Vincent Willem van Gogh was a Dutch Post-Impressionist painter who posthumously became one of the most famous and influential figures in Western art history. In a decade, he created about 2,100 artworks, including around 860 oil paintings, most of which date from the last two years of his life. They include landscapes, still lifes, portraits, and self-portraits, and are characterised by bold colours and dramatic, impulsive and expressive brushwork that contributed to the foundations of modern art. He was not commercially successful and, struggling with severe depression and poverty, committed suicide at the age of 37.
The Van Gogh Museum is a Dutch art museum dedicated to the works of Vincent van Gogh and his contemporaries in the Museum Square in Amsterdam South, close to the Stedelijk Museum, the Rijksmuseum, and the Concertgebouw. The museum opened on 2 June 1973, and its buildings were designed by Gerrit Rietveld and Kisho Kurokawa.
The Potato Eaters is an oil painting by Dutch artist Vincent van Gogh painted in April 1885 in Nuenen, Netherlands. It is in the Van Gogh Museum in Amsterdam. The original oil sketch of the painting is at the Kröller-Müller Museum in Otterlo, and he also made lithographs of the image, which are held in collections including the Museum of Modern Art in New York City. The painting is considered to be one of Van Gogh's masterpieces.
The portraits of Vincent van Gogh (1853–1890) are the self-portraits, portraits of him by other artists, and photographs—one of which is dubious—of the Dutch artist. Van Gogh's dozens of self-portraits were an important part of his œuvre as a painter. Most probably, van Gogh's self-portraits are depicting the face as it appeared in the mirror he used to reproduce his face, i.e. his right side in the image is in reality the left side of his face.
Farms near Auvers or Thatched Cottages by a Hill is an oil painting by Vincent van Gogh that he painted in July 1890 when he lived in Auvers-sur-Oise, France. The painting is an example of the double-square canvases that he employed in his last landscapes.
A Double-square painting is a painting made on uncommonly large canvases, which have one dimension that is twice the size of the other. Vincent van Gogh used 50 cm × 100 cm double-squares almost exclusively during the final weeks of his life in Auvers, in June and July 1890. Other artists who have painted double-square canvases include Charles-François Daubigny, Puvis de Chavannes, and Ivon Hitchens.
Nieuw-Amsterdam is a village in the northeast Netherlands, in the Dutch province of Drenthe. It borders the village of Veenoord, the twin village of Nieuw-Amsterdam. Since 1998 Nieuw-Amsterdam and Veenoord are part of the municipality of Emmen.
Veenoord is a village in the Netherlands and it is part of the Emmen municipality in Drenthe. It forms a single urban area with Nieuw-Amsterdam. Vincent van Gogh stayed in the Scholte Inn during his Drenthe period.
Cottages is a subject of paintings created by Vincent van Gogh from 1883 and 1885. This is related to the Peasant Character Studies that Van Gogh worked on during the same time period.
Japonaiserie was the term used by Dutch post-impressionist painter Vincent van Gogh to express the influence of Japanese art on his works.
Wheat Fields is a series of dozens of paintings by Dutch Post-Impressionist artist Vincent van Gogh, borne out of his religious studies and sermons, connection to nature, appreciation of manual laborers and desire to provide a means of offering comfort to others. The wheat field works demonstrate his progression as an artist from the drab Wheat Sheaves made in 1885 in the Netherlands to the colorful and dramatic 1888–1890 paintings from Arles, Saint-Rémy and Auvers-sur-Oise in rural France.
Drawbridge in Nieuw-Amsterdam is a watercolor created in November 1883 by Vincent van Gogh in Drente, The Netherlands.
Peasant Character Studies is a series of works that Vincent van Gogh made between 1881 and 1885.
Vincent van Gogh drew and painted a series of works of his mistress Sien during their time together in the Netherlands. In particular, his drawing Sorrow is widely acknowledged as a masterwork of draftsmanship, the culmination of a long and sometimes uncertain apprenticeship in learning his craft.
Paintings of Amsterdam by Vincent van Gogh were made by Vincent van Gogh during a visit in October 1885.
The Letters of Vincent van Gogh refers to a collection of 903 surviving letters written (820) or received (83) by Vincent van Gogh. More than 650 of these were from Vincent to his brother Theo. The collection also includes letters van Gogh wrote to his sister Wil and other relatives, as well as between artists such as Paul Gauguin, Anthon van Rappard, and Émile Bernard.
Tree Roots is an oil painting by Vincent van Gogh that he painted in July 1890 when he lived in Auvers-sur-Oise, France. The painting is an example of the double-square canvases that he employed in his last landscapes.
Sunset at Montmajour is a landscape in oils painted by the Dutch artist Vincent van Gogh on 4 July 1888. It was painted while the artist was at Arles, France and depicts a landscape of garrigue with the ruins of Montmajour Abbey in the background. The painting is 73.3 cm × 93.3 cm. For over 100 years, it was in a Norwegian industrialist's private collection and wrongly assumed to be fake, before being re-examined, authenticated and sold to its current private owner. The painting was temporarily on display from 24 September 2013 until 12 January 2014 as part of an exhibition at the Van Gogh Museum in Amsterdam.
Peasant Woman Digging Up Potatoes is a painting by Vincent van Gogh, probably painted in 1885. It is now in the Royal Museum of Fine Arts, Antwerp. It is oil on canvas mounted on panel.
Wheatfield Under Thunderclouds is an 1890 oil painting by Vincent van Gogh. The painting measures 50.4 cm × 101.3 cm. It depicts a relatively flat and featureless landscape with fields of green wheat, under a foreboding dark blue sky with a few heavy white clouds. The horizon divides the work almost into two, with shades of green and yellow below and shades of blue and white above. Since 1973 it has been on permanent loan to the Van Gogh Museum in Amsterdam.
