Jhr. Dr. Ernst Vegelin van Claerbergen (born 10 September 1969, Arnhem) is Head of the Courtauld Gallery, London. [1]
Jhr. Dr. Ernst Vegelin van Claerbergen (born 10 September 1969, Arnhem) is Head of the Courtauld Gallery, London. [1]
Roger Eliot Fry was an English painter and critic, and a member of the Bloomsbury Group. Establishing his reputation as a scholar of the Old Masters, he became an advocate of more recent developments in French painting, to which he gave the name Post-Impressionism. He was the first figure to raise public awareness of modern art in Britain, and emphasised the formal properties of paintings over the "associated ideas" conjured in the viewer by their representational content. He was described by the art historian Kenneth Clark as "incomparably the greatest influence on taste since Ruskin ... In so far as taste can be changed by one man, it was changed by Roger Fry". The taste Fry influenced was primarily that of the Anglophone world, and his success lay largely in alerting an educated public to a compelling version of recent artistic developments of the Parisian avant-garde.
The Courtauld Institute of Art, commonly referred to as The Courtauld, is a self-governing college of the University of London specialising in the study of the history of art and conservation. It is among the most prestigious specialist colleges for the study of the history of art in the world and is known for the disproportionate number of directors of major museums drawn from its small body of alumni.
Samuel Courtauld was an English industrialist who is best remembered as an art collector. He founded The Courtauld Institute of Art in London in 1932 and, after a series of gifts during the 1930s, bequeathed his collection to the institute on his death.
The Courtauld Gallery is an art museum in Somerset House, on the Strand in central London. It houses the collection of The Samuel Courtauld Trust and operates as an integral part of The Courtauld Institute of Art.
Koarnjum is a village in the municipality of Leeuwarden, in the Netherlands. The village is situated between Jelsum and Britsum and a population of around 370 in January 2017.
Jacob Symonsz. Pynas was a Dutch Golden Age painter and draughtsman. He is best known for having briefly taught the painter Rembrandt in 1625.
Sir John Luttrell feudal baron of Dunster in Somerset, of Dunster Castle, was an English soldier, diplomat, and courtier under Henry VIII and Edward VI. He served under Edward Seymour, Earl of Hertford in Scotland and France. His service is commemorated in an allegorical portrait by Hans Eworth.
Julian Stallabrass is a British art historian, photographer and curator. He was educated at Leighton Park School and New College, Oxford University where he studied PPE. A Marxist, he has written extensively on contemporary art, photography and the history of twentieth-century British art.
La Loge is an 1874 oil painting by Pierre-Auguste Renoir. It is part of the collection at the Courtauld Institute of Art in London.
Ian Lorne Campbell is a Scottish art historian and curator. Campbell was Beaumont Senior Research Curator at the National Gallery, London from 1996 to 2012, and from 1974 to 1996 lectured on the Northern Renaissance at the Courtauld Institute of Art, University of London. He has curated major exhibitions at the National Gallery and other museums, including ones on Rogier van der Weyden at Leuven in 2009 and the Prado in 2015.
Count Antoine Seilern was an Anglo-Austrian art collector and art historian. He was considered, along with Sir Denis Mahon, to be one of a handful of important collectors who was also a respected scholar. The bulk of his collection was bequeathed anonymously to the Courtauld Institute of Art. Known as the "Princes Gate bequest", most of it is on display at the Courtauld Gallery in London.
Aviva Ruth Burnstock is head of the Department of Art Conservation & Technology at the Courtauld Institute, London. Burnstock is a graduate of the University of Sussex and took in 1991 a PhD at the Courtauld Institute
Michael J. Rosenthal is emeritus professor of the history of art at the University of Warwick. He is a specialist both in British art and culture of the eighteenth and early nineteenth centuries, and the arts of early colonial Australia.
Theatrum Pictorium, or Theatre of Painting, is a short-hand name of a book published in the 1660s by David Teniers the Younger for his employer, the Archduke Leopold Wilhelm of Austria. It catalogs 243 Italian paintings in the Archduke's collection of over 1300 paintings. The paintings are reproduced by engravings made by various engravers after reduced-size copies (modelli) created by Teniers. David Teniers' brother Abraham Teniers was involved in organizing the publication of the work. A second edition with page numbers was published in 1673.
Sussan Babaie is an Iranian-born art historian and curator. She is best known for her work on Persian art and Islamic art of the early modern period. She has written extensively on the art and architecture of the Safavid dynasty. Her research takes a multidisciplinary approach and explores topics such as urbanism, empire studies, transcultural visuality and notions of exoticism. In her work as a curator, Babaie has worked on exhibitions at the Sackler Museum of Harvard University (2010), the University of Michigan Museum of Art, and the Smith College Museum of Art (1998).
Amanda Simpson FSA, is a British medievalist, author, editor, librarian and art historian. Photographs attributed to her appear in the collection of the Conway Library at the Courtauld Institute of Art, where she worked as Conway Librarian in the 1970s while completing her studies. She completed her PhD at the Courtauld Institute in 1978 on the subject of 14th-century English and Bohemian painting. She became a Fellow of the Society of Antiquaries of London on 5 May 1990.
Julian Richard Gardner is a British art historian and Professor Emeritus at the University of Warwick. A scholar of late medieval and renaissance Italian art, particularly patronage, and a Giotto di Bondone specialist whose expertise has led to a number of scholarships and appointments as visiting professor at various institutions both in Europe and America.
Susanna Mary Avery-Quash is a British art historian, curator, and author.
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