of Impressionism. As a senior editor at the Directorate-General of Customs and Indirect Taxes, he was present at all the exhibitions where he defended painters confronted with mockery and insults. His collection was huge. It was dispersed after his death in 1899. Many of the paintings are currently in American museums.
Paul Robert Ernst von Mendelssohn-Bartholdy was a German Jewish banker and art collector. The persecution of his family under the Nazis has resulted in numerous lawsuits for restitution.
Alexandre Renoir is a contemporary French-Canadian artist known for his modern interpretation of Impressionist themes. He is the great-grandson of Pierre-Auguste Renoir, the celebrated French Impressionist painter, and is among the few in his family to have followed the artistic lineage.
Major works at the Solomon R. Guggenheim Museum | |
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