Saint-Rémy-de-Provence is a commune in the Bouches-du-Rhône department, Provence-Alpes-Côte d'Azur, Southern France. Located in the northern part of the Alpilles, of which it is the main town, it had a population of 9,893 in 2017.
The Starry Night is an oil-on-canvas painting by the Dutch Post-Impressionist painter Vincent van Gogh. Painted in June 1889, it depicts the view from the east-facing window of his asylum room at Saint-Rémy-de-Provence, just before sunrise, with the addition of an imaginary village. It has been in the permanent collection of the Museum of Modern Art in New York City since 1941, acquired through the Lillie P. Bliss Bequest. Widely regarded as Van Gogh's magnum opus, The Starry Night is one of the most recognizable paintings in Western art.
Starry Night, commonly known as Starry Night Over the Rhône, is one of Vincent van Gogh's paintings of Arles at night. It was painted on the bank of the Rhône that was only a one or two-minute walk from the Yellow House on the Place Lamartine, which Van Gogh was renting at the time. The night sky and the effects of light at night provided the subject for some of van Gogh's more famous paintings, including Café Terrace at Night and the June, 1889, canvas from Saint-Remy, The Starry Night.
Vincent van Gogh made many copies of other people's work between 1887 and early 1890, which can be considered appropriation art. While at Saint-Paul asylum in Saint-Rémy-de-Provence, France, where Van Gogh admitted himself, he strived to have subjects during the cold winter months. Seeking to be reinvigorated artistically, Van Gogh did more than 30 copies of works by some of his favorite artists. About twenty-one of the works were copies after, or inspired by, Jean-François Millet. Rather than replicate, Van Gogh sought to translate the subjects and composition through his perspective, color, and technique. Spiritual meaning and emotional comfort were expressed through symbolism and color. His brother Theo van Gogh would call the pieces in the series some of his best work.
Vincent Van Gogh was displayed at the 1890 Les XX exhibition—an invitation-only show exclusively for members—in Brussels, Belgium. This served to demonstrate the recognition Van Gogh received from his avant-garde peers during his life. The choices of his works and their arrangements illustrated his thinking about his years of work in Provence.
Flowering Orchards is a series of paintings which Dutch artist Vincent van Gogh executed in Arles, in southern France in the spring of 1888. Van Gogh arrived in Arles in February 1888 in a snowstorm; within two weeks the weather changed and the fruit trees were in blossom. Appreciating the symbolism of rebirth, Van Gogh worked with optimism and zeal on about fourteen paintings of flowering trees in the early spring. He also made paintings of flowering trees in Saint-Rémy the following year, in 1889.
The Wheat Field is a series of oil paintings executed by Vincent van Gogh in Saint-Rémy-de-Provence. All of them depict the view Van Gogh had from the window of his bedroom on the top floor of the asylum: a field enclosed by stone walls just beneath his window and excluded from normal life by the rear wall of the asylum grounds; beyond this enclosure farm land, accompanied by olive groves and vineyards, ran up to the hills at the foot of the mountain range called Les Alpilles.
A Wheatfield with Cypresses is any of three similar 1889 oil paintings by Vincent van Gogh, as part of his wheat field series. All were exhibited at the Saint-Paul-de-Mausole mental asylum at Saint-Rémy near Arles, France, where Van Gogh was voluntarily a patient from May 1889 to May 1890. The works were inspired by the view from the window at the asylum towards the Alpilles mountains.
Still Life: Vase with Pink Roses was painted in 1890 by Vincent van Gogh in Saint-Rémy. At the time the work was painted Van Gogh was readying himself to leave the Saint-Rémy asylum for the quiet town of Auvers-sur-Oise outside of Paris. This and the similarly-dated Pink Roses reflect the optimism Van Gogh felt at that time about his future, both in his choice of flowers as a subject and the colors used. The painting is owned by the National Gallery of Art of Washington, D.C.
Vincent van Gogh painted at least 15 paintings of olive trees, mostly in Saint-Rémy-de-Provence in 1889. At his own request, he lived at an asylum there from May 1889 through May 1890 painting the gardens of the asylum and, when he had permission to venture outside its walls, nearby olive trees, cypresses and wheat fields.
Wheat Fields is a series of dozens of paintings by Dutch Post-Impressionist artist Vincent van Gogh, borne out of his religious studies and sermons, connection to nature, appreciation of manual laborers and desire to provide a means of offering comfort to others. The wheat field works demonstrate his progression as an artist from the drab Wheat Sheaves made in 1885 in the Netherlands to the colorful and dramatic 1888–1890 paintings from Arles, Saint-Rémy and Auvers-sur-Oise in rural France.
Butterflies is a series paintings made by Vincent van Gogh in 1889 and 1890. Van Gogh made at least four paintings of butterflies and one of a moth. The metamorphosis of the caterpillar into a butterfly was symbolic to Van Gogh of men and women's capability for transformation.
Saint-Paul Asylum, Saint-Rémy is a collection of paintings that Vincent van Gogh made when he was a self-admitted patient at the Saint-Paul asylum in Saint-Rémy-de-Provence, since renamed the Clinique Van Gogh, from May 1889 until May 1890. During much of his stay there he was confined to the grounds of the asylum, and he made paintings of the garden, the enclosed wheat field that he could see outside his room and a few portraits of individuals at the asylum. During his stay at Saint-Paul asylum, Van Gogh experienced periods of illness when he could not paint. When he was able to resume, painting provided solace and meaning for him. Nature seemed especially meaningful to him, trees, the landscape, even caterpillars as representative of the opportunity for transformation and budding flowers symbolizing the cycle of life. One of the more recognizable works of this period is The Irises. Works of the interior of the hospital convey the isolation and sadness that he felt. From the window of his cell he saw an enclosed wheat field, the subject of many paintings made from his room. He was able to make but a few portraits while at Saint-Paul.
Trees and Undergrowth is the subject of paintings that Vincent van Gogh made in Paris, Saint-Rémy and Auvers, from 1887 through 1890. Van Gogh made several paintings of undergrowth, a genre of painting known as sous-bois that was brought into prominence by artists of the Barbizon School and the early Impressionists. The works from this series successfully use shades of color and light in the forest or garden interior paintings. Van Gogh selected one of his Saint-Rémy paintings, Ivy (F609) for the Brussels Les XX exhibition in 1890.
Landscape with a Carriage and a Train is an oil painting by Vincent van Gogh that he painted in June 1890 when he lived in Auvers-sur-Oise, France.
Enclosed Field with Peasant is an oil painting by Dutch artist Vincent van Gogh, painted around 12 October 1889. The Size 30 painting, measuring 73 cm × 92 cm, depicts a scene of a ploughed field near the asylum at Saint-Rémy-de-Provence, with a lilac bush, a peasant carrying a wheatsheaf, several buildings, and the Alpilles mountains rising behind, with a small patch of sky. Van Gogh considered it a pendant painting to The Reaper executed earlier in 1889. It is currently part of the permanent collection at the Indianapolis Museum of Art.
Green Wheat Field with Cypress is an oil-on-canvas painting by Dutch Post-Impressionist Vincent van Gogh. It is held by the National Gallery Prague, displayed at the Veletržní palác in the district of Holešovice, where the painting is known as Zelené obilí.
Houses at Auvers is an oil painting by Vincent van Gogh. It was created towards the end of May or beginning of June 1890, shortly after he had moved to Auvers-sur-Oise, a small town northwest of Paris, France.
The Large Plane Trees, also called Road Menders at Saint-Rémy is an oil painting by Vincent van Gogh. Painted in 1889 in Saint-Rémy, France, the painting depicts roadwork underneath autumn trees with yellow leaves. In actuality, "The Large Pane Trees" and the "Road Menders of Saint-Rémy" are two different paintings and are sometimes confused as one. Van Gogh painted "The Large Plane Trees" first on a red and white checkered table cloth. He later returned and painted it again on an art canvas.
Reaper, Wheat Field with Reaper, or Wheat Field with Reaper and Sun is the title given to each of a series of three oil-on-canvas paintings by Vincent van Gogh of a man reaping a wheat field under a bright early-morning sun. To the artist, the reaper represented death and "humanity would be the wheat being reaped". However, Van Gogh did not consider the work to be sad but "almost smiling" and taking "place in broad daylight with a sun that floods everything with a light of fine gold".
