| Argenteuil Basin with a Single Sailboat | |
|---|---|
 | |
| Artist | Claude Monet |
| Year | 1874 |
| Medium | Oil on canvas |
| Dimensions | 55 cm× 65 cm(21.6 in× 25.6 in) |
| Location | National Gallery of Ireland, Dublin, Republic of Ireland |
Argenteuil Basin with a Single Sailboat (French : Bassin d'Argenteuil avec un seul voilier) is an oil on canvas autumn scene of the basin at Argenteuil, painted by French Impressionist artist Claude Monet in 1874. [1]
The piece was created during Monet's residence at Argenteuil, a town on the banks of the Seine, on the outskirts of Paris. Here Monet purchased a boat to be used as a floating studio and painted many scenes of the surrounding area. [1]
The painting was purchased by Irish playwright and activist Edward Martyn in 1899, on the advice of his cousin, George Moore. It was bequeathed to the National Gallery of Ireland in 1924. [2] It is valued at €10m. [3]
At around 11am on 29 June 2012 a visitor to the gallery, Andrew Shannon, punched the painting causing "huge damage, shocking damage" [4] with "an extensive three-branched tear". [5]
After 18 months of restoration work, on 1 July 2014, the painting was re-hung in the gallery, behind protective glass. [3] The restoration saw 7% of the damaged area being lost, in a process that involved sewing microscopic threads back together. [4]
Shannon was jailed for 5 years for the attack. [6]
Oscar-Claude Monet was a French painter and founder of impressionism painting who is seen as a key precursor to modernism, especially in his attempts to paint nature as he perceived it. During his long career, he was the most consistent and prolific practitioner of impressionism's philosophy of expressing one's perceptions of nature, especially as applied to plein air (outdoor) landscape painting. The term "impressionism" is derived from the title of his painting Impression, soleil levant, which was first exhibited in the so-called "exhibition of rejects" of 1874–an exhibition initiated by Monet and like-minded artists as an alternative to the Salon.
The Fitzwilliam Museum is the art and antiquities museum of the University of Cambridge. It is located on Trumpington Street opposite Fitzwilliam Street in central Cambridge. It was founded in 1816 under the will of Richard FitzWilliam, 7th Viscount FitzWilliam (1745–1816), and comprises one of the best collections of antiquities and modern art in western Europe. With over half a million objects and artworks in its collections, the displays in the museum explore world history and art from antiquity to the present. The treasures of the museum include artworks by Monet, Picasso, Rubens, Vincent van Gogh, Rembrandt, Cézanne, Van Dyck, and Canaletto, as well as a winged bas-relief from Nimrud. Admission to the public is always free.
The Gare Saint-Lazare, officially Paris Saint Lazare, is one of the seven large mainline railway station terminals in Paris, France. It was the first train station built in Paris, opening in 1837. It mostly serves train services to western suburbs, as well as intercity services toward Normandy using the Paris–Le Havre railway. Saint-Lazare is the third busiest station in France, after the Gare du Nord and Gare de Lyon. It handles 290,000 passengers each day. The current station building opened in 1889 and was designed by architect Juste Lisch; the maître d'œuvre was Eugène Flachat.
Events from the year 1874 in art.
Events from the year 1872 in art.
Camille-Léonie Doncieux was the first wife of French painter Claude Monet, with whom she had two sons. She was the subject of a number of paintings by Monet, as well as Pierre-Auguste Renoir and Édouard Manet.
The Thomas Crown Affair is a 1999 American romantic heist film directed by John McTiernan and written by Leslie Dixon and Kurt Wimmer. It is a remake of the 1968 film of the same name. Its story follows Thomas Crown, a billionaire who steals a painting from an art gallery and is pursued by an insurance investigator, with the two falling in love. It stars Pierce Brosnan, Rene Russo, and Denis Leary.
Saint-Georges majeur au crépuscule refers to an Impressionist painting by Claude Monet, which exists in more than one version. It forms part of a series of views of the monastery-island of San Giorgio Maggiore. This series is in turn part of a larger series of views of Venice which Monet began in 1908 during his only visit there.
A Girl with a Watering Can is an 1876 Impressionist oil painting on canvas by Pierre-Auguste Renoir. The work was apparently painted in Claude Monet's famous garden at Argenteuil, and may portray one of the girls in Renoir's neighborhood in a blue dress holding a watering can.
Snow at Argenteuil is an oil-on-canvas landscape painting by the Impressionist artist Claude Monet. It is the largest of no fewer than eighteen works Monet painted of his home commune of Argenteuil while it was under a blanket of snow during the winter of 1874–1875. This painting—number 352 in Wildenstein's catalogue of the works of Monet—is the largest of the eighteen. The attention to detail evident in the smaller paintings is less evident in this larger picture. Instead, Monet has rendered large areas of the canvas in closely like tones and colours of blue and grey. The application of smaller strokes of greens, yellows, reds and darker blues breaks up these large expanses, and the almost choreographed dispersal of these various colours helps bind the picture together. Paint at the depicted road surface is thicker than elsewhere in the painting, and impasto is suggestive of the feel of disturbed snow.
Argenteuil is a commune in the northwestern suburbs of Paris, France. It can also refer to:
Vandalism of art is intentional damage of an artwork. The object, usually exhibited in public, becomes damaged as a result of the act, and remains in place right after the act. This may distinguish it from art destruction and iconoclasm, where it may be wholly destroyed and removed, and art theft, or looting.
Bords de la Seine à Argenteuil is an oil painting by an unknown artist. The painting is a landscape depicting the River Seine at Argenteuil in France. It is owned by Englishman David Joel.
Springtime or The Reader is an 1872 painting by the French Impressionist painter Claude Monet. It depicts his first wife, Camille Doncieux, seated reading beneath a canopy of lilacs. The painting is presently held by the Walters Art Museum.
Black on Maroon is a mixed media painting by Mark Rothko, created in 1958. It is housed at the Tate Modern, in London.
The Fondation Claude Monet is a nonprofit that manages the house and gardens of Claude Monet in Giverny, France, where Monet lived and painted for 43 years. Monet was inspired by his gardens, and spent years transforming them, planting thousands of flowers. He believed that it was important to surround himself with nature and paint outdoors. He created many paintings of his house and gardens, especially of water lilies in the pond, the Japanese bridge, and a weeping willow tree.
Woman with a Parasol – Madame Monet and Her Son, sometimes known as The Stroll is an oil-on-canvas painting by Claude Monet from 1875. The Impressionist work depicts his wife Camille Monet and their son Jean Monet in the period from 1871 to 1877 while they were living in Argenteuil, capturing a moment on a stroll on a windy summer's day.
Jean Monet was the elder son of French Impressionist artist Claude Monet and Camille Doncieux Monet and the brother of Michel Monet. He was the subject of several paintings by his father and married his step-sister, Blanche Hoschedé.
Michel Monet was the second son of Claude Monet and Camille Doncieux Monet.
The Train in the Snow, or Le train dans la neige, is a landscape painting by the French Impressionist artist Claude Monet. The work depicts a train surrounded by snow at the Argenteuil station in France. Art historians see the work as a significant example of Monet's efforts to integrate nature and industry in his work. Many historians believe that Monet, out of all of the notable nineteenth century artists, made the most paintings of trains in his lifetime.
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