White House at Night | |
---|---|
Artist | Vincent van Gogh |
Year | 1890 |
Catalogue | |
Medium | Oil on canvas |
Dimensions | 59 cm× 72.5 cm(23.2 in× 28.5 in) |
Location | Hermitage Museum, Saint Petersburg |
White House at Night is an oil on canvas painting created on 16 June 1890 in the small town of Auvers-sur-Oise by Vincent van Gogh, six weeks before his death. It is displayed at the Hermitage Museum, St. Petersburg.
According to the Hermitage Museum, the painting "expresses the great psychological tension under which Van Gogh found himself"; two of the windows, considered the "eyes" of a home, are rendered with "alarming" red splashes, while the star, a sign of fate, is seen as symbolic of van Gogh's anguish. [1]
It is thought that van Gogh painted White House at Night around 8:00 PM due to the position of the "star" in the painting. Astronomers Donald Olson and Russell Doescher from the Texas State University-San Marcos calculated that the star in the painting must be Venus which was bright in the evening sky in June 1890. [2] The house is the same one depicted in Blossoming Chestnut Tree . [3]
The painting has a turbulent history. It was exhibited in Switzerland several times during the 1920s, but in the late 1920s disappeared into the private collection of German industrialist Otto Krebs, [4] Many of his acquisitions were of a style which was soon to be labelled "degenerate art" by the Nazis, which contributed towards the already publicity-shy Krebs keeping his collection secret. [5]
Thought to have been lost after World War II, the painting languished in the Hermitage archives for fifty years before resurfacing in 1995 as part of an exhibition displaying artworks looted by the Soviets at the end of the war. [2] Three other van Gogh's from Kreb's collection were also shown: Landscape with House and Ploughman , Morning: Going out to Work (After Millet) , and the Portrait of Madame Trabuc . [6]
Vincent Willem van Gogh was a Dutch Post-Impressionist painter who posthumously became one of the most famous and influential figures in Western art history. In a decade, he created about 2,100 artworks, including around 860 oil paintings, most of which date from the last two years of his life. They include landscapes, still lifes, portraits and self-portraits, and are characterised by bold colours and dramatic, impulsive and expressive brushwork that contributed to the foundations of modern art. Not commercially successful in his career, he struggled with severe depression and poverty, which eventually led to his suicide at age thirty-seven.
The Van Gogh Museum is a Dutch art museum dedicated to the works of Vincent van Gogh and his contemporaries in the Museum Square in Amsterdam South, close to the Stedelijk Museum, the Rijksmuseum, and the Concertgebouw. The museum opened on 2 June 1973, and its buildings were designed by Gerrit Rietveld and Kisho Kurokawa.
The State Hermitage Museum is a museum of art and culture in Saint Petersburg, Russia. It is the second largest art museum in the world by gallery space. It was founded in 1764 when Empress Catherine the Great acquired an impressive collection of paintings from the Berlin merchant Johann Ernst Gotzkowsky. The museum celebrates the anniversary of its founding each year on 7 December, Saint Catherine's Day. It has been open to the public since 1852. The Art Newspaper ranked the museum 6th in their list of the most visited art museums, with 1,649,443 visitors in 2021.
The Starry Night is an oil-on-canvas painting by the Dutch Post-Impressionist painter Vincent van Gogh. Painted in June 1889, it depicts the view from the east-facing window of his asylum room at Saint-Rémy-de-Provence, just before sunrise, with the addition of an imaginary village. It has been in the permanent collection of the Museum of Modern Art in New York City since 1941, acquired through the Lillie P. Bliss Bequest. Widely regarded as Van Gogh's magnum opus, The Starry Night is one of the most recognizable paintings in Western art.
Vincent van Gogh lived during the Impressionist era. With the development of photography, painters and artists turned to conveying the feeling and ideas behind people, places, and things rather than trying to imitate their physical forms. Impressionist artists did this by emphasizing certain hues, using vigorous brushstrokes, and paying attention to highlighting. Vincent van Gogh implemented this ideology to pursue his goal of depicting his own feelings toward and involvement with his subjects. Van Gogh's portraiture focuses on color and brushstrokes to demonstrate their inner qualities and Van Gogh's own relationship with them.
The fame of Vincent van Gogh began to spread in France and Belgium during the last year of his life, and in the years after his death in the Netherlands and Germany. His friendship with his younger brother Theo was documented in numerous letters they exchanged from August 1872 onwards. The letters were published in three volumes in 1914 by Johanna van Gogh-Bonger, Theo's widow, who also generously supported most of the early Van Gogh exhibitions with loans from the artist's estate. Publication of the letters helped spread the compelling mystique of Vincent van Gogh, the intense and dedicated painter who died young, throughout Europe and the rest of the world.
Décoration for the Yellow House was the main project Vincent van Gogh focused on in Arles, from August 1888 until his breakdown the day before Christmas. This Décoration had no pre-defined form or size; the central idea of the Décoration grew step by step, with the progress of his work. Starting with the Sunflowers, portraits were included in the next step. Finally, mid-September 1888, the idea took shape: from this time on he concentrated on size 30 canvases, which were all meant to form part of this Décoration.
Daubigny's Garden, painted three times by Vincent van Gogh, depicts the enclosed garden of Charles-François Daubigny, a painter whom Van Gogh admired throughout his life.
Claude Monet painted several series of nearly 100 impressionist oil paintings of different views of the Thames River in the autumn of 1899 and the early months of 1900 and 1901 during stays in London. One of these series consists of views of the Palace of Westminster, home of the British Parliament, and he began the first of these paintings at about 15.45 on 13 February 1900. All of the series' paintings share the same viewpoint from Monet's window or a terrace at St Thomas' Hospital overlooking the Thames and the approximate canvas size of 81 cm × 92 cm. They are, however, painted during different times of the day and weather conditions.
A Wheatfield with Cypresses is any of three similar 1889 oil paintings by Vincent van Gogh, as part of his wheat field series. All were exhibited at the Saint-Paul-de-Mausole mental asylum at Saint-Rémy near Arles, France, where Van Gogh was voluntarily a patient from May 1889 to May 1890. The works were inspired by the view from the window at the asylum towards the Alpilles mountains.
Vincent van Gogh painted at least 15 paintings of olive trees, mostly in Saint-Rémy-de-Provence in 1889. At his own request, he lived at an asylum there from May 1889 through May 1890 painting the gardens of the asylum and, when he had permission to venture outside its walls, nearby olive trees, cypresses and wheat fields.
Wheat Fields is a series of dozens of paintings by Dutch Post-Impressionist artist Vincent van Gogh, borne out of his religious studies and sermons, connection to nature, appreciation of manual laborers and desire to provide a means of offering comfort to others. The wheat field works demonstrate his progression as an artist from the drab Wheat Sheaves made in 1885 in the Netherlands to the colorful and dramatic 1888–1890 paintings from Arles, Saint-Rémy and Auvers-sur-Oise in rural France.
Almond Blossoms is a group of several paintings made in 1888 and 1890 by Vincent van Gogh in Arles and Saint-Rémy, southern France of blossoming almond trees. Flowering trees were special to van Gogh. They represented awakening and hope. He enjoyed them aesthetically and found joy in painting flowering trees. The works reflect the influence of Impressionism, Divisionism, and Japanese woodcuts. Almond Blossom was made to celebrate the birth of his nephew and namesake, son of his brother Theo and sister-in-law Jo.
Saint-Paul Asylum, Saint-Rémy is a collection of paintings that Vincent van Gogh made when he was a self-admitted patient at the Saint-Paul asylum in Saint-Rémy-de-Provence, since renamed the Clinique Van Gogh, from May 1889 until May 1890. During much of his stay there he was confined to the grounds of the asylum, and he made paintings of the garden, the enclosed wheat field that he could see outside his room and a few portraits of individuals at the asylum. During his stay at Saint-Paul asylum, Van Gogh experienced periods of illness when he could not paint. When he was able to resume, painting provided solace and meaning for him. Nature seemed especially meaningful to him, trees, the landscape, even caterpillars as representative of the opportunity for transformation and budding flowers symbolizing the cycle of life. One of the more recognizable works of this period is The Irises. Works of the interior of the hospital convey the isolation and sadness that he felt. From the window of his cell he saw an enclosed wheat field, the subject of many paintings made from his room. He was able to make but a few portraits while at Saint-Paul.
The Letters of Vincent van Gogh refers to a collection of 903 surviving letters written (820) or received (83) by Vincent van Gogh. More than 650 of these were from Vincent to his brother Theo. The collection also includes letters van Gogh wrote to his sister Wil and other relatives, as well as between artists such as Paul Gauguin, Anthon van Rappard, and Émile Bernard.
Road with Cypress and Star, also known as Country Road in Provence by Night, is an 1890 oil-on-canvas painting by Dutch post-Impressionist painter Vincent van Gogh. It is the last painting he made in Saint-Rémy-de-Provence, France. The painting is part of the large van Gogh collection of the Kröller-Müller Museum, located in the Hoge Veluwe National Park at Otterlo in the Netherlands.
Houses at Auvers is an oil painting by Vincent van Gogh. It was created towards the end of May or beginning of June 1890, shortly after he had moved to Auvers-sur-Oise, a small town northwest of Paris, France.
Valley with Ploughman Seen from Above or Landscape with House and Ploughman is an 1889 oil on canvas painting by Vincent van Gogh, produced during the autumn of his stay in Saint-Rémy. Its catalogue numbers are F 727 and JH 1877. It is now in the Hermitage Museum.
Josef Karl PaulOtto Krebs was a German industrialist and major collector of late 19th and early 20th century French paintings, particularly those of Cézanne, Van Gogh and Gauguin. Seized by the Red Army and taken to Leningrad as war reparations, his collection is still housed at the Hermitage Museum in that city.
Many priceless artworks by the Dutch post-impressionist artist Vincent van Gogh were looted by Nazis during 1933–1945, mostly from Jewish collectors forced into exile or murdered.
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