The Beach at Sainte-Adresse

Last updated
The Beach at Sainte-Adresse
Claude Monet - The Beach at Sainte-Adresse - Google Art Project.jpg
Artist Claude Monet
Year1867 (1867)
Medium Oil on canvas
Movement Impressionism
Dimensions75.8 cm× 102.5 cm(29.8 in× 40.4 in)
Location Art Institute of Chicago

The Beach at Sainte-Adresse is an 1867 oil-on-canvas painting by Claude Monet. Its first exhibition was in 1876 with favorable reactions. It entered Jean-Baptiste Faure's, a French singer and art collector, acquired it for his collection. [1] It is now in the collection of the Art Institute of Chicago given as part of the Mr. and Mrs. Lewis Larned Coburn Memorial Collection by Annie Swan Coburn in 1933. [2] [3]

This painting and the Regatta at Sainte-Adresse were painted from near-identical locations during the same visit to Monet's aunt. [2] The Beach focuses on the fishermen with a bourgeois couple in the background and Regatta emphasizes attending the regatta. [3]

See also

Related Research Articles

<span class="mw-page-title-main">Claude Monet</span> French painter (1840–1926)

Oscar-Claude Monet was a French painter and founder of impressionist painting who is seen as a key precursor to modernism, especially in his attempts to paint nature as he perceived it. During his long career, he was the most consistent and prolific practitioner of impressionism's philosophy of expressing one's perceptions of nature, especially as applied to plein air (outdoor) landscape painting. The term "Impressionism" is derived from the title of his painting Impression, soleil levant, exhibited in 1874 initiated by Monet and his associates as an alternative to the Salon.

<span class="mw-page-title-main">Raoul Dufy</span> French painter (1877-1953)

Raoul Dufy was a French painter associated with the Fauvist movement. He gained recognition for his vibrant and decorative style, which became popular in various forms, such as textile designs, and public building decorations. Dufy is most remembered for his artwork depicting outdoor social gatherings. In addition to painting, he was skilled in various other fields, including drawing, printmaking, book illustration, scenic design, furniture design, and planning public spaces.

<span class="mw-page-title-main">Camille Doncieux</span> First wife of Claude Monet (1847–1879)

Camille-Léonie Doncieux was the first wife of French painter Claude Monet, with whom she had two sons. She was the subject of a number of paintings by Monet, as well as Pierre-Auguste Renoir and Édouard Manet.

<span class="mw-page-title-main">Musée Marmottan Monet</span> Art museum in Paris, France

Musée Marmottan Monet is an art museum in Paris, France, dedicated to artist Claude Monet. The collection features over three hundred Impressionist and Post-Impressionist paintings by Claude Monet, including his 1872 Impression, Sunrise. The museum's fame is the result of a donation in 1966 by Michel Monet, Claude's second son and only heir.

<i>Haystacks</i> (Monet series) 1890–91 series of paintings by Claude Monet

Haystacks is the common English title for a series of impressionist paintings by Claude Monet. The principal subject of each painting in the series is stacks of harvested wheat. The title refers primarily to a twenty-five canvas series which Monet began near the end of the summer of 1890 and continued through the following spring, though Monet also produced five earlier paintings using this same stack subject. A precursor to the series is the 1884 Haystack Near Giverny.

<span class="mw-page-title-main">Art Institute of Chicago</span> Art museum and school in Chicago, United States

The Art Institute of Chicago, founded in 1879, is one of the oldest and largest art museums in the United States. It is based in the Art Institute of Chicago Building in Chicago's Grant Park. Internationally recognized for its curatorial efforts and popularity among visitors, its collection, stewarded by 11 curatorial departments, is encyclopedic, and includes works such as Georges Seurat's A Sunday on La Grande Jatte, Pablo Picasso's The Old Guitarist, Edward Hopper's Nighthawks, and Grant Wood's American Gothic. Its permanent collection of nearly 300,000 works of art is augmented by more than 30 special exhibitions mounted yearly that illuminate aspects of the collection and present curatorial and scientific research.

Claude Monet painted several series of nearly 100 impressionist oil paintings of different views of the Thames River in the autumn of 1899 and the early months of 1900 and 1901 during stays in London. One of these series consists of views of the Palace of Westminster, home of the British Parliament, and he began the first of these paintings at about 15.45 on 13 February 1900. All of the series' paintings share the same viewpoint from Monet's window or a terrace at St Thomas' Hospital overlooking the Thames and the approximate canvas size of 81 cm × 92 cm. They are, however, painted during different times of the day and weather conditions.

<i>Water Lilies</i> (Monet series) Series of paintings by Claude Monet

Water Lilies is a series of approximately 250 oil paintings by French Impressionist Claude Monet (1840–1926). The paintings depict his flower garden at his home in Giverny, and were the main focus of his artistic production during the last thirty years of his life. Many of the works were painted while Monet suffered from cataracts.

<span class="mw-page-title-main">Sainte-Adresse</span> Commune in Normandy, France

Sainte-Adresse is a commune in the Seine-Maritime department in the region of Normandy, France.

<i>Garden at Sainte-Adresse</i> 1876 painting by Claude Monet

The Garden at Sainte-Adresse is a painting by the French impressionist painter Claude Monet.. The painting was acquired by the Metropolitan Museum of Art after an auction sale at Christie's in December 1967, under the French title La terrasse à Sainte-Adresse. The painting was exhibited at the 4th Impressionist exhibition, Paris, April 10–May 11, 1879, as no. 157 under the title Jardin à Sainte-Adresse.

<i>Bain à la Grenouillère</i> Painting by Claude Monet

Bain à la Grenouillère is an 1869 painting by the French impressionist painter, Claude Monet.. It depicts "Flowerpot Island", also known as the Camembert, and the gangplank to La Grenouillère, a floating restaurant and boat-hire on the Seine at Croissy-sur-Seine. He was accompanied by Pierre-Auguste Renoir, who also painted the scene at the same time.

<i>Regatta at Sainte-Adresse</i> (Monet) 1867 painting by Claude Monet

The Regatta at Sainte-Adresse is an oil-on-canvas painting by the impressionist painter Claude Monet. It was painted in 1867 and is owned by the Metropolitan Museum of Art.

<i>The Magpie</i> (Monet) 1868–1869 painting by Claude Monet

The Magpie is an oil-on-canvas landscape painting by the French Impressionist Claude Monet, created during the winter of 1868–1869 near the commune of Étretat in Normandy. Monet's patron, Louis Joachim Gaudibert, helped arrange a house in Étretat for Monet's girlfriend Camille Doncieux and their newborn son, allowing Monet to paint in relative comfort, surrounded by his family.

<span class="mw-page-title-main">Jean Monet (son of Claude Monet)</span> French chemist (1867–1914)

Jean Monet was the eldest son of French Impressionist artist Claude Monet and Camille Doncieux Monet and the brother of Michel Monet. He was the subject of several paintings by his father and married his step-sister, Blanche Hoschedé.

<span class="mw-page-title-main">Michel Monet</span> Son of Claude Monet (1878–1964)

Michel Monet was the second son of Claude Monet and Camille Doncieux Monet.

<span class="mw-page-title-main">Annie Swan Coburn</span> American art collector

Annie Swan Coburn (1856–1932) was an American art collector and patron. She collected American art and French Impressionist paintings. Upon her death she left artworks to the Art Institute of Chicago, the Fogg Museum at Harvard University, and Smith College. The Art Institute received more than one hundred works of art.

<i>Arrival of the Normandy Train, Gare Saint-Lazare</i> 1877 painting by Claude Monet

Arrival of the Normandy Train, Gare Saint-Lazare, also known as The Railway Station of Saint Lazare in Paris, is a c. 1877 painting by Claude Monet. It is in the permanent collection of the Art Institute of Chicago.

<i>Woman in the Garden</i> 1866/7 painting by Claude Monet

Woman in the Garden is a painting begun in 1866 by Claude Monet when he was a young man of 26. The work was executed en plein air in oil on canvas with a relatively large size of 82 by 101 cm. and currently belongs in the collection of the Hermitage Museum in St Petersburg, Russia.

<i>The Beach at Honfleur</i> Oil-on-canvas painting (1864) by Claude Monet

The Beach at Honfleur is an oil-on-canvas painting by French impressionist Claude Monet. The painting depicts a beach on the Côte de Grâce with sailboats, the hospital of Honfleur, and a lighthouse in the distance. In the foreground, a solitary figure in a blue smock stands on the beach. The painting was created with short, thick brushstrokes, typical of Impressionism.

Albert Hecht was a French banker, dealer and art collector, considered one of the leading Impressionist collectors of the time.

References

  1. C., A. (1957). "Homage to Claude Monet". The Art Institute of Chicago Quarterly. 51 (2): 23–26. ISSN   1935-6609. JSTOR   4120394 . Retrieved 2023-09-27.
  2. 1 2 Monet, Claude (1867), The Beach at Sainte-Adresse , retrieved 2023-09-27
  3. 1 2 John House; David Hopkins (2007-09-01). Impressionists by the Sea. Royal Academy of Arts. ISBN   978-1-903973-88-2 . Retrieved 2023-09-27.