| Self-Portrait with Bandaged Ear | |
|---|---|
 | |
| Artist | Vincent van Gogh |
| Year | January 1889 |
| Medium | oil on canvas |
| Dimensions | 60 cm× 49 cm(24 in× 19 in) |
| Location | Courtauld Gallery, London |
Self-Portrait with Bandaged Ear is an 1889 self-portrait by Dutch Post-Impressionist artist Vincent van Gogh. [1] The painting is in the collection of the Courtauld Institute of Art and on display in the Gallery at Somerset House. The painting includes inspiration from Japanese Woodblock printing.
In this self-portrait, Van Gogh portrays himself in a blue cap with black fur and a green overcoat with a bandage covering his ear and extending under his chin. Behind him is an open window, a canvas on an easel, with a few indistinguishable marks, as well as a Japanese woodblock print, Geishas in a Landscape made by Satō Torakiyo in the 1870s. [2] [3]
The fur cap pictured in the portrait serves as a memory of the difficult working circumstances he encountered in January 1889. The cap had been recently purchased to keep his heavy bandage in place and protect him from the winter cold. [4]
Van Gogh used Impasto painting strokes, a technique where paint is laid thickly on a surface to show marks of the Painting knife, to give the composition more energy and passion. [5] [6] He was inspired by Adolphe Monticelli's use of impasto in his own paintings [7] [6] as illustrated by the letter he wrote to his brother, Theo, in 1888. [5] [6]
Van Gogh had moved from Paris to Arles to establish a community of supportive artists called the Studio of the South. [8] After renting four rooms in The Yellow House, he invited Paul Gauguin to join him. [9] [10] [11]
On evening of December 23, 1888, Gauguin threatened to leave and Van Gogh approached him with a razor. Later that night, he sliced off his left ear, which is not apparent in the portrait since he used a mirror to paint it, making it seem like the right ear is bandaged instead, [12] and brought it to a prostitute in Arles. [13] [14] [15]
In a 17 January 1889 letter to his brother Theo, Van Gogh mentioned he had made a new self-portrait, which is believed to be this one. [16]
At the time of Van Gogh's death, this painting was in the possession of Julien (Père) Tanguy, although it was unclear how he had obtained it. Tanguy had posed twice for Van Gogh in 1887. It was exhibited in Paris 1901 and 1905 in a major Van Gogh retrospective. In 1928 Samuel Courtauld purchased it and it is currently in the collection of the Courtauld Gallery in London. [17]
The art of Woodblock printing in Japan was of great influence for Van Gogh as he was a big collector of many Japanese pieces. [18] Throughout his lifetime, he had collected hundreds of Japanese prints, [19] including Geishas in a Landscape by Torakiyo Sato, which was then used as inspiration for the copy in the background of this portrait. [20]
Van Gogh's interest in Japanese art guided him to modernize his own art style. He enjoyed the bold colors and spatial effects of the Japanese prints which prompted him to start using them in all of his work including this portrait. [19]
Vincent Willem van Gogh was a Dutch Post-Impressionist painter who is among the most famous and influential figures in the history of Western art. In just over a decade, he created approximately 2100 artworks, including around 860 oil paintings, most of them in the last two years of his life. His oeuvre includes landscapes, still lifes, portraits, and self-portraits, most of which are characterized by bold colors and dramatic brushwork that contributed to the rise of expressionism in modern art. Van Gogh's work was beginning to gain critical attention before he died from a self-inflicted gunshot at age 37. During his lifetime, only one of Van Gogh's paintings, The Red Vineyard, was sold.
Portrait of Dr. Gachet is one of the most revered paintings by the Dutch artist Vincent van Gogh. It depicts Dr. Paul Gachet, a homeopathic doctor and artist with whom van Gogh resided following a spell in an asylum at Saint-Rémy-de-Provence. Gachet took care of Van Gogh during the final months of his life. There are two authenticated versions of the portrait, both painted in June 1890 at Auvers-sur-Oise. Both show Gachet sitting at a table and leaning his head on his right arm, but they are easily differentiated in color and style. There is also an etching.
The portraits of Vincent van Gogh (1853–1890) include self-portraits, portraits of him by other artists, and photographs—one of which is dubious—of the Dutch artist. Van Gogh's dozens of self-portraits were an important part of his œuvre as a painter. Most probably, van Gogh's self-portraits are depicting the face as it appeared in the mirror he used to reproduce his face, i.e. his right side in the image is in reality the left side of his face.
Sunflowers is the title of two series of still life paintings by the Dutch painter Vincent van Gogh. The first series, executed in Paris in 1887, depicts the flowers lying on the ground, while the second set, made a year later in Arles, shows a bouquet of sunflowers in a vase. In the artist's mind, both sets were linked by the name of his friend Paul Gauguin, who acquired two of the Paris versions. About eight months later, Van Gogh hoped to welcome and impress Gauguin again with Sunflowers, now part of the painted Décoration for the Yellow House that he prepared for the guestroom of his home in Arles, where Gauguin was supposed to stay.
The Starry Night is an oil-on-canvas painting by the Dutch Post-Impressionist painter Vincent van Gogh, painted in June 1889. It depicts the view from the east-facing window of his asylum room at Saint-Rémy-de-Provence, just before sunrise, with the addition of an imaginary village. It has been in the permanent collection of the Museum of Modern Art in New York City since 1941, acquired through the Lillie P. Bliss Bequest. Widely regarded as Van Gogh's magnum opus, The Starry Night is one of the most recognizable paintings in Western art.
Bedroom in Arles is the title given to three similar paintings by 19th-century Dutch Post-Impressionist painter Vincent van Gogh.
L'Arlésienne, L'Arlésienne : Madame Ginoux, or Portrait of Madame Ginoux is the title given to a group of six similar paintings by Vincent van Gogh, painted in Arles, November 1888, and in Saint-Rémy, February 1890. L'Arlésienne means literally "the woman from Arles".
Vincent van Gogh lived during the Impressionist era. With the development of photography, painters and artists turned to conveying the feeling and ideas behind people, places, and things rather than trying to imitate their physical forms. Impressionist artists did this by emphasizing certain hues, using vigorous brushstrokes, and paying attention to highlighting. Vincent van Gogh implemented this ideology to pursue his goal of depicting his own feelings toward and involvement with his subjects. Van Gogh's portraiture focuses on color and brushstrokes to demonstrate their inner qualities and Van Gogh's own relationship with them.
Flowering Orchards is a series of paintings which Dutch artist Vincent van Gogh executed in Arles, in southern France in the spring of 1888. Van Gogh arrived in Arles in February 1888 in a snowstorm; within two weeks the weather changed and the fruit trees were in blossom. Appreciating the symbolism of rebirth, Van Gogh worked with optimism and zeal on about fourteen paintings of flowering trees in the early spring. He also made paintings of flowering trees in Saint-Rémy the following year, in 1889.
The Painter of Sunflowers is a portrait of Vincent van Gogh by Paul Gauguin. Van Gogh is depicted sitting before an easel, presumably painting his “Sunflower” series. The work, which is a piece from Gauguin’s “Arles Period”, was created in Arles, France, in December, 1888. The painting is in the collection of the Van Gogh Museum in Amsterdam.
This is a list that shows references made to the life and work of Dutch artist Vincent van Gogh (1853–1890) in culture.
The Langlois Bridge at Arles is the subject of four oil paintings, one watercolor and four drawings by Vincent van Gogh. The works, made in 1888 when van Gogh lived in Arles, in southern France, represent a melding of formal and creative aspects. Van Gogh used a perspective frame that he built and used in The Hague to create precise lines and angles when portraying perspective.
Jug in the form of a Head, Self-portrait was produced in glazed stoneware early in 1889 by the French Post-Impressionist artist Paul Gauguin. This self-portrayal is especially stark and brutal, and was created in the aftermath of two traumatic events in the artist's life. In December 1888 Gauguin was visiting Vincent van Gogh in Arles when Van Gogh hacked off his left ear before leaving it at a brothel frequented by them both. A few days later in Paris, Gauguin witnessed the beheading of the notorious murderer Prado. Gauguin shows his severed head, dripping with rivulets of blood, his ear cut off, his eyes closed as if in denial.
Vincent van Gogh enjoyed making Paintings of Children. He once said that it's the only thing that "excites me to the depths of my soul, and which makes me feel the infinite more than anything else." Painting children, in particular represented rebirth and the infinite. Over his career Van Gogh did not make many paintings of children, but those he completed were special to him. During the ten years of Van Gogh's career as a painter, from 1881 to 1890, his work changed and grew richer, particularly in how he used color and techniques symbolically or evocatively.
Almond Blossoms is a group of several paintings made in 1888 and 1890 by Vincent van Gogh in Arles and Saint-Rémy, southern France of blossoming almond trees. Flowering trees were special to van Gogh. They represented awakening and hope. He enjoyed them aesthetically and found joy in painting flowering trees. The works reflect the influence of Impressionism, Divisionism, and Japanese woodcuts. Almond Blossom was made to celebrate the birth of his nephew and namesake, son of his brother Theo and sister-in-law Jo.
Saint-Paul Asylum, Saint-Rémy is a collection of paintings that Vincent van Gogh made when he was a self-admitted patient at the Saint-Paul asylum in Saint-Rémy-de-Provence, since renamed the Clinique Van Gogh, from May 1889 until May 1890. During much of his stay there he was confined to the grounds of the asylum, and he made paintings of the garden, the enclosed wheat field that he could see outside his room and a few portraits of individuals at the asylum. During his stay at Saint-Paul asylum, Van Gogh experienced periods of illness when he could not paint. When he was able to resume, painting provided solace and meaning for him. Nature seemed especially meaningful to him, trees, the landscape, even caterpillars as representative of the opportunity for transformation and budding flowers symbolizing the cycle of life. One of the more recognizable works of this period is The Irises. Works of the interior of the hospital convey the isolation and sadness that he felt. From the window of his cell he saw an enclosed wheat field, the subject of many paintings made from his room. He was able to make but a few portraits while at Saint-Paul.
Hospital at Arles is the subject of two paintings that Vincent van Gogh made of the hospital in which he stayed in December 1888 and again in January 1889. The hospital is located in Arles in southern France. One of the paintings is of the central garden between four buildings titled Garden of the Hospital in Arles ; the other painting is of a ward within the hospital titled Ward of the Hospital in Arles. Van Gogh also painted Portrait of Dr. Félix Rey, a portrait of his physician while in the hospital.
The Letters of Vincent van Gogh is a collection of 903 surviving letters written (820) or received (83) by Vincent van Gogh. More than 650 of these were from Vincent to his brother Theo. The collection also includes letters van Gogh wrote to his sister Wil and other relatives, as well as between artists such as Paul Gauguin, Anthon van Rappard, and Émile Bernard.
Self-Portrait with Halo and Snake, also known as Self-Portrait, is an 1889 oil-on-wood painting by French artist Paul Gauguin, which represents his late Brittany period in the fishing village of Le Pouldu in northwestern France. No longer comfortable with Pont-Aven, Gauguin moved on to Le Pouldu with his friend and student Meijer de Haan and a small group of artists. He stayed for several months in the autumn of 1889 and the summer of 1890, where the group spent their time decorating the interior of Marie Henry's inn with every major type of art work. Gauguin painted his Self-Portrait in the dining room with its companion piece, Portrait of Jacob Meyer de Haan (1889).
Peach Trees in Blossom is an 1889 painting by Vincent van Gogh. It is in the collection of the Courtauld Institute of Art. The painting depicts a field with peach trees on the outskirts of Arles with the Alpilles mountains in the background. The painting was intended as a homage to Japanese landscape prints which influenced Van Gogh. It was created a few months after he had severed his ear and during a mentally unstable period in which he was still a patient at the men's hospital in Arles.
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