This is an incomplete list of paintings by the French painter Paul Gauguin.
Paul Gauguin (1848–1903) was a leading 19th-century Post-Impressionist artist, painter, sculptor, printmaker, ceramist and writer. His bold experimentation with color directly influenced modern art in the 20th century while his expression of the inherent meaning of the subjects in his paintings, under the influence of the cloisonnist style, paved the way to Primitivism and the return to the pastoral. He was also an influential proponent of wood engraving and woodcuts as art forms. [1] [2]
Image | Title | Year | Location | Dimensions (cm.) | Cat. no. Medium |
---|---|---|---|---|---|
Path in the Forest | 1873 | Private collection | W. 4/5 | ||
Traveaux des champs dans la plaine, ou Le Lac dans la plaine | 1873 | Fitzwilliam Museum, Cambridge, Massachusetts | W. 5/4 | ||
Still life with Open Book | 1874–1878 | Private collection | W. 3 | ||
Maisons au bord de l'eau | 1874 | Ny Carlsberg Glyptotek, Copenhagen | W. 6/8 | ||
1874 (ca) | W. 7 | ||||
Clearing II | 1874 | Private collection | W. 8/7 | ||
Landscape with Poplars | 1875 | Indianapolis Museum of Art | W. 11/13 | ||
Landscape from Viroflay | 1875 | Ny Carlsberg Glyptotek | W. 12/14 | ||
River Seine seen From Iéna Bridge | 1875 | Musée d'Orsay, Paris | W. 13/12 | ||
Pont roulant au bord de la Seine, ou La Seine à Paris entre le pont d'Iéna et le pont de Grenelle | 1875 | Private collection | W. 14/20 S. 4 | ||
The Seine at Pont de Grenelle | 1875 | Wallraf-Richartz Museum, Cologne | W. 15/18 | ||
Mette Asleep on a Sofa | 1875 | W. 96/22 | |||
Pears and Grapes | 1876 (ca) | Private collection | W. 2/26 | ||
Flowers in a Vase with a Musical Score | 1876 | Private collection | W. 9/36 | ||
Seascape | 1876 | W. 17 | |||
Daisies and Peonies in a Blue Vase | 1876 | Private collection | W. 19/35 S. 5 | ||
Jacinthe et pommes sur un journal | 1876 | Private collection | W. 19bis/41 | ||
Bouquet de pivoines sur une partition, ou Vase de fleurs sur une page de musique | 1876 | Private collection | W. 20/34 | ||
Nature morte aux huîtres | 1876 | Virginia Museum of Fine Arts, Richmond | W. 21/32 | ||
Autumn Landscape | 1877 | Private collection | W. 1/38 | ||
Portrait of Claude-Antoine-Charles Favre | 1877 | Private collection | W. 22/43 | ||
Ingeborg Thaulow | 1877 | Private collection | W. 23/44 | ||
Self portrait | 1875–1877 (ca) | Fogg Museum, Cambridge, Massachusetts | W. 25 | ||
Mette Gauguin | 1878 | Foundation E.G. Bührle, Zürich | W. 26 | ||
Still life with Fish | 1878 (ca) | Gothenburg Museum of Art | W. 28/27 | ||
Apple Trees at l'Hermitage III | 1879 | Philadelphia Museum of Art | W. 31/52 | ||
Apple Trees at l'Hermitage II | 1879 | Aargauer Kunsthaus, Aarau | W. 33/51 | ||
Haystacks | 1879 | Private collection | W. 34/48 | ||
Village path | 1879 | Private collection | W. 35/53 | ||
The Market Gardens of Vaugirard | 1879 | Smith College Museum of Art, Northampton | W. 36/55 | ||
Garden under snow | 1879 | Szépművészeti Múzeum, Budapest | W. 37/57 | ||
Jardin sous la neige II ou La neige a Vaugirard I | 1879 | Ny Carlsberg Glyptotek, Copenhagen | W. 38/58 | ||
Riverside | 1879 | Private collection | W. 38bis/54 | ||
Portrait of a Man | 1880 | Dallas Museum of Art | W. 29 | ||
Vaugirard Church | 1880 | Groninger Museum, Netherlands | W. 30/69 | ||
Study of a Nude (Suzanne sewing) | 1880 | Ny Carlsberg Glyptotek, Copenhagen | W. 39 | ||
In the Henhouse | 1878 (ca) | Thyssen-Bornemisza Museum | W. 40 | ||
Houses at Vaugirard | 1880 | Israel Museum, Jerusalem | W. 44/58 | ||
Mandolin on a chair | 1880 | Menard Art Museum, Komaki, Japan | W. 46/63 | ||
Wood Tankard and Metal Pitcher | 1880 | Art Institute of Chicago | W. 47/60 | ||
Flowers and Carpet (Pansies) | 1880 | Private collection | W. 48/61 | ||
The Makings of a Bouquet | 1880 | Private collection | W. 49/62 | ||
L'Intérieur, rue Carcel; ou Intérieur du peintre Paris, rue Carcel | 1881 | National Gallery of Norway | W. 50/76 | ||
Interior with Aline | 1881 | Millennium Gallery, Sheffield | W. 51/77 | ||
The little one sleeping | 1881 | Ordrupgaard, near Copenhagen | W. 52 & 54/75 | ||
Little Girl Playing, or Pond with Ducks | 1881 | Private collection | W. 55/74 | ||
Vase of Flowers | 1881(ca) | Musée des Beaux-Arts de Rennes | W. 63 | ||
La famille du peintre au jardin, rue Carcel | 1881 | Ny Carlsberg Glyptotek, Copenhagen | W. 67 | ||
Still Life with Oranges | 1882 | Musée des Beaux-Arts de Rennes | W. 65/59 | ||
The Quarries of Le Chou near Pontoise | 1882 | National Gallery of Canada, Ottawa | W. 71/86 | ||
Blue Barge | 1882 | Lowe Art Museum, Miami | W. 73/90 | ||
Flowers and Books | 1882 | Private collection | W. 77/96 | ||
Still Life with Flowers | 1882 | Ny Carlsberg Glyptotek | W. 78/95 | ||
Portrait of a Woman (Ingeborg Thaulow) | 1883 (ca) | Private collection | W. 41/109 | ||
La neige, Rue Carcel | 1883 | Ny Carlsberg Glyptotek | W. 75/97 | ||
Aline Gauguin and One of Her Brothers | 1883 | Private collection | W. 82/111 | ||
Osny, rue de Pontoise, Winter | 1883 | Private collection | W. 84/99 oil on mahogany panel | ||
La Groue Farm, Osny | 1883 | Private collection | W. 85/103 | ||
Busagny Farm, Osny | 1883 | Rhode Island School of Design Museum, Providence | W. 86/101 | ||
Osny, Stormy Weather | 1883 | Ny Carlsberg Glyptotek | W. 87/102 | ||
Poplar-lined Lane, Osny | 1883 | Ny Carlsberg Glyptotek | W. 88/105 | ||
The Stream, Osny | 1883 | Private collection | W. 89/100 | ||
Tomatoes and a Pewter Tankard on a Table | 1883 | Private collection | W. 90/107 | ||
Dahlias and Mandolin | 1883 | Private collection | W. 91/108 | ||
Clovis asleep | 1884 | Private collection | W. 81/151 S. 12 | ||
Portrait of a Man | 1884 | Private collection | W. 94/153 S. 13 | ||
Madame Mette Gauguin in Evening Dress | 1884 | National Gallery, Oslo | W. 95/154 | ||
Mlle S. Manthey | 1884 | Kröller-Müller Museum, Otterlo, Netherlands | W. 97/152 | ||
Snow in Copenhagen | 1884 | Private collection | W. 88/160 | ||
Blue Roofs of Rouen | 1884 | Am Römerholz, Winterthur | W. 100/116 | ||
Un Coin de jardin à Rouen, ou Vue d'un jardin, Rouen | 1884 | Portland Museum of Art | |||
Notre-Dame-des-Anges, Rouen | 1884 | Private collection | W. 102/130 | ||
Rouen, L'Eglise Saint-Ouen | 1884 | Private collection | W. 103/124 | ||
Young Woman Lying in the Grass | 1884 | Private collection | W. 104/137 | ||
Three Cows | 1884 | Kunstmuseum Winterthur | W. 106/131 | ||
Cow in the Meadow | 1884 | Private collection | W. 107/138 | ||
Forest Interior | 1884 | Museum of Fine Arts, Boston | W. 110/135 S. 16 | ||
Street in Rouen | 1884 | Thyssen-Bornemisza Museum, Madrid | W. 111/122 | ||
Sunken Lane | 1884 | Private collection | W. 111(bis)/128 | ||
Meadow and Trees | 1884 | Private collection | W. 114/133 | ||
The Hillside | 1884 | Private collection | W. 115/126 | ||
The Road | 1884 | Foundation E.G. Bührle, Zurich | W. 117/127 | ||
Vue générale de Rouen | 1884 | Private collection | W. 118/123 | ||
French Landscape, Fan Project | 1884 | Ny Carlsberg Glyptotek | W. 119 | ||
Cliffs at La Bouille | 1884 | Private collection | W. 120/143 | ||
Entrance to the Village of Osny | 1884 | Museum of Fine Arts, Boston | W. 121/106 | ||
The Seine at Rouen | 1884 | Private collection | W. 122/142 | ||
Manuring, or Return from the Harvest | 1884 | Wallraf–Richartz Museum, Cologne | W. 124/117 | ||
The Pond | 1884 | Private collection | W. 125/121 | ||
Rue du Nord, Rouen | 1884 | Private collection | W. 126/114 | ||
Rue Jouvenet in Rouen | 1884 | Museo Thyssen-Bornemisza, Madrid | W. 127/115 | ||
Still Life with Peonies | 1884 | National Gallery of Art, Washington, DC | W. 131/145 S. 18 | ||
Apples, Jug, Iridescent Glass | 1884 | Private collection | W. 133/134 | ||
Nasturtiums and Dahlias in a Basket | 1884 | National Gallery (Norway), Oslo | W. 134/150 | ||
Portrait du peintre Granchi-Taylor | 1885 | Kunstmuseum Basel | W. 136/205 | ||
Portrait of Philibert Favre | 1885 | Private collection | W. 137/206 | ||
Gauguin devant son chevalet | 1885 | Kimbell Art Museum, Fort Worth | W. 138/165 | ||
Fan Design, Garden under Snow | 1885 | Fitzwilliam Museum, Cambridge, England | W. 140/162 | ||
The Queen's Mill, Copenhagen | 1885 | Ny Carlsberg Glyptotek | W. 141/174 | ||
Østervold Park, Copenhagen | 1885 | Kelvingrove Art Gallery and Museum, Glasgow | W. 142/173 | ||
Winter's End, Copenhagen; or Winter Landscape in Copenhagen | 1885 | Private collection | W. 143/167 | ||
Conversation | 1884 | Private collection | W. 144/175 | ||
(in English)French Landscape after Cézanne | 1885 | Ny Carlsberg Glyptotek | W. 147 | ||
Skaters in Frederiksberg Gardens | 1884 | Ny Carlsberg Glyptotek | W. 148/161 | ||
Tree-Lined Road, Rouen II | 1885 | Ny Carlsberg Glyptotek | W. 149/163 |
Image | Title | Year | Location | Dimensions (cm.) | Cat. no. Medium |
---|---|---|---|---|---|
Lane in the Beech Stand | 1885 | Aargauer Kunsthaus, Aarau | W. 150/198 | ||
Forest Edge | 1885 | Private collection | W. 151/197 | ||
The edge of the forest (III) | 1885 | Kröller-Müller Museum, Otterlo | W. 152/199 S. 21 | ||
Boy by the Water | 1885 | Private collection | W.153/196 | ||
Père Jean's Path | 1885 | Mohamed Mahmoud Khalil Museum, Giza | W. 155/195 | ||
The Willows | 1885 | Private collection | W. 156/200 | ||
Cow and horse in a meadow | 1885 | Private collection | W. 157/190 | ||
Cows at the Watering Place | 1885 | Galleria d'Arte Moderna, Milan | W. 158/192 | ||
Watering Trough | 1885 | Private collection | W. 159/203 | ||
Cows resting | 1885 | Museum Boijmans Van Beuningen, Rotterdam | W. 160/191 | ||
Geese in the Meadow | 1885 | Portland Museum of Art | W. 161/184 | ||
Stable near Dieppe II | 1885 | Private collection | W. 162/189 | ||
Stable near Dieppe I | 1885 | Private collection | W. 163/188 | ||
À Sèvres | 1885 | Private collection | W. 164/214 S. 23 | ||
La Maison blanche / Le Château de l’Anglaise | 1885 | Private collection | W. 165/183 | ||
Coast at Dieppe | 1885 | Private collection | W. 166/178 | ||
Women Bathing | 1885 | The National Museum of Western Art | W. 167/179 | ||
Schooner and Three-Master | 1885 | Private collection | W. 168/212 | ||
Harbour Scene, Dieppe | 1885 | Manchester Art Gallery | W. 169/180 | ||
By the Stream, Autumn | 1885 | Private collection | W. 171/204 | ||
Bare Trees | 1885 | Private collection | W. 172/186 | ||
Still Life with Chinese Peonies and Mandoline | 1885 | Musée d'Orsay, Paris | W. 173/169 | ||
Still Life with Carafon and Figurine | 1885 | Private collection | W. 174/171 | ||
Dahlias in a Copper Vase | 1885 | Private collection | W. 175/201 | ||
Still life with interior | 1885 | Private collection | W. 176/164 | ||
Lilacs | 1885 | Thyssen-Bornemisza Museum, Madrid | W. 177/168 | ||
Deux vases de fleurs et un éventail | 1885 | Private collection | W. 178/170 S. 25 | ||
Evening Primroses in a Vase | 1885 | Private collection | W. 181/202 | ||
L'Abreuvoir I | 1885 | Private collection | W. 191/194 S. 34 | ||
Still Life with Moss Roses in a Basket | 1886 | Philadelphia Museum of Art | W. 182/148 | ||
Still Life with Horses Head | 1886 | Bridgestone Museum of Art, Tokyo | W. 183/216 | ||
La femme au chignon | 1886 | Bridgestone Museum of Art, Tokyo | W. 184 S. 28 | ||
The boss's daughter | 1886 | Musée du Prieuré, Saint-Germain-en-Laye | W. 186/207 S. 30 | ||
Portrait of the artist's son | 1886 | Portland Museum of Art | W. 187/208 S. 31 | ||
Suburb under Snow | 1886 | Private collection | W. 188/210 S. 32 | ||
Fire at the Riverbank | 1886 | Thyssen-Bornemisza Museum, Madrid | W. 193/211 |
Image | Title | Year | Location | Dimensions (cm.) | Cat. no. Medium |
---|---|---|---|---|---|
Farm in Brittany II | 1886 | Private collection | W. 194/231 S.43 | ||
Mount Sainte-Marguerite seen from the vicinity of the presbytery | 1886 | Private collection | W. 195/227 S. 44 | ||
Washer-women at Pont-Aven | 1886 | Musée d'Orsay, Paris | W. 196/224 S. 45 | ||
Mother and Child under a Tree at Pont-Aven | 1886 | Pola Museum of Art, Kanagawa | W. 197/222 S. 40 | ||
Bathing in front of the Port at Port-Aven | 1886 | Dixon Gallery and Gardens, Memphis | W. 198/223 S. 42 | ||
Lollichon Field and Pont-Aven Church | 1886 | Private collection | W. 199/225 S. 46 | ||
The Field of Derout-Lollichon | 1886 | Los Angeles County Museum of Art | W. 200/226 S. 47 | ||
Four Breton Women dancing | 1886 | Neue Pinakothek, Munich | W. 201/237 S. 54 | ||
The Breton Shepherdess | 1886 | Laing Art Gallery and Museum, Newcastle upon Tyne | W. 203/233 S. 48 | ||
Seascape | 1886 | Gothenburg Museum of Art | W. 205/235 S. 50 | ||
Cowherd, Bellangenet Beach | 1886 | Private collection | W. 206/234 S. 51 | ||
Rocks and Sea | 1886 | Private collection | W. 206 bis/236 S. 52 | ||
Still Life with Profile of Laval | 1886 | Indianapolis Museum of Art | W. 207/238 S. 39 | ||
Pots et Bouquets | 1886 | Private collection | W. 209/239 S. 37 | ||
The White Bowl | 1886 | Kunsthaus Zürich | W. 211 S. 36 | ||
Breton Boys Bathing (The Bathing by the Mill in Bois d’Amour, Pont-Aven) | 1886 | Hiroshima Museum of Art | W. 272/221 S. 103 | ||
Two Bathers | 1887 | Museo Nacional de Bellas Artes (Buenos Aires) | W. 215/241 | ||
By the Seashore, Martinique | 1887 | Ny Carlsberg Glyptotek, Copenhagen | W. 217/242 S. 57 | ||
Still Life with a Sketch after Delacroix | c. 1887 | Strasbourg Museum of Modern and Contemporary Art | W. 533/257 S. 355 | ||
By the Seashore, Martinique II | 1887 | Private collection | W. 218/253 S. 58 | ||
Women and Goat in the Village | 1887 | Israel Museum, Jerusalem | W. 219 S. 6 | ||
Near the Huts | 1887 | Private collection | W. 221/249 S. 64 | ||
(in French)Au bord de la rivière (in English)On the Banks of the River at Martinique | 1887 | Van Gogh Museum, Amsterdam | W. 222/252 S. 65 | ||
Fruit Picking or Among the Mangoes | 1887 | Van Gogh Museum, Amsterdam | W. 224/250 S. 67 | ||
Comings and Goings, Martinique | 1887 | Thyssen-Bornemisza Museum, Madrid | W. 245 | ||
Stream under the Trees | 1887 | Neue Pinakothek, Munich | W. 226/246 S. 59 | ||
Conversation | 1887 | Private collection | W. 227/251 S. 68 | ||
Huts under the Trees | 1887 | Private collection | W. 230/244 S. 71 | ||
Palm Trees on Martinique | 1888 | Private collection | W. 231/243 S. 72 | ||
Végétation tropicale, Martinique | 1888 | National Gallery of Scotland, Edinburgh | W. 232/248 S. 61 | ||
The Washer-girl | 1888 | Private collection | W. 234/255 S. 60 | ||
Still Life with Mangoes and a Hibiscus Flower | 1888 | Museum of Fine Arts, Houston | W. 238/256 S. 56 | ||
Self-portrait with Portrait of Bernard | 1888 | Van Gogh Museum, Amsterdam | W. 239/309 | ||
Portrait of Madeleine Bernard | 1888 | Museum of Grenoble | W. 240/305 S. 130 | ||
Le Capitaine Jacob | 1888 | Private collection | W. 241/306 S. 128 | ||
Girl in front of Open Window | 1888 | Private collection | W. 242/292 S. 129 | ||
Portrait of a Pont-Aven Woman | 1888 | Private collection | W. 244/293 S. 85 | ||
Vision After the Sermon | 1888 | National Gallery of Scotland, Edinburgh | W. 245/308 S. 88 | ||
Blue Tree Trunks, Arles | 1888 | Ordrupgaard, Copenhagen | W. 246(311)/319 S. 88(134) | ||
Pont-Aven under Snow | 1888 | Konstmuseum Gothenburg | W. 248/264 S. 75 | ||
Printemps à Lézaven, ou Les Premières Fleurs | 1888 | Private collection | W. 249/279 | ||
Conversation in the fields. Pont-Aven | 1888 | Royal Museums of Fine Arts of Belgium | W. 250/280 S. 76 | ||
Breton Girls Dancing, Pont-Aven | 1888 | National Gallery of Art, Washington, DC | W. 251/296 S. 89 | ||
Breton Women at the Turning | 1888 | Ny Carlsberg Glyptotek | W. 252/271 S. 90 | ||
Autumn at Pont-Aven or The Aven Running through Pont-Aven | 1888 | Private collection | W. 253/313 S. 91 | ||
Breton Woman with Pitcher | 1888 | Private collection | W. 254/267 S. 92 | ||
The Swineherd | 1888 | Los Angeles County Museum of Art | W. 255/302 S. 79 | ||
Landscape of Brittany | 1888 | National Museum of Western Art, Tokyo | W. 256/265 S. 78 | ||
Landscape from Pont-Aven, Brittany | 1888 | Ny Carlsberg Glyptotek | W. 258/273 | ||
A Meadow on the Banks of the Aven | 1888 | Pushkin Museum, Moscow | W. 260/269 S. 82 | ||
L'Aven en contre bas de la Montagne Sainte-Marguerite | 1888 | Bridgestone Museum of Art, Tokyo | W. 261/268 S. 81 | ||
Breton Fishermen | 1888 | Private collection | W. 262/275 S. 94 | ||
The White River | 1888 | Museum of Grenoble | W. 263/285 S. 95 (on reverse of W. 240) | ||
Fisherman and bathers on the Aven | 1888 | Private collection | W. 264/300 S. 96 | ||
Dogs Running in a Meadow | 1888 | Thyssen-Bornemisza Museum | W. 265/282 S. 97 | ||
Cove opposite Pont-Aven Harbour | 1888 | Private collection | W. 266/276 S. 98 | ||
Path down to the Aven | 1888 | Ordrupgaard, Denmark | W. 268/278 | ||
Haymaking in Brittany | 1888 | Musée d'Orsay, Paris | W. 269/287 S. 101 | ||
A Landscape at Pont Aven | 1888 | Barber Institute of Fine Arts, Birmingham | W. 271 S. 102 | ||
Young Wrestlers | 1888 | Private collection | W. 273/298 S. 104 | ||
Children Wrestling | 1888 | Private collection | W. 274/299 S. 105 | ||
Breton Boys Bathing | 1888 | Kunsthalle, Hamburg | W. 275/297 S. 106 | ||
Turkeys at Pont-Aven | 1888 | Private collection | W. 276/283 S. 83 | ||
Geese Games | 1888 | Private collection | W. 277/274 S. 107 | ||
Breton Woman and Goose by the Water | 1888 | Private collection | W. 278/307 S. 108 | ||
Cow Lying at the Foot of a Tree, or Kneeling Cow | 1888 | Private collection | W. 279/284 S. 109 | ||
The Clog Maker | 1888 | Musée des Beaux Arts de Pont-Aven | W. 280/286 S. 111 | ||
Seascape with cow | 1888 | Musée d'Orsay, Paris | W. 282/310 S. 113 | ||
The Creek | 1888 | Private collection | W. 284/289 S. 116 | ||
Rocks on the Coast | 1888 | Musée des Beaux Arts de Pont-Aven | W. 285/288 S. 117 | ||
The Wave | 1888 | Private collection | W. 286/303 S. 118 | ||
Still Life with Japanese Print | 1888 | Private collection | W. 287/260 S. 119 | ||
Still Life with Fruits | 1888 | Pushkin Museum, Moscow | W. 288/312 S. 120 | ||
La Fête Gloanec | 1888 | Musée des Beaux-Arts d'Orléans | W. 290/301 S. 122 | ||
Apples and Bowl | 1888 | Private Collection | W. 291/261 S. 123 | ||
Bouquet of Flowers Against the Sea | 1888 | Musée d'Orsay, Paris | W. 292/262 S. 124 | ||
Still Life with Three Puppies | 1888 | Museum of Modern Art, New York | W. 293/311 S. 127 | ||
Little Cat | 1888 | Private collection | W. 294/321 S. 126 | ||
The Painter of Sunflowers | 1888 | Van Gogh Museum, Amsterdam | W. 296/326 S. 133 | ||
Self-portrait | 1888 (ca) | Pushkin Museum, Moscow | W. 297 S. 132 | ||
Portrait of Madame Roulin | 1888 | Saint Louis Art Museum | W. 298/327 S. 146 | ||
Arlésiennes (Mistral) | 1888 | Art Institute of Chicago | W. 300/329 S. 144 | ||
Woman with pigs (In the full heat of the day) | 1888 | Private collection | W. 301/320 S. 143 | ||
Washerwomen at the Roubine du Roi, Arles | 1888 | Museum of Modern Art, New York | W. 302/322 S. 140 | ||
Les laveuses à Arles II | 1888 | Bilbao Fine Arts Museum | W. 303/325 S. 141 | ||
Vendanges à Arles, ou Misères humaines | 1888 | Ordrupgaard, Copenhagen | W. 304/317 S. 142 | ||
The Night Café in Arles | 1888 | Pushkin Museum, Moscow | W. 305/318 S. 145 | ||
Lane at Alchamps, Arles | 1888 | Seiji Togo Memorial Yasuda Kasai Museum of Art, Tokyo | W. 306/316 S. 137 | ||
Les Alyscamps, ou Les Trois grâces au temple de Venus | 1888 | Musée d'Orsay, Paris | W. 307/314 S. 138 | ||
Landscape near Arles | 1888 | Indianapolis Museum of Art | W. 308/315 S. 139 | ||
Landscape from Arles | 1888 | Nationalmuseum, Stockholm | W. 309/323 S. 136 | ||
Arles landscape with bushes | 1888 | Private collection | W. 310/324 S. 135 | ||
Blue Tree Trunks, Arles | 1888 | Ordrupgaard, Copenhagen | W. 311(246)/319 S. 134(88) | ||
Schuffenecker's Studio | 1889 | Musée d'Orsay, Paris | W. 313 S. 148 | ||
Madame Alexandre Kohler | 1888 or 1889 | National Gallery of Art, Washington, DC | W. 314/258 S. 155 | ||
The Beautiful Angel | 1889 | Musée d'Orsay, Paris | W. 315 S. 156 | ||
Young Breton Woman | 1889 | Private collection | W. 316 S. 157 | ||
Meyer de Haan | 1889 | Museum of Modern Art, New York | W. 317 S. 200 | ||
Mimi and her Cat | 1890 | Private collection | W. 319 | ||
Nirvana, Portrait of Jacob Meyer de Haan | 1889 or 1890 | Wadsworth Atheneum, Hartford | W. 320 S. 198 | ||
Bonjour Monsieur Gauguin (I), ou Bonjour Monsieur Gauguins (sic) | 1889 | Hammer Museum, Los Angeles | W. 321 S. 195 | ||
Bonjour Monsieur Gauguin (II) | 1889 | National Gallery in Prague | W. 322 S. 196 | ||
Self-Portrait with Halo | 1889 | National Gallery of Art, Washington, DC | W. 323 S. 199 | ||
Self-portrait with Mandolin | 1889 | Private collection | W. 325 S. 153 | ||
Christ in the Garden of Olives | 1889 | Norton Museum of Art, West Palm Beach | W. 326 S. 149 | ||
The Yellow Christ | 1889 | Albright-Knox Art Gallery, Buffalo | W. 327 S. 151 | ||
The Green Christ | 1889 | Royal Museums of Fine Arts of Belgium | W. 328 S. 150 | ||
Breton Girl Spinning | 1889 | Van Gogh Museum, Amsterdam | W. 329 S. 191 | ||
Caribbean Woman | 1889 | Private collection | W. 330 S. 194 | ||
The Artist with the Yellow Christ | 1890–1891 | Musée d'Orsay, Paris | W. 324 S. 152 | ||
Breton Eve I | 1889 | McNay Art Museum, San Antonio | W. 333 | ||
Breton Eve II | 1889 | Private collection | W. 334 | ||
Life and Death | 1889 | Mohamed Mahmoud Khalil Museum, Giza | W. 335 S. 159 | ||
In the Waves | 1889 | Cleveland Museum of Art | W. 336 S. 158 | ||
Woman in the Waves | 1889 | Private collection | W. 337 | ||
Breton Boy | 1889 | Wallraf-Richartz Museum, Cologne | W. 339 S. 160 | ||
Two Breton Girls by the Sea | 1889 | National Museum of Western Art, Tokyo | W. 340 S. 189 | ||
Little Breton Girls by the Sea | 1889 | Private collection | W. 341 | ||
The Milkmaid | 1889 | Private collection | W. 343 | ||
Seated Breton Girl | 1889 | Ny Carlsberg Glyptotek, Copenhagen | W. 344 S. 161 | ||
Little Girls at Pouldu | 1889 | Private collection | W. 345 S. 190 | ||
Breton Childhood | 1889 | Fukushima Prefectural Museum of Art | W. 346 | ||
Autumn in Brittany (The Willow Tree) | 1889 | Nelson-Atkins Museum of Art, Kansas City | W. 347 S. 166 | ||
Seaweed Gatherers | 1889 | Museum Folkwang, Essen | W. 349 S. 180 | ||
Haymakers | 1889 | Private collection | W. 350 S. 163 | ||
Golden Harvest | 1889 | Musée d'Orsay, Paris | W. 351 S. 164 | ||
Haystack | 1889 | Courtauld Institute Galleries, London | W. 352 S. 162 | ||
The Gate | 1889 | Kunsthaus Zürich | W. 353 S. 169 | ||
Girl Herding Pigs | 1889 | Private collection | W. 354 S. 172 | ||
Fields by the Sea | 1889 | Nationalmuseum, Stockholm | W. 356 S. 171 | ||
Landscape, Bretagne | 1889 | National Gallery (Norway), Oslo | W. 357 S. 167 | ||
Dressmaking | 1889 | Private collection | W. 358 S. 170 | ||
On the Beach | 1889 | National Gallery (Norway), Oslo | W. 359 S. 183 | ||
Above the Sea | 1889 | Private collection | W. 360 S. 177 | ||
The Flageolet Player on the Cliff | 1889 | Indianapolis Museum of Art | W. 361 S. 178 | ||
Beach at Le Pouldu | 1889 | Private collection | W. 362 S. 184 | ||
The coast at Bellangenay | 1889 | Springfield Museum of Art, Ohio | W. 363 S. 185 | ||
The Isolated House | 1889 | Private collection | W. 364 S. 179 | ||
The Red Cow | 1889 | Los Angeles County Museum of Art | W. 365 S. 174 | ||
Breton boy with Goose | 1889 | Pierre Rosenberg, Paris | W. 367 S. 168 | ||
Vue sur Pont-Aven prise de Lezaven | 1889 | Private collection | W. 370/281 | ||
View Of The Beach At Bellangenay | 1889 | Private collection | W. 371 S. 186 | ||
Still Life with Head-Shaped Vase and Japanese Woodcut | 1889 | Tehran Museum of Contemporary Art | W. 375 S. 203 | ||
Still life (in pointillism style) | 1889 | Private collection | W. 376 S. 204 | ||
Still Life with Fan | 1888 | Musée d'Orsay, Paria | W. 377/259 S. 201 | ||
Fruits on a table with a small dog | 1889 | Private collection (Stolen 1970 but recovered. In the custody of the Carabinieri) | W. 378 S. 210 | ||
The Ham | 1889 | Phillips Memorial Gallery, Washington, DC | W. 379 S. 209 | ||
Still Life with Onions | 1889 | Ny Carlsberg Glyptotek, Copenhagen | W. 380 S. 202 | ||
Still Life with Peaches | 1889 | Fogg Art Museum, Cambridge, Massachusetts | W. 381 S. 206 | ||
Fruits in a bowl | 1889 | Private collection | W. 381bis/215 S. 207 | ||
Still Life in a Bowl | 1889 | Virginia Museum of Fine Arts, Richmond | W. 382 S. 208 | ||
The Goose | 1889 | Musée des Beaux-Arts de Quimper | W. 383 S. 192 | ||
Self-Portrait Dedicated to Carrière | 1888 or 1889 | National Gallery of Art, Washington, DC | W. 384/291 S. 224 | ||
The Artist's Mother | 1889 | Staatsgalerie Stuttgart | W. 385 S. 225 | ||
Portrait of the Painter Slewinski | 1890 | National Museum of Western Art, Tokyo | W. 386 S. 221 | ||
Woman in Front of a Still Life by Cézanne | 1890 | Art Institute of Chicago | W. 387 S. 223 | ||
Loulou | 1890 | The Barnes Foundation, Philadelphia | W. 388 S. 222 | ||
Exotic Eve | 1890 | Pola Museum of Art, Kanagawa | W. 389 S. 226 | ||
Adam et Ève ou Le Paradis Perdu | 1890 | Yale University Art Gallery, New Haven | W. 390 S. 227 | ||
The Seaweed Gatherers | 1889 or 1890 | Private collection | W. 392 | ||
Houses in Le Pouldu | 1890 | Staatliche Kunsthalle Karlsruhe | W. 393 S. 235 | ||
Farm at Le Pouldu | 1890 | Private collection | W. 394 S. 234 | ||
House at Pan-du | 1890 | Private collection | W. 395 S. 231 | ||
Seaside Harvest: Le Pouldu | 1890 | National Gallery, London | W. 396 S. 230 | ||
Haystacks in Brittany | 1890 | National Gallery of Art, Washington, DC | W. 397 S. 228 | ||
Landscape at Le Pouldu | 1890 | National Gallery of Art, Washington D.C. | W. 398 S. 233 | ||
Landscape at Pouldu | 1890 | Musée des beaux-arts de La Chaux-de-Fonds | W. 399 S. 232 | ||
Still Life with Apples, a Pear, and a Ceramic Portrait Jug | 1889 | Fogg Art Museum, Cambridge, Massachusetts | W. 405 S. 215 | ||
Double portrait d'enfants | 1889 or 1895 | Ny Carlsberg Glyptotek | W. 530 S. 354 | ||
Oranges and Lemons with View of Pont-Aven | 1890 | Museum Langmatt, Baden | W. 401 S. 213 | ||
Bowl of Fruit and Tankard before a Window | 1890 | National Gallery, London | W. 402 S. 214 | ||
Fruit Dish on a Garden Chair | 1890 | Los Angeles County Museum of Art | W. 404 S. 211 | ||
Self Portrait with Palette | 1891 or 1893 | Private collection | W. 410 S. 238 | ||
The Loss of Virginity | 1890 or 1891 | Chrysler Museum of Art, Norfolk | W. 412 S. 236 | ||
Olympia, after Manet | 1891 | Private collection | W. 413 S. 237 | ||
Portrait of the Artist with the Idol | 1893 (ca) | McNay Art Museum, San Antonio | W. 415 S. 239 |
Image | Title | Year | Location | Dimensions (cm.) | Cat. no. Medium |
---|---|---|---|---|---|
Creole Child | 1891 | Private collection | W. 416 S. 245 | ||
Young Creole | 1891 | Musée d'art moderne de Troyes | W. 417 S. 248 | ||
Le capitaine Swaton | 1891 | Metropolitan Museum of Art, New York | W. 419 S. 247 | ||
Vahine no te tiare | 1891 | Ny Carlsberg Glyptotek, Copenhagen | W. 420 S. 243 | ||
Head of Tahitian Woman | 1891 | Private collection | W. 421 S. 242 | ||
Young Man with Flower | 1891 | Private collection | W. 422 S. 241 | ||
Portrait of Suzanne Bambridge | 1891 | Royal Museums of Fine Arts of Belgium | W. 423 S. 244 | ||
Faaturuma | 1891 | Nelson-Atkins Museum of Art, Kansas City | W. 424 S. 272 | ||
Tahitian Woman | 1894 (ca) | Brooklyn Museum, New York | W. 424 bis | ||
Te tiare farani | 1891 | Pushkin Museum, Moscow | W. 426 S. 251 | ||
The Meal (The Bananas) | 1891 | Musée d'Orsay, Paris | W. 427 S. 249 | ||
Ia Orana Maria | 1891 | Metropolitan Museum of Art, New York | W. 428 S. 263 | ||
Tahitian Fisherwomen | 1891 | Alte Nationalgalerie, Berlin | W. 429 S. 268 | ||
A Man with an Axe | 1891 | Private collection | W. 430 S. 265 | ||
Raro te oviri (I) | 1891 | Dallas Museum of Art | W. 431 S. 267 | ||
I raro te Oviri (II) | 1891 | Minneapolis Institute of Art | W. 432 S. 266 | ||
Upa upa | 1891 | Israel Museum, Jerusalem | W. 433 S. 253 | ||
Tahitian Women on the Beach | 1891 | Musée d'Orsay, Paris | W. 434 S. 270 | ||
Parau Parau | 1891 | Hermitage Museum, St Petersburg | W. 435 S. 252 | ||
Te fare māori | 1891 | Private collection | W. 436 S. 257 | ||
Te raau rahi I | 1891 | Cleveland Museum of Art | W. 437 S. 255 | ||
Te raau rahi (III) | 1891 | Art Institute of Chicago | W. 439 S. 254 | ||
Te Faaturuma | 1891 | Worcester Art Museum, Massachusetts | W. 440 S. 271 | ||
Rue de Tahiti | 1891 | Toledo Museum of Art, Ohio | W. 441 S. 261 | ||
Tahitian Landscape | 1891 | Metropolitan Museum of Art, New York | W. 442 S. 262 | ||
In the Vanilla Grove, Man and Horse | 1891 | Solomon R. Guggenheim Museum, New York | W. 443 S. 258 | ||
Women near the Palm Trees | 1891 | Private collection | W. 444 S. 264 | ||
Landscape with Black Pigs and a Crouching Tahitian | 1891 | Private collection | W. 445 S. 269 | ||
The Black pigs | 1891 | Hungarian National Gallery | W. 446 S. 260 | ||
Haere Mai | 1891 | Solomon R. Guggenheim Museum, New York | W. 447 S. 259 | ||
Head of a Tahitian Woman | 1892 | Private collection | W. 448 S. 275 | ||
Vahine no te vi | 1892 | Baltimore Museum of Art | W. 449 S. 274 | ||
Vairumati tei Oa | 1892 | Pushkin Museum, Moscow | W. 450 S. 284 | ||
Te aa no areois | 1892 | Museum of Modern Art, New York | W. 451 S. 283 | ||
Atiti | 1892 | Kröller-Müller Museum, Otterlo | W. 452 S. 273 | ||
Arii Matamoe | 1892 | J. Paul Getty Museum, Los Angeles | W. 453 | ||
When will you marry? | 1892 | Kunstmuseum Basel | W. 454 S. 276 | ||
Te nave nave fenua | 1892 | Ohara Museum of Art, Kurashiki | W. 455 S. 286 | ||
Two Nudes on a Tahitian Beach | 1892 | Honolulu Museum of Art | W. 456 S. 280 | ||
Spirit of the Dead Watching | 1892 | Albright-Knox Art Gallery, Buffalo | W. 457 S. 282 | ||
Parau na te Varua ino | 1892 | National Gallery of Art, Washington, DC | W. 458 | ||
Barbarous Tales | 1892 | Private collection | W. 459 S. 278 | ||
Aha Oe Feii? | 1892 | Pushkin Museum, Moscow | W. 461 S. 287 | ||
Tahitian Women Bathing | 1892 | Metropolitan Museum of Art, New York City | W. 462 S. 288 | ||
Fatata te miti | 1892 | National Gallery of Art, Washington, DC | W. 463 S. 291 | ||
Haere Pape | 1892 | The Barnes Foundation, Merion | W. 464 S. 289 | ||
Vahine no te miti | 1892 | Museo Nacional de Bellas Artes (Buenos Aires) | W. 465 | ||
Parau api | 1892 | Galerie Neue Meister, Dresden | W. 466 S. 292 | ||
Mata Mua | 1892 | Museo Thyssen-Bornemisza, Madrid | W. 467 S. 311 | ||
Arearea | 1892 | Musée d'Orsay, Paris | W. 468 S. 312 | ||
Arearea II | 1892 | Museum of Fine Arts, Houston | W. 469 | ||
Tahitian Pastoral | 1892 | Hermitage Museum, St Petersburg | W. 470 S.313 | ||
The Three Huts | 1892 | Pola Museum of Art, Kanagawa | W. 471 S. 307 | ||
Parau Parau | 1892 | Yale University Art Gallery, New Haven | W. 472 S. 298 | ||
Taperaa mahana | 1892 | Hermitage Museum, St Petersburg | W. 473 S. 297 | ||
Ta Matete | 1892 | Kunstmuseum Basel | W. 476 S. 314 | ||
Te Fare Hymenee | 1892 | Private collection | W. 477 | ||
E Haere oe i Hia | 1892 | Staatsgalerie Stuttgart | W. 478 S. 315 | ||
Parahi te marae | 1892 | Fogg Museum, Harvard University | Study for W. 483 | ||
Parahi te marae | 1892 | Philadelphia Museum of Art | W. 483 S. 318 | ||
Matamoe | 1892 | Pushkin Museum, Moscow | W. 484 S. 308 | ||
Te poipoi | 1892 | Private collection | W. 485 S. 309 | ||
Te burao | 1892 | Art Institute of Chicago | W. 486 S. 306 | ||
Mahana maa (I) | 1892 | Cincinnati Art Museum | W. 490 S. 304 | ||
Mahana maa (II) | 1892 | Finnish National Gallery | W. 491 S. 305 | ||
Landscape With Blue Tree Trunks | 1892 | Private collection | |||
Untitled | 1892 | Private collection, Germany | |||
Merahi metua no Tehamana | 1893 | Art Institute of Chicago | W. 497 S. 322 | ||
Pape moea | 1893 | Musée d'Orsay, Paris | W. 498 S. 328 | ||
Hina tefatou | 1893 | Museum of Modern Art, New York | W. 499 S. 329 | ||
Hina Maruru | 1893 | Private collection | W. 500 S. 326 | ||
Ea haere ia oe (A haere ia oe) | 1893 | Hermitage Museum, St Petersburg | W. 501 S. 321 | ||
(in Tahitian) Otahi (in French)Seule (in English)Alone | 1893 | Private collection | W. 502 S. 327 | ||
Tahitian Women near a River | 1883 | Private collection | W. 503 S. 325 | ||
Tahitian Landscape | 1893 | Minneapolis Institute of Arts | W. 504 S. 323 | ||
Apatarao | 1893 | Ny Carlsberg Glyptotek, Copenhagen | W. 505 S. 324 | ||
Self-Portrait in a Hat | 1893 | Musée d'Orsay, Paris | W. 506 S. 332 | ||
Portrait of William Molard | 1893 | Musée d'Orsay, Paris | W. 507 S. 331 (on reverse of W. 506) | ||
Aita Parari te Tamari Vahine Judith | 1893 or 1894 | Private Collection | W. 508 S. 330 | ||
Rupe Tahiti (oil on glass) | 1893 | New Orleans Museum of Art | W. 509 S. 335 | ||
Tahitienne dans un paysage (mural) | 1893 | Musée d'Orsay, Paris | W. 511 S. 333 | ||
Nave nave moe | 1894 | Hermitage Museum, St Petersburg | W. 512 S. 337 | ||
Mahana no atu | 1894 | Art Institute of Chicago | W. 513 S. 336 | ||
Arearea no varua ino | 1894 | Private collection | W. 514 S. 329 | ||
The Siesta | 1894 (ca) | Metropolitan Museum of Art, New York City | W. 515 S. 340 | ||
Portrait of Upaupa Schneklud | 1894 | Baltimore Museum of Art | W. 517 S. 341 | ||
Praying Breton Girl / Young Christian Girl | 1894 | Sterling and Francine Clark Art Institute, Williamstown | W. 518 S. 342 | ||
Christmas Night (The Blessing of the Oxen) | 1894 (ca) | Indianapolis Museum of Art | W. 519 | ||
Breton Peasant Women | 1894 | Musée d'Orsay, Paris | W. 521 | ||
Landscape in Le Pouldu | 1894 | Nelson-Atkins Museum of Art, Kansas City | W. 522 S. 344 | ||
Village in the Snow | 1894 | Private collection | W. 524 S. 350 | ||
Breton Village in the Snow | c.1894 | Musée d'Orsay, Paris | W. 525 S. 351 | ||
A Farm in Brittany | 1894 | Metropolitan Museum of Art, New York | W. 526 S. 346 | ||
A Farm in Brittany II | 1884 | Private collection | W. 527 S. 345 | ||
Landscape in Brittany. The David Mill | 1894 | Musée d'Orsay, Paris | W. 528 S. 347 | ||
Paris in the Snow | 1894 | Van Gogh Museum, Amsterdam | W. 529 S. 352 | ||
Two Children | 1884 | Ny Carlsberg Glyptotek, Copenhagen | W. 530 S. 354 | ||
(in French)Enfant au bavoir (in English)Child with a Bib | 1884 | Private collection | W. 531 S. 353 | ||
Self-portrait »près du Golgotha« | 1896 | Museu de Arte de São Paulo | W. 534 S. 377 | ||
Portrait of jeune fille Vaite Goupil | 1896 | Ordrupgaard | W. 535 S. 376 |
Image | Title | Year | Location | Dimensions (cm.) | Cat. no. Medium |
---|---|---|---|---|---|
Joseph and Potiphar's Wife | 1896 | Private collection | W. 536 S. 375 | ||
Scene from Tahitian Life | 1886 | Hermitage Museum, St Petersburg | W. 537 S. 387 | ||
Eiaha Ohipa | 1896 | Pushkin Museum, Moscow | W. 538 S. 374 | ||
Three Tahitian Women | 1896 | Metropolitan Museum of Art, New York City | W. 539 S. 366 | ||
Bé bé (Pēpe) | 1896 | Hermitage Museum, St Petersburg | W. 540 S. 370 | ||
Te tamari no atua | 1896 | Neue Pinakothek, Munich | W. 541 S. 371 | ||
Te Arii Vahine | 1896 | Pushkin Museum, Moscow | W. 542 S. 364 | ||
Te arii vahine II | 1896 | Private collection | W. 543 S. 365 | ||
Te Vaa | 1896 | Hermitage Museum, St Petersburg | W. 544 S. 363 | ||
Poor Fisherman | 1896 | Museu de Arte de São Paulo | W. 545 S. 362 | ||
Landscape of Te Vaa | 1896 | Musée des Beaux-Arts André Malraux, Le Havre | W. 546 S. 360 | ||
Barbaric Poems | 1896 | Fogg Art Museum, Cambridge, Massachusetts | W. 547 S. 373 | ||
Nave nave mahana | 1896 | Musée des Beaux-Arts de Lyon | W. 548 S. 368 | ||
Head of Tahitial Woman | 1896 | Private collection | W. 549 | ||
No te aha oe riri? | 1896 | Art Institute of Chicago | W. 550 S. 369 | ||
La Barque | 1896 | Private collection | W. 551 S. 361 | ||
Tahitian Woman Standing | 1896 | Private collection | W. 552 S. 362 | ||
Vase of Flowers | 1896 | National Gallery, London | W. 553 S. 357 | ||
Still Life with Teapot and Fruit | 1896 | Metropolitan Museum of Art, New York | W. 554 S. 358 | ||
Still Life with Mangos | 1896 | Private collection | W. 555 S. 359 | ||
Portrait de l'artiste (à l'ami Daniel) | 1896 | Musée d'Orsay, Paris | W. 556 S. 378 | ||
Te rerioa | 1897 | Courtauld Institute Galleries, London | W. 557 S. 383 | ||
Nevermore | 1897 | Courtauld Institute Galleries, London | W. 558 S. 380 | ||
Vairumati | 1897 | Musée d'Orsay, Paris | W. 559 S. 379 | ||
Tahitian Man With His Arms Raised | 1897 | Private collection | W. 560 S. 382 | ||
Where Do We Come From? What Are We? Where Are We Going? | 1897 or 1898 | Museum of Fine Arts, Boston | W. 561 S. 381 | ||
Tarari maruru | 1897 | Hermitage Museum, St Petersburg | W. 562 S. 385 | ||
Te bourao II | 1897-1898 | Private collection | W. 563 S.386 | ||
Bathers in Tahiti | 1897 | Barber Institute of Fine Arts, Birmingham | W. 564 S. 387 | ||
Man Picking Fruit from a Tree | 1897 | Hermitage Museum, St Petersbur | W. 565 S. 384 | ||
Te Pape Nave Nave | 1898 | National Gallery of Art, Washington, DC | W. 568 S. 391 | ||
Faa Iheihe | 1898 | National Gallery, London | W. 569 S. 392 | ||
Rave te hiti aamu | 1898 | Hermitage Museum, St Petersburg | W. 570 S. 394 | ||
The White Horse | 1898 | Musée d'Orsay, Paris | W. 571 S. 395 | ||
The Bathers | 1898 | National Gallery of Art, Washington, DC | W. 572 S. 393 | ||
Three Tahitians | 1897 | Private collection, Paris | W. 573 S. 396 | ||
Faiara | 1898 | Ny Carlsberg Glyptotek, Copenhagen | W. 575 S. 390 | ||
Femme Tahitienne I | 1898 | Ordrupgaard, Copenhagen | W. 576 S. 398 | ||
Femme Tahitienne II | 1898 | National Museum of Serbia, Belgrade | W. 577 S. 397 | ||
Tahitian Woman and Boy | 1899 | Norton Simon Museum, Pasadena | W. 578 S. 400 | ||
The Great Buddha (The Idol) | 1899 | Pushkin Museum, Moscow | W. 579 | ||
The Last Supper | 1899 | Private collection | W. 580 S. 402 | ||
Women on the Seashore (Motherhood I) | 1899 | Hermitage Museum, St Petersburg | W. 581 S. 404 | ||
Maternité II | 1899 | Private collection | W. 582 S. 403 | ||
Two Tahitian Women | 1899 | Metropolitan Museum of Art, New York | W. 583 S. 399 | ||
Three Tahitian Women Against a Yellow Background | 1899 | Hermitage Museum, St Petersburg | W. 584 S. 406 | ||
Rupe Rupe | 1899 | Pushkin Museum, Moscow | W. 585 S. 407 | ||
Te avae no Maria | 1899 | Hermitage Museum, St Petersburg | W. 586 S. 405 | ||
Te tiai na oe i te rata | 1899 | Private collection | W. 587 S. 408 | ||
Landscape with a Horse | 1899 | Ny Carlsberg Glyptotek, Copenhagen | W. 588 S. 409 | ||
The Horse on the Road | 1899 | Pushkin Museum, Moscow | W. 589 S. 410 | ||
Tahitian Landscape | 1899 | Museum of Modern Art, New York | W. 590 S. 411 | ||
Still Life | 1899 | Israel Museum, Jerusalem | W. 591 S. 415 | ||
Still Life with Cats | 1899 | Ny Carlsberg Glyptotek, Copenhagen | W. 592 S. 413 | ||
The Square Basket | 1901 | National Gallery of Norway, Oslo | W. 593 S. 412 | ||
Still Life with Flowers | 1901 | Private collection | W. 594 S. 414 | ||
Polynesian Woman with Children | 1901 | Art Institute of Chicago | W. 595 S. 423 | ||
The Gold of their Bodies | 1901 | Musée d'Orsay, Paris | W. 596 S. 424 | ||
The Flight or The Ford | 1901 | Hermitage Museum, St Petersburg | W. 597 S. 429 | ||
Idyll in Tahiti | 1901 | Foundation E.G. Bührle, Zurich | W. 598 S. 425 | ||
Landscape with Horses | 1901 | Private collection | W. 599 S. 427 | ||
Landscape | 1901 | Musée de l'Orangerie, Paris | W. 600 S. 426 | ||
Landscape with Three Figures | 1901 | Carnegie Museum of Art, Pittsburg | W. 601 S. 428 | ||
Still Life with Sunflowers on an Armchair | 1901 | Foundation E.G. Bührle, Zurich | W. 602 S. 421 | ||
Still Life with Sunflowers on an Armchair II | 1901 | Hermitage Museum, St Petersburg | W. 603 S. 422 | ||
Still Life with Sunflowers | 1901 | Private collection | W. 604 S. 420 | ||
Flowers in a Bowl | 1901 | Private collection | W. 605 S. 417 | ||
Sunflowers and Mangoes | 1901 | Private collection | W. 606 S. 419 | ||
Fruit and Knife | 1901 | Foundation E.G. Bührle, Zurich | W. 607 S. 413 | ||
Delicious | 1901 | Private collection | W. 608 S. 418 | ||
Young Girl With Fan | 1902 | Museum Folkwang, Essen | W. 609 S. 439 | ||
Two Women | 1901 or 1902 | Metropolitan Museum of Art, New York | W. 610 S.434 | ||
The Guitar Player | 1900 (ca) | Private collection, London | W. 611 S. 436 | ||
The Call | 1902 | Cleveland Museum of Art, Cleveland | W. 612 S. 440 | ||
The Escape | 1902 | National Gallery Prague | W. 614 S. 437 | ||
Le Sorcier d’Hiva Oa ou le Marquisien à la cape rouge | 1902 | Musée d'Art moderne de Liège | W. 616 S.442 | ||
The Sister of Charity | 1902 | McNay Art Museum, San Antonio | W. 617 S. 446 | ||
Walk by the Sea or Tahitian Family or Bathers | 1902 | Private collection | W. 618 S. 445 | ||
Horsemen on the Beach | 1902 | Museum Folkwang, Essen | W. 619 S. 452 | ||
Horsemen on the Beach II | 1902 | Private collection | W. 620 S. 453 | ||
Nativité | 1902 | Private collection | W. 621 S. 447 | ||
The Judgement of Paris | 1902 | National Gallery in Prague | W. 622 S. 444 | ||
Composition with Figures and a Horse | 1902 | Nationalmuseum, Stockholm | W. 623 S. 451 | ||
The Offering | 1902 | Foundation E.G. Bührle, Zurich | W. 624 S. 448 | ||
Barbarous Tales | 1902 | Museum Folkwang, Essen | W. 625 S. 438 | ||
Two Women | 1902 | Private collection | W. 626 S. 449 | ||
Horseman in front of the Hut | 1902 | Private collection | W. 627 S. 450 | ||
Adam and Eve | 1902 | Ordrupgaard, Copenhagen | W. 628 S. 441 | ||
Still Life with Parrots | 1902 | Pushkin Museum of Fine Arts, Moscow | W. 629 S. 432 | ||
Still Life with Parrots II | 1902 | Von der Heydt Museum, Wuppertal | W. 630 S. 433 | ||
Still Life with Grapefruit | 1902 | Goulandris Museum of Contemporary Art, Athens | W. 631 S. 430 | ||
Self-Portrait three-quarter profile | 1903 | Private collection | W. 633 S. 458 | ||
Self-Portrait with Glasses | 1902–1903 | Kunstmuseum Basel, Switzerland | W. 634 S. 459 | ||
The Invocation | 1903 | National Gallery of Art, Washington, DC | W. 635 S. 455 | ||
Women and a White Horse | 1903 | Museum of Fine Arts, Boston | W. 636 S. 454 | ||
Hiva Oa | 1903 | Ateneum, Helsinki | W. 637 S. 457 | ||
Landscape with Dog | 1903 | Israel Museum, Jerusalem | W. 638 S. 456 | ||
Tahitians on the Riverbank | ? | Honolulu Academy of Arts |
Eugène Henri Paul Gauguin was a French painter, sculptor, printmaker, ceramist, and writer, whose work has been primarily associated with the Post-Impressionist and Symbolist movements. He was also an influential practitioner of wood engraving and woodcuts as art forms. While only moderately successful during his lifetime, Gauguin has since been recognized for his experimental use of color and Synthetist style that were distinct from Impressionism.
Émile Henri Bernard was a French Post-Impressionist painter and writer, who had artistic friendships with Vincent van Gogh, Paul Gauguin and Eugène Boch, and at a later time, Paul Cézanne. Most of his notable work was accomplished at a young age, in the years 1886 through 1897. He is also associated with Cloisonnism and Synthetism, two late 19th-century art movements. Less known is Bernard's literary work, comprising plays, poetry, and art criticism as well as art historical statements that contain first-hand information on the crucial period of modern art to which Bernard had contributed.
Charles Laval was a French painter associated with the Synthetic movement and Pont-Aven School.
Pont-Aven School encompasses works of art influenced by the Breton town of Pont-Aven and its surroundings. Originally the term applied to works created in the artists' colony at Pont-Aven, which started to emerge in the 1850s and lasted until the beginning of the 20th century. Many of the artists were inspired by the works of Paul Gauguin, who spent extended periods in the area in the late 1880s and early 1890s. Their work is frequently characterised by the bold use of pure colour and their Symbolist choice of subject matter.
Paul Gauguin's exhibit at Les XX in 1889 was the first important display of Paul Gauguin's works, and added to the recognition that he had begun to receive in 1888. The annual exhibition was organized by Les XX, and participation was by invitation only. Gauguin's exhibit comprised paintings from Martinique, Brittany and Arles. Many of these can be identified easily, but for several items the discussion is not yet closed.
Meijer Isaac de Haan was a Dutch painter. In French the name was written Meyer de Haan.
Paul Sérusier was a French painter who was a pioneer of abstract art and an inspiration for the avant-garde Nabis movement, Synthetism and Cloisonnism.
This is an Émile Bernard chronology of the life and career of French artist, art critic and writer Émile Bernard, based on documents hitherto published - however, most of the relevant sources remain unpublished. To a certain extent, these gaps can be filled by information derived from letters and biographies of e.g. Vincent van Gogh, Paul Gauguin and Émile Schuffenecker. Bernard and his work is associated with Post-Impressionism, Cloisonnism and Synthetism.
Claude-Émile Schuffenecker was a French Post-Impressionist artist, painter, art teacher and art collector. A friend of Paul Gauguin and Odilon Redon, and one of the first collectors of works by Vincent van Gogh, Schuffenecker was instrumental in establishing The Volpini Exhibition, in 1889.
Henry Moret was a French Impressionist painter. He was one of the artists who associated with Paul Gauguin at Pont-Aven in Brittany. He is best known for his involvement in the Pont-Aven artist colony and his richly colored landscapes of coastal Brittany.
Frank (Francis) Crawford Penfold (1849–1921) was an American artist and teacher, remembered for his genre, landscape and portrait paintings, many of which he completed while living in Pont-Aven in Brittany.
Henri Delavallée was a French Post-Impressionist painter who became a member of the artists colony in Pont-Aven.
Self-Portrait with Halo and Snake, also known as Self-Portrait, is an 1889 oil-on-wood painting by French artist Paul Gauguin, which represents his late Brittany period in the fishing village of Le Pouldu in northwestern France. No longer comfortable with Pont-Aven, Gauguin moved on to Le Pouldu with his friend and student Meijer de Haan and a small group of artists. He stayed for several months in the autumn of 1889 and the summer of 1890, where the group spent their time decorating the interior of Marie Henry's inn with every major type of art work. Gauguin painted his Self-Portrait in the dining room with its companion piece, Portrait of Jacob Meyer de Haan (1889).
Ferdinand du Puigaudeau (1864-1930) was a French painter. He was born in Nantes on 4 April 1864 and died in Croisic on 19 September 1930.
The Talisman is a painting by French artist Paul Sérusier made in 1888, under the guidance of Paul Gauguin at the artist's colony of Pont-Aven in Brittany. Formally known as The Bois d'Amour at Pont Aven, it was called The Talisman and became the starting point and icon of the group of young painters called The Nabis. It was a landmark in early Post-Impressionism, Synthetism, and Cloisonnism. It is now in the Musée d'Orsay in Paris.
Self-Portrait with the Yellow Christ is an 1890 or 1891 painting by Paul Gauguin, produced in Pont-Aven in Brittany and now in the musée d'Orsay in Paris, to which it was assigned after its purchase by the French state in 1994 with financial assistance from Philippe Meyer and a Japanese patron.
The Pension Gloanec was a pension in Pont-Aven, Brittany, France, that was a base for artists of the Pont-Aven School in the last half of the 19th century. It was known for economical but excellent quality food, where the diners served themselves from shared dishes set out on a long table in the dining room. There were few rooms, so most of the artists boarded elsewhere in the town. Its most famous resident was Paul Gauguin who stayed several times between 1886 and 1894. Today the building houses a bookstore, gallery and exhibition space.
Georges Rasetti was a French Impressionist and Modernist painter and ceramicist who was born in Paris, France. Rasetti began by being a painter of genre and landscapes. In 1886, he married Céline Chaudet, sister of Georges Chaudet, painter, photographer and art dealer for Paul Gauguin. His son, Georges Estrel Rasetti, was also a painter and sculptor.