Vincent Willem van Gogh was a Dutch Post-Impressionist painter who is among the most famous and influential figures in the history of Western art. In just over a decade he created approximately 2100 artworks, including around 860 oil paintings, most of them in the last two years of his life. They include landscapes, still lifes, portraits and self-portraits, and are characterised by bold, symbolic colours, and dramatic, impulsive and highly expressive brushwork that contributed to the foundations of modern art. Only one of his paintings was known by name to have been sold during his lifetime. Van Gogh became famous after his suicide, aged 37, which followed years of poverty and mental illness.
The year 1890 in art involved some significant events.
The Starry Night is an oil-on-canvas painting by the Dutch Post-Impressionist painter Vincent van Gogh. Painted in June 1889, it depicts the view from the east-facing window of his asylum room at Saint-Rémy-de-Provence, just before sunrise, with the addition of an imaginary village. It has been in the permanent collection of the Museum of Modern Art in New York City since 1941, acquired through the Lillie P. Bliss Bequest. Widely regarded as Van Gogh's magnum opus, The Starry Night is one of the most recognizable paintings in Western art.
Jules Adolphe Aimé Louis Breton was a 19th-century French naturalist painter. His paintings are heavily influenced by the French countryside and his absorption of traditional methods of painting helped make Jules Breton one of the primary transmitters of the beauty and idyllic vision of rural existence.
Wheatfield with Crows is a July 1890 painting by Vincent van Gogh. It has been cited by several critics as one of his greatest works.
A double-square painting is a painting made on uncommonly large canvases, which have one dimension that is twice the size of the other. Vincent van Gogh used 50 cm × 100 cm double-squares almost exclusively during the final weeks of his life in Auvers, in June and July 1890. Other artists who have painted double-square canvases include Charles-François Daubigny, Puvis de Chavannes, and Ivon Hitchens.
The Wheat Field is a series of oil paintings executed by Vincent van Gogh in Saint-Rémy-de-Provence. All of them depict the view Van Gogh had from the window of his bedroom on the top floor of the asylum: a field enclosed by stone walls just beneath his window and excluded from normal life by the rear wall of the asylum grounds; beyond this enclosure farm land, accompanied by olive groves and vineyards, ran up to the hills at the foot of the mountain range called Les Alpilles.
A Wheatfield with Cypresses is any of three similar 1889 oil paintings by Vincent van Gogh, as part of his wheat field series. All were exhibited at the Saint-Paul-de-Mausole mental asylum at Saint-Rémy near Arles, France, where Van Gogh was voluntarily a patient from May 1889 to May 1890. The works were inspired by the view from the window at the asylum towards the Alpilles mountains.
Arles: View from the Wheat Fields was painted by Vincent van Gogh in June 1888, among a number of paintings he made of wheat fields that summer. It is currently displayed at the Musee Rodin in Paris, France.
A Meadow in the Mountains: Le Mas de Saint-Paul was painted by Vincent van Gogh in December 1889. It depicts fields of young wheat with a background of lilac mountains and yellowish sky.
Wheat Fields is a series of dozens of paintings by Dutch Post-Impressionist artist Vincent van Gogh, borne out of his religious studies and sermons, connection to nature, appreciation of manual laborers and desire to provide a means of offering comfort to others. The wheat field works demonstrate his progression as an artist from the drab Wheat Sheaves made in 1885 in the Netherlands to the colorful and dramatic 1888–1890 paintings from Arles, Saint-Rémy and Auvers-sur-Oise in rural France.
Saint-Paul Asylum, Saint-Rémy is a collection of paintings that Vincent van Gogh made when he was a self-admitted patient at the Saint-Paul asylum in Saint-Rémy-de-Provence, since renamed the Clinique Van Gogh, from May 1889 until May 1890. During much of his stay there he was confined to the grounds of the asylum, and he made paintings of the garden, the enclosed wheat field that he could see outside his room and a few portraits of individuals at the asylum. During his stay at Saint-Paul asylum, Van Gogh experienced periods of illness when he could not paint. When he was able to resume, painting provided solace and meaning for him. Nature seemed especially meaningful to him, trees, the landscape, even caterpillars as representative of the opportunity for transformation and budding flowers symbolizing the cycle of life. One of the more recognizable works of this period is The Irises. Works of the interior of the hospital convey the isolation and sadness that he felt. From the window of his cell he saw an enclosed wheat field, the subject of many paintings made from his room. He was able to make but a few portraits while at Saint-Paul.
Thatched Cottages and Houses is an oil painting by Vincent van Gogh that he painted in May 1890 when he lived in Auvers-sur-Oise, France.
Enclosed Field with Peasant is an oil painting by Dutch artist Vincent van Gogh, painted around 12 October 1889. The Size 30 painting, measuring 73 cm × 92 cm, depicts a scene of a ploughed field near the asylum at Saint-Rémy-de-Provence, with a lilac bush, a peasant carrying a wheatsheaf, several buildings, and the Alpilles mountains rising behind, with a small patch of sky. Van Gogh considered it a pendant painting to The Reaper executed earlier in 1889. It is currently part of the permanent collection at the Indianapolis Museum of Art.
Green Wheat Field with Cypress is an oil-on-canvas painting by Dutch Post-Impressionist Vincent van Gogh. It is held by the National Gallery Prague, displayed at the Veletržní palác in the district of Holešovice, where the painting is known as Zelené obilí.
Rain is an oil-on-canvas painting by Vincent van Gogh, created in 1889, while he was a voluntary patient at an asylum in Saint-Rémy-de-Provence. He repeatedly painted the view through the window of his room, depicting the colours and shades of the fields and hills around Saint-Rémy as they appeared at various times of day and in varying weather conditions. Rain measures 73.3 cm × 92.4 cm and is held by the Philadelphia Museum of Art in the United States.
Reaper, Wheat Field with Reaper, or Wheat Field with Reaper and Sun is the title given to each of a series of three oil-on-canvas paintings by Vincent van Gogh of a man reaping a wheat field under a bright early-morning sun. To the artist, the reaper represented death and "humanity would be the wheat being reaped". However, Van Gogh did not consider the work to be sad but "almost smiling" and taking "place in broad daylight with a sun that floods everything with a light of fine gold".
Wheatfield Under Thunderclouds is an 1890 oil painting by Vincent van Gogh. The painting measures 50.4 cm × 101.3 cm. It depicts a relatively flat and featureless landscape with fields of green wheat, under a foreboding dark blue sky with a few heavy white clouds. The horizon divides the work almost into two, with shades of green and yellow below and shades of blue and white above. Since 1973 it has been on permanent loan to the Van Gogh Museum in Amsterdam.
Poppy Field is an 1890 painting by the Dutch artist Vincent van Gogh, painted around a month before his death during his stay in Auvers-sur-Oise, France. It has been described as "a composition that verges on the abstract" and shows marked difference from a 1888 painting of the same subject that now is in the Van Gogh Museum, in Amsterdam. Spending many years in Germany, the painting now hangs in the Kunstmuseum, in The Hague.
