Landscape, Horse on the Road is an 1899 oil on canvas painting by Paul Gauguin, now in the Pushkin Museum in Moscow.
Landscape, Horse on the Road is an 1899 oil on canvas painting by Paul Gauguin, now in the Pushkin Museum in Moscow.
Painted in Tahiti, the work was not immediately sent to Europe, going instead with the artist's luggage from Tahiti to the Marquesas Islands. In 1903, from Hiva Oa in the Marquesas archipelago, Gauguin sent it to his dealer Ambroise Vollard Paris, making this work and nine others the last shipment he sent to France before his death. [1]
It was bought from Vollard on 10 November 1904 by Sergei Shchukin under the title Landscape. [2] Shchukin's collection was seized by the state after the November Revolution and assigned to the State Museum of Modern Western Art from 1923 to 1948 then to its present home.
Eugène Henri Paul Gauguin was a French Post-Impressionist artist. Unappreciated until after his death, Gauguin is now recognized for his experimental use of colour and Synthetist style that were distinct from Impressionism. Toward the end of his life, he spent ten years in French Polynesia. The paintings from this time depict people or landscapes from that region.
Where Do We Come From? What Are We? Where Are We Going? is a 1897-98 painting by French artist Paul Gauguin. The painting was created in Tahiti, and is in the Museum of Fine Arts in Boston, Massachusetts. Viewed as a masterpiece by Gauguin, the painting is considered "a philosophical work comparable to the themes of the Gospels".
Oviri is an 1894 ceramic sculpture by the French artist Paul Gauguin. In Tahitian mythology, Oviri was the goddess of mourning and is shown with long pale hair and wild eyes, smothering a wolf with her feet while clutching a cub in her arms. Art historians have presented multiple interpretations—usually that Gauguin intended it as an epithet to reinforce his self-image as a "civilised savage". Tahitian goddesses of her era had passed from folk memory by 1894, yet Gauguin romanticises the island's past as he reaches towards more ancient sources, including an Assyrian relief of a "master of animals" type, and Majapahit mummies. Other possible influences include preserved skulls from the Marquesas Islands, figures found at Borobudur, and a 9th-century Mahayana Buddhist temple in central Java.
Sergei Ivanovich Osipov was a Soviet painter, graphic artist, and art teacher, who lived and worked in Leningrad, a member of the Leningrad branch of Union of Artists of Russian Federation. He regarded as one of the representatives of the Leningrad school of painting, most known for his landscape and still life paintings.
Alexander Nikolayevich Samokhvalov was a Soviet Russian painter, watercolorist, graphic artist, illustrator, art teacher and Honored Arts Worker of the RSFSR, who lived and worked in Leningrad. He was a member of the Leningrad branch of Union of Artists of Russian Federation, and was regarded as one of the founders and brightest representatives of the Leningrad school of painting, most famous for his genre and portrait painting.
Boris Vasilievich Korneev was a Soviet Russian painter and art teacher, Honored Artist of the Russian Federation, professor of the Leningrad Institute of Painting, Sculpture and Architecture named after Ilya Repin, lived and worked in Leningrad, regarded as one of the major representatives of the Leningrad school of painting, most famous for his genre painting and portraits.
Alexander Petrovich Koroviakov was a Soviet, Russian painter and art teacher, lived and worked in Leningrad – Saint Petersburg, a member of the Saint Petersburg Union of Artists, regarded as a representative of the Leningrad school of painting.
Rudolf Rudolfovich Frentz was a Soviet and Russian painter, watercolorist, graphic artist, illustrator and art teacher who lived and worked in Leningrad. He was a member of the Leningrad Union of Artists and one of the founders of the Leningrad school of painting, most famous for his battle and monumental painting.
Jasef Alexandrovich Serebriany was a Soviet Russian painter and stage decorator, who lived and worked in Leningrad, a member of the Leningrad Union of Artists, People's Artist of the Russian Federation, professor of the Repin Institute of Arts, regarded as one of the leading representatives of the Leningrad school of painting, well known for his portrait paintings.
Vladislav Leopoldovich Anisovich was a Russian and Soviet painter and art educator, who lived and worked in Leningrad, a member of the Leningrad Union of Soviet Artists, professor of the Repin Institute of Arts, regarded as one of representatives of the Leningrad School of Painting. Mostly known for his portrait paintings.
German Pavlovich Yegoshin was a Russian and Soviet painter and art educator, an Honored Artist of the Russian Federation, who lived and worked in Saint Petersburg. He was a member of the Leningrad Union of Soviet Artists, and was regarded as one of the representatives of the Leningrad School of Painting.
Lydia Aleksandrovna Durnovo was a Soviet art historian and art restorer. She specialized in medieval art, especially in early Russian painting and Armenian illuminated manuscripts (miniatures) and frescoes.
Retrospective Exhibition "In memory of Teacher. Exhibition of Saint Petersburg artists - students workshop of Alexander Osmerkin" became one of the notable event in the Saint Petersburg exhibition live of 1997 year. The Exhibition took place in Saint Petersburg in the Memorial Museum of Nikolai A. Nekrasov. There were exhibited 44 art works from private collections created by 12 pupils of Alexander Osmerkin. All them graduated Repin Institute of Arts in 1930-1950s.
Boris Fedorovich Borzin was born in Ukraine on 29 December 1923 and died in Saint Petersburg, Russia in 1991. He was a Soviet realism painter, graphic artist, conservator, art historian, author, and a tenured professor of fine art for 30 years at the Herzen State Pedagogical University of Russia. Borzin was also a veteran of the Great Patriotic War.
Vairumati tei Oa is an 1892 painting by Paul Gauguin, produced during his time in Polynesia. Its title translates as Her name was Vairaumati. It remained in the artist's family before passing to Ambroise Vollard's gallery in Paris. Sergei Schukin acquired it from the latter in 1904 and in 1918 it was acquired by the 1st Museum of New Western Painting. Since 1948 it has been in the Pushkin Museum in Moscow.
Frost in Louveciennes is an 1873 painting by Alfred Sisley, which has been in the Pushkin Museum since 1948. It shows the church of St Martin in the French town of Louveciennes. A chalk sketch for it is now in the Budapest Museum of Fine Arts.
Apollo and Marsyas is an oil on canvas painting by the Italian artist Luca Giordano, crated c. 1665. It is held at the collection of the Pushkin Museum, in Moscow. A variant of the work is in the Bardini Museum, in Florence.
The Battle of the Milvian Bridge, The Battle of the Bridge or The Battle Between the Emperors Maxentius and Constantine is a 1655 oil on canvas painting by Claude Lorrain, now in the Pushkin Museum in Moscow. Despite the title, according to E. B. Sharnova, the painting has no historical specificity.
The Queen or The King's Wife is an early 1896 oil on canvas painting by Paul Gauguin, now in the Pushkin Museum in Moscow. It is also known as Woman with Mango Fruits, Woman under a Mango Tree or Te arii vahine.
Landscape with Hercules and Cacus is a c.1660 oil on canvas painting by Nicolas Poussin, now in the Pushkin Museum. It depicts a scene from lines 190-275 of Book VIII of Virgil's Aeneid.