This is an incomplete list of paintings by Impressionist painter Pierre-Auguste Renoir. Renoir painted about 4000 paintings that have sold at auction for as much as $78.1 million (in 1990). [1] [2] The largest collection of Renoir paintings is at the Barnes Foundation in Philadelphia, Pennsylvania, United States. [3]
Picture | Title | Year | Dimensions | Museum |
---|---|---|---|---|
Portrait of Renoir's Mother | 1860 | 45 cm × 36 cm (18 in × 14 in) | Private collection | |
Mademoiselle Romaine Lacaux | 1864 | 81.3 cm × 65 cm (32.0 in × 25.6 in) | Cleveland Museum of Art, Cleveland, Ohio, U.S. [4] | |
Portrait of Alfred Sisley | 1864 | 81 cm × 65 cm (32 in × 26 in) | Foundation E.G. Bührle, Zürich [5] | |
Portrait of William Sisley ( fr:Portrait de William Sisley ) | 1864 | 81.5 cm × 65.5 cm (32.1 in × 25.8 in) | Musée d'Orsay, Paris, France | |
Clearing in the Woods | 1865 | 57.2 cm × 82.6 cm (22.5 in × 32.5 in) | Detroit Institute of Arts, Detroit | |
Dans la forêt de Fontainebleau | 1866 | 81 cm × 65 cm (32 in × 26 in) | Unknown. Formerly collection Briere de L'Isle; Galerie Dubourg, Paris. | |
Jules Le Coeur and his dogs in the forest of Fontainebleau | 1866 | 112 cm × 90 cm (44 in × 35 in) | São Paulo Museum of Art, of São Paulo, Brazil [6] | |
Spring Bouquet | 1866 | 105 cm × 80 cm (41 in × 31 in) | Fogg Museum, Cambridge, Massachusetts | |
Lise Sewing | 1866 | 56.52 cm × 46.36 cm (22.25 in × 18.25 in) | Dallas Museum of Art, Texas [7] | |
Mother Anthony's Tavern | 1866 | 194 cm × 131 cm (76 in × 52 in) | Nationalmuseum, Stockholm | |
Madame Joseph Le Coeur | 1866 | 116 cm × 89.5 cm (45.7 in × 35.2 in) | Musée d'Orsay, Paris [8] | |
Portrait of Clémence Tréhot, known as Madame Jules Le Cœur | 1866 | 61 cm × 46 cm (24 in × 18 in) | Kunstmuseum Basel, Switzerland | |
Diana | 1866 | 197 cm × 132 cm (78 in × 52 in) | National Gallery of Art, Washington, DC | |
The Pont des Arts, Paris | 1867 | 60.9 cm × 23.9 cm (24.0 in × 9.4 in) | Norton Simon Museum, Pasadena, CA | |
Frédéric Bazille at his Easel | 1867 | 105 cm × 73.5 cm (41.3 in × 28.9 in) | Musée Fabre, Montpellier, France [9] | |
Lise with a Parasol | 1867 | 184 cm × 115 cm (72 in × 45 in) | Museum Folkwang, Essen, Germany [10] | |
Skaters in the Bois de Boulogne | 1868 | 72 cm × 90 cm (28 in × 35 in) | Private collection | |
En été (La Bohémienne) ( In Summer (The Bohemian) ) | 1868 | 83 cm × 59 cm (33 in × 23 in) | Alte Nationalgalerie, Berlin, Germany [11] | |
A Couple (Les Fiancés) ( fr:Les Fiancés - Le Ménage Sisley ) | 1868 | 105 cm × 75 cm (41 in × 30 in) | Wallraf–Richartz Museum, Cologne, Germany | |
Léonard Renoir, The Artist's Father | 1869 | 62.2 cm × 47 cm (24.5 in × 18.5 in) | Saint Louis Art Museum, St. Louis, Missouri | |
Chalands sur la Seine (Barges on the Seine) | 1869 | 47 cm × 64 cm (19 in × 25 in) | Musée d'Orsay, Paris [12] | |
La Grenouillère | 1869 | 66 cm × 81 cm (26 in × 32 in) | Nationalmuseum, Stockholm, Sweden [13] | |
La Grenouillère | 1869 | 65.1 cm × 92 cm (25.6 in × 36.2 in) | Oskar Reinhart Collection, Winterthur, Switzerland | |
A Nymph by a Stream | 1869-70 | 66.5 cm × 124 cm (26.2 in × 48.8 in) | National Gallery, London | |
Picture | Title | Year | Dimensions | Museum |
---|---|---|---|---|
La Promenade | 1870 | 81.3 cm × 64.8 cm (32.0 in × 25.5 in) | Getty Center, Los Angeles, California, U.S. [14] | |
Odalisque | 1870 | 69.2 cm × 122.6 cm (27.2 in × 48.3 in) | National Gallery of Art, Washington, DC | |
Madame Clémentine Valensi Stora | 1870 | 84 cm × 58 cm (33 in × 23 in) | Fine Arts Museums of San Francisco, San Francisco, California | |
Portrait of Marie Le Coeur | 1870 | 41 cm × 33 cm (16 in × 13 in) | Strasbourg Museum of Modern and Contemporary Art, Strasbourg, France [6] | |
Bather with a Griffon Dog (French : Baigneuse avec un Griffon) | 1870 | 184 cm × 115 cm (72 in × 45 in) | São Paulo Museum of Art, São Paulo, Brazil [15] | |
Woman with Parakeet (French : La femme à la perruche) | 1871 | 92.1 cm × 65.1 cm (36.3 in × 25.6 in) | Solomon R. Guggenheim Museum, New York | |
Charles Le Coeur | c. 1872 | 42 cm × 29 cm (17 in × 11 in) | Musée d'Orsay, Paris | |
Parisian Women in Algerian Costume (The Harem) (French : Parisiennes en costume algérien (Le Harem)) | 1872 | 156 cm × 128.8 cm (61.4 in × 50.7 in) | National Museum of Western Art, Tokyo [16] | |
Le Pont-Neuf ( fr:Le Pont-Neuf ) | 1872 | 74 cm × 93 cm (29 in × 37 in) | National Gallery of Art, Washington, D.C. [17] | |
Madame Monet Lying on a Sofa ( fr:Madame Monet étendue sur un sofa ) | 1872-74 | 54 cm × 72 cm (21 in × 28 in) | Calouste Gulbenkian Museum, Lisbon, Portugal | |
Claude Monet Painting in His Garden at Argenteuil (French : Monet Peignant dans son Jardin à Argenteuil) | 1873 | 46 cm × 60 cm (18 in × 24 in) | Wadsworth Atheneum, Hartford, Connecticut [18] | |
Tapestry in the Park ( French : La tapisserie dans le parc) | 1873 | 46 cm × 38 cm (18 in × 15 in) | Private collection | |
Spring, Chatou | 1873 | 73 cm × 92 cm (29 in × 36 in) | Courtauld Gallery, London, UK | |
Fisherman ( French : Le Pêcheur à la ligne) | 1874 | 54 cm × 64 cm (21 in × 25 in) | Private collection | |
Madame Monet and her son | 1874 | 50.4 cm × 68 cm (19.8 in × 26.8 in) | National Gallery of Art, Washington, DC | |
La Loge (The Theatre Box) | 1874 | 80 cm × 63.5 cm (31.5 in × 25.0 in) | Courtauld Gallery, London, UK | |
The Dancer (French : Le Danseur) | 1874 | 142.5 cm × 94.5 cm (56.1 in × 37.2 in) | National Gallery of Art, Washington, D.C. [19] | |
La Parisienne | 1874 | 163.5 cm × 108.5 cm (64.4 in × 42.7 in) | National Museum Cardiff, Cardiff, Wales | |
Woman with a Parasol in a Garden | 1875 | 55 cm × 65 cm (22 in × 26 in) | Thyssen-Bornemisza Museum, Madrid | |
In the Garden - Under the Arbor at Moulin de la Galette ( fr:Au jardin - Sous la tonnelle au Moulin de la Galette ) | 1875 | 81 cm × 65 cm (32 in × 26 in) | Pushkin Museum, Moscow | |
The Grand Boulevards | 1875 | 52.1 cm × 63.5 cm (20.5 in × 25.0 in) | Philadelphia Museum of Art, Philadelphia, Pennsylvania, U.S. | |
Pére Fournaise | 1875 | 59 cm × 47 cm (23 in × 19 in) | Clark Art Institute, Williamstown, Massachusetts, U.S. [20] | |
Torso: Effect of Sunlight | 1875-1876 | 81 cm × 65 cm (32 in × 26 in) | Musée d'Orsay, Paris | |
Portrait of Victor Chocquet (French : Portrait de Victor Chocquet) | 1876 | 46 cm × 36 cm (18 in × 14 in) | Am Römerholz, Winterthur, Switzerland [21] | |
A Girl with a Watering Can (French : Une fille avec un arrosoir) | 1876 | 100 cm × 73 cm (39 in × 29 in) | National Gallery of Art, Washington D.C. | |
The Swing (French : La balançoire) | 1876 | 92 cm × 73 cm (36 in × 29 in) | Musée d'Orsay, Paris | |
Self-Portrait, Pierre-Auguste Renoir | 1876 | 73.3 cm × 57.3 cm (28.9 in × 22.6 in) | Fogg Art Museum, Cambridge, Massachusetts | |
Bal du Moulin de la Galette (Dance at Le Moulin de la Galette) | 1876 | 131 cm × 175 cm (52 in × 69 in) | Musée d'Orsay, Paris | |
Nude woman sitting on a couch (Anna) | 1876 | 92 cm × 73 cm (36 in × 29 in) | Pushkin Museum, Moscow | |
Mother and Children (French : La Promenade) | 1876 | 170.2 cm × 108.3 cm (67.0 in × 42.6 in) | Frick Collection, New York City | |
Woman in Black (French : Portrait de femme en noir) | 1876 | 65.5 cm × 55.5 cm (25.8 in × 21.9 in) | Hermitage Museum, Saint Petersburg, Russia | |
Jeanne Durand-Ruel | 1876 | 113 cm × 754 cm (44 in × 297 in) | Barnes Foundation, Philadelphia, Pennsylvania, U.S. [22] | |
Woman on a Stair | 1876 | Hermitage Museum, Saint Petersburg, Russia | ||
At the Theatre (fr:La première sortie) | 1876–1877 | 65 cm × 49.5 cm (25.6 in × 19.5 in) | National Gallery, London, England | |
Portrait of Madame Charpentier (French : Portrait de Madame Charpentier) | 1876–1877 | 46.5 cm × 38 cm (18.3 in × 15.0 in) | Musée d'Orsay, Paris, France [23] | |
Spring Landscape (French : Paysage de printemps) | 1877 | 38 cm × 53 cm (15 in × 21 in) | National Museum of Fine Arts of Algiers | |
Eugène Murer | 1877 | 47 cm × 39.4 cm (18.5 in × 15.5 in) | Metropolitan Museum of Art, New York City, New York | |
The Daydream (fr:La Rêverie (Renoir)) | 1877 | 52 cm × 46 cm (20 in × 18 in) | Pushkin Museum, Moscow, Russia | |
The Cup of Chocolate | 1877-78 | 100 cm × 39 cm (39 in × 15 in) | Louvre Abu Dhabi, Abu Dhabi, United Arab Emirates. | |
Portrait of Jeanne Samary (French : Portrait de l'Actrice Jeanne Samary) | 1878 | 174 cm × 105 cm (69 in × 41 in) | Hermitage Museum, Saint Petersburg, Russia | |
Madame Georges Charpentier and Her Children (fr:Madame Charpentier et ses enfants) | 1878 | 153 cm × 190 cm (60 in × 75 in) | Metropolitan Museum of Art, New York City, New York | |
Seascape | 1879 | 72.6 cm × 91.6 cm (28.6 in × 36.1 in) | Art Institute of Chicago | |
Paysage bords de Seine (On the Shore of the Seine) | 1879 | 14 cm × 23 cm (5.5 in × 9 in) | Baltimore Museum of Art, Baltimore, Maryland | |
Oarsmen at Chatou (French : Les canotiers à Chatou) | 1879 | 81.2 cm × 100.2 cm (32.0 in × 39.4 in) | National Gallery of Art, Washington, D.C [24] | |
Lunch at the Restaurant Fournaise (French : Déjeuner au Restaurant Fournaise) | c. 1879 | 55.1 cm × 65.9 cm (21.7 in × 25.9 in) | Art Institute of Chicago, Chicago, Illinois | |
Picture | Title | Year | Dimensions | Museum |
---|---|---|---|---|
Two Sisters (On the Terrace) (French : Les deux sœurs (Sur la terrasse)) | 1881 | 100.5 cm × 81 cm (39.6 in × 31.9 in) | Art Institute of Chicago, Chicago, Illinois | |
Mlle Irène Cahen d'Anvers | 1880 | 65 cm × 54 cm (26 in × 21 in) | Foundation E.G. Bührle, Zurich, Switzerland [25] | |
Sleeping Girl (French : Fille endormie) | 1880 | 120 cm × 94 cm (47 in × 37 in) | Clark Art Institute, Williamstown, Massachusetts [26] | |
Near the Lake (French : Près du lac) | 1880 | 47.5 cm × 56.4 cm (18.7 in × 22.2 in) | Art Institute of Chicago, Chicago, Illinois [27] | |
Venice, the Doge's Palace (French : Venise, le Palais des Doges) | 1881 | 54.5 cm × 65 cm (21.5 in × 25.6 in) | Clark Art Institute, Williamstown, Massachusetts [28] | |
Luncheon of the Boating Party (French : Le déjeuner des canotiers) | 1881 | 129.9 cm × 172.7 cm (51.1 in × 68.0 in) | The Phillips Collection, Washington, D.C. | |
Blonde Bather (1881) (French : La baigneuse blonde) | 1881 | 82 cm × 66 cm (32 in × 26 in) | Private collection | |
Young Girls in Black (French : Jeunes filles en noir) | 1881 | 80 cm × 65 cm (31 in × 26 in) | Pushkin Museum, Moscow, Russia | |
Pink and Blue (Alice and Elisabeth Cahen d’Anvers) | 1881 | 119 cm × 74 cm (47 in × 29 in) | São Paulo Museum of Art, São Paulo, Brazil | |
Fruits of the Midi (French : Fruits du midi) | 1881 | 51 cm × 69 cm (20 in × 27 in) | Art Institute of Chicago, Chicago, Illinois, U.S. [29] | |
The Umbrellas (French : Les parapluies) | 1881, 1885 | 180.3 cm × 114.9 cm (71.0 in × 45.2 in) | National Gallery, London, U.K. | |
Algerian Woman | 1881 | Tel Aviv Museum of Art, Moshe and Sara Mayer Collection | ||
Rocky Crags at L'Estaque | 1882 | 66.4 cm × 81 cm (26.1 in × 31.9 in) | Museum of Fine Arts, Boston | |
Steps in Algiers (French : Étapes à Alger) | 1882 | 73 cm × 60.5 cm (28.7 in × 23.8 in) | Private collection | |
Blonde Bather (1882) (French : La baigneuse blonde) | 1882 | 90 cm × 63 cm (35 in × 25 in) | Private collection | |
Portrait of Charles and George Durand-Ruel (French : Portrait de Charles et George Durand-Ruel) | 1882 | 65 cm × 81 cm (26 in × 32 in) | Private collection | |
Still Life, Roses of Wargemont (French : Nature morte, Roses de Wargemont) | 1882 | 65 cm × 81 cm (26 in × 32 in) | Private collection | |
Agenteuil Bridge in Autumn (French : Le Pont d'Argenteuil en automne) | 1882 | 54.3 cm × 65.8 cm (21.4 in × 25.9 in) | Private collection | |
By the Seashore (French : Femme Assise au Bord de la Mer) | 1883 | 92.1 cm × 72.4 cm (36.3 in × 28.5 in) | Metropolitan Museum of Art, New York | |
Dance at Bougival (French : La Danse à Bougival) | 1883 | 181.9 cm × 98.1 cm (71.6 in × 38.6 in) | Museum of Fine Arts, Boston, Massachusetts | |
Fog at Guernsey (French : Brouillard à Guernesey) | 1883 | 54 cm × 65 cm (21 in × 26 in) | Cincinnati Art Museum, Cincinnati, Ohio [30] | |
Dance in the City (French : Danse dans la Ville) | 1883 | 180 cm × 90 cm (71 in × 35 in) | Musée d'Orsay, Paris, France | |
Dance in the Country (French : Danse à la Campagne) | 1883 | 180 cm × 90 cm (71 in × 35 in) | Musée d'Orsay, Paris, France | |
Children on the Seashore, Guernsey (French : Enfants au Bord de la Mer, Guernesey) | 1883 | 91.4 cm × 66.4 cm (36.0 in × 26.1 in) | Museum of Fine Arts, Boston, Massachusetts [31] | |
Landscape of Ile de France (French : Paysage d'Ile de France) | 1883 | 54 cm × 65 cm (21 in × 26 in) | Botero Museum, Bogotá, Colombia [32] | |
Sunset in Douarnenez (French : Coucher de soleil à Douarnenez) | 1883 | 53.7 cm × 64.4 cm (21.1 in × 25.4 in) | Private collection | |
Naked Woman in a Landscape (French : Femme nue dans un paysage) | 1883 | 65 cm × 54 cm (26 in × 21 in) | Private collection | |
Children on the Beach of Guernsey (French : Enfants sur la Plage de Guernesey) | 1883 | 54.2 cm × 65 cm (21.3 in × 25.6 in) | Barnes Foundation, Philadelphia, Pennsylvania, U.S. [33] | |
Children's Afternoon at Wargemont (French : L'après-midi des enfants à Wargemont) | 1884 | 127 cm × 73 cm (50 in × 29 in) | Alte Nationalgalerie, Berlin | |
Girl with a Hoop (French : Fille avec un cerceau) | 1885 | 125.7 cm × 76.6 cm (49.5 in × 30.2 in) | National Gallery of Art, Washington D.C. | |
Nature morte: fleurs (Still Life: Flowers) | 1885 | 81.9 cm × 65.8 cm (32.2 in × 25.9 in) | Guggenheim Museum, New York | |
In the Garden (French : Dans le jardin) | 1885 | 170.5 cm × 112.5 cm (67.1 in × 44.3 in) | Hermitage Museum, Saint Petersburg, Russia | |
Woman with Fan (French : Femme à l'éventail) | 1886 | 56 cm × 46 cm (22 in × 18 in) | Barnes Foundation, Philadelphia, Pennsylvania, U.S. [34] | |
Garden Scene in Brittany (French : Scène de jardin en Bretagne) | 1886 | 54 cm × 65.4 cm (21.3 in × 25.7 in) | Barnes Foundation, Philadelphia, Pennsylvania, U.S. [35] | |
Woman Arranging her Hair ( fr:Femme se coiffant ) | 1887 | 65.3 cm × 54 cm (25.7 in × 21.3 in) | Hermitage Museum, Saint Petersburg, Russia | |
Les grandes baigneuses (The Large Bathers) | 1884–87 | 115 cm × 170 cm (45 in × 67 in) | Philadelphia Museum of Art, Philadelphia, Pennsylvania | |
The Daughters of Catulle Mendès | 1888 | 61.9 cm × 129.9 cm (24.4 in × 51.1 in) | Metropolitan Museum of Art, New York City, New York [36] | |
Young Woman with a Blue Ribbon (French : Jeune fille au ruban bleu) | 1888 | 55 cm × 46 cm (22 in × 18 in) | Museum of Fine Arts of Lyon, France | |
Girl with Spikes (French : Fille aux oreilles) | 1888 | 65 cm × 54 cm (26 in × 21 in) | São Paulo Museum of Art, São Paulo, Brazil [37] | |
A Young Girl with Daisies (French : Une jeune fille avec des marguerites) | 1889 | 65.1 cm × 54 cm (25.6 in × 21.3 in) | Metropolitan Museum of Art, New York City, New York [38] | |
The Two Sisters (French : Les deux soeurs) | 1889 | 65.6 cm × 54.7 cm (25.8 in × 21.5 in) | Private collection |
Picture | Title | Year | Dimensions | Museum |
---|---|---|---|---|
In the Meadow (French : Dans le pré) | 1890 | 81 cm × 60 cm (32 in × 24 in) | Metropolitan Museum of Art, New York City [39] | |
Girls at the Piano (French : Jeunes filles au piano) | 1892 | 116 cm × 90 cm (46 in × 35 in) | Musée d'Orsay, Paris, France | |
Girl Playing Croquet (French : Fille jouant au croquet) | 1892 | Fondation Valentim, São Paulo, Brazil | ||
Portrait of Victorine de Bellio (French : Portrait de Mademoiselle Victorine de Bellio) | 1892 | 55 cm × 46 cm (22 in × 18 in) | Musée Marmottan Monet, Paris, France [40] | |
Bathers Playing with a Crab (French : Baigneurs jouant avec un crabe) | 1895 | 75.5 cm × 85.5 cm (29.7 in × 33.7 in) | Cleveland Museum of Art, Cleveland, Ohio [41] | |
Gabrielle Renard and infant son, Jean (French : Gabrielle Renard et Jean enfant) | 1895–1896 | 65 cm × 54 cm (26 in × 21 in) | Musée de l'Orangerie, Paris, France [42] | |
Study, Jeanne Baudot in a green hat (French : Etude, Jeanne Baudot en chapeau vert) | 1896 | 23.3 cm × 18.8 cm (9.2 in × 7.4 in) | Unknown location | |
Double portrait of Jeanne Baudot by Pierre-Auguste Renoir (French : Portrait de Jeanne Baudot de trois-quarts et de face) | 1896 | Unknown location | ||
Woman Playing a Guitar (French : Femme jouant de la guitare) | 1897 | 81 cm × 65 cm (32 in × 26 in) | Museum of Fine Arts of Lyon, France | |
Yvonne et Christine Lerolle au piano (Yvonne and Christine Lerolle at the Piano) | 1897 | 73 cm × 92 cm (29 in × 36 in) | Musée de l'Orangerie, Paris, France |
Picture | Title | Year | Dimensions | Museum |
---|---|---|---|---|
Reclining nude (Gabrielle) Femme nue couchée (Gabrielle) | 1903 | 65.5 cm × 155.5 cm (25.8 in × 61.2 in) | Museum of Fine Arts, Budapest, Hungary | |
Renoirs House at Essoyes | 1906 | 33 cm × 41 cm (13 in × 16 in) | Private collection | |
Nude woman lying down ( Femme nue couchée ) | 1906 | 67 cm × 160 cm (26 in × 63 in) | Musée de l'Orangerie, Paris, France | |
Promenade | 1906 | 164.5 cm × 129.4 cm (64.8 in × 50.9 in) | Barnes Foundation, Philadelphia | |
Gabrielle with Open Blouse (French : Gabrielle avec la chemise ouverte) | c. 1907 | 65 cm × 53 cm (26 in × 21 in) | Tehran Museum of Contemporary Art, Tehran, Iran | |
La Toilette : femme se peignant ( La Toilette: femme se peignant ) | 1907 | 55 cm × 46.5 cm (21.7 in × 18.3 in) | Musée d'Orsay, Paris, France | |
Ambroise Vollard | 1908 | 81.6 cm × 65.2 cm (32.1 in × 25.7 in) | Courtauld Gallery, London, England | |
Still Life, Roses in Front of Blue Curtain (French : Nature morte, roses devant le rideau bleu) | 1908 | 48 cm × 54.5 cm (18.9 in × 21.5 in) | Private collection | |
Claude Renoir in Clown Costume ( Claude Renoir en clown ) | 1909 | 120 cm × 77 cm (47 in × 30 in) | Musée de l'Orangerie, Paris, France |
Picture | Title | Year | Dimensions | Museum |
---|---|---|---|---|
Nude (French : Nu) | 1910 | 65.5 cm × 54 cm (25.8 in × 21.3 in) | National Museum of Serbia, Belgrade | |
The Coast at Cagnes, Sea, Mountains | 1910 | Bristol Museum, England | ||
Self-Portrait | 1910 | 18 cm × 15 cm (7.1 in × 5.9 in) | Private collection | |
After the Bath (French : La sortie du bain) | 1910 | 94.5 cm × 75.2 cm (37.2 in × 29.6 in) | Barnes Foundation, Philadelphia, Pennsylvania [43] | |
Portrait of Paul Durand-Ruel | 1910 | 65 cm × 55 cm (26 in × 22 in) | Archives Durand-Ruel [44] | |
Self-portrait | 1910 | 42 cm × 33 cm (17 in × 13 in) | Private collection | |
Woman at the Fountain (French : Femme à la fontaine) | 1910 | 91 cm × 74 cm (36 in × 29 in) | Galerie Paul Rosenberg | |
Portrait of Ambroise Vollard in a Red Headscarf (French : Ambroise Vollard au foulard rouge) | 1911 | 30 cm × 25 cm (11.8 in × 9.8 in) | Petit Palais, Paris, France | |
The Farm at Les Collettes, Cagnes | 1908–1914 | 54.6 cm × 65.4 cm (21.5 in × 25.7 in) | Metropolitan Museum of Art, New York City | |
Portrait of Véra Sergine | 1914 | 49 cm × 59 cm (19 in × 23 in) | Botero Museum, Bogotá, Colombia [45] | |
Seated Bather Drying Her Leg (French : Baigneuse assise s'essuyant une jambe) | 1914 | 51 cm × 41 cm (20 in × 16 in) | Musée de l'Orangerie, Paris, France [46] | |
Women Bathers (French : Femmes au bain) | 1916 | 40.5 cm × 51 cm (15.9 in × 20.1 in) | Nationalmuseum, Stockholm, Sweden [47] | |
Blond Girl with a Rose (French : Blonde à la rose) | 1915–1917 | 64 cm × 54 cm (25 in × 21 in) | Musée de l'Orangerie, Paris, France [48] | |
Portrait of Ambroise Vollard | 1917 | 102 cm × 83 cm (40 in × 33 in) | Private collection | |
Bathers (French : Les baigneuses) | 1918 | 65 cm × 80 cm (26 in × 31 in) | Barnes Foundation, Philadelphia, Pennsylvania, U.S [49] | |
The Concert (French : Le concert) | 1918 | 75.6 cm × 92.7 cm (29.8 in × 36.5 in) | Art Gallery of Ontario, Toronto, Ontario, Canada [50] | |
Portrait of Adèle Besson | 1918 | 41 cm × 36.8 cm (16.1 in × 14.5 in) | Musée des Beaux-Arts et d'Archéologie de Besançon, France | |
The Bathers (French : Les baigneuses) | 1918-1919 | 24 cm × 43 cm (9.4 in × 16.9 in) | Musée d'Orsay, Paris, France | |
Madeleine Leaning on Her Elbow with Flowers in Her Hair | 1918 | 50.1 cm × 41.2 cm (19.7 in × 16.2 in) | stolen during an armed robbery on 8 September 2011 from a home in Houston, Texas [51] | |
Landscape | by 1919 | 10 cm × 30 cm (3.9 in × 11.8 in) |
Jean Frédéric Bazille was a French Impressionist painter. Many of Bazille's major works are examples of figure painting in which he placed the subject figure within a landscape painted en plein air.
Pierre-Auguste Renoir was a French artist who was a leading painter in the development of the Impressionist style. As a celebrator of beauty and especially feminine sensuality, it has been said that "Renoir is the final representative of a tradition which runs directly from Rubens to Watteau."
The Musée d'Orsay is a museum in Paris, France, on the Left Bank of the Seine. It is housed in the former Gare d'Orsay, a Beaux-Arts railway station built between 1898 and 1900. The museum holds mainly French art dating from 1848 to 1914, including paintings, sculptures, furniture, and photography. It houses the largest collection of Impressionist and post-Impressionist masterpieces in the world, by painters including Berthe Morisot, Claude Monet, Édouard Manet, Degas, Renoir, Cézanne, Seurat, Sisley, Gauguin, and van Gogh. Many of these works were held at the Galerie nationale du Jeu de Paume prior to the museum's opening in 1986. It is one of the largest art museums in Europe.
Suzanne Valadon was a French painter who was born Marie-Clémentine Valadon at Bessines-sur-Gartempe, Haute-Vienne, France. In 1894, Valadon became the first woman painter admitted to the Société Nationale des Beaux-Arts. She was also the mother of painter Maurice Utrillo.
Gustave Caillebotte was a French painter who was a member and patron of the Impressionists, although he painted in a more realistic manner than many others in the group. Caillebotte was known for his early interest in photography as an art form.
Events from the year 1872 in art.
Musée Marmottan Monet is an art museum in Paris, France, dedicated to artist Claude Monet. The collection features over three hundred Impressionist and Post-Impressionist paintings by Claude Monet, including his 1872 Impression, Sunrise. The museum's fame is the result of a donation in 1966 by Michel Monet, Claude's second son and only heir.
The Musée Fabre is a museum in the southern French city of Montpellier, capital of the Hérault département.
The Bathers is an oil painting on canvas made between 1918 and 1919 by the French painter Pierre-Auguste Renoir. After being given to the State by his three sons in 1923, it is currently kept at the Musée d'Orsay in Paris. It is representative of Renoir's late work period (1892–1919).
Dance in the Country is an 1883 oil painting by French artist Pierre-Auguste Renoir. It is currently kept at the Musée d'Orsay in Paris.
Young Girls at the Piano is an oil-on-canvas painting by French artist Pierre-Auguste Renoir, a leading painter in the development of the Impressionist style. The painting represents his late work period (1892–1919). It was completed in 1892 as an informal commission for the Musée du Luxembourg. Renoir painted three other variations of this composition in oil and two sketches, one in oil and one in pastel. Known by the artist as repetitions, they were executed to fulfill commissions from dealers and collectors. The work is on public display at the Musée d'Orsay in Paris, Metropolitan Museum of Art in New York, and the Musée de l'Orangerie in Paris.
Dance in the City is a painting created by the French artist Pierre-Auguste Renoir. Completed in 1883, the artwork is currently housed in the collection of the Musée d'Orsay. The dancers depicted in the painting are Suzanne Valadon, a model and artist, and Paul Auguste Lhôte, a friend of Renoir.
Lise Tréhot was a French art model who posed for artist Pierre-Auguste Renoir from 1866 until 1872, during his early Salon period. She appeared in more than twenty paintings, including notable works such as Lise with a Parasol (1867) and In Summer (1868), and she was the model for almost all of Renoir's work featuring female figures at this time. Tréhot married Georges Brière de l'Isle in 1883 and raised four children to whom she bequeathed two of Renoir's paintings, Lise Sewing (1867–68) and Lise in a White Shawl (1872), both of which are currently held by the Dallas Museum of Art.
Les Grandes Baigneuses, or The Large Bathers, is a painting by Pierre-Auguste Renoir made between 1884 and 1887. The painting is in the Philadelphia Museum of Art, in Philadelphia.
Blonde Bather is the name of two very similar paintings by French painter Pierre-Auguste Renoir, created in 1881 and 1882. The model was Aline Charigot, later to become Renoir's wife. Influenced by Renaissance painting that Renoir saw in Italy in 1881, both paintings show a marked change of style from Renoir's previous work. Some commentators consider these are works of great beauty while others find them vulgar. There has been criticism of the conservation work performed on the 1881 painting.
Aline Victorine Charigot was a model for Auguste Renoir and later became his wife while continuing to model for him and then caring for him when he became disabled. She is pictured in many of his paintings over very many years, most famously in the early 1880s Luncheon of the Boating Party, and Blonde Bather. They had three children together, two of whom, Pierre and Jean, went on to have distinguished careers in film, and the third, Claude, became a ceramic artist. Pierre had a son Claude who became the well-known cinematographer. She predeceased her elderly husband.
Bazille's Studio is an oil-on-canvas painting created in 1870 by the French Impressionist Frédéric Bazille. The painting is also known as L'Atelier de la rue Condamine, The Studio, and The Studio on the Rue La Condamine. It has been in the collection of the Musée d'Orsay in Paris since 1986. It shows the artist himself surrounded by his friends and paintings in his studio, capturing the artistic and social conditions of Paris in 1870.
Hyacinthe-Eugène Meunier, known as Eugène Murer, was a pastry chef, author, self-taught painter and collector of impressionist paintings.
Diana is a painting from 1867 by the French painter Pierre-Auguste Renoir. It is thought to depict the painter's lover Lise Tréhot as the Roman goddess Diana, although the exact identification of the model in the painting is disputed by art historians.
Bather with a Griffon Dog is an 1870 oil-on-canvas painting by French artist Pierre-Auguste Renoir. The painting features his lover and model Lise Tréhot (1848-1922). The work was exhibited at the 1870 Salon. The painting is held in the collection of the São Paulo Museum of Art.