Lust for Life (1956 film)

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Lust for Life
Lust for Life 1956 poster.png
Theatrical release poster
Directed by Vincente Minnelli
Screenplay by Norman Corwin
Based on Lust for Life
1934 novel
by Irving Stone
Produced by John Houseman
Starring Kirk Douglas
Anthony Quinn
James Donald
Cinematography Russell Harlan
F. A. Young
Edited by Adrienne Fazan
Music by Miklós Rózsa
Distributed by Metro-Goldwyn-Mayer
Release date
September 17, 1956
Running time
122 minutes
CountryUnited States
LanguageEnglish
Budget$3,227,000 [1]
Box office$2,695,000 (rentals) [1] [2]

Lust for Life is a 1956 American biographical film about the life of the Dutch painter Vincent van Gogh, based on the 1934 novel of the same title by Irving Stone which was adapted for the screen by Norman Corwin.

Contents

It was directed by Vincente Minnelli and produced by John Houseman. The film stars Kirk Douglas as Van Gogh, James Donald as his brother Theo, with Pamela Brown, Everett Sloane, and Anthony Quinn. Douglas won the Golden Globe Award for Best Actor in a Motion Picture – Drama and the New York Film Critics Circle Award for Best Actor for his performance, while Quinn won the Academy Award for Best Supporting Actor. [3]

Plot

Vincent has trained to be a minister, like his father, but the church authorities find him unsuitable. He pleads with them to be allowed some position and they place him in a very poor mining community. Here he becomes deeply absorbed in the miners' plight and begins sketching their daily life.

The religious leaders do not like his approach, and they frown on his social activism and care for the poor. He returns home to his father's house. Here a woman he obsessively loves (his cousin) rejects Van Gogh because of his inability to support himself financially. The infatuated Vincent follows her to her family home, where he holds his hand over a candle flame to prove his devotion, only to learn that she has said she is disgusted by him and doesn't want to see him again.

He takes to drawing. His cousin Anton Mauve gives him paint and art materials and encourages him to paint. His brother, Theo van Gogh, provides financial and moral support. Vincent takes up with a prostitute who eventually also leaves because he is too poor. His passion then turns fully to painting, which he pursues while agonizing that he is unable to paint precisely what he sees.

After his father's death, he goes to Paris with Theo, where he discovers impressionists. Theo cannot bear living with him and Vincent leaves for sunny Arles, France. Paul Gauguin (whom he met in Paris) joins him there, and for a while life is good. However, Vincent is too obsessive even for Gauguin's tastes and they argue, prompting the latter's departure, after which Vincent cuts off his own ear. Vincent begins experiencing seizures and voluntarily commits himself to a mental institution, where he is allowed to paint. He signs himself out, and with Theo's help returns to a rural area to resume painting. While painting cornfields, he is frustrated by the crows and, despairing at never being able to put what he sees on canvas, pulls out a revolver to shoot himself. He dies in bed a few days later. [3]

Cast

Production

Kirk Douglas as Vincent van Gogh in Lust for Life Kirk Douglas Lust for Life.JPG
Kirk Douglas as Vincent van Gogh in Lust for Life

The film was based on the 1934 novel by Irving Stone and adapted by Norman Corwin. Vincente Minnelli directed the film, while John Houseman produced it. They worked with Douglas on the 1952 melodrama The Bad and the Beautiful , for which he was nominated for an Academy Award for Best Actor. In 1954, Douglas secured the filming rights to Van Gogh's biography and intended to star and produce it through his own film production company, Bryna Productions, with Jean Negulesco directing and financial distribution backing from United Artists. [4] [5]

Principal photography started in August and ended in December 1955 and it was shot on location in France, Belgium and the Netherlands. Two hundred enlarged colour photos were used representing Vincent’s completed canvases; these were in addition to copies that were executed by an American art teacher, Robert Parker. To prepare for his role as the troubled painter, Douglas practiced painting crows so that he could reasonably imitate van Gogh at work. [6] According to his wife Anne, Douglas would return home from work still in character. When asked if he would do such a thing again, Douglas responded that he would not.

Reception

Vincent van Gogh, Self-Portrait, mid-1887, Paris
Van Gogh Museum, Amsterdam (F77v) Self-Portrait9 Van Gogh.jpg
Vincent van Gogh, Self-Portrait, mid-1887, Paris
Van Gogh Museum, Amsterdam (F77v)

Critical reaction

The New York Times critic Bosley Crowther praised the film's conception, acting and color scheme, noting the design team "consciously made the flow of color and the interplay of compositions and hues the most forceful devices for conveying a motion picture comprehension of van Gogh." [7] Whitney Williams of Variety said, "This is a slow-moving picture whose only action is in the dialog itself. Basically a faithful portrait of Van Gogh, Lust for Life is nonetheless unexciting. It misses out in conveying the color and entertainment of the original Irving Stone novel." [8]

Harrison's Reports wrote that the film had been given "an excellent production" and that "Kirk Douglas does outstanding work as Van Gogh, and Anthony Quinn is very good as Paul Gauguin, his friend." [9] John McCarten of The New Yorker wrote, "Even if the movie doesn't delve as deeply as it might into the mental processes that made van Gogh behave the way he did, it nevertheless, in the person of Kirk Douglas, confronts us with a character well worth our absorbed attention. Mr. Douglas, who, wearing red whiskers, bears a striking resemblance to van Gogh's self-portraits, succeeds most skillfully in arousing a conviction that he is, in truth, a painter beside himself to capture light and hold it forever on canvas." [10]

Richard L. Coe of The Washington Post called the film "a remarkable achievement, combining a rich adventure in the art of color with a perceptive study of a creative personality. In this biography of Vincent Van Gogh, Kirk Douglas adds to his advantage of striking resemblance a performance of powerful sensitivity." [11] Edwin Schallert of the Los Angeles Times called the film a "remarkable and poignant study," and forecast that the artist's 'stellar portrayal' by Kirk Douglas "will be recognized for Academy honors." [12] The Monthly Film Bulletin printed a somewhat negative review, writing: "Although one feels that those responsible were determined to 'do right' by Van Gogh, this biographical tribute never rises above the level of the popular novel on which it is based ... Despite a remarkable physical resemblance, Kirk Douglas' performance remains essentially an American study in neuroticism; also, the presentation of the aesthetic controversy between Van Gogh (humane and intuitive) and Gauguin (intellectual and brusquely cynical) is both oversimplified and somewhat misleading." [13]

Box office

The world premiere was held at the Caley Picture House as part of the Edinburgh Film Festival on 19 August 1956. It subsequently opened on 17 September 17 at the Plaza Theatre on East 58th Street in New York City as a benefit for the Metropolitan Museum of Art's student program. [14] It played there for a record 37 weeks, grossing $450,000. [15]

Despite its accolades, the movie was a financial failure. According to MGM records, the film earned rentals of $1,595,000 in the US and Canada and $1,100,000 elsewhere, resulting in a loss of $2,072,000. [1]

Accolades

AwardCategoryNominee(s)ResultRef.
Academy Awards Best Actor Kirk Douglas Nominated [16]
Best Supporting Actor Anthony Quinn Won
Best Screenplay – Adapted Norman Corwin Nominated
Best Art Direction – Color Art Direction: Cedric Gibbons, Hans Peters, and E. Preston Ames;
Set Decoration: Edwin B. Willis and F. Keogh Gleason
Nominated
Golden Globe Awards Best Motion Picture – Drama Nominated [17]
Best Actor in a Motion Picture – Drama Kirk DouglasWon
Best Supporting Actor – Motion Picture Anthony QuinnNominated
Best Director – Motion Picture Vincente Minnelli Nominated
National Board of Review Awards Top Ten Films 4th Place [18]
New York Film Critics Circle Awards Best Actor Kirk DouglasWon [19]

Companion short film

MGM produced a short film, Van Gogh: Darkness Into Light, narrated by Dore Schary and showing the European locations used for the filming, to promote Lust for Life. In the film, a 75-year-old woman from Auvers-sur-Oise (not Jeanne Calment, who lived in Arles several hundred kilometers to the south), who claims to have known Van Gogh when she was a young girl, meets star Kirk Douglas, and comments on how much he looks like the painter. This short promotional film is shown on Turner Classic Movies occasionally. At the start and ending of the film, the creators thank a number of galleries, collectors and historians who allowed the works of Van Gogh to be photographed for the film.

See also

Related Research Articles

<span class="mw-page-title-main">Vincent van Gogh</span> Dutch painter (1853–1890)

Vincent Willem van Gogh was a Dutch Post-Impressionist painter who posthumously became one of the most famous and influential figures in Western art history. In a period of 10 years, he created about 2,100 artworks, including around 860 oil paintings, most of which date from the last two years of his life. They include landscapes, still lifes, portraits and self-portraits, and are characterised by bold colours and dramatic, impulsive and expressive brushwork that contributed to the foundations of modern art. Not commercially successful in his career, he struggled with severe depression and poverty, which eventually led to his suicide at age thirty-seven.

<span class="mw-page-title-main">Kirk Douglas</span> American actor (1916–2020)

Kirk Douglas was an American actor and filmmaker. After an impoverished childhood, he made his film debut in The Strange Love of Martha Ivers (1946) with Barbara Stanwyck. Douglas soon developed into a leading box-office star throughout the 1950s, known for serious dramas, including westerns and war films. During his career, he appeared in more than 90 films and was known for his explosive acting style. He was named by the American Film Institute the 17th-greatest male star of Classic Hollywood cinema.

<span class="mw-page-title-main">Vincente Minnelli</span> American stage and film director

Vincente Minnelli was an American stage director and film director. He directed the classic movie musicals Meet Me in St. Louis (1944), An American in Paris (1951), The Band Wagon (1953), and Gigi (1958). An American in Paris and Gigi both won the Academy Award for Best Picture, with Minnelli winning Best Director for Gigi. In addition to having directed some of the best known musicals of his day, Minnelli made many comedies and melodramas. He was married to Judy Garland from 1945 until 1951; the couple were the parents of Liza Minnelli.

Irving Stone was an American writer, chiefly known for his biographical novels of noted artists, politicians, and intellectuals. Among the best known are Lust for Life (1934), about the life of Vincent van Gogh, and The Agony and the Ecstasy (1961), about Michelangelo.

<i>Sunflowers</i> (Van Gogh series) Series of paintings by Vincent van Gogh

Sunflowers is the title of two series of still life paintings by the Dutch painter Vincent van Gogh. The first series, executed in Paris in 1887, depicts the flowers lying on the ground, while the second set, made a year later in Arles, shows a bouquet of sunflowers in a vase. In the artist's mind, both sets were linked by the name of his friend Paul Gauguin, who acquired two of the Paris versions. About eight months later, Van Gogh hoped to welcome and impress Gauguin again with Sunflowers, now part of the painted Décoration for the Yellow House that he prepared for the guestroom of his home in Arles, where Gauguin was supposed to stay. After Gauguin's departure, Van Gogh imagined the two major versions as wings of the Berceuse Triptych, and finally, he included them in his Les XX in Bruxelles exhibit.

<span class="mw-page-title-main">Theo van Gogh (art dealer)</span> Dutch art dealer (1857–1891)

Theodorus van Gogh was a Dutch art dealer, the younger brother of Vincent van Gogh. Theo's unfailing financial and emotional support allowed his brother to devote himself entirely to painting. Theo died at the age of 33, six months after his brother died at the age of 37. At his death Theo owned practically all of his brother's artwork. Theo's widow Jo van Gogh-Bonger worked tirelessly to promote the work of Vincent and keep the memory of her husband alive. Theo made a significant impact on the art world as an art dealer, playing a crucial role in the introduction of contemporary Dutch and French art to the public. His widow was able to draw on the connections that Theo made to promote Vincent's work. In 1914, she reburied Theo's remains next to Vincent's.

<i>Wheatfield with Crows</i> 1890 painting by van Gogh

Wheatfield with Crows is a July 1890 painting by Vincent van Gogh. It has been cited by several critics as one of his greatest works.

<i>Lust for Life</i> (novel) 1934 novel by Irving Stone

Lust for Life (1934) is a biographical novel by Irving Stone about the life of the Dutch painter Vincent van Gogh and his hardships. It was Stone's first major publication, and is largely based on the collection of letters between Vincent van Gogh and his younger brother, art dealer Theo van Gogh. This correspondence lays the foundation for most of what is known about the thoughts and beliefs of the artist. Stone conducted a large amount of "on-field" research for the novel, as is mentioned in the afterword.

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<span class="mw-page-title-main">Vincent van Gogh chronology</span>

This is a chronology of the artist Vincent van Gogh. It is based as far as possible on Van Gogh's correspondence. However, it has only been possible to construct the chronology by drawing on additional sources. Most of his letters are not dated and it was only in 1973 that a sufficient dating was established by Jan Hulsker, subsequently revised by Ronald Pickvance and marginally corrected by others. Many other relevant dates in the chronology derive from the biographies of his brother Theo, his uncle and godfather Cent, his friends Émile Bernard and Paul Gauguin, and others.

The fame of Vincent van Gogh began to spread in France and Belgium during the last year of his life, and in the years after his death in the Netherlands and Germany. His friendship with his younger brother Theo was documented in numerous letters they exchanged from August 1872 onwards. The letters were published in three volumes in 1914 by Johanna van Gogh-Bonger, Theo's widow, who also generously supported most of the early Van Gogh exhibitions with loans from the artist's estate. Publication of the letters helped spread the compelling mystique of Vincent van Gogh, the intense and dedicated painter who died young, throughout Europe and the rest of the world.

<i>The Roulin Family</i> Collection of Van gogh paintings at the Barnes Foundation

The Roulin Family is a group of portrait paintings Vincent van Gogh executed in Arles in 1888 and 1889 of Joseph, his wife Augustine and their three children: Armand, Camille and Marcelle. This series is unique in many ways. Although Van Gogh loved to paint portraits, it was difficult for financial and other reasons for him to find models. So, finding an entire family that agreed to sit for paintings — in fact, for several sittings each — was a bounty.

<span class="mw-page-title-main">Cultural depictions of Vincent van Gogh</span> Vincent van Gogh depicted in culture

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<i>Vincent & Theo</i> 1990 biographical drama film about Vincent Van Gogh

Vincent & Theo is a 1990 biographical drama film about the Dutch painter Vincent van Gogh (1853–1890) and his brother Theo (1857–1891), an art dealer. While Vincent van Gogh's artworks are now famous, he was essentially unrecognized in his lifetime, and survived on his brother's charity. The film was directed by Robert Altman, and starred Tim Roth and Paul Rhys in the title roles.

<i>Van Gogh</i> (1991 film) 1991 French film

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<i>Farmhouse in Provence</i> Painting by Vincent van Gogh

Farmhouse in Provence, also known as Entrance Gate to a Farm with Haystacks, is an oil-on-canvas painting produced in 1888 by Dutch painter Vincent van Gogh in Arles, Provence, at the height of his career. Partially due to having been inspired by painter Adolphe Monticelli, Van Gogh sought the Provence region of France to further expand his painting skill and experience. Van Gogh used several pairs of complementary colors in the Farmhouse in Provence, the color contrast bringing an intensity to his work. The painting is owned by the National Gallery of Art in Washington, D.C.

<i>The Letters of Vincent van Gogh</i> Collection of letters written and received by Vincent van Gogh

The Letters of Vincent van Gogh is a collection of 903 surviving letters written (820) or received (83) by Vincent van Gogh. More than 650 of these were from Vincent to his brother Theo. The collection also includes letters van Gogh wrote to his sister Wil and other relatives, as well as between artists such as Paul Gauguin, Anthon van Rappard, and Émile Bernard.

<i>Loving Vincent</i> 2017 animated biographical drama film

Loving Vincent is a 2017 experimental adult animated biographical drama film about the life of the painter Vincent van Gogh, and, in particular, about the circumstances of his death. It is the first fully painted animated feature film. The film, written and directed by Dorota Kobiela and Hugh Welchman, is a Polish-UK co-production, funded by the Polish Film Institute, and partially through a Kickstarter campaign.

<i>At Eternitys Gate</i> (film) 2018 film

At Eternity's Gate is a 2018 biographical drama film about the final years of painter Vincent van Gogh's life. The film dramatizes the controversial theory put forward by van Gogh biographers Steven Naifeh and Gregory White Smith, in which they speculate that van Gogh's death was caused by manslaughter rather than suicide.

References

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  2. "Top Grosses of 1957". Variety. January 8, 1958. p. 30 via Internet Archive.
  3. 1 2 "Lust for Life (1956) - Vincente Minnelli | Synopsis, Characteristics, Moods, Themes and Related". AllMovie. Retrieved January 9, 2018.
  4. "Pine-Thomas In 3-Film Deal". Independent Film Journal. February 5, 1955. p. 8 via Internet Archive.
  5. "Kirk Douglas Packages Own". Variety. January 12, 1955. p. 15 via Internet Archive.
  6. Walker, John A. (July 1990). "Vincent van Gogh films: Of Cypresses and Sunflowers". The Monthly Film Bulletin. Vol. 57, no. 678. pp. 184–185. Archived from the original on August 23, 2010. Retrieved October 12, 2010 via artdesigncafé.
  7. Crowther, Bosley (September 18, 1956). "Screen: Color-Full Life of van Gogh". The New York Times . p. 39.
  8. Williams, Whitney (September 5, 1956). "Film Reviews: Lust for Life". Variety . p. 6 via Internet Archive.
  9. "'Lust for Life' with Kirk Douglas". Harrison's Reports . September 8, 1956. p. 144 via Internet Archive.
  10. McCarten, John (September 29, 1956). "The Current Cinema". The New Yorker . p. 86.
  11. Coe, Richard L. (September 21, 1956). "'Lust for Life' Real Triumph". The Washington Post . p. 79.
  12. Schallert, Edwin (September 22, 1956). "'Lust for Life' Reveals Saga of Tortured Artist" . Los Angeles Times . p. 8.
  13. "Lust for Life". The Monthly Film Bulletin . 24 (278): 29. March 1957.
  14. "Museum Lends van Gogh to Premiere of Film on Artist" . The New York Times. September 15, 1956. p. 23.
  15. "'Lust's' $450,000 Plaza, N.Y. Gross". Variety . June 19, 1957. p. 4. Retrieved April 19, 2019 via Internet Archive.
  16. "The 29th Academy Awards (1956) Nominees and Winners". oscars.org. Retrieved February 17, 2013.
  17. "Winners & Nominees 1957". Golden Globes. Retrieved April 1, 2021.
  18. "1956 Award Winners". National Board of Review . Retrieved July 5, 2021.
  19. "1956 New York Film Critics Circle Awards". New York Film Critics Circle . Retrieved July 5, 2021.