| Cows in the Meadow | |
|---|---|
 | |
| Artist | Vincent van Gogh |
| Year | 1883 |
| Catalogue | |
| Medium | Oil on Canvas |
| Dimensions | 31.5 cm× 44.0 cm(12.4 in× 17.3 in) |
| Location | Private collection |
Cows in the Meadow is an oil painting created in 1883 by Vincent van Gogh. [2] The painting was previously only known by a very poor photograph. [3]
Vincent Willem van Gogh was a Dutch Post-Impressionist painter who is among the most famous and influential figures in the history of Western art. In just over a decade, he created approximately 2100 artworks, including around 860 oil paintings, most of them in the last two years of his life. His oeuvre includes landscapes, still lifes, portraits, and self-portraits, most of which are characterized by bold colors and dramatic brushwork that contributed to the rise of expressionism in modern art. Van Gogh's work was beginning to gain critical attention before he died at age 37, by what was suspected at the time to be a suicide. During his lifetime, only one of Van Gogh's paintings, The Red Vineyard, was sold.
The portraits of Vincent van Gogh (1853–1890) include self-portraits, portraits of him by other artists, and photographs—one of which is dubious—of the Dutch artist. Van Gogh's dozens of self-portraits were an important part of his œuvre as a painter. Most probably, van Gogh's self-portraits are depicting the face as it appeared in the mirror he used to reproduce his face, i.e. his right side in the image is in reality the left side of his face.
The Starry Night is an oil-on-canvas painting by the Dutch Post-Impressionist painter Vincent van Gogh painted in June 1889. It depicts the view from the east-facing window of his asylum room at Saint-Rémy-de-Provence, just before sunrise, with the addition of an imaginary village. It has been in the permanent collection of the Museum of Modern Art in New York City since 1941, acquired through the Lillie P. Bliss Bequest. Widely regarded as Van Gogh's magnum opus, The Starry Night is one of the most recognizable paintings in Western art.
Jacob Baart de la Faille compiled the first catalogue raisonné of the work of Vincent van Gogh, published in 1928. The catalogue was revised and republished by an editorial committee in 1970, and this version is considered to be the definitive catalogue of van Gogh's work.
Farms near Auvers or Thatched Cottages by a Hill is an oil painting by Vincent van Gogh that he painted in July 1890 when he lived in Auvers-sur-Oise, France. The painting is an example of the double-square canvases that he employed in his last landscapes.
Jan Hulsker was a Dutch art historian especially noted for his work on Vincent van Gogh. He studied Dutch literature in Leiden and was promoted with a thesis on the author Aart van der Leeuw. In 1953, he was appointed to the Ministerie van Cultuur, Recreatie en Maatschappelijk werk, in charge of the art department. In 1959, he became general director in charge of culture at large. The establishment of the Vincent van Gogh Foundation and the Van Gogh Museum in Amsterdam were among his major tasks.
Sorrowing Old Man (At Eternity's Gate) is an oil painting by Vincent van Gogh that he made in 1890 in Saint-Rémy de Provence based on an early lithograph. The painting was completed in early May at a time when he was convalescing from a severe relapse in his health some two months before his death, which is generally accepted as a suicide.
Vincent van Gogh made many copies of other people's work between 1887 and early 1890, which can be considered appropriation art. While at Saint-Paul asylum in Saint-Rémy-de-Provence, France, where Van Gogh admitted himself, he strived to have subjects during the cold winter months. Seeking to be reinvigorated artistically, Van Gogh did more than 30 copies of works by some of his favorite artists. About twenty-one of the works were copies after, or inspired by, Jean-François Millet. Rather than replicate, Van Gogh sought to translate the subjects and composition through his perspective, color, and technique. Spiritual meaning and emotional comfort were expressed through symbolism and color. His brother Theo van Gogh would call the pieces in the series some of his best work.
The Wheat Field is a series of oil paintings executed by Vincent van Gogh in Saint-Rémy-de-Provence. All of them depict the view Van Gogh had from the window of his bedroom on the top floor of the asylum: a field enclosed by stone walls just beneath his window and excluded from normal life by the rear wall of the asylum grounds; beyond this enclosure farm land, accompanied by olive groves and vineyards, ran up to the hills at the foot of the mountain range called Les Alpilles.
Lying Cow is the name of two oil paintings created by Vincent van Gogh around 1882 when he was living at The Hague.
Butterflies is a series of paintings made by Vincent van Gogh in 1889 and 1890. Van Gogh made at least four paintings of butterflies and one of a moth. The metamorphosis of the caterpillar into a butterfly was symbolic to Van Gogh of men and women's capability for transformation.
Hospital at Arles is the subject of two paintings that Vincent van Gogh made of the hospital in which he stayed in December 1888 and again in January 1889. The hospital is located in Arles in southern France. One of the paintings is of the central garden between four buildings titled Garden of the Hospital in Arles ; the other painting is of a ward within the hospital titled Ward of the Hospital in Arles. Van Gogh also painted Portrait of Dr. Félix Rey, a portrait of his physician while in the hospital.
Vincent van Gogh drew and painted a series of works of his mistress Sien during their time together in the Netherlands. In particular, his drawing Sorrow is widely acknowledged as a masterwork of draftsmanship, the culmination of a long and sometimes uncertain apprenticeship in learning his craft.
Thatched Cottages and Houses is an oil painting by Vincent van Gogh that he painted in May 1890 when he lived in Auvers-sur-Oise, France.
Old Vineyard with Peasant Woman is a watercolour painting by Vincent van Gogh that he made in May 1890 when he lived in Auvers-sur-Oise, France.
Adrianus Jacobus Zuyderland was Vincent van Gogh's favorite model during his Hague period. He appears in dozens of drawings, easily identified by his bald head and prominent white whiskers, and he was the model for the drawing which was the basis for van Gogh's later iconic painting At Eternity's Gate.
Tree Roots is an oil painting by Vincent van Gogh that he painted in July 1890 when he lived in Auvers-sur-Oise, France. The painting is an example of the double-square canvases that he employed in his last landscapes.
Landscape with a Carriage and a Train is an oil painting by Vincent van Gogh that he painted in June 1890 when he lived in Auvers-sur-Oise, France.
Meadows near Rijswijk and the Schenkweg is a watercolor by the Dutch painter Vincent van Gogh that he made in January 1882, shortly after taking up residence in The Hague.
Lilac Bush is a May 1889 oil on canvas painting by Vincent van Gogh, produced during his stay in Saint-Rémy. It is now in the Hermitage Museum.
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