Portrait of William Sisley | |
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Artist | Pierre-Auguste Renoir |
Year | 1864 |
Medium | Oil on canvas |
Dimensions | 81 cm× 65 cm(32 in× 26 in) |
Location | Musée d'Orsay, Paris, France |
Portrait of William Sisley is an oil-on-canvas painting by the French artist Pierre-Auguste Renoir, created in 1864 during his early Salon and Fontainebleau period. It was first exhibited under the title Portrait de M. W. S. at the Salon of 1865, where it was accepted along with Summer Evening (Soirée d'été), a painting now considered lost. It was likely commissioned from Renoir by his friend Alfred Sisley to help him with his financial difficulties. The painting portrays Sisley's father, William, a businessman born in France in 1799 to an English father. Portrait of William Sisley is currently held by the Musée d'Orsay. [1]
This early work shows the influence of Realism on Renoir, exemplified by artists like Gustave Courbet, as well as the Neoclassicism of Jean-Auguste-Dominique Ingres, a favorite of Renoir's. [2]
Jean Frédéric Bazille was a French Impressionist painter. Many of Bazille's major works are examples of figure painting in which he placed the subject figure within a landscape painted en plein air.
Impressionism was a 19th-century art movement characterized by relatively small, thin, yet visible brush strokes, open composition, emphasis on accurate depiction of light in its changing qualities, ordinary subject matter, unusual visual angles, and inclusion of movement as a crucial element of human perception and experience. Impressionism originated with a group of Paris-based artists whose independent exhibitions brought them to prominence during the 1870s and 1880s.
Pierre-Auguste Renoir was a French artist who was a leading painter in the development of the Impressionist style. As a celebrator of beauty and especially feminine sensuality, it has been said that "Renoir is the final representative of a tradition which runs directly from Rubens to Watteau."
The Musée d'Orsay is a museum in Paris, France, on the Left Bank of the Seine. It is housed in the former Gare d'Orsay, a Beaux-Arts railway station built between 1898 and 1900. The museum holds mainly French art dating from 1848 to 1914, including paintings, sculptures, furniture, and photography. It houses the largest collection of Impressionist and post-Impressionist masterpieces in the world, by painters including Berthe Morisot, Claude Monet, Édouard Manet, Degas, Renoir, Cézanne, Seurat, Sisley, Gauguin, and van Gogh. Many of these works were held at the Galerie nationale du Jeu de Paume prior to the museum's opening in 1986. It is one of the largest art museums in Europe.
Gustave Caillebotte was a French painter who was a member and patron of the Impressionists, although he painted in a more realistic manner than many others in the group. Caillebotte was known for his early interest in photography as an art form.
Alfred Sisley was an Impressionist landscape painter who was born and spent most of his life in France, but retained British citizenship. He was the most consistent of the Impressionists in his dedication to painting landscape en plein air. He deviated into figure painting only rarely and, unlike Renoir and Pissarro, he found that Impressionism fulfilled his artistic needs.
Events from the year 1872 in art.
Bal du moulin de la Galette is an 1876 painting by French artist Pierre-Auguste Renoir.
Young Girls at the Piano is an oil-on-canvas painting by French artist Pierre-Auguste Renoir, a leading painter in the development of the Impressionist style. The painting represents his late work period (1892–1919). It was completed in 1892 as an informal commission for the Musée du Luxembourg. Renoir painted three other variations of this composition in oil and two sketches, one in oil and one in pastel. Known by the artist as repetitions, they were executed to fulfill commissions from dealers and collectors. The work is on public display at the Musée d'Orsay in Paris, Metropolitan Museum of Art in New York, and the Musée de l'Orangerie in Paris.
The Swing is an 1876 oil-on-canvas painting by the French artist Pierre-Auguste Renoir who was a leading exponent of the Impressionist style. The painting is exhibited in the Musée d'Orsay in Paris. Renoir executed the painting in what are now the Musée de Montmartre gardens. He had rented a cottage in the gardens so that he could be closer to the Moulin de la Galette where he was engaged in painting his 1896 Bal du moulin de la Galette.
Lise Tréhot was a French art model who posed for artist Pierre-Auguste Renoir from 1866 until 1872, during his early Salon period. She appeared in more than twenty paintings, including notable works such as Lise with a Parasol (1867) and In Summer (1868), and she was the model for almost all of Renoir's work featuring female figures at this time. Tréhot married Georges Brière de l'Isle in 1883 and raised four children to whom she bequeathed two of Renoir's paintings, Lise Sewing (1867–68) and Lise in a White Shawl (1872), both of which are currently held by the Dallas Museum of Art.
Lise with a Parasol is an oil on canvas painting by French artist Pierre-Auguste Renoir, created in 1867 during his early Salon period. The full-length painting depicts model Lise Tréhot posing in a forest. She wears a white muslin dress and holds a black lace parasol to shade her from the sunlight, which filters down through the leaves, contrasting her face in the shadow and her body in the light, highlighting her dress rather than her face. After having several paintings rejected by the Salon, Renoir's Lise with a Parasol was finally accepted and exhibited in May 1868.
A Studio at Les Batignolles is an oil-on-canvas painting by Henri Fantin-Latour created in 1870. The work is now at the Musée d'Orsay.
Marguerite Charpentier was a French salonist and art collector who was one of the earliest champions of the Impressionists, especially Pierre-Auguste Renoir.
Frédéric Bazille at his Easel is an 1867 oil-on-canvas painting by Auguste Renoir, produced in response to Frédéric Bazille's own 1867 portrait of Renoir. It is owned by the Musée d'Orsay, which deposited it in 2006 at the Musée Fabre in Montpellier, Bazille's birthplace.
Bazille's Studio is an oil-on-canvas painting created in 1870 by the French Impressionist Frédéric Bazille. The painting is also known as L'Atelier de la rue Condamine, The Studio, and The Studio on the Rue La Condamine. It has been in the collection of the Musée d'Orsay in Paris since 1986. It shows the artist himself surrounded by his friends and paintings in his studio, capturing the artistic and social conditions of Paris in 1870.
Diana is a painting from 1867 by the French painter Pierre-Auguste Renoir. It is thought to depict the painter's lover Lise Tréhot as the Roman goddess Diana, although the exact identification of the model in the painting is disputed by art historians.
Portrait of the Painter Claude Monet is an 1875 oil on canvas portrait of Claude Monet by Pierre-Auguste Renoir. It is exhibited in the Musée d'Orsay in Paris.
The Batignolles group was a group of young avant-garde painters from the end of the 19th century who gathered around Édouard Manet. The group bears its name in reference to the Batignolles district, where the artists used to meet between 1869 and 1875. Many of the artists in the group later became known for the Impressionism movement.
A Couple also known as The Engaged Couple or Alfred Sisley and his Wife, is an oil-on-canvas painting by the French artist Pierre-Auguste Renoir (1841–1919), created around 1868 during his early Salon period at a time when he focused on thematic works about couples. It was acquired by the Wallraf–Richartz Museum in 1912.