| Monet Painting in His Garden at Argenteuil | |
|---|---|
 | |
| Artist | Pierre-Auguste Renoir |
| Year | 1873 |
| Medium | Oil on canvas |
| Dimensions | 61 cm× 50 cm(24 in× 20 in) |
| Location | Wadsworth Atheneum, Hartford, Connecticut, USA |
Claude Monet Painting in His Garden at Argenteuil is an 1873 Impressionist painting by Pierre-Auguste Renoir. [1]
Pierre-Auguste Renoir was a French artist who was a leading painter in the development of the Impressionist style. As a celebrator of beauty and especially feminine sensuality, it has been said that "Renoir is the final representative of a tradition which runs directly from Rubens to Watteau."
En plein air, or plein-air painting, is the act of painting outdoors.
Camille-Léonie Doncieux was the first wife of French painter Claude Monet, with whom she had two sons. She was the subject of a number of paintings by Monet, as well as Pierre-Auguste Renoir and Édouard Manet.
Musée Marmottan Monet is an art museum in Paris, France, dedicated to artist Claude Monet. The collection features over three hundred Impressionist and Post-Impressionist paintings by Claude Monet, including his 1872 Impression, Sunrise. The museum's fame is the result of a donation in 1966 by Michel Monet, Claude's second son and only heir.
The Garden at Sainte-Adresse is a painting by the French impressionist painter Claude Monet.. The painting was acquired by the Metropolitan Museum of Art after an auction sale at Christie's in December 1967, under the French title La terrasse à Sainte-Adresse. The painting was exhibited at the 4th Impressionist exhibition, Paris, April 10–May 11, 1879, as no. 157 under the title Jardin à Sainte-Adresse.
Bain à la Grenouillère is an 1869 painting by the French impressionist painter, Claude Monet.. It depicts "Flowerpot Island", also known as the Camembert, and the gangplank to La Grenouillère, a floating restaurant and boat-hire on the Seine at Croissy-sur-Seine. He was accompanied by Pierre-Auguste Renoir, who also painted the scene at the same time.
A Girl with a Watering Can is an 1876 Impressionist painting by Pierre-Auguste Renoir. The work was apparently painted in Claude Monet's famous garden at Argenteuil, and may portray one of the girls in Renoir's neighborhood in a blue dress holding a watering can.
The Pays des Impressionnistes is a certification mark created by the Syndicat intercommunal à vocations multiples des Coteaux de Seine in 2001 to promote the cultural heritage of this touristic area. Nine municipalities in the Yvelines department of France bordering the loop of the Seine River, where, during the nineteenth century, impressionist painters exercised their art, are associated with this creation: Bougival, Carrières-sur-Seine, Chatou, Croissy-sur-Seine, Le Pecq, Le Port-Marly, Louveciennes, Marly-le-Roi and Noisy-le-Roi. There is the Path of the Impressionists, four hiking trails dotted with reproductions of paintings, reflecting the still remarkable character of this landscape of Impressionist sites which has been proposed for inclusion in the World Heritage Site since 2009. Rueil-Malmaison, in the Hauts-de-Seine department, joined them in 2010, when eight of these municipalities have entrusted development task of the Pays des Impressionnistes to the visitor center of Marly-le-Roi, which organises Impressionist cruises along the banks of the Seine, as well as visits of ateliers of contemporary painters.
Madame Clémentine Valensi Stora (L'Algérienne) is an oil painting by Pierre-Auguste Renoir, completed in 1870. It depicts a young Jewish woman, Rebecca Clémentine Stora, in Algerian costume and is untypical of Renoir's work, leading to debate about the place of the painting within his oeuvre. Renoir and Stora both later repudiated the work.
Skaters in the Bois de Boulogne is an oil-on-canvas landscape painting by the French artist Pierre-Auguste Renoir, created during the winter of 1868. The painting depicts a snowscape with many Parisians, young and old, spending leisure time on a frozen park lake. Due to Renoir's strong dislike of cold temperatures and snow, the piece is one of his few winter landscapes.
La Promenade is an oil on canvas, early Impressionist painting by the French artist Pierre-Auguste Renoir, created in 1870. The work depicts a young couple on an excursion outside of the city, walking on a path through a woodland. Influenced by the rococo revival style during the Second Empire, Renoir's La Promenade reflects the older style and themes of eighteenth-century artists like Jean-Honoré Fragonard and Jean-Antoine Watteau. The work also shows the influence of Claude Monet on Renoir's new approach to painting.
Lise with a Parasol is an oil-on-canvas painting by French artist Pierre-Auguste Renoir, created in 1867 during his early Salon period. The full-length painting depicts model Lise Tréhot posing in a forest. She wears a white muslin dress and holds a black lace parasol to shade her from the sunlight, which filters down through the leaves, contrasting her face in the shadow and her body in the light, highlighting her dress rather than her face. After having several paintings rejected by the Salon, Renoir's Lise with a Parasol was finally accepted and exhibited in May 1868.
A Studio at Les Batignolles is an oil-on-canvas painting by Henri Fantin-Latour created in 1870. The work is now at the Musée d'Orsay.
Marguerite Charpentier was a French salonist and art collector who was one of the earliest champions of the Impressionists, especially Pierre-Auguste Renoir.
La Grenouillère is an 1869 oil on canvas painting by Pierre-Auguste Renoir, now in the Nationalmuseum in Stockholm. It shows the "camembert", a small island planted with a single tree, linked by gangplanks to the Île de la Grenouillère and to the fashionable La Grenouillère floating restaurant and boat-hire at Croissy-sur-Seine near Bougival.
The Improvised Field Hospital or Monet after His Accident at the Inn of Chailly is an oil-on-canvas painting created in 1865 by the French painter Frédéric Bazille. It shows Claude Monet in bed recovering from a leg injury he had sustained in summer 1865, in Chailly-en-Bière, small village just on the outskirts of the forest of Fontainebleau. The work has been in the Musée d'Orsay in Paris since 1986.
Victor Chocquet was a French art collector and an ardent propagandist of Impressionism. As a senior editor at the Directorate-General of Customs and Indirect Taxes, he was present at all the exhibitions where he defended painters confronted with mockery and insults. His collection was huge. It was dispersed after his death in 1899. Many of the paintings are currently in American museums.
Claude Monet Painting in his Studio or Monet in his Boat is an 1874 oil on canvas painting by Édouard Manet. It shows his friend Claude Monet painting in his 'studio-boat' with his wife. This was an old boat Monet had bought around 1871 or 1872, from which he observed the light on the Seine – Daubigny also had a studio-boat called the Bottin. With The Monet Family in their Garden and Argenteuil, it was one of a number of paintings produced during a summer Manet spent with Monet. The work is now in the Neue Pinakothek in Munich.
Portrait of the Painter Claude Monet is an 1875 oil on canvas portrait of Claude Monet by Pierre-Auguste Renoir. It is exhibited in the Musée d'Orsay in Paris.
Le Pont-Neuf is an 1872 oil-on-canvas painting by the French artist Pierre-Auguste Renoir. It is held by the National Gallery of Art in Washington, D.C.
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