Paysage Bords de Seine | |
---|---|
English: On the Shore of the Seine, English: Landscape on the Banks of the Seine | |
Artist | Pierre-Auguste Renoir |
Year | 1879 |
Type | Oil on linen |
Subject | Landscape of the Seine |
Dimensions | 14 cm× 23 cm(5.5 in× 9 in) |
Owner | Baltimore Museum of Art |
Paysage Bords de Seine [1] (On the Shore of the Seine [2] or Landscape on the Banks of the Seine [1] ) is an 1879 oil painting by Pierre-Auguste Renoir. It was stolen in 1951 from the Baltimore Museum of Art and resurfaced in 2012.
Paysage Bords de Seine was painted by Renoir in 1879. In June 1925, the painting was purchased by the Paris art gallery Bernheim-Jeune from a "Madame Papillon" (possibly Alphonsine Fournaise Papillon, a figure in the artist's Luncheon of the Boating Party ). [1] In January 1926, Herbert L. May purchased the painting from Bernheim-Jeune. In 1937, May's ex-wife, Saidie May, loaned the painting to the Baltimore Museum of Art. [2] In her will, Saidie May bequeathed the painting, along with all her other artworks, to the Baltimore Museum of Art. She died on 28 May 1951. [3]
Sometime between the evening of 16 November 1951, and a little after noon on 17 November, Paysage Bords de Seine was stolen from the Baltimore Museum of Art during the "From Ingres to Gauguin" show. [4] The museum sold the title of the painting in an insurance claim of $2,500 to Fireman's Fund Insurance Company, which paid the museum for the loss. [2] [5] In July 2012, Marcia Fuqua brought the painting to The Potomack Company auction house in Alexandria, Virginia, to sell. [2] [6] Fuqua claimed that she bought the painting at a flea market in West Virginia for $7 in late 2009, however a family member said the painting had been in the family for "50 or 60 years" (he later changed his account) [6] and other witnesses claimed to have seen the painting in the family's possession decades before the attempted sale. [7] [8] The Potomack Company cancelled the auction scheduled for 29 September 2012, and the Federal Bureau of Investigation seized the painting and opened an investigation into the theft. [6] In November 2013, the Fireman's Fund Insurance Company transferred the title of the painting from the insurance claim back to the Baltimore Museum of Art. [4]
On 10 January 2014, U.S. District Judge Leonie Brinkema ruled that the painting rightfully belongs to the Baltimore Museum of Art. [9] The FBI returned the painting to the museum on 31 January 2014. [10]
Shortly after regaining possession of the painting, the Baltimore Museum of Art put the artwork on display in an exhibition titled "The Renoir Returns" running from 30 March through 20 July 2014. [11]
Oscar-Claude Monet was a French painter and founder of Impressionism painting who is seen as a key precursor to modernism, especially in his attempts to paint nature as he perceived it. During his long career, he was the most consistent and prolific practitioner of Impressionism's philosophy of expressing one's perceptions of nature, especially as applied to plein air (outdoor) landscape painting. The term "Impressionism" is derived from the title of his painting Impression, soleil levant, which was first exhibited in the so-called "exhibition of rejects" of 1874–an exhibition initiated by Monet and like-minded artists as an alternative to the Salon.
Paul Cézanne was a French Post-Impressionist painter whose work introduced new modes of representation and influenced avant-garde artistic movements of the early 20th century, whose work formed the bridge between late 19th-century Impressionism and early 20th century Cubism.
Pierre-Auguste Renoir was a French artist who was a leading painter in the development of the Impressionist style. As a celebrator of beauty and especially feminine sensuality, it has been said that "Renoir is the final representative of a tradition which runs directly from Rubens to Watteau."
Alfred Sisley was an Impressionist landscape painter who was born and spent most of his life in France, but retained British citizenship. He was the most consistent of the Impressionists in his dedication to painting landscape en plein air. He deviated into figure painting only rarely and, unlike Renoir and Pissarro, he found that Impressionism fulfilled his artistic needs.
The Baltimore Museum of Art (BMA) in Baltimore, Maryland, is an art museum that was founded in 1914. The BMA's collection of 95,000 objects encompasses more than 1,000 works by Henri Matisse anchored by the Cone Collection of modern art, as well as one of the nation's finest holdings of prints, drawings, and photographs. The galleries currently showcase collections of art from Africa; works by established and emerging contemporary artists; European and American paintings, sculpture, and decorative arts; ancient Antioch mosaics; art from Asia, and textiles from around the world.
Nazi plunder was organized stealing of art and other items which occurred as a result of the organized looting of European countries during the time of the Nazi Party in Germany.
Georges Petit was a French art dealer, a key figure in the Paris art world and an important promoter and cultivator of Impressionist artists.
Hector Feliciano is a Puerto Rican journalist and author whose book "The Lost Museum: The Nazi Conspiracy to Steal the World's Greatest Works of Art" has shed light on an estimated 20,000 works of art plundered by the Nazis; each one is owned by a museum or a collector somewhere.
Fauvism is a style of painting and an art movement that emerged in France at the beginning of the 20th century. It was the style of les Fauves, a group of modern artists whose works emphasized painterly qualities and strong colour over the representational or realistic values retained by Impressionism. While Fauvism as a style began around 1904 and continued beyond 1910, the movement as such lasted only a few years, 1905–1908, and had three exhibitions. The leaders of the movement were André Derain and Henri Matisse.
The Museum of Modern Art André Malraux - MuMa is a museum in Le Havre, France containing one of the nation's most extensive collections of impressionist paintings. It was designed by Atelier LWD, an architecture studio led by Guy Lagneau, Michel Weill and Jean Dimitrijevic. It is named after André Malraux, Minister of Culture when the museum was opened in 1961.
Bords de la Seine à Argenteuil is an oil painting by an unknown artist. The painting is a landscape depicting the River Seine at Argenteuil in France. It is owned by Englishman David Joel.
Le Chemin, Paysage à Meudon also known as Paysage avec personage, is an oil on canvas painted in 1911 by the artist, theorist and writer Albert Gleizes. The work was exhibited at the Salon des Indépendants during the spring of 1911, Paris; Les Indépendants, Musée moderne de Bruxelles, 1911; Galeries Dalmau, Exposicio d'art cubista, Barcelona, 1912; Galerie La Boétie, Salon de La Section d'Or, 1912. The painting was reproduced in the journal Le Siècle (1912) in an article titled Enquête sur le Cubisme, by Olivier Hourcade.
Frédéric Samuel Cordey (1854–1911) was a French landscape painter who was a part of the Impressionist movement. He was a close friend of Auguste Renoir, and had a personal fortune that allowed him to work according to his taste, regardless of the publicity and support provided by art dealers.
The Pays des Impressionnistes is a certification mark created by the Syndicat intercommunal à vocations multiples des Coteaux de Seine in 2001 to promote the cultural heritage of this touristic area. Nine municipalities in the Yvelines department of France bordering the loop of the Seine River, where, during the nineteenth century, impressionist painters exercised their art, are associated with this creation: Bougival, Carrières-sur-Seine, Chatou, Croissy-sur-Seine, Le Pecq, Le Port-Marly, Louveciennes, Marly-le-Roi and Noisy-le-Roi. There is the Path of the Impressionists, four hiking trails dotted with reproductions of paintings, reflecting the still remarkable character of this landscape of Impressionist sites which has been proposed for inclusion in the World Heritage Site since 2009. Rueil-Malmaison, in the Hauts-de-Seine department, joined them in 2010, when eight of these municipalities have entrusted development task of the Pays des Impressionnistes to the visitor center of Marly-le-Roi, which organises Impressionist cruises along the banks of the Seine, as well as visits of ateliers of contemporary painters.
Madame Clémentine Valensi Stora (L'Algérienne) is an oil painting by Pierre-Auguste Renoir, completed in 1870. It depicts a young Jewish woman, Rebecca Clémentine Stora, in Algerian costume and is untypical of Renoir's work, leading to debate about the place of the painting within his oeuvre. Renoir and Stora both later repudiated the work.
Parisian Women in Algerian Costume (The Harem), sometimes known as Interior of a Harem in Montmartre (Parisian Women Dressed in Algerian costumes), is a painting by Pierre-Auguste Renoir, completed 1872, which Renoir created in homage to Eugène Delacroix's Women of Algiers in their Apartment (1834, Louvre). It was rejected for entry to the 1872 Paris Salon, disliked by the artist and eventually sold for a small sum as part of a larger lot. It is now in the National Museum of Western Art, Tokyo.
The Wildenstein Institute was a French art institute that published catalogues raisonnés and scholarly inventories.
Max Silberberg was a major cultural figure in Breslau, a German Jewish entrepreneur, art collector and patron who was robbed and murdered by the Nazis. His art collection, among the finest of its era, has been the object of numerous restitution claims.
Richard Semmel was a German entrepreneur and art collector who was persecuted by the Nazis because of his Jewish heritage. His heirs have filed restitution claims for artworks.