Marsh with Water Lilies is a drawing by Vincent van Gogh. It was executed at Etten (now Etten-Leur) in June 1881.
Vincent's father Theodorus van Gogh, a pastor, was called to Etten in 1875. Vincent spent periods of time there, notably from Easter to Christmas 1881 when he returned to join his brother Theo, an art dealer, determined to become an artist. This period at Etten represents the beginning proper of Vincent's ten-year career as an artist. He had drawn since boyhood, and the previous year had enrolled in a beginners' class in Brussels where he met the painter Anthon van Rappard, but he now began to draw in earnest. He rapidly developed an accomplished technique in landscape drawing but remained rather more uncertain in his figure drawing, which he practiced assiduously with the aid of Charles Bargue's drawing course. [1] Rappard made a twelve-day visit during this time, and they sketched together in the marshes and heaths round Etten. Vincent also visited his cousin-in-law Anton Mauve in The Hague, a celebrated artist of the time, who had expressed an interest in his drawings and who encouraged him further. At this time Vincent had not progressed as far as painting, though he did wash some of his drawings with watercolor. At the end of the year he made an extended visit to Mauve, who introduced him to painting. He returned to Etten with the intention of setting up a studio there. However he quarreled with his father on Christmas Day and left the family home to set up his studio in The Hague instead. [2]
Vincent Willem van Gogh was a Dutch Post-Impressionist painter who posthumously became one of the most famous and influential figures in Western art history. In a decade, he created about 2,100 artworks, including around 860 oil paintings, most of which date from the last two years of his life. They include landscapes, still lifes, portraits and self-portraits, and are characterised by bold colours and dramatic, impulsive and expressive brushwork that contributed to the foundations of modern art. Not commercially successful in his career, he struggled with severe depression and poverty, which eventually led to his suicide at age thirty-seven.
The Potato Eaters is an oil painting by Dutch artist Vincent van Gogh painted in April 1885 in Nuenen, Netherlands.
The Starry Night is an oil-on-canvas painting by the Dutch Post-Impressionist painter Vincent van Gogh. Painted in June 1889, it depicts the view from the east-facing window of his asylum room at Saint-Rémy-de-Provence, just before sunrise, with the addition of an imaginary village. It has been in the permanent collection of the Museum of Modern Art in New York City since 1941, acquired through the Lillie P. Bliss Bequest. Widely regarded as Van Gogh's magnum opus, The Starry Night is one of the most recognizable paintings in Western art.
Anthonij "Anton" Rudolf Mauve was a Dutch realist painter who was a leading member of the Hague School. He signed his paintings 'A. Mauve' or with a monogrammed 'A.M.'. A master colorist, he was a very significant early influence on his cousin-in-law Vincent van Gogh.
This is a chronology of the artist Vincent van Gogh. It is based as far as possible on Van Gogh's correspondence. However, it has only been possible to construct the chronology by drawing on additional sources. Most of his letters are not dated and it was only in 1973 that a sufficient dating was established by Jan Hulsker, subsequently revised by Ronald Pickvance and marginally corrected by others. Many other relevant dates in the chronology derive from the biographies of his brother Theo, his uncle and godfather Cent, his friends Émile Bernard and Paul Gauguin, and others.
Sorrowing Old Man (At Eternity's Gate) is an oil painting by Vincent van Gogh that he made in 1890 in Saint-Rémy de Provence based on an early lithograph. The painting was completed in early May at a time when he was convalescing from a severe relapse in his health some two months before his death, which is generally accepted as a suicide.
The earliest known works of Vincent van Gogh comprise a group of paintings and drawings that Vincent van Gogh made when he was 27 and 28, in 1881 and 1882. Over the course of the two-year period Van Gogh lived in several places. He left Brussels, where he had studied for about a year in 1881, to return to his parents’ home in Etten, where he made studies of some of the residents of the town. In January 1882 Van Gogh went to The Hague where he studied with his cousin-in-law Anton Mauve and set up a studio, funded by Mauve. During the ten years of Van Gogh's artistic career from 1881 to 1890 Vincent's brother Theo would be a continuing source of inspiration and financial support; his first financial support began in 1880 funding Vincent while he lived in Brussels.
Peasant Character Studies is a series of works that Vincent van Gogh made between 1881 and 1885.
Van Gogh's family in his art refers to works that Vincent van Gogh made for or about Van Gogh family members. In 1881, Vincent drew a portrait of his grandfather, also named Vincent van Gogh, and his sister Wil. While living in Nuenen, Vincent memorialized his father in Still Life with Bible following his death in 1885. There he also made many paintings and drawings in 1884 and 1885 of his parents' vicarage, its garden and the church. At the height of his career in Arles he made Portrait of the Artist's Mother, Memory of the Garden at Etten of his mother and sister and Novel Reader, which is thought to be of his sister, Wil.
Vincent van Gogh drew and painted a series of works of his mistress Sien during their time together in the Netherlands. In particular, his drawing Sorrow is widely acknowledged as a masterwork of draftsmanship, the culmination of a long and sometimes uncertain apprenticeship in learning his craft.
The events that befell the early paintings and drawings by Vincent van Gogh in the period prior to the posthumous recognition of Vincent van Gogh as an innovative artist show how the appreciation of his legacy changed his reputation in a relatively short time.
The Letters of Vincent van Gogh is a collection of 903 surviving letters written (820) or received (83) by Vincent van Gogh. More than 650 of these were from Vincent to his brother Theo. The collection also includes letters van Gogh wrote to his sister Wil and other relatives, as well as between artists such as Paul Gauguin, Anthon van Rappard, and Émile Bernard.
Adrianus Jacobus Zuyderland was Vincent van Gogh's favorite model during his Hague period. He appears in dozens of drawings, easily identified by his bald head and prominent white whiskers, and he was the model for the drawing which was the basis for van Gogh's later iconic painting At Eternity's Gate.
Tree Roots is an oil painting by Vincent van Gogh that he painted in July 1890 when he lived in Auvers-sur-Oise, France. The painting is an example of the double-square canvases that he employed in his last landscapes.
Landscape with a Carriage and a Train is an oil painting by Vincent van Gogh that he painted in June 1890 when he lived in Auvers-sur-Oise, France.
Meadows near Rijswijk and the Schenkweg is a watercolor by the Dutch painter Vincent van Gogh that he made in January 1882, shortly after taking up residence in The Hague.
Memory of the Garden at Etten (Ladies of Arles) is an oil painting by Vincent van Gogh. It was executed in Arles around November 1888 and is in the collection of the Hermitage Museum. It was intended as decoration for his bedroom at the Yellow House.
Boats du Rhône is a series of two sketches and three oil paintings, listed below, created by the Dutch artist Vincent van Gogh while living in Arles, France, during August, 1888.
Houses at Auvers is an oil painting by Vincent van Gogh. It was created towards the end of May or beginning of June 1890, shortly after he had moved to Auvers-sur-Oise, a small town northwest of Paris, France.
The 'Laakmolen' near the Hague is a watercolor by Vincent van Gogh that he made in the summer of 1882. Formerly it was thought to have dated from his Etten period 1881. Following identification of the mill, historians now place it the year following.
