Pierre-Auguste Renoir was a French artist who was a leading painter in the development of the Impressionist style. As a celebrator of beauty and especially feminine sensuality, it has been said that "Renoir is the final representative of a tradition which runs directly from Rubens to Watteau."
Kenneth Mackenzie Clark, Baron Clark was a British art historian, museum director, and broadcaster. After running two important art galleries in the 1930s and 1940s, he came to wider public notice on television, presenting a succession of programmes on the arts from the 1950s to the 1970s, the largest and best known being the Civilisation series in 1969.
Lorenzo Lotto was an Italian Renaissance painter, draughtsman, and illustrator, traditionally placed in the Venetian school, though much of his career was spent in other north Italian cities. He painted mainly altarpieces, religious subjects and portraits. He was active during the High Renaissance and the first half of the Mannerist period, but his work maintained a generally similar High Renaissance style throughout his career, although his nervous and eccentric posings and distortions represented a transitional stage to the Florentine and Roman Mannerists.
Luncheon of the Boating Party French: Le Déjeuner des canotiers is an 1881 painting by French impressionist Pierre-Auguste Renoir. Included in the Salon in 1882, it was identified as the best painting in the show by three critics. It was purchased from the artist by the dealer-patron Paul Durand-Ruel and bought in 1923 from his son by industrialist Duncan Phillips, who spent a decade in pursuit of the work. It is now in The Phillips Collection in Washington, D.C. It shows a richness of form, a fluidity of brush stroke, and a flickering light.
John Currin is an American painter based in New York City. He is most recognised for his technically proficient satirical figurative paintings that explore controversial sexual and societal topics. His work shows a wide range of influences, including sources as diverse as the Renaissance, popular culture magazines, and contemporary fashion models. He often distorts or exaggerates the erotic forms of the female body, and has stressed that his characters are reflections of himself rather than inspired by real people.
The Sterling and Francine Clark Art Institute, commonly referred to as the Clark, is an art museum and research institution located in Williamstown, Massachusetts, United States. Its collection consists of European and American paintings, sculpture, prints, drawings, photographs, and decorative arts from the fourteenth to the early twentieth century. The Clark, along with the Massachusetts Museum of Contemporary Art and the Williams College Museum of Art (WCMA), forms a trio of art museums in the Berkshires. The institute also serves as a center for research and higher learning. It is home to various research and academic programs, which include the Fellowship Program and the Williams College Graduate Program in the History of Art, as well as one of the most distinguished research libraries in the country, with more than 295,000 volumes in over 72 languages. The Clark is visited by 200,000 people a year, and offers many educational programs for visitors of all ages throughout the year.
A pinacotheca was a picture gallery in either ancient Greece or ancient Rome. The name is specifically used for the building containing pictures which formed the left wing of the Propylaea on the Acropolis at Athens, Greece. Though Pausanias speaks of the pictures "which time had not effaced", which seems to point to fresco painting, the fact that there is no trace of preparation for stucco on the walls implies that the paintings were easel pictures. The Romans adopted the term for the room in a private house containing pictures, statues, and other works of art.
Robert Sterling Clark, an heir to the Singer Sewing Machine fortune, was an American art collector, horse breeder, and philanthropist.
Marella Agnelli was an Italian noblewoman, art collector, socialite, style icon, and wife of Fiat S.p.A. chairman Gianni Agnelli. She often appeared in the fashion magazine Vogue. She was named to the International Best Dressed Hall of Fame List in 1963.
By the Seashore is a painting by Pierre-Auguste Renoir completed in 1883 and is now housed in the Metropolitan Museum of Art in New York City.
The Bathers is an oil painting on canvas made between 1918 and 1919 by the French painter Pierre-Auguste Renoir. After being given to the State by his three sons in 1923, it is currently kept at the Musée d'Orsay in Paris. It is representative of Renoir's late work period (1892–1919).
Dance in the Country is an 1883 oil painting by French artist Pierre-Auguste Renoir. It is currently kept at the Musée d'Orsay in Paris.
Carnation, Lily, Lily, Rose is an oil-on-canvas painting made by the American painter John Singer Sargent in 1885–86.
Dance at Bougival is an 1883 oil-on-canvas painting by the French artist Pierre-Auguste Renoir, currently in the collection of the Museum of Fine Arts in Boston, Massachusetts, United States. Described as "one of the museum's most beloved works", it is one of three in a collection commissioned by Paul Durand-Ruel. It depicts a scene in the French village of Bougival, about 15 km from the center of Paris, a site utilized by many Impressionists besides Renoir including Claude Monet, Alfred Sisley, and Berthe Morisot.
Les Grandes Baigneuses, or The Large Bathers, is a painting by Pierre-Auguste Renoir made between 1884 and 1887. The painting is in the Philadelphia Museum of Art, in Philadelphia.
The Slave Market is an 1866 painting by the French artist Jean-Léon Gérôme. It depicts a Middle Eastern or North African setting where a man inspects the teeth of a nude, female Abyssinian slave in the context of the Barbary slave trade.
Robert Alexander Cumming is professor of the history of art at Boston University. He worked for the Tate Gallery, London, before moving to Christie's auction house where he founded the education department. After he retired from Christie's he joined Boston University. Cumming is a prolific author of art history books aimed at young people and beginners. His edited edition of the letters between Bernard Berenson and Kenneth Clark is published by Yale University Press.
Aline Victorine Charigot was a model for Auguste Renoir and later became his wife while continuing to model for him and then caring for him when he became disabled. She is pictured in many of his paintings over very many years, most famously in the early 1880s Luncheon of the Boating Party, and Blonde Bather. They had three children together, two of whom, Pierre and Jean, went on to have distinguished careers in film, and the third, Claude, became a ceramic artist. Pierre had a son Claude who became the well-known cinematographer. She predeceased her elderly husband.
The Pinacoteca Giovanni e Marella Agnelli or Pinacoteca Agnelli is an art gallery in Turin, Italy. It opened in 2002 on the top floor of the Lingotto complex, the headquarters of the Italian auto giant Fiat S.p.A. founded in 1899 by Giovanni Agnelli. As part of the complex, Lo scrigno, a 450 square-metre steel structure designed by Renzo Piano, is raised 34 metres off the test track on the roof of the plant. Its style represents a crystal spaceship, referring back to the original building's futuristic style. Its permanent collection is a selection of paintings and sculptures from Gianni and Marella Agnelli's private collection, such as Pierre-Auguste Renoir's Blonde Bather and Édouard Manet's La Négresse, as well as paintings by Henri Matisse, Canaletto, Giovanni Battista Tiepolo, Antonio Canova, Pablo Picasso, and Amedeo Modigliani. The gallery also puts on temporary modern art exhibitions.
