Claude Monet painted a series of paintings of the island-monastery of San Giorgio Maggiore in Venice. They were begun in 1908 during the artist's only visit to the city. One of the best known is San Giorgio Maggiore at Dusk , which exists in two versions.
Monet completed his paintings of Venice at home in France [1] and in 1912 showed them in Paris. Buyers included the Welsh collector Gwendoline Davies, who bought three paintings.
A painting by Monet, described as being of San Giorgio Maggiore, was seized in July 2016 by Swiss officials on behalf of U.S. authorities. The owner, Jho Low, embezzled funds from 1Malaysia Development BHD., a government investment fund. He had purchased the painting for $35 million. [2]
Painting | Year | Catalog No | Museum | Picture |
---|---|---|---|---|
San Giorgio Maggiore | 1908 | (W.1746) | ||
San Giorgio Maggiore | 1908 | (W.1747) | Amgueddfa Cymru – Museum Wales | |
San Giorgio Maggiore | 1908 | (W.1748) | ||
San Giorgio Maggiore | 1908 | (W.1749) | Indianapolis Museum of Art | |
San Giorgio Maggiore by twilight | 1908 | (W.1750) | ||
In 2018, the National Gallery in London exhibited nine of the Venice paintings, including three paintings of the series, together in a single room, for the duration of a temporary exhibition titled Monet & Architecture, devoted to Claude Monet's use of architecture as a means to structure and enliven his art. This was a rare occurrence because no museum owns or exhibits more than two in a permanent collection. [3] [4]
The three paintings exhibited were the examples from the following collections:
Oscar-Claude Monet was a French painter and founder of impressionism painting who is seen as a key precursor to modernism, especially in his attempts to paint nature as he perceived it. During his long career, he was the most consistent and prolific practitioner of impressionism's philosophy of expressing one's perceptions of nature, especially as applied to plein air (outdoor) landscape painting. The term "impressionism" is derived from the title of his painting Impression, soleil levant, which was first exhibited in the so-called "exhibition of rejects" of 1874–an exhibition initiated by Monet and like-minded artists as an alternative to the Salon.
Joseph Mallord William Turner, known in his time as William Turner, was an English Romantic painter, printmaker and watercolourist. He is known for his expressive colouring, imaginative landscapes and turbulent, often violent marine paintings. He left behind more than 550 oil paintings, 2,000 watercolours, and 30,000 works on paper. He was championed by the leading English art critic John Ruskin from 1840, and is today regarded as having elevated landscape painting to an eminence rivalling history painting.
Vittore Carpaccio (UK: /kɑːrˈpætʃ oʊ/, US: /-ˈpɑːtʃ-/, Italian: [vitˈtoːre karˈpattʃo]; was an Italian painter of the Venetian school who studied under Gentile Bellini. Carpaccio was largely influenced by the style of the early Italian Renaissance painter Antonello da Messina, as well as Early Netherlandish painting. Although often compared to his mentor Gentile Bellini, Vittore Carpaccio's command of perspective, precise attention to architectural detail, themes of death, and use of bold color differentiated him from other Italian Renaissance artists. Many of his works display the religious themes and cross-cultural elements of art at the time; his portrayal of St. Augustine in His Study from 1502, reflects the popularity of collecting "exotic" and highly desired objects from different cultures.
Eugène Louis Boudin was one of the first French landscape painters to paint outdoors. Boudin was a marine painter, and expert in the rendering of all that goes upon the sea and along its shores. His pastels, summary and economic, garnered the splendid eulogy of Baudelaire; and Corot called him the "King of the skies".
Sanford Robinson Gifford was an American landscape painter and a leading member of the second generation of Hudson River School artists. A highly-regarded practitioner of Luminism, his work was noted for its emphasis on light and soft atmospheric effects.
Saint-Georges majeur au crépuscule refers to an Impressionist painting by Claude Monet, which exists in more than one version. It forms part of a series of views of the monastery-island of San Giorgio Maggiore. This series is in turn part of a larger series of views of Venice which Monet began in 1908 during his only visit there.
Hernan Bas is an artist based in Miami, Florida. He graduated in 1996 from the New World School of the Arts in Miami.
Haystacks is the common English title for a series of impressionist paintings by Claude Monet. The principal subject of each painting in the series is stacks of harvested wheat. The title refers primarily to a twenty-five canvas series which Monet began near the end of the summer of 1890 and continued through the following spring, though Monet also produced five earlier paintings using this same stack subject. A precursor to the series is the 1884 Haystack Near Giverny.
San Giorgio Maggiore is a 16th-century Benedictine church on the island of the same name in Venice, northern Italy, designed by Andrea Palladio, and built between 1566 and 1610. The church is a basilica in the classical Renaissance style and its brilliant white marble gleams above the blue water of the lagoon opposite the Piazzetta di San Marco and forms the focal point of the view from every part of the Riva degli Schiavoni.
Claude Monet painted several series of nearly 100 impressionist oil paintings of different views of the Thames River in the autumn of 1899 and the early months of 1900 and 1901 during stays in London. One of these series consists of views of the Palace of Westminster, home of the British Parliament, and he began the first of these paintings at about 15.45 on 13 February 1900. All of the series' paintings share the same viewpoint from Monet's window or a terrace at St Thomas' Hospital overlooking the Thames and the approximate canvas size of 81 cm × 92 cm. They are, however, painted during different times of the day and weather conditions.
The Rouen Cathedral series was painted in the 1890s by French impressionist Claude Monet. The paintings in the series each capture the façade of Rouen Cathedral at different times of the day and year and reflect changes in its appearance under different lighting conditions.
Water Lilies is a series of approximately 250 oil paintings by French Impressionist Claude Monet (1840–1926). The paintings depict his flower garden at his home in Giverny, and were the main focus of his artistic production during the last thirty years of his life. Many of the works were painted while Monet suffered from cataracts.
The Poplars series paintings were made by Claude Monet in the summer and fall of 1891. The trees were in a marsh along the banks of the Epte River a few kilometers upstream from Monet's home and studio. To reach his floating painting studio that was moored in place he went by small boat up the nearby waterway to where it joined the mainstream. The trees were along the riverside in single file, following along an S-curve. There were three groups of paintings — in one group the paintings have towering poplars that go off the top edge of the canvas, in another group, there are seven trees and in another group three or four poplars on the banks of the Epte River near Giverny. The trees, which actually belonged to the commune of Limetz, were put up for auction before Monet had completed all of his paintings. At a certain point, Monet was forced into buying the trees because he still wasn't finished with his paintings. After he finished the series he sold the trees back to the lumber merchant who wanted them.
Springtime or The Reader is an 1872 painting by the French Impressionist painter Claude Monet. It depicts his first wife, Camille Doncieux, seated reading beneath a canopy of lilacs. The painting is presently held by the Walters Art Museum.
Charing Cross Bridge is a series of oil paintings by French artist Claude Monet. The paintings depict a misty, impressionist Charing Cross Bridge in London, England. Monet worked on the series from 1899 to 1905, creating a total of 37 paintings depicting the bridge.
Le Grand Canal is an oil on canvas painting by French Impressionist painter Claude Monet (1840–1926). It is one of six paintings looking down the Grand Canal towards the Salute church. This Grand Canal series is in turn part of a larger series of paintings of Venice which Monet undertook during 1908 on his only visit to the city. The artist is generally regarded by art historians as being at the peak of his powers at this period. The paintings were begun en plein air and completed in France.
Monet painted 37 works of Venice which he began during his stay in the city in 1908. These include a series of canvases of the Grand Canal. He had the habit of studying the same subject in a varying light, at different times of the day, which resulted during his career in many distinct series, like for example the Water Lilies series, Poplar series, Rouen Cathedral series, Haystacks series and Charing Cross Bridge series.
The Doge's Palace Seen from San Giorgio Maggiore is a 1908 painting by Claude Monet that resides in the collection of the Metropolitan Museum of Art. The painting, catalogued W1755 in the Wildenstein catalogue raisonné, is one of a series of six versions of this scene painted by Monet in 1908. Other versions are held by the Kunsthaus Zürich and the Solomon R. Guggenheim Museum.
Le Palais Ducal or The Doge's Palace is the name given to various oil paintings which depict the Doge's Palace made by Claude Monet during a visit to Venice in 1908.
San Giorgio Maggiore is one of the islands of Venice, Italy.