A Boy Bringing Bread is an oil-on-canvas painting by the Dutch painter Pieter de Hooch. It is an example of Dutch Golden Age painting and is part of The Wallace Collection.
A Woman with a Child in a Pantry is an oil-on-canvas painting by the Dutch painter Pieter de Hooch, created c. 1658. It is part of the collection of the Rijksmuseum, in Amsterdam.
Two Women Beside a Linen Chest, with a Child is an oil-on-canvas painting by the Dutch painter Pieter de Hooch, created in 1663. It is part of the collection of the Amsterdam Museum, on loan to the Rijksmuseum.
Woman lacing her bodice beside a cradle is an oil-on-canvas painting by the Dutch painter Pieter de Hooch, created c. 1660–1663. It is part of the collection of the Gemäldegalerie, Berlin.
Interior with a Mother Close to a Cradle is an oil-on-canvas painting by the Dutch painter Pieter de Hooch, created c. 1665–1670. It is part of the collection of the Nationalmuseum, Stockholm.
A Mother's Duty (1658–1660) is an oil-on-canvas painting by the Dutch painter Pieter de Hooch. It is part of the collection of the Amsterdam Museum, on loan to the Rijksmuseum.
A Man Smoking and a Woman Drinking in a Courtyard (1658–1660) is an oil-on-canvas painting by the Dutch painter Pieter de Hooch. It is an example of Dutch Golden Age painting and is part of the collection of the Mauritshuis.
A Dutch Courtyard (1658–1660) is an oil-on-canvas painting by the Dutch painter Pieter de Hooch. It is part of the collection of the Mauritshuis Museum in The Hague.,
The Maidservant is an oil-on-panel painting by the Dutch painter Pieter de Hooch. It is held in the Metropolitan Museum of Art, in New York.
The Bedroom (1658–1660) is an oil-on-canvas painting by the Dutch painter Pieter de Hooch. It is an example of Dutch Golden Age painting and is part of the collection of the National Gallery of Art.
The Bedroom (1658–1660) is an oil-on-canvas painting by the Dutch painter Pieter de Hooch. It is an example of Dutch Golden Age painting and is part of the collection of the Staatliche Kunsthalle Karlsruhe.
Company in a Courtyard Behind a House (1663–1665) is an oil-on-canvas painting by the Dutch painter Pieter de Hooch. It is an example of Dutch Golden Age painting and is part of the collection of the Amsterdam Museum, on loan to the Rijksmuseum.
Interior with a Woman Weighing Gold Coin (1659–1662) is an oil-on-canvas painting by the Dutch painter Pieter de Hooch. It is part of the collection of the Gemäldegalerie, Berlin.
A Woman Drinking with Two Men is a 1658 painting by Pieter de Hooch, an example of Dutch Golden Age painting and is part of the collection of the National Gallery, London.
Merry Company with Two Men and Two Women, also known as The Visit, is an oil-on-panel painting by the Dutch painter Pieter de Hooch, created c. 1657. It is an example of a Merry Company, a popular form of genre painting in Dutch Golden Age painting showing a group of figures, who are not meant to be identified as portraits, enjoying each other's company. It is now in the Metropolitan Museum of Art, in New York.
Interior with a Young Couple and a Dog (1662) is an oil-on-panel painting by the Dutch painter Pieter de Hooch; it is an example of Dutch Golden Age painting and is now in the Metropolitan Museum of Art.
Teaching a Child to Walk is an oil-on-canvas painting by the Dutch painter Pieter de Hooch. It is an example of Dutch Golden Age painting and is part of the collection of the Museum der bildenden Künste.
Interior with a Child Feeding a Parrot is an oil-on-canvas painting by the Dutch painter Pieter de Hooch. It is an example of Dutch Golden Age painting and is now in a private collection.
Two Soldiers and a Serving Woman with a Trumpeter is an oil-on-canvas painting by the Dutch painter Pieter de Hooch. It is an example of Dutch Golden Age painting and is now in the collection of the Kunsthaus Zürich.
A Man with Dead Birds, and Other Figures, in a Stable is an oil-on-canvas painting by the Dutch painter Pieter de Hooch. It is an example of Dutch Golden Age painting and is now in the National Gallery, London.
