| Red Cabbages and Garlic | |
|---|---|
 | |
| Artist | Vincent van Gogh |
| Year | 1887 |
| Catalogue | |
| Dimensions | 50 cm× 64.5 cm(20 in× 25.4 in) |
| Location | Van Gogh Museum |
Red Cabbages and Garlic (F374) is an oil painting on canvas by Post-Impressionist artist Vincent van Gogh in Paris in 1887.
The painting was formerly known as Red Cabbages and Onion until 2023, when the name was changed upon observation of the bulbs by a chef. [1] It is currently held at the Van Gogh Museum. [2]
Painted on twill canvas, the painting is part of a series of still life paintings made when he lived in Montmartre, Paris, and decorated the apartment of his brother Theo van Gogh. [3]
The painting utilizes mini-brushstrokes, of blues, greens, and a rusty red for the red cabbage, and yellows and oranges for the garlic, on a white cloth, though the shades used for the tablecloth aged with time, turning from purple into a greyish-blue. [2] [4]
After Theo's death, the painting was passed thence with descent, by his widow Jo van Gogh-Bonger, then to son Vincent Willem van Gogh. It went on public debut in 1928 by Paul Cassirer's gallery in Berlin. It was then loaned to the Stedelijk Museum in 1931, then transferred to the Vincent van Gogh Foundation run by the Netherlands. It was on loan to the Rijksmuseum from 1973, and has been since then been displayed at the Van Gogh Museum July 1, 1994 onwards. [2]
In 2022, Ernst de Witte, head chef of "Restaurant Feu" in Utrecht, visited the museum, and noted that the "onions" in the painting was in fact garlic. [1] In an interview with Hyperallergic, the chef and his wife presented n analysis of the painting on Microsoft PowerPoint comparing the painting with another painting Still Life: Drawing Board, Pipe, Onions and Sealing Wax F604 (1889), housed at the Kröller-Müller Museum, differentiating how Van Gogh utilized shape and colors of garlic and onion. [5] It was determined that the painting's title was misnamed since 1928, and was then amended. [5] As a tribute to this encounter, de Witte made a "Red Cabbage and Garlic" dish at his restaurant: poached red cabbage on a puffed garlic creme, and drizzled with a lemon balm and tarragon vinaigrette, with absinthe, Van Gogh's favorite alcoholic drink. [6]
Vincent Willem van Gogh was a Dutch Post-Impressionist painter who is among the most famous and influential figures in the history of Western art. In just over a decade he created approximately 2100 artworks, including around 860 oil paintings, most of them in the last two years of his life. They include landscapes, still lifes, portraits and self-portraits, and are characterised by bold, symbolic colours, and dramatic, impulsive and highly expressive brushwork that contributed to the foundations of modern art. Only one of his paintings was known by name to have been sold during his lifetime. Van Gogh became famous after his suicide at age 37, which followed years of poverty and mental illness.
The Potato Eaters is an oil painting by Dutch artist Vincent van Gogh painted in April 1885 in Nuenen, Netherlands.
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Vincent van Gogh lived during the Impressionist era. With the development of photography, painters and artists turned to conveying the feeling and ideas behind people, places, and things rather than trying to imitate their physical forms. Impressionist artists did this by emphasizing certain hues, using vigorous brushstrokes, and paying attention to highlighting. Vincent van Gogh implemented this ideology to pursue his goal of depicting his own feelings toward and involvement with his subjects. Van Gogh's portraiture focuses on color and brushstrokes to demonstrate their inner qualities and Van Gogh's own relationship with them.
The fame of Vincent van Gogh began to spread in France and Belgium during the last year of his life, and in the years after his death in the Netherlands and Germany. His friendship with his younger brother Theo was documented in numerous letters they exchanged from August 1872 onwards. The letters were published in three volumes in 1914 by Johanna van Gogh-Bonger, Theo's widow, who also generously supported most of the early Van Gogh exhibitions with loans from the artist's estate. Publication of the letters helped spread the compelling mystique of Vincent van Gogh, the intense and dedicated painter who died young, throughout Europe and the rest of the world.
Daubigny's Garden, painted three times by Vincent van Gogh, depicts the enclosed garden of Charles-François Daubigny, a painter whom Van Gogh admired throughout his life.
Wheat Fields is a series of dozens of paintings by Dutch Post-Impressionist artist Vincent van Gogh, borne out of his religious studies and sermons, connection to nature, appreciation of manual laborers and desire to provide a means of offering comfort to others. The wheat field works demonstrate his progression as an artist from the drab Wheat Sheaves made in 1885 in the Netherlands to the colorful and dramatic 1888–1890 paintings from Arles, Saint-Rémy and Auvers-sur-Oise in rural France.
Asnières, now named Asnières-sur-Seine, is the subject and location of paintings that Vincent van Gogh made in 1887. The works, which include parks, restaurants, riverside settings and factories, mark a breakthrough in van Gogh's artistic development. In the Netherlands his work was shaped by great Dutch masters as well as Anton Mauve a Dutch realist painter who was a leading member of the Hague School and a significant early influence on his cousin-in-law van Gogh. In Paris van Gogh was exposed to and influenced by Impressionism, Symbolism, Pointillism, and Japanese woodblock print genres.
The Montmartre paintings are a group of works that Vincent van Gogh created in 1886 and 1887 of the Paris district of Montmartre while living there, at 54 Rue Lepic, with his brother Theo. Rather than capture urban settings in Paris, van Gogh preferred pastoral scenes, such as Montmartre and Asnières in the northwest suburbs. Of the two years in Paris, the work from 1886 often has the dark, somber tones of his early works from the Netherlands and Brussels. By the spring of 1887, van Gogh embraced use of color and light and created his own brushstroke techniques based upon Impressionism and Pointillism. The works in the series provide examples of his work during that period of time and the progression he made as an artist.
Seine (paintings) is the subject and location of paintings that Vincent van Gogh made in 1887. The Seine has been an integral part of Parisian life for centuries for commerce, travel and entertainment. Here van Gogh primarily captures the respite and relief from city life found in nature.
Van Gogh's family in his art refers to works that Vincent van Gogh made for or about Van Gogh family members. In 1881, Vincent drew a portrait of his grandfather, also named Vincent van Gogh, and his sister Wil. While living in Nuenen, Vincent memorialized his father in Still Life with Bible following his death in 1885. There he also made many paintings and drawings in 1884 and 1885 of his parents' vicarage, its garden and the church. At the height of his career in Arles he made Portrait of the Artist's Mother, Memory of the Garden at Etten of his mother and sister and Novel Reader, which is thought to be of his sister, Wil.
Still life paintings by Vincent van Gogh (Netherlands) is the subject of many drawings, sketches and paintings made during Vincent van Gogh's early artistic career. Most still lifes made in the Netherlands are dated from 1884 to 1885, when he lived in Nuenen. His works were often in somber colors. Van Gogh experimented with the use of light falling across objects.
Trees and Undergrowth is the subject of paintings that Vincent van Gogh made in Paris, Saint-Rémy and Auvers, from 1887 through 1890. Van Gogh made several paintings of undergrowth, a genre of painting known as sous-bois that was brought into prominence by artists of the Barbizon School and the early Impressionists. The works from this series successfully use shades of color and light in the forest or garden interior paintings. Van Gogh selected one of his Saint-Rémy paintings, Ivy (F609) for the Brussels Les XX exhibition in 1890.
Still life paintings by Vincent van Gogh (Paris) is the subject of many drawings, sketches and paintings by Vincent van Gogh in 1886 and 1887 after he moved to Montmartre in Paris from the Netherlands. While in Paris, Van Gogh transformed the subjects, color and techniques that he used in creating still life paintings.
Old Vineyard with Peasant Woman is a watercolour painting by Vincent van Gogh that he made in May 1890 when he lived in Auvers-sur-Oise, France.
Memory of the Garden at Etten (Ladies of Arles) is an oil painting by Vincent van Gogh. It was executed in Arles around November 1888 and is in the collection of the Hermitage Museum. It was intended as decoration for his bedroom at the Yellow House.
Portrait of Vincent van Gogh is an 1887 chalk pastel on cardboard by Henri de Toulouse-Lautrec. Toulouse-Lautrec had encountered Vincent van Gogh, eleven years his senior, when they were both taking lessons at the open studio of Fernand Cormon in Paris from 1886 to 1887. The painting is held by the Van Gogh Museum in Amsterdam, catalogued "d693V/1962".
Poppy Field is an 1890 painting by the Dutch artist Vincent van Gogh, painted around a month before his death during his stay in Auvers-sur-Oise, France. It has been described as "a composition that verges on the abstract" and shows marked difference from a 1888 painting of the same subject that now is in the Van Gogh Museum, in Amsterdam. Spending many years in Germany, the painting now hangs in the Kunstmuseum, in The Hague.