The following is an incomplete list of paintings by Pieter de Hooch, a Dutch Golden Age painter , that are generally accepted as autograph by Peter C. Sutton and other sources. The list is more or less in order of creation, starting from around 1648 when Pieter de Hooch began painting on his own in Delft. Later he moved to Amsterdam and his interiors seem somewhat grander in style. Most of his works are genre scenes involving daily life, but he also made at least one religious allegory.
Image | Title | Year | Size | Inventory nr. | Gallery | Location |
---|---|---|---|---|---|---|
Self-portrait | 1648 | 32.5 × 34 cm | SK-A-181 | Rijksmuseum | Amsterdam | |
The Merry Drinker | 1650 | 50 × 42 cm | B33 | Gemäldegalerie | Berlin | |
Two Soldiers and a Serving Woman with a Trumpeter | 1650–1655 | 76 × 66 cm | Kunsthaus Zürich | Zurich | ||
Soldier Offering a Woman a Glass of Wine | с. 1653 | 71 × 69 cm | ГЭ-6316 | Hermitage Museum | St. Petersburg | |
Two soldiers drinking with a serving woman | 1650–1655 | 52 × 46 cm | private collection | unknown | ||
Liberation of St. Peter from prison | 1650–1655 | 30.5 cm × 37.5 cm | private collection | unknown | ||
A soldier smoking a pipe | 1650 | 34.7 × 27 cm | 499 | Philadelphia Museum of Art | Philadelphia | |
Woman with basket of beans in the kitchen garden | 1651 | 69.5 × 59 cm | Kunstmuseum Basel | Basel | ||
Tric-Trac players | 1652–1655 | 45 × 33.5 cm | NGI.322 | National Gallery of Ireland | Dublin | |
Tavern interior with a seated soldier, seen from behind, with a serving woman, figures playing cards in the background | 1652–1655 | 42.7 × 33.5 cm | private collection | unknown | ||
Soldiers with a Serving Maid in a Barn | 1650s | 54.8 × 69.1 cm | 498 | Philadelphia Museum of Art | Philadelphia | |
The empty glass | 1652 | 44 × 35 cm | 2499 (OK) | Museum Boijmans Van Beuningen | Rotterdam | |
Soldiers with a serving woman and a flute player | 1650–1655 | 60 × 73 cm | 269 | Galleria Borghese | Rome | |
Two soldiers with a serving woman and a boy in a tavern | 1650–1655 | 49 × 50 cm | private collection | unknown | ||
Bringer of Bad News | 1655 | 68 × 56 cm | 065005-000 | Museu Nacional d'Art de Catalunya | Barcelona | |
Soldier with maid and cardplayers in a tavern | 1655 | 58 × 71 cm | WRM 2841 | Wallraf-Richartz Museum | Cologne | |
The Morning of a Young Man | 1655–1657 | 40 × 53 cm | Ж-2621 | Pushkin Museum | Moscow | |
A Man with Dead Birds, and Other Figures, in a Stable | 1655 | 53.5 × 49.7 cm | NG3881 | National Gallery | London | |
Interior with a woman and a child; outside a maid is sweeping the yard | 1655–1656 | 59.7 × 47 cm | private collection | unknown | ||
Courtyard with a Woman Spinning | 1656 | 69.2 × 54 cm | RCIN 405331 | Royal Collection | London | |
Woman and child by a window, with a maid sweeping | 1655–1658 | 65 × 80 cm | 37 | Ranger's House | London | |
Interior with mother and child and a maid sweeping | 1655–1657 | 43.2 × 38.3 cm | private collection | unknown | ||
Two Women and a Child in a Courtyard | 1657 | 68 × 57.5 | 1949.27 | Toledo Museum of Art | Toledo | |
Woman Peeling Vegetables in the Back Room of a Dutch House | 1657 | 60 × 49 cm | 1372 | musée du Louvre | Paris | |
A Woman and Child in a Bleaching Ground | 1657–1659 | 73.5 × 63 cm | private collection | unknown | ||
A Woman and Two Men in an Arbor | 1657 | 43 × 36.5 cm | 1976.100.25 | Metropolitan Museum of Art | New York City | |
The Visit | 1657 | 67.9 × 58.5 cm | 29.100.7 | Metropolitan Museum of Art | New York City | |
Two soldiers playing cards and a girl filling a pipe | 1657 | 50.5 × 45.7 cm | private collection | unknown | ||
Soldier paying a landlady in an inn | 1658 | 71 × 63,5 cm | Mount Stuart House | Isle of Bute | ||
Woman Nursing an Infant, with a Child and a Dog | 1658–1660 | 67.9 × 55.6 cm | 61-44-37 | de Young | San Francisco | |
Woman and Child in a Courtyard | 1658–1660 | 73.5 × 66 cm | 1942.9.34 | National Gallery of Art | Washington D.C. | |
The Golf Players | 1658 | 63.5 × 45.7 cm | Polesden Lacey | Polesden Lacey | ||
A Woman Drinking with Two Men | 1658 | 73.7 cm × 64.6 cm | NG834 | National Gallery | London | |
Cardplayers in a Sunlit Room | 1658 | 76.2 × 66 cm | RCIN 405951 | Royal Collection | London | |
Woman with a Child in a Pantry | 1658 | 65 × 60.5 cm | SK-A-182 | Rijksmuseum | Amsterdam | |
Woman drinking with two men and a maid in an interior | 1658 | 68.8 cm × 60 cm | RF 1974-29 | musée du Louvre | Paris | |
Interior with 5 soldiers and armor on the wall | 1650–1655 | 46.7 × 64.2 cm | private collection | unknown | ||
A Woman with a Baby in Her Lap, and a Small Child | 1658 | 60 × 47 cm | private collection | unknown | ||
Woman and Child in a Street | 1657–1659 | 76.2 × 62.2 cm | private collection | lost in a fire | ||
A Dutch Courtyard | 1658–1660 | 68 × 59 cm | 1937.1.56 | National Gallery of Art | Washington D.C. | |
Group portrait of an unknown family or company | 1650–1665 | 112.5 cm × 97 cm | 715 | Academy of Fine Arts Vienna | Vienna | |
Bedroom | 1658 | 51.8 × 60.6 cm | 259 | Staatliche Kunsthalle Karlsruhe | Karlsruhe | |
The Bedroom | 1658–1660 | 51 × 60 cm | 1942.9.33 | National Gallery of Art | Washington D.C. | |
A Mother Delousing her Child's Hair, Known as ‘A Mother’s Duty’ | 1658 | 52.5 × 61 cm | SA 7516 | Amsterdam Museum Rijksmuseum | Amsterdam | |
Courtyard with an Arbour | 1658 | 66.5 × 56.5 cm | private collection | unknown | ||
The Courtyard of a House in Delft | 1658 | 73.5 cm × 60 cm | NG835 | National Gallery | London | |
Courtyard with a man smoking and a woman drinking | 1659 | 78 × 65 cm | 835 | Mauritshuis | The Hague | |
Interior with a Woman weighing Gold Coin | 1659–1662 | 61 × 53 cm | 1401B | Gemäldegalerie | Berlin | |
Woman with a glass of wine and a child in a garden | 1658–1660 | 62 × 58 cm | private collection | unknown | ||
Woman and Maid in a Courtyard | 1660–1661 | 73.7 cm × 62.6 cm | NG794 | National Gallery | London | |
Maid with a Bucket and Broom in a Courtyard | 1660 | 49.4 × 41 cm | Staatliche Kunsthalle Karlsruhe | Karlsruhe | ||
A man and a serving woman behind a screen, with card players beyond | 1660 | 88 × 81 cm | private collection | unknown | ||
Woman and a maid with a pail of fish in a courtyard | с. 1660 | 53 × 42 cm | ГЭ-943 | Hermitage Museum | St. Petersburg | |
A Woman Preparing Bread and Butter for a Boy | 1660–1663 | 68.6 × 53.3 cm | 84.PA.47 | J. Paul Getty Museum | Los Angeles | |
Mother Lacing Her Bodice beside a Cradle | 1661 | 92 × 100 cm | 820B | Gemäldegalerie | Berlin | |
Two men and a young woman in a distinguished interior | 1660–1664 | 60 × 66 cm | GM406 | German National Museum | Nuremberg | |
Merry company in an interior | 1663–1665 | 64.5 × 74.5 cm | 1620-P | National Museum of Ancient Art | Lisbon | |
Interior with a Young Couple | 1662–1665 | 54.8 × 62.8 cm | 14.40.613 | Metropolitan Museum of Art | New York City | |
Man smoking and a young woman by a hearth | 1660–1663 | 71.5 × 54 cm | private collection | unknown | ||
Figures in a Courtyard behind a House | 1663 | 61 × 47 cm | SA 7517 | Amsterdam Museum Rijksmuseum | Amsterdam | |
Portrait of a family making music | 1663 | 100 × 119 cm | 1951.355 | The Cleveland Museum of Art | Cleveland | |
Nursing Mother, and Child with Serving Maid | 1663–1665 | 64 × 76 cm | GG 5976 | Kunsthistorisches Museum | Vienna | |
Card Players in an Opulent Interior | 1663–1665 | 67 × 77 cm | INV 1373 | Department of Paintings of the Louvre | Paris | |
A Couple Walking in the Amsterdam Town Hall | 1663–1665 | 72 cm × 85 cm | 213 | Musée des Beaux-Arts de Strasbourg | Strasbourg | |
A Woman Peeling Apples | 1663 | 70 × 54 cm | P23 | The Wallace Collection | London | |
Interior with Women beside a Linen Cupboard | 1663 | 72 × 77.5 cm | SA 7336 | Amsterdam Museum Rijksmuseum | Amsterdam | |
A Boy Bringing Bread | 1663 | 74 × 60 cm | P27 | The Wallace Collection | London | |
Interior with a woman reading and a child with a hoop | 1662–1666 | 63.3 × 80.4 cm | LEAMG : A388.1953 | Royal Pump Rooms | Leamington Spa | |
The Council Chamber in Amsterdam Town Hall | 1663–1665 | 112.5 × 99 cm | 196 (1960.3) | Thyssen-Bornemisza Museum | Madrid | |
Musical Party in a Hall | 1664–1666 | 81 × 68.3 cm | 1031 | Museum der bildenden Künste | Leipzig | |
Woman Reading a Letter | 1664 | 55 × 55 cm | 5933 | Museum of Fine Arts | Budapest | |
Leisure Time in an Elegant Setting | c. 1663–65 | enlarged by 2 cm on all sides | 1975.1.144 | Metropolitan Museum of Art | New York City | |
A Game of Ninepins | 1663–1666 | 69.8 cm × 62.2 cm | 2564 | Waddesdon Manor | Waddesdon | |
The intruder, Lady at her toilet, surprised by her lover | c. 1665 | 52 × 62 cm | Apsley House | London | ||
Mother with a Child and a Chambermaid | 1665–1668 | 36.5 × 42 cm | SA 7518 | Amsterdam Museum | Amsterdam | |
Woman busy sewing in an interior | 1662–1668 | 50 × 38.5 cm | PAM 893 | Lower Saxony State Museum | Hannover | |
Man with a glass and a jug and a woman lacing het bodice | 1665 | 53.5 × 64 cm | private collection | unknown | ||
Interior with a Mother close to a Cradle | 1665 | 54 × 65 cm | NM 473 | Nationalmuseum | Stockholm | |
A Woman Placing a Child in a Cradle | 1663–1667 | 45 × 37 cm | private collection | unknown | ||
Merry Company in a Hall | 1664–1666 | 72 × 67 cm | KMSsp615 | Statens Museum for Kunst | Copenhagen | |
Game of Skittles in a Garden | 1663–1666 | 66,6 × 73 cm | Saint Louis Art Museum private collection | unknown | ||
Game of Skittles (copy) | 1663–1666 | 74 × 66.3 cm | 1950.19 | Cincinnati Art Museum | Cincinnati | |
Musical Company on a Terrace with a View of the Amsterdam Town Hall | 1667 | 67.7 × 82 cm | private collection | unknown | ||
Woman with a Water Pitcher, and a Man by a Bed ("The Maidservant") | 1667 | 61.5 × 52 cm | 32.100.15 | Metropolitan Museum of Art | New York City | |
A Wounded Man being Treated in a Stable | 1667 | 41 × 49 cm | private collection | unknown | ||
A Woman with a Cittern and a Singing Couple at a Table | 1667–1670 | 70 × 58 cm | 1931.395 | Taft Museum of Art | Cincinnati | |
Portrait of a family on a terrace | 1667 | 66.7 × 76.2 cm | private collection | unknown | ||
A Musical party | 1667 | 52.1 × 58.7 cm | RCIN 403028 | Royal Collection | Royal Collection | |
Teaching a Child to Walk | 1668–1672 | 67.5 × 59 cm | 1558 | Museum der bildenden Künste | Leipzig | |
Interior with a gentleman and two ladies conversing | 1668–1670 | 70 × 61.8 cm | 1979.465 | Manchester Art Gallery | Manchester | |
Mother and Child with a Boy descending a Stair | 1668 | 65 × 55 cm | private collection | unknown | ||
Interior looking out on water | 1668 | 56.5 × 47.6 cm | 33/6 | Michaelis Collection | Cape Town | |
Interior with a Woman sewing and a Child | 1662–1668 | 55 × 45 cm | 195 (1958.7) | Thyssen-Bornemisza Museum | Madrid | |
Woman reading a letter and a man at a window | 1669 | 57 × 49 cm | NM 471 | Nationalmuseum | Stockholm | |
A Woman Receiving a Man in the Doorway | 1669 | 72.4 × 63.5 cm | private collection | unknown | ||
Man with a glass and a woman with a jug in an interior | 1669 | 51 × 47 cm | private collection | unknown | ||
Music making company with a monkey on a terrace | 1669 | 71 × 85.5 cm | private collection | England | ||
Young woman feeding a parrot, with a man and a serving woman | 1669–1671 | 52 × 44.5 cm | private collection | unknown | ||
Young woman in an interior, receiving a letter | 1668–1670 | 57 × 53 cm | 184 | Kunsthalle Hamburg | Hamburg | |
Card Players at a Table | 1670–1674 | 107.3 × 93.3 cm | private collection | unknown | ||
Interior of a Kitchen with a Woman, a Child and a Maid | 1668–1672 | 70 × 63.5 cm | private collection | unknown | ||
A woman and a maid in an interior | 1670 | 83 × 72 cm | 2500 (OK) | Museum Boijmans Van Beuningen | Rotterdam | |
Couple playing cards and a serving woman | 1665–1675 | 68 × 58.5 cm | 1975.1.143 | Metropolitan Museum of Art | New York City | |
Merry company with trumpeter in a distinguished interior | 1670 | 99 × 113 cm | 7018 | Royal Museums of Fine Arts of Belgium | Brussels | |
Man playing a lute and woman singing in an interior | 1670 | 73.5 × 62.2 cm | private collection | unknown | ||
A Sick Child | 1670–1680 | 52 × 61 cm | Ж-2030 | Pushkin Museum | Moscow | |
Interior with man drinking and two women with a child feeding a parrot | 1668–1672 | 79.5 × 66 cm | private collection | unknown | ||
An Elegant Company Making Music in a Vestibule, with a View of a City | 1665–1684 | 56.5 × 69.4 cm | private collection | unknown | ||
Officer paying a woman in a stable | c. 1670 | 94.5 × 111.1 cm | 58.144 | Metropolitan Museum of Art | New York City | |
A Woman with a Duck and a Woman with a Cabbage | 1677–1684 | 63 × 75 cm | private collection | unknown | ||
Interior with a young lady handing a coin to a maidservant | 1668–1672 | 73 × 66 cm | Los Angeles County Museum of Art private collection | unknown | ||
Family Jacott-Hoppesack | 1670 | 97 × 114.5 cm | SA 41337 | Amsterdam Museum | Amsterdam | |
Man Handing a Letter to a Woman in the Entrance Hall of a House | 1670 | 68 × 59 cm | SA 7515 | Amsterdam Museum Rijksmuseum | Amsterdam | |
The Fireside | 1670–1675 | 64 × 77 cm | 52.9.45 | North Carolina Museum of Art | Raleigh, NC | |
A Woman and Child with a Serving Woman with Asparagus | 1670–1674 | 71 × 82 cm | private collection | unknown | ||
Interior with a woman knitting and a maid with a girl | 1673 | 72.4 × 62.7 cm | City of London Corporation | London | ||
Interior with two women, two children and a parrot | 1673 | 76 × 67 cm | private collection | unknown | ||
Two women and a child, 'A Mother's Care' | 1673 | 75 × 61 cm | Ж-1679 | Pushkin Museum | Moscow | |
A Merry Company with a Trumpeter | 1673–1675 | 85 × 92 cm | private collection | unknown | ||
Musical company with a dog in an interior | 1672–1676 | 90 × 108 cm | private collection | London | ||
Interior with two embracing couples | 1673–1675 | 63.5 × 80 cm | private collection | unknown | ||
A Musical Conversation | 1674 | 98 × 115 cm | 3798.1 | Honolulu Museum of Art | Honolulu | |
Merry Company with a mandolin and a dog | 1673–1675 | 57 × 65.5 cm | Fondation Bemberg | unknown | ||
Woman nursing by a cradle with a dog at her feet | 1674–1676 | 79.7 × 59.7 cm | 89.39 | Detroit Institute of Arts | Detroit | |
Standing woman with a woman playing the cello | 1675 | 67 × 52 cm | private collection | unknown | ||
The Asparagus Vendor | 1675–1680 | 76.2 × 104 cm | 82.46 | Minneapolis Institute of Arts | Minneapolis | |
Interior with Two Gentleman and a Woman Beside a Fire | 1675–1680 | 43.7 × 52.7 cm | private collection | unknown | ||
Couple with Parrot | 1675 | 73 × 62 cm | WRM 3218 | Wallraf-Richartz Museum | Cologne | |
Party | 1675 | 81.8 × 98.9 cm | W1912-1-7 | Philadelphia Museum of Art | Philadelphia | |
A mother with two children and a maid with a pail by a fireplace | 1675–1680 | 83.8 × 81.6 cm | private collection | unknown | ||
A Housewife Instructing her Maid | 1674–1676 | 91.5 × 83 cm | KMSsp614 | Statens Museum for Kunst | Copenhagen | |
A Lady and a Child with a Serving Maid | 86.2 × 79.7 cm | 501 | Philadelphia Museum of Art | |||
Musical company in an interior | c. 1675 | 104 × 135 cm | Apsley House | London | ||
Musical company in a distinguished interior | 1675 | 92.7 × 109.8 cm | 67.21 | Indianapolis Museum of Art | Indianapolis | |
Interior with a Man Reading a Letter and a Woman Sewing | 1674–1676 | 69.9 × 77 cm | George Kremer | unknown | ||
Merry Company with five figures | 1674–1677 | 92 × 105.5 cm | KMSsp614 | Statens Museum for Kunst | Copenhagen | |
The Empty Jug | 1675–1680 | 54.5 × 64.7 cm | 872130 | Saltram House | Plympton | |
Woman plucking a duck | 1675 | 54 × 64.5 cm | MNG/SD/360/M | National Museum, Gdańsk | Gdansk | |
Woman with a Child and a Maid in an Interior | 1675 | 56.2 × 65.8 cm | 1925.117 | Worcester Art Museum | Worcester, MA | |
Merry company in a distinguished interior | 1675–1677 | 73 × 62 cm | Corcoran 26.103 | National Gallery of Art | Washington D.C. | |
A Man with a Book and Two Women | 1676 | 63.5 × 75 cm | B102 | Gemäldegalerie | Berlin | |
A Woman Paying a Girl and a Woman Sweeping | 1675–1680 | 59 × 66 cm | private collection | unknown | ||
Elegant company with a woman at the virginal | 1675–1680 | 92.5 × 115 cm | private collection | unknown | ||
Tavern Scene with a Smoker | 1675–1680 | 51 × 64 cm | NM 472 | Nationalmuseum | Stockholm | |
A Musical Party in a Courtyard | 1677 | 83.5 × 68.5 cm | NG3047 | National Gallery | London | |
A Woman Holding a Wineglass in a Doorway | 1675–1680 | 40 × 31.6 cm | private collection | unknown | ||
A Doctor and a Sick Woman | 1675–1680 | 65 × 56 cm | private collection | unknown | ||
A woman with a baby on her lap and a maid seen from the back | 1675–1680 | 51.8 × 60.7 cm | private collection | unknown | ||
A Woman Playing a Lute with other Figures | 1677 | 67 × 57 cm | private collection | unknown | ||
A Musical Party with Three Figures and Serving Woman | 1677–1680 | 64.5 × 73.6 cm | private collection | unknown | ||
A Woman with a Lute and a Man with a Violin | 1677–1684 | 66 × 59 cm | private collection | unknown | ||
Outside the Tavern | 1677–1680 | 84.5 × 69.5 cm | KMS1641 | Statens Museum for Kunst | Copenhagen | |
A Woman Sewing with a Serving Girl and a Child | 1680 | 67.5 × 58 cm | private collection | unknown | ||
A Couple Making Music at a Table, with a Serving Girl | 1680 | 65 × 53 cm | 815 | Hermitage Museum | St. Petersburg | |
Interior with two women talking, a man and a dog | 1680–1684 | 74 cm × 84 cm | 347 | musée Granet | Aix-en-Provence | |
Elegant couple playing music on a terrace, with a maidservant pouring wine | 1680 | 51.2 × 62.2 cm | private collection | unknown | ||
A Woman with a Serving Girl | 1680 | 65 × 55 cm | P304 | palais des beaux-arts de Lille | Lille | |
Company with a black pageboy and a woman feeding a parrot | 1680–1684 | 67 × 56 cm | private collection | unknown | ||
A Musical Trio in an interior | 1680 | 58.4 × 45.4 cm | private collection | unknown | ||
A Woman Seated at a Window and a Child in a Doorway | 1680 | 54.1 × 67.2 cm | private collection | unknown | ||
Interior of a Dutch house with a woman kneeling by a fire conversing with a woman standing | 1680 | 57.5 × 69.8 cm | 03.607 | Museum of Fine Arts | Boston | |
Woman playing the virginal with a man and two dancing dogs | 1680–1684 | 50 × 42.5 cm | private collection | unknown | ||
Company in an interior eating oysters | 1681 | 60.3 × 52 cm | (CTB.1995.2) | Thyssen-Bornemisza Museum | Madrid | |
A Woman kneeling by a Fire with a Musical Company | 1680–1684 | 68 × 82.5 cm | private collection | unknown | ||
A Musical Company of Four Figures with a Small Boy Dancing | 1680–1684 | 65 × 75 cm | Berkshire Museum | Pittsfield, MA | ||
Two Women and a Man in Bed | 1680–1684 | 70 × 82 cm | private collection | unknown | ||
A Musical Company of Four Figures | 1684 | 72 × 84 cm | private collection | unknown | ||
A Woman kneeling by a Fire with Figures at a Table | 1680–1684 | 67.3 × 83.8 cm | private collection | unknown | ||
A Woman Taking Butter from a Plate Held by a Little Girl | 1680–1684 | 93 × 82 cm | private collection | unknown | ||
A Lady and a Gentleman making Music with dancing Dogs | 1680–1684 | 62.2 × 53.3 cm | private collection | unknown | ||
Man with a letter and a woman feeding a bird | 1680–1684 | 57.5 × 50.8 cm | private collection | unknown | ||
A Woman Standing before a Man Seated at a Table | 1683 | 43 × 38 cm | private collection | unknown | ||
Portrait of an unknown man and woman | 1684 | 109.3 × 127.5 cm | private collection | unknown | ||
A Musical Company of Three Figures | 1684 | 53.3 × 62.8 cm | private collection | unknown |
Johannes Vermeer was a Dutch painter who specialized in domestic interior scenes of middle-class life. He is considered one of the greatest painters of the Dutch Golden Age. During his lifetime, he was a moderately successful provincial genre painter, recognized in Delft and The Hague. He produced relatively few paintings, primarily earning his living as an art dealer. He was not wealthy; at his death, his wife was left in debt.
Carel Pietersz. Fabritius was a Dutch painter. He was a pupil of Rembrandt and worked in his studio in Amsterdam. Fabritius, who was a member of the Delft School, developed his own artistic style and experimented with perspective and lighting. Among his works are A View of Delft, The Goldfinch (1654), and The Sentry (1654).
A Woman Peeling Apples is a painting by the Dutch Golden Age painter Pieter de Hooch in the Wallace Collection in London.
Pieter Hendricksz. de Hooch, was a Dutch Golden Age painter famous for his genre works of quiet domestic scenes with an open doorway. He was a contemporary, in the Delft Guild of St. Luke, of Jan Vermeer with whom his work shares themes and style. De Hooch was first recorded in Delft on 5 August 1652, when he and another painter, Hendrick van der Burgh witnessed the signing of a will. He was active in 1683, but his date of death is unknown.
Abraham Hendriksz van Beijeren or Abraham van Beyeren was a Dutch Baroque painter of still lifes. Little recognized in his day and initially active as a marine painter, he is now considered one of the most important painters of still lifes, and still lifes of fish and so-called 'pronkstillevens', i.e. sumptuous still lifes of luxurious objects.
The Delft school is a category of mid-17th-century Dutch Golden Age painting named after the city of its centre, Delft. It is best known for genre painting—images of domestic life, views of households, church interiors, courtyards, squares and the streets of that city. Carel Fabritius and Nicolaes Maes are seen as the originators of these localised specialties in the 1640s that were continued in the 1650s by Pieter de Hooch and Johannes Vermeer. Vermeer is the most well-known these painters today. The architectural interiors of Gerard Houckgeest, Emanuel de Witte and Hendrick Cornelisz. van Vliet are also notable contributions. Besides the genres most closely associated with Delft painters, artists in the city continued to produce still life and history paintings, portraits for patrons and the court, and decorative pieces of art that reflect more general tendencies in Dutch art of the period.
Cornelis de Man was a Dutch Golden Age painter.
Ludolf de Jongh or Ludolf Leendertsz. de Jongh was a Dutch painter, known for his genre scenes, hunting scenes, history paintings, landscapes, cityscapes and portraits. He was further a merchant, an officer in the civil guard of Rotterdam and a schout (sheriff) of Hillegersberg. He was in the 1650s the leading genre painter in Rotterdam whose work influenced artists such as Pieter de Hooch. He was active as a staffage painter and added the figures in the works of artists such as the church interior painter Anthonie de Lorme and the landscape painter Joris van der Haagen.
Charles Cornelisz. de Hooch, was a Dutch Golden Age landscape painter and etcher.
Jacob Vrel was a Dutch, Flemish, or Westphalian painter of interiors and urban street scenes during the Dutch Golden Age (1588–1672). He was likely most active from 1654 to 1662.
Hendrick van der Burgh, was a Dutch Golden Age painter known for his genre scenes. He was related to contemporary Pieter de Hooch, as step brother following the marriage of his sister, Jannetge, to de Hooch. He is considered part of the Delft School, although his artistic output was relatively small, he is known for prints and portraits, with the monogram "HVB".
The Courtyard of a House in Delft is a 1658 oil painting by Pieter de Hooch, located in the National Gallery, London. The painting is considered typical of de Hooch's middle period, in which he painted detailed portrayals of Dutch domestic architecture and courtyards. The painting is signed and dated "P.D.H. / A 1658" on the archway to the left.
A Boy Bringing Bread is an oil-on-canvas painting by the Dutch painter Pieter de Hooch. It is an example of Dutch Golden Age painting and is part of The Wallace Collection, on display at East Galleries II in London. The painting was likely painted soon after De Hooch's arrival in Amsterdam from Delft in the early 1660's.
A Man Smoking and a Woman Drinking in a Courtyard (1658–1660) is an oil-on-canvas painting by the Dutch painter Pieter de Hooch. It is an example of Dutch Golden Age painting and is part of the collection of the Mauritshuis.
A Dutch Courtyard (1658–1660) is an oil-on-canvas painting by the Dutch painter Pieter de Hooch. The original resides in the collection of the National Gallery of Art in Washington, D.C. A later, altered replica also exists, part of the collection of the Mauritshuis Museum in The Hague.
Cardplayers in a Sunlit Room (1658) is an oil-on-canvas painting by the Dutch painter Pieter de Hooch; it is an example of Dutch Golden Age painting and is now in the Royal Collection, and on display at the King's Gallery in London.
Woman with Basket of Beans a Kitchen Garden (1661) is an oil-on-canvas painting by the Dutch painter Pieter de Hooch. It is an example of Dutch Golden Age painting and is now in the Kunstmuseum Basel in Switzerland. The painting is notable for its depiction of Dutch almshouse architecture and its inclusion of a portrait on a window shutter, which has sparked debate about its meaning and De Hooch's possible social commentary.
A Man with Dead Birds, and Other Figures, in a Stable is an oil-on-oak painting by the Dutch painter Pieter de Hooch. It is an example of Dutch Golden Age painting and is now in the National Gallery, London
Card Players in a Rich Interior is a c. 1663–1665 oil painting on canvas by the Dutch painter Pieter de Hooch, produced at the start of his time in Amsterdam and signed "P. D. HOOCH". It is now in the Louvre, whose collections it entered in 1801.
Game of skittles is an oil-on-canvas painting by the Dutch painter Pieter de Hooch. It is an example of Dutch Golden Age painting and is part of the Cincinnati Art Museum's collection. The picture was most likely painted around De Hooch's first Amsterdam period, seemingly occurring during the years preceding 1670.