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Portrait of Doctor Rey is an oil on canvas painting by Vincent van Gogh, produced at Arles, probably between 7 and 17 January 1889, falling between his departure from hospital on the former date and letter 571 to his brother Theo on the latter date which mentions giving the work to its subject as a keepsake. [1] It shows his 'Japanising' style of that period and is now in the Pushkin Museum, in Moscow.[ citation needed ]
It shows Félix Rey, a doctor at Arles' hospital, who healed the artist following the fit of epilepsy or dementia in which he cut off part of his ear.[ citation needed ] Rey and his family found it ridiculous and unrealistic and so used it for over ten years to block a hole in a chicken coop, then probably put it in their loft. In April 1901, the future painter Charles Camoin was billeted at Arles as part of France's 55th Line Infantry Regiment. There he met Rey, who told him about the painting and sold it to him, with Camoin sending it to an art dealer from Marseille, Monsieur Molinard. A few weeks later, not having found a buyer, the painting was transferred to Ambroise Vollard, an art dealer friend of Camoin in Paris. He managed to find a buyer, but only for 150 francs. The work was at that time called "Framed portrait of a man, full face slightly turned to the right, signed in red : Vincent, Arles, January 1889".[ citation needed ]
The painting then disappears from the record until 1908, when it was sold again, this time by the Cassirer gallery in Berlin, run by Bruno Cassirer, then by Eugène Druet in Paris, with the latter selling it on later in 1908 to Sergei Shchukin for 4600 francs. The work was seized by the Soviet state after the October Revolution but its subject's identity had been lost and it was only research by Jacob Baart de la Faille whilst writing a biography and catalogue raisonné of van Gogh's work which in 1924 reidentified Rey as the subject. [2]
Vincent Willem van Gogh was a Dutch Post-Impressionist painter who posthumously became one of the most famous and influential figures in Western art history. In a decade, he created about 2,100 artworks, including around 860 oil paintings, most of which date from the last two years of his life. They include landscapes, still lifes, portraits and self-portraits, and are characterised by bold colours and dramatic, impulsive and expressive brushwork that contributed to the foundations of modern art. Not commercially successful in his career, he struggled with severe depression and poverty, which eventually led to his suicide at age thirty-seven.
Portrait of Dr. Gachet is one of the most revered paintings by the Dutch artist Vincent van Gogh. It depicts Dr. Paul Gachet, a homeopathic doctor and artist with whom van Gogh resided following a spell in an asylum at Saint-Rémy-de-Provence. Gachet took care of Van Gogh during the final months of his life. There are two authenticated versions of the portrait, both painted in June 1890 at Auvers-sur-Oise. Both show Gachet sitting at a table and leaning his head on his right arm, but they are easily differentiated in color and style. There is also an etching.
Sunflowers is the title of two series of still life paintings by the Dutch painter Vincent van Gogh. The first series, executed in Paris in 1887, depicts the flowers lying on the ground, while the second set, made a year later in Arles, shows a bouquet of sunflowers in a vase. In the artist's mind, both sets were linked by the name of his friend Paul Gauguin, who acquired two of the Paris versions. About eight months later, Van Gogh hoped to welcome and impress Gauguin again with Sunflowers, now part of the painted Décoration for the Yellow House that he prepared for the guestroom of his home in Arles, where Gauguin was supposed to stay. After Gauguin's departure, Van Gogh imagined the two major versions as wings of the Berceuse Triptych, and finally, he included them in his Les XX in Bruxelles exhibit.
Theodorus van Gogh was a Dutch art dealer, the younger brother of Vincent van Gogh. Theo's unfailing financial and emotional support allowed his brother to devote himself entirely to painting. Theo died at the age of 33, six months after his brother died at the age of 37. At his death Theo owned practically all of his brother's artwork. Theo's widow Jo van Gogh-Bonger worked tirelessly to promote the work of Vincent and keep the memory of her husband alive. Theo made a significant impact on the art world as an art dealer, playing a crucial role in the introduction of contemporary Dutch and French art to the public. His widow was able to draw on the connections that Theo made to promote Vincent's work. In 1914, she reburied Theo's remains next to Vincent's.
Bedroom in Arles is the title given to each of three similar paintings by 19th-century Dutch Post-Impressionist painter Vincent van Gogh.
Vincent van Gogh lived during the Impressionist era. With the development of photography, painters and artists turned to conveying the feeling and ideas behind people, places, and things rather than trying to imitate their physical forms. Impressionist artists did this by emphasizing certain hues, using vigorous brushstrokes, and paying attention to highlighting. Vincent van Gogh implemented this ideology to pursue his goal of depicting his own feelings toward and involvement with his subjects. Van Gogh's portraiture focuses on color and brushstrokes to demonstrate their inner qualities and Van Gogh's own relationship with them.
This is a chronology of the artist Vincent van Gogh. It is based as far as possible on Van Gogh's correspondence. However, it has only been possible to construct the chronology by drawing on additional sources. Most of his letters are not dated and it was only in 1973 that a sufficient dating was established by Jan Hulsker, subsequently revised by Ronald Pickvance and marginally corrected by others. Many other relevant dates in the chronology derive from the biographies of his brother Theo, his uncle and godfather Cent, his friends Émile Bernard and Paul Gauguin, and others.
The fame of Vincent van Gogh began to spread in France and Belgium during the last year of his life, and in the years after his death in the Netherlands and Germany. His friendship with his younger brother Theo was documented in numerous letters they exchanged from August 1872 onwards. The letters were published in three volumes in 1914 by Johanna van Gogh-Bonger, Theo's widow, who also generously supported most of the early Van Gogh exhibitions with loans from the artist's estate. Publication of the letters helped spread the compelling mystique of Vincent van Gogh, the intense and dedicated painter who died young, throughout Europe and the rest of the world.
Vincent van Gogh's display at the 1890 Les XX exhibition in Brussels, Belgium was important for several reasons. First, Van Gogh's inclusion in the annual Les XX exhibition—an invitation-only show for members only—demonstrated the recognition he received from his avant-garde peers during his lifetime. Second, his choices of works and their arrangement illustrate his thinking about his years of work in Provence.
Paul Gauguin's exhibit at Les XX in 1889 was the first important display of Paul Gauguin's works, and added to the recognition that he had begun to receive in 1888. The annual exhibition was organized by Les XX, and participation was by invitation only. Gauguin's exhibit comprised paintings from Martinique, Brittany and Arles. Many of these can be identified easily, but for several items the discussion is not yet closed.
A Wheatfield with Cypresses is any of three similar 1889 oil paintings by Vincent van Gogh, as part of his wheat field series. All were exhibited at the Saint-Paul-de-Mausole mental asylum at Saint-Rémy near Arles, France, where Van Gogh was voluntarily a patient from May 1889 to May 1890. The works were inspired by the view from the window at the asylum towards the Alpilles mountains.
Saint-Paul Asylum, Saint-Rémy is a collection of paintings that Vincent van Gogh made when he was a self-admitted patient at the Saint-Paul asylum in Saint-Rémy-de-Provence, since renamed the Clinique Van Gogh, from May 1889 until May 1890. During much of his stay there he was confined to the grounds of the asylum, and he made paintings of the garden, the enclosed wheat field that he could see outside his room and a few portraits of individuals at the asylum. During his stay at Saint-Paul asylum, Van Gogh experienced periods of illness when he could not paint. When he was able to resume, painting provided solace and meaning for him. Nature seemed especially meaningful to him, trees, the landscape, even caterpillars as representative of the opportunity for transformation and budding flowers symbolizing the cycle of life. One of the more recognizable works of this period is The Irises. Works of the interior of the hospital convey the isolation and sadness that he felt. From the window of his cell he saw an enclosed wheat field, the subject of many paintings made from his room. He was able to make but a few portraits while at Saint-Paul.
Hospital at Arles is the subject of two paintings that Vincent van Gogh made of the hospital in which he stayed in December 1888 and again in January 1889. The hospital is located in Arles in southern France. One of the paintings is of the central garden between four buildings titled Garden of the Hospital in Arles ; the other painting is of a ward within the hospital titled Ward of the Hospital in Arles. Van Gogh also painted Portrait of Dr. Félix Rey, a portrait of his physician while in the hospital.
Van Gogh's family in his art refers to works that Vincent van Gogh made for or about Van Gogh family members. In 1881, Vincent drew a portrait of his grandfather, also named Vincent van Gogh, and his sister Wil. While living in Nuenen, Vincent memorialized his father in Still Life with Bible following his death in 1885. There he also made many paintings and drawings in 1884 and 1885 of his parents' vicarage, its garden and the church. At the height of his career in Arles he made Portrait of the Artist's Mother, Memory of the Garden at Etten of his mother and sister and Novel Reader, which is thought to be of his sister, Wil.
The death of Vincent van Gogh, the Dutch post-Impressionist painter, occurred in the early morning of 29 July 1890, in his room at the Auberge Ravoux in the village of Auvers-sur-Oise in northern France. Two days earlier, Van Gogh shot himself or was intentionally or accidentally shot by someone else. While his death certificate states that he died as a result of suicide, at least two biographers have challenged that, saying he may have been intentionally or accidentally shot by someone else.
The events that befell the early paintings and drawings by Vincent van Gogh in the period prior to the posthumous recognition of Vincent van Gogh as an innovative artist show how the appreciation of his legacy changed his reputation in a relatively short time.
The Letters of Vincent van Gogh is a collection of 903 surviving letters written (820) or received (83) by Vincent van Gogh. More than 650 of these were from Vincent to his brother Theo. The collection also includes letters van Gogh wrote to his sister Wil and other relatives, as well as between artists such as Paul Gauguin, Anthon van Rappard, and Émile Bernard.
Sunset at Montmajour is a landscape in oils painted by the Dutch artist Vincent van Gogh on 4 July 1888. It was painted while the artist was at Arles, France and depicts a landscape of garrigue with the ruins of Montmajour Abbey in the background. The painting is 73.3 cm × 93.3 cm. For over 100 years, it was in a Norwegian industrialist's private collection and wrongly assumed to be fake, before being re-examined, authenticated and sold to its current private owner. The painting was temporarily on display from 24 September 2013 until 12 January 2014 as part of an exhibition at the Van Gogh Museum in Amsterdam.
Dutch Post-Impressionist painter Vincent van Gogh painted a self-portrait in oil on canvas in September 1889. The work, which may have been Van Gogh's last self-portrait, was painted shortly before he left Saint-Rémy-de-Provence in southern France. The painting is now at the Musée d'Orsay in Paris.
Reaper, Wheat Field with Reaper, or Wheat Field with Reaper and Sun is the title given to each of a series of three oil-on-canvas paintings by Vincent van Gogh of a man reaping a wheat field under a bright early-morning sun. To the artist, the reaper represented death and "humanity would be the wheat being reaped". However, Van Gogh did not consider the work to be sad but "almost smiling" and taking "place in broad daylight with a sun that floods everything with a light of fine gold".