Vincent | |
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Directed by | Paul Cox |
Written by | Paul Cox |
Starring |
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Cinematography | Paul Cox |
Edited by | Paul Cox |
Music by | Norman Kaye |
Release dates |
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Running time | 105 minutes |
Country | Australia |
Box office | A$301,205 [1] |
Vincent: The Life and Death of Vincent van Gogh is a 1987 documentary film by Australian director Paul Cox, exploring the last eight years of the artist's life. Cox was attracted to the project because of his personal admiration for Vincent van Gogh:
I found him such a compassionate, wonderful human being. That attracted me above all. I found him always honest, always real, always doing his utmost, and I related very much to his type of loneliness. It's the loneliness, the dreadful loneliness that I've known all my life. That was still much stronger for me when I tried to become a film-maker - you know, up to 30, 35, I was terribly alone. I was not equipped for the world at all, and, at that level, that is a very similar background to Vincent. [2]
The screen images consist of a wide selection of the paintings and sketches, shown in a chronological sequence, supplemented by shots of the locations he lived in, and a number of dramatised reconstructions of biographical events.
John Hurt reads the letters of Vincent van Gogh to his brother Theo.
The film was a popular hit on the art house circuit and ran for two years in New York City. [3]
Vincent Willem van Gogh was a Dutch Post-Impressionist painter who is among the most famous and influential figures in the history of Western art. In just over a decade, he created approximately 2100 artworks, including around 860 oil paintings, most of them in the last two years of his life. His oeuvre includes landscapes, still lifes, portraits, and self-portraits, most of which are characterized by bold colors and dramatic brushwork that contributed to the rise of expressionism in modern art. Van Gogh's work was beginning to gain critical attention before he died from a self-inflicted gunshot at age 37. During his lifetime, only one of Van Gogh's paintings, The Red Vineyard, was sold.
Lust for Life is a 1956 American biographical film about the life of the Dutch painter Vincent van Gogh, based on the 1934 novel of the same title by Irving Stone which was adapted for the screen by Norman Corwin.
The Potato Eaters is an oil painting by Dutch artist Vincent van Gogh painted in April 1885 in Nuenen, Netherlands.
Paulus Henrique Benedictus Cox, known as Paul Cox, was a Dutch-Australian filmmaker who has been recognised as "Australia's most prolific film auteur".
The fame of Vincent van Gogh began to spread in France and Belgium during the last year of his life, and in the years after his death in the Netherlands and Germany. His friendship with his younger brother Theo was documented in numerous letters they exchanged from August 1872 onwards. The letters were published in three volumes in 1914 by Johanna van Gogh-Bonger, Theo's widow, who also generously supported most of the early Van Gogh exhibitions with loans from the artist's estate. Publication of the letters helped spread the compelling mystique of Vincent van Gogh, the intense and dedicated painter who died young, throughout Europe and the rest of the world.
The Roulin Family is a group of portrait paintings Vincent van Gogh executed in Arles in 1888 and 1889 of Joseph, his wife Augustine and their three children: Armand, Camille and Marcelle. This series is unique in many ways. Although Van Gogh loved to paint portraits, it was difficult for financial and other reasons for him to find models. So, finding an entire family that agreed to sit for paintings — in fact, for several sittings each — was a bounty.
This is a list that shows references made to the life and work of Dutch artist Vincent van Gogh (1853–1890) in culture.
Johanna Gezina van Gogh-Bonger was a multilingual Dutch editor who translated the hundreds of letters of her first husband, art dealer Theo van Gogh, and Vincent van Gogh.
Vincent & Theo is a 1990 biographical drama film about the Dutch painter Vincent van Gogh (1853–1890) and his brother Theo (1857–1891), an art dealer. While Vincent van Gogh's artworks are now famous, he was essentially unrecognized in his lifetime, and survived on his brother's charity. The film was directed by Robert Altman, and starred Tim Roth and Paul Rhys in the title roles.
Vincent van Gogh painted at least 15 paintings of olive trees, mostly in Saint-Rémy-de-Provence in 1889. At his own request, he lived at an asylum there from May 1889 through May 1890 painting the gardens of the asylum and, when he had permission to venture outside its walls, nearby olive trees, cypresses and wheat fields.
Vincent van Gogh enjoyed making Paintings of Children. He once said that it's the only thing that "excites me to the depths of my soul, and which makes me feel the infinite more than anything else." Painting children, in particular represented rebirth and the infinite. Over his career Van Gogh did not make many paintings of children, but those he completed were special to him. During the ten years of Van Gogh's career as a painter, from 1881 to 1890, his work changed and grew richer, particularly in how he used color and techniques symbolically or evocatively.
Dr. Gachet's Garden in Auvers and Marguerite Gachet in the Garden were both painted in 1890 by Vincent van Gogh in the gardens of his homeopathic physician, Dr. Paul Gachet. Both paintings reside at the Musée d'Orsay.
Hospital at Arles is the subject of two paintings that Vincent van Gogh made of the hospital in which he stayed in December 1888 and again in January 1889. The hospital is located in Arles in southern France. One of the paintings is of the central garden between four buildings titled Garden of the Hospital in Arles ; the other painting is of a ward within the hospital titled Ward of the Hospital in Arles. Van Gogh also painted Portrait of Dr. Félix Rey, a portrait of his physician while in the hospital.
Portrait of Artist's Mother is an 1888 painting by Vincent van Gogh of his mother, Anna Carbentus van Gogh, drawn from a black-and-white photograph. Van Gogh's introduction to art was through his mother, herself an amateur artist. After years of strained relations with family members, Van Gogh excitedly shared some of his works he thought his mother would appreciate most, of flowers and natural settings. In this painting, Van Gogh captures his mother's dignified and proud nature. It was painted at almost the same time, and with a very similar palette of colours and pose as his Self Portrait
The Zouave is the subject of several sketches and paintings made by Vincent van Gogh in Arles, France in June 1888. The pieces range from close up oil painting portraits of the Zouave to full-body drawings. Van Gogh produced this collection of pieces during the period he spent in southern France, which many scholars regard as the zenith of his artistic career.Van Gogh nonetheless expressed frustration about his work during this time.
The death of Vincent van Gogh occurred in the early morning of 29 July, 1890 in his room at the Auberge Ravoux in the French village of Auvers-sur-Oise after presumably shooting himself two days earlier.
The Letters of Vincent van Gogh is a collection of 903 surviving letters written (820) or received (83) by Vincent van Gogh. More than 650 of these were from Vincent to his brother Theo. The collection also includes letters van Gogh wrote to his sister Wil and other relatives, as well as between artists such as Paul Gauguin, Anthon van Rappard, and Émile Bernard.
Meadows near Rijswijk and the Schenkweg is a watercolor by the Dutch painter Vincent van Gogh that he made in January 1882, shortly after taking up residence in The Hague.
Memory of the Garden at Etten (Ladies of Arles) is an oil painting by Vincent van Gogh. It was executed in Arles around November 1888 and is in the collection of the Hermitage Museum. It was intended as decoration for his bedroom at the Yellow House.
At Eternity's Gate is a 2018 biographical drama film about the final years of painter Vincent van Gogh's life. The film dramatizes the controversial theory put forward by van Gogh biographers Steven Naifeh and Gregory White Smith, in which they speculate that van Gogh's death was caused by manslaughter rather than suicide.