The following is a list of paintings by the Dutch and Flemish Renaissance painter and printmaker, Pieter Bruegel the Elder. These Catalog Numbers correspond to the numbering in Roger Hendrik Marijnissen's book, "Bruegel", with photographs by the Swiss art historian, Max Seidel (New York: Harrison House, 1984).
Image | Title | Year | Technique | Dimensions (cm) | Gallery | Catalog number |
---|---|---|---|---|---|---|
Seascape with Ships and a Burning City (disputed attribution) | 1553 | Oil on panel | 22.4 × 34.8 | Private collection, Switzerland | MS 1 | |
Landscape with Christ and the Apostles at the Sea of Tiberias | 1553 | Oil on panel | 67 x 100 | Private collection, New York | MS 2 | |
The Adoration of the Kings | c. 1556-1562 [1] | Tempera on canvas | 124 × 169 | Royal Museums of Fine Arts of Belgium | MS 4 | |
Parable of the Sower | 1557 | Oil on panel | 73.7 × 102.9 | Timken Museum of Art | MS 5 | |
Twelve Proverbs | 1558 | Oil on panel | 75 × 98 | Museum Mayer van den Bergh | ||
Netherlandish Proverbs | 1559 | Oil on panel | 117 × 163 | Berlin State Museums | MS 6 | |
The Fight Between Carnival and Lent | 1559 | Oil on panel | 118 × 164 | Kunsthistorisches Museum | MS 7 | |
Children's Games | 1560 | Oil on panel | 118 × 161 | Kunsthistorisches Museum | MS 8 | |
Naval Battle in the Gulf of Naples | c. 1560 | Oil on panel | 42.2 × 71.2 | Doria Pamphilj Gallery | MS 9 | |
Landscape with the Fall of Icarus (copy) | 1560s | Oil on canvas | 73.5 × 112 | Royal Museums of Fine Arts of Belgium | MS 3 | |
The Suicide of Saul | 1562 | Oil on panel | 33.5 × 55 | Kunsthistorisches Museum | MS 10 | |
The Fall of the Rebel Angels | 1562 | Oil on panel | 117 × 162 | Royal Museums of Fine Arts of Belgium | MS 12 | |
Mad Meg (Dulle Griet) | 1562 | Oil on panel | 117.4 × 162 | Museum Mayer van den Bergh | MS 13 | |
The Triumph of Death | с. 1562 | Oil on panel | 117 × 162 | Prado | MS 14 | |
Two Monkeys | 1562 | Oil on panel | 20 × 23 | Berlin State Museums | MS 15 | |
The Tower of Babel | 1563 | Oil on panel | 114 × 155 | Kunsthistorisches Museum | MS 16 | |
The Tower of Babel | 1563–1565 | Oil on panel | 59.9 × 74.6 | Museum Boijmans Van Beuningen | MS 17 | |
Landscape with the Flight into Egypt | 1563 | Oil on panel | 37.1 × 55.6 | Courtauld Institute Galleries | MS 18 | |
Portrait of an Old Woman | 1563 | Oil on panel | 22 × 18 | Alte Pinakothek | MS 38 | |
Adoration of the Magi in the Snow | 1563 | Oil on panel | 35 × 55 | Oskar Reinhart Collection 'Am Römerholz', Winterthur | MS 33 | |
Yawning Man (disputed attribution) | c. 1563 | Oil on panel | 12.6 x 9.2 | Royal Museums of Fine Arts of Belgium | ||
The Adoration of the Kings | 1564 | Oil on panel | 111.1 × 83.2 | The National Gallery, London | MS 19 | |
The Procession to Calvary | 1564 | Oil on panel | 124 × 170 | Kunsthistorisches Museum | MS 20 | |
Death of the Virgin | 1564 | Oil on panel | 36 × 55 | Upton House | MS 21 | |
Haymaking | 1565 | Oil on panel | 117 × 161 | Lobkowicz Palace at the Prague Castle Complex | MS 22 | |
The Harvesters | 1565 | Oil on panel | 116.5 × 159.5 | Metropolitan Museum of Art | MS 23 | |
The Return of the Herd | 1565 | Oil on panel | 117 × 159 | Kunsthistorisches Museum | MS 24 | |
The Hunters in the Snow | 1565 | Oil on panel | 117 × 162 | Kunsthistorisches Museum | MS 25 | |
The Gloomy Day | 1565 | Oil on panel | 118 × 163 | Kunsthistorisches Museum | MS 26 | |
Massacre of the Innocents | 1565–1567 | Oil on panel | 109.2 × 158.1 | Royal Collection and at Upton House, Warwickshire | MS 27 | |
Winter Landscape with a Bird Trap | 1565 | Oil on panel | 37 × 55.5 | Royal Museums of Fine Arts of Belgium, and many copies; it is Bruegel's most copied work | MS 28 | |
Christ and the Woman Taken in Adultery | c. 1565 | Oil on panel | 24 × 34 | Courtauld Institute Galleries | MS 29 | |
The Wine of Saint Martin's Day | 1565–1568 | Tempera on canvas | 148 × 270.5 | Prado | ||
The Wine of Saint Martin's Day (copy) | 1565–1568 | Oil on canvas | 147 × 269.5 | Royal Museums of Fine Arts of Belgium | ||
The Census at Bethlehem | 1566 | Oil on panel | 115.5 × 163.5 | Royal Museums of Fine Arts of Belgium | MS 30 | |
The Sermon of Saint John the Baptist | 1566 | Oil on panel | 95 × 160.5 | Museum of Fine Arts (Budapest) | MS 31 | |
The Wedding Dance | c. 1566 | Oil on panel | 119.4 × 157.5 | Detroit Institute of Arts | MS 32 | |
The Land of Cockaigne | 1566 | Oil on panel | 52 × 78 | Alte Pinakothek | MS 37 | |
Conversion of Paul | 1567 | Oil on panel | 108 × 156 | Kunsthistorisches Museum | MS 34 | |
The Peasant Wedding | 1568 | Oil on panel | 114 × 164 | Kunsthistorisches Museum | MS 35 | |
The Peasant Dance | 1568 | Oil on panel | 114 × 164 | Kunsthistorisches Museum | MS 36 | |
The Peasant and the Nest Robber | 1568 | Oil on panel | 59.3 × 68.3 | Kunsthistorisches Museum | MS 39 | |
The Misanthrope | 1568 | Tempera on canvas | 86 × 85 | Museo di Capodimonte | MS 40 | |
The Beggars | 1568 | Oil on panel | 18.5 × 21.5 | Louvre | MS 41 | |
Parable of the Blind | 1568 | Tempera on canvas | 85.5 × 154 | Museo di Capodimonte | MS 42 | |
The Magpie on the Gallows | 1568 | Oil on panel | 45.9 × 50.8 | Hessisches Landesmuseum | MS 43 | |
The Three Soldiers | 1568 | Oil on panel | 20.3 × 17.8 | The Frick Collection | ||
The Drunkard pushed into the Pigsty | 1568 | Oil on panel | 18 cm. diam. | Private Collection (Sold at Christies in 2002) | ||
The Storm at Sea (disputed attribution) | 1569 | Oil on panel | 70.3 × 97 | Kunsthistorisches Museum | MS 44 | |
Pieter Bruegelthe Elder was among the most significant artists of Dutch and Flemish Renaissance painting, a painter and printmaker, known for his landscapes and peasant scenes ; he was a pioneer in presenting both types of subject as large paintings.
Brueghel, Bruegel or Van Breugel was the name of several Dutch/Flemish painters from the Brueghel family:
Bruegel is a think tank devoted to policy research on economic issues. Based in Brussels, it launched its operations in 2005 and currently conducts research in five different focus areas with the aim of improving economic debate and policy-making.
The Triumph of Death is an oil panel painting by Pieter Bruegel the Elder painted c. 1562. It has been in the Museo del Prado in Madrid since 1827.
The Kunsthistorisches Museum Wien is an art museum in Vienna, Austria. Housed in its festive palatial building on the Vienna Ring Road, it is crowned with an octagonal dome. The term Kunsthistorisches Museum applies to both the institution and the main building. It is the largest art museum in the country and one of the most important museums worldwide.
Peer is a city and municipality located in the province of Limburg, Flemish Region, Belgium. On January 1, 2006, Peer had a total population of 15,810. The total area is 86.95 km2 which gives a population density of 182 inhabitants per km2.
The Harvesters is an oil painting on wood completed by Pieter Bruegel the Elder in 1565. It depicts the harvest time set in a landscape, in the months of July and August or late summer. Nicolaes Jonghelinck, a merchant banker and art collector from Antwerp, commissioned this painting as part of a cycle of six paintings depicting various seasonal transitions during the year.
Landscape with the Fall of Icarus is a painting in oil on canvas measuring 73.5 by 112 centimetres now in the Oldmasters Museum in Brussels. It was long thought to be by the leading painter of Dutch and Flemish Renaissance painting, Pieter Bruegel the Elder. However, following technical examinations in 1996 of the painting hanging in the Brussels museum, that attribution is regarded as very doubtful, and the painting, perhaps painted in the 1560s, is now usually seen as a good early copy by an unknown artist of Bruegel's lost original, perhaps from about 1558. According to the museum: "It is doubtful the execution is by Bruegel the Elder, but the composition can be said with certainty to be his", although recent technical research has re-opened the question.
The Tower of Babel was the subject of three paintings by Dutch and Flemish Renaissance painter Pieter Bruegel the Elder. The first, a miniature painted on ivory, was painted in 1552–1553 while Bruegel was in Rome, and is now lost. The two surviving works are oil paintings on wood panels, sometimes distinguished by the prefix "Great" and "Little" and by their present location: Kunsthistorisches Museum Wien in Vienna and the latter in the Museum Boijmans Van Beuningen in Rotterdam. The Tower of Babel in Vienna is dated 1563, while the version is Rotterdam is undated but widely believed to have been painted sometime after.
The Peasant Wedding is a 1567 genre painting by the Dutch and Flemish Renaissance painter and printmaker Pieter Bruegel the Elder, one of his many depicting peasant life. It is now in the Kunsthistorisches Museum, Vienna. Pieter Bruegel the Elder enjoyed painting peasants and different aspects of their lives in so many of his paintings that he has been called Peasant-Bruegel, but he was an intellectual, and many of his paintings have a symbolic meaning as well as a moral aspect.
Dulle Griet, also known as Mad Meg, is a figure of Flemish folklore who is the subject of a 1563 oil-on-panel by Flemish renaissance artist Pieter Bruegel the Elder. The painting depicts a virago, Dulle Griet, who leads an army of women to pillage Hell, and is currently held and exhibited at the Museum Mayer van den Bergh, in Antwerp.
Netherlandish Proverbs is a 1559 oil-on-oak-panel painting by Pieter Bruegel the Elder that depicts a scene in which humans and, to a lesser extent, animals and objects, offer literal illustrations of Dutch-language proverbs and idioms.
The Hunters in the Snow, also known as The Return of the Hunters, is a 1565 oil-on-wood painting by Pieter Bruegel the Elder. The Northern Renaissance work is one of a series of works, five of which still survive, that depict different times of the year. The painting is in the collection of the Kunsthistorisches Museum in Vienna, Austria. This scene is set in the depths of winter during December/January.
The Blind Leading the Blind, Blind, or The Parable of the Blind is a painting by the Netherlandish Renaissance artist Pieter Bruegel the Elder, completed in 1568. Executed in distemper on linen canvas, it measures 86 cm × 154 cm. It depicts the Biblical parable of the blind leading the blind from the Gospel of Matthew 15:14, and is in the collection of the Museo di Capodimonte in Naples, Italy.
The Beggars or The Cripples is an oil-on-panel by the Netherlandish Renaissance artist Pieter Bruegel the Elder, painted in 1568. It is now in the Louvre, in Paris. Its also is the only painting by Bruegel in the Louvre, received as a gift in 1892.
The Procession to Calvary is an oil-on-panel by the Netherlandish Renaissance artist Pieter Bruegel the Elder of Christ carrying the Cross set in a large landscape, painted in 1564. It is in the Kunsthistorisches Museum in Vienna.
The Fall of the Rebel Angels is an oil-on-panel painting of 1562 by the Netherlandish Renaissance artist Pieter Bruegel the Elder. The painting is 117cm x 162cm and is now in the Oldmasters Museum in Brussels, Belgium. The Fall of Rebel Angels depicts Lucifer along with the other fallen angels that have been banished from heaven. Angels are falling from the sun in a stacked manner along with ungodly creatures that Bruegel created.
Children's Games is an oil-on-panel by Flemish Renaissance artist Pieter Bruegel the Elder, painted in 1560. It is now in the Kunsthistorisches Museum in Vienna. The entire composition is full of children playing a wide variety of games. Over 90 different games that were played by children at the time have been identified.
The Wedding Dance is a 1566 oil-on-panel painting by Pieter Bruegel the Elder. Owned by the museum of the Detroit Institute of Arts in Detroit, Michigan, the work was discovered by its director in England in 1930, and brought to Detroit. It is believed to be one of a set of three Bruegel works from around the same time: The Wedding Dance, The Peasant Wedding (1567) and The Peasant Dance (1569).
Bruegel is a crater on Mercury. It has a diameter of 72 kilometers. Its name was adopted by the International Astronomical Union in 1985. Bruegel is named for the Flemish painter Pieter Bruegel the Elder, who lived from 1525 to 1569.