Pierre-Auguste Renoir was a French artist who was a leading painter in the development of the Impressionist style. As a celebrator of beauty and especially feminine sensuality, it has been said that "Renoir is the final representative of a tradition which runs directly from Rubens to Watteau."
Suzanne Valadon was a French painter who was born Marie-Clémentine Valadon at Bessines-sur-Gartempe, Haute-Vienne, France. In 1894, Valadon became the first woman painter admitted to the Société Nationale des Beaux-Arts. She was also the mother of painter Maurice Utrillo.
Samuel Courtauld was an English industrialist who is best remembered as an art collector. He founded The Courtauld Institute of Art in London in 1932 and, after a series of gifts during the 1930s, bequeathed his collection to the institute on his death.
The Courtauld Gallery is an art museum in Somerset House, on the Strand in central London. It houses the collection of The Samuel Courtauld Trust and operates as an integral part of The Courtauld Institute of Art.
Luncheon of the Boating Party French: Le Déjeuner des canotiers is an 1881 painting by French impressionist Pierre-Auguste Renoir. Included in the Salon in 1882, it was identified as the best painting in the show by three critics. It was purchased from the artist by the dealer-patron Paul Durand-Ruel and bought in 1923 from his son by industrialist Duncan Phillips, who spent a decade in pursuit of the work. It is now in The Phillips Collection in Washington, D.C. It shows a richness of form, a fluidity of brush stroke, and a flickering light.
Ambroise Vollard was a French art dealer who is regarded as one of the most important dealers in French contemporary art at the beginning of the twentieth century. He is credited with providing exposure and emotional support to numerous then-unknown artists, including Paul Cézanne, Aristide Maillol, Pierre-Auguste Renoir, Louis Valtat, Pablo Picasso, André Derain, Georges Rouault, Paul Gauguin, and Vincent van Gogh.
Paul Durand-Ruel was a French art dealer associated with the Impressionists and the Barbizon School. Being the first to support artists such as Claude Monet, Camille Pissarro, and Pierre-Auguste Renoir, he is known for his innovations in modernizing art markets, and is generally considered to be the most important art dealer of the 19th century. An ambitious entrepreneur, Durand-Ruel cultivated international interest in French artists by establishing art galleries and exhibitions in London, New York, Berlin, Brussels, among other places. Additionally, he played a role in the decentralization of art markets in France, which prior to the mid-19th century was monopolized by the Salon system.
The Umbrellas is an oil-on-canvas painting by Pierre-Auguste Renoir, painted in two phases in the 1880s. It is owned by the National Gallery in London as part of the Lane Bequest but is displayed alternately in London and at the Dublin City Gallery The Hugh Lane. From May 2013 to 2019, it returned to Dublin for a six-year period. It is now in the National Gallery London.
Jhr. Dr. Ernst Vegelin van Claerbergen is Head of the Courtauld Gallery, London.
Two Sisters or On the Terrace is an 1881 oil-on-canvas painting by French artist Pierre-Auguste Renoir in the collection of the Art Institute of Chicago. The dimensions of the painting are 100.5 cm × 81 cm. The title Two Sisters was given to the painting by Renoir, and the title On the Terrace by its first owner Paul Durand-Ruel.
La Parisienne is an oil painting by the French artist Pierre-Auguste Renoir, completed in 1874 and now displayed at the National Museum Cardiff. The work, which was one of seven presented by Renoir at the First Impressionist Exhibition in 1874, is often referred to as The Blue Lady(French: La Dame en Bleu) and is one of the centre-pieces of the National Museum's art collection.
Dance at Bougival is an 1883 oil-on-canvas painting by the French artist Pierre-Auguste Renoir, currently in the collection of the Museum of Fine Arts in Boston, Massachusetts, United States. Described as "one of the museum's most beloved works", it is one of three in a collection commissioned by Paul Durand-Ruel. It depicts a scene in the French village of Bougival, about 15 km from the center of Paris, a site utilized by many Impressionists besides Renoir including Claude Monet, Alfred Sisley, and Berthe Morisot.
Madame Clémentine Valensi Stora (L'Algérienne) is an oil painting by Pierre-Auguste Renoir, completed in 1870. It depicts a young Jewish woman, Rebecca Clémentine Stora, in Algerian costume and is untypical of Renoir's work, leading to debate about the place of the painting within his oeuvre. Renoir and Stora both later repudiated the work.
Lise with a Parasol is an oil on canvas painting by French artist Pierre-Auguste Renoir, created in 1867 during his early Salon period. The full-length painting depicts model Lise Tréhot posing in a forest. She wears a white muslin dress and holds a black lace parasol to shade her from the sunlight, which filters down through the leaves, contrasting her face in the shadow and her body in the light, highlighting her dress rather than her face. After having several paintings rejected by the Salon, Renoir's Lise with a Parasol was finally accepted and exhibited in May 1868.
Woman with Parakeet is a painting by Pierre-Auguste Renoir created in 1871. It is in the holdings of the Solomon R. Guggenheim Museum in New York as part of the Thannhauser Collection. The painting portrays model Lise Tréhot, who posed for Renoir in over twenty paintings during the years 1866 to 1872.
Blonde Bather is the name of two very similar paintings by French painter Pierre-Auguste Renoir, created in 1881 and 1882. The model was Aline Charigot, later to become Renoir's wife. Influenced by Renaissance painting that Renoir saw in Italy in 1881, both paintings show a marked change of style from Renoir's previous work. Some commentators consider these are works of great beauty, others that they are vulgar. There has been criticism of the conservation work performed on the 1881 painting.
Aline Victorine Charigot was a model for Auguste Renoir and later became his wife while continuing to model for him and then caring for him when he became disabled. She is pictured in many of his paintings over very many years, most famously in the early 1880s Luncheon of the Boating Party, and Blonde Bather. They had three children together, two of whom, Pierre and Jean, went on to have distinguished careers in film, and the third, Claude, became a ceramic artist. Pierre had a son Claude who became the well-known cinematographer. She predeceased her elderly husband.
Madame Georges Charpentier and Her Children is an 1878 oil on canvas painting by Pierre-Auguste Renoir. It depicts Marguerite Charpentier, a French salonist, art collector, and advocate of the Impressionists, and her children Georgette and Paul. The painting is held by the Metropolitan Museum of Art.
At the Theatre , also known as The First Outing, is an oil-on-canvas painting by the French artist Pierre-Auguste Renoir, created around 1876–1877. It was acquired by the National Gallery in 1923. It shows two beautiful young women in what appears to be an opera box, looking down into the audience in the box below them.
