Tahitian Woman and Boy is an 1899 painting by Paul Gauguin, now in the Norton Simon Museum, to which it was donated in 1976 [1] .
In 1964 the painting was bought at auction by the American dealers Hammer Galleries after its whereabouts had been unknown for 40 years. It had actually been hanging in the remote Ardross Castle in the Scottish Highlands after having been acquired in 1923 for 1,200 pounds sterling. [2]
Eugène Henri Paul Gauguin was a French post-Impressionist artist. Unappreciated until after his death, Gauguin is now recognized for his experimental use of color and Synthetist style that were distinct from Impressionism. Toward the end of his life, he spent ten years in French Polynesia, and most of his paintings from this time depict people or landscapes from that region.
Where Do We Come From? What Are We? Where Are We Going? is a painting by French artist Paul Gauguin. Gauguin inscribed the original French title in the upper left corner: D'où Venons Nous / Que Sommes Nous / Où Allons Nous. The inscription the artist wrote on his canvas has no question mark, no dash, and all words are capitalized. In the upper right corner he signed and dated the painting: P. Gauguin / 1897. The painting was created in Tahiti, and is in the Museum of Fine Arts in Boston, Massachusetts, US.
Fall of Leaves , or Falling Autumn Leaves is a pair of paintings by the Dutch painter Vincent van Gogh. They were executed during the two months at the end of 1888 that his artist friend Paul Gauguin spent with him at The Yellow House in Arles, France.
Les Demoiselles d'Avignon is a large oil painting created in 1907 by the Spanish artist Pablo Picasso. The work, part of the permanent collection of the Museum of Modern Art, portrays five nude female prostitutes in a brothel on Carrer d'Avinyó, a street in Barcelona. Each figure is depicted in a disconcerting confrontational manner and none is conventionally feminine. The women appear slightly menacing and are rendered with angular and disjointed body shapes. The figure on the left exhibits facial features and dress of Egyptian or southern Asian style. The two adjacent figures are shown in the Iberian style of Picasso's native Spain, while the two on the right are shown with African mask-like features. The racial primitivism evoked in these masks, according to Picasso, moved him to "liberate an utterly original artistic style of compelling, even savage force."
The Neue Pinakothek is an art museum in Munich, Germany. Its focus is European Art of the 18th and 19th century and is one of the most important museums of art of the nineteenth century in the world. Together with the Alte Pinakothek and the Pinakothek der Moderne it is part of Munich's "Kunstareal".
The Painter of Sunflowers is a portrait of Vincent van Gogh by Paul Gauguin in December 1888.
The Volpini Exhibition was an exhibition of paintings arranged by Paul Gauguin and his circle held at the Café des Arts on the Champ de Mars, not far from the official art pavilion of the 1889 Exposition universelle in Paris. A poster and an illustrated catalogue were printed, but the show of "Paintings by the Impressionist and Synthetist Group", held in June and early July 1889, was ignored by the press and proved to be a failure.
Meijer Isaac de Haan was a Dutch painter.
Spirit of the Dead Watching is an 1892 oil on burlap canvas painting by Paul Gauguin, depicting a naked Tahitian girl lying on her stomach. An old woman is seated behind her. Gauguin said the title may refer to either the girl imagining the ghost, or the ghost imagining her.
Two Tahitian Women is an 1899 painting by Paul Gauguin. It depicts two topless women, one holding mango blossoms, on the Pacific Island of Tahiti. The painting is part of the permanent collection of the Metropolitan Museum of Art in New York City and was donated to the museum by William Church Osborn in 1949.
When Will You Marry? is an oil painting from 1892 by the French Post-Impressionist artist Paul Gauguin. On loan to the Kunstmuseum in Basel, Switzerland for nearly a half-century, it was sold privately by the family of Rudolf Staechelin to Sheikha Al-Mayassa bint Hamad Al-Thani, in February 2015 for close to US $210 million, one of the highest prices ever paid for a work of art. The painting was on exhibition at the Fondation Beyeler, Riehen, until 28 June 2015.
The Flageolet Player on the Cliff is an 1889 oil painting by French artist Paul Gauguin, located in the Indianapolis Museum of Art, which is in Indianapolis, Indiana. It depicts a Breton couple on a narrow path precipitously overlooking the Atlantic.
Still Life with Profile of Laval is an 1886 oil painting by French artist Paul Gauguin, located in the Indianapolis Museum of Art, which is in Indianapolis, Indiana. It depicts Gauguin's friend Charles Laval in profile with an assortment of inanimate objects, including a ceramic pot Gauguin made himself.
Fatata te Miti is an 1892 oil painting by French artist Paul Gauguin, located in the National Gallery of Art, in Washington, DC.
Vahine no te vi is an 1892 painting by Paul Gauguin, currently in the collection of the Baltimore Museum of Art. It is one of the earliest of about seventy paintings he produced during his first visit to Tahiti and is one of many works of modern art in the museum's Cone Collection.
Merahi metua no Tehamana is an 1893 painting by the French artist Paul Gauguin, currently in the collection of the Art Institute of Chicago. The painting is a portrait of Paul Gauguin's wife Teha'amana during his first visit to Tahiti in 1891-1893. This marriage has always provoked controversy because of the manner it was contracted and Teha'amana's age: the marriage was arranged and completed in the course of a single afternoon and Gauguin claimed Teha'amana was just thirteen years old at the time.
Self-Portrait with Halo and Snake, also known as Self-Portrait, is an 1889 oil on wood painting by French artist Paul Gauguin, which represents his late Brittany period in the fishing village of Le Pouldu in northwestern France. No longer comfortable with Pont-Aven, Gauguin moved on to Le Pouldu with his friend and student Meijer de Haan and a small group of artists. He stayed for several months in the autumn of 1889 and the summer of 1890, where the group spent their time decorating the interior of Marie Henry's inn with every major type of art work. Gauguin painted his Self-Portrait in the dining room with its companion piece, Portrait of Jacob Meyer de Haan (1889).
Arii Matamoe, also titled The Royal End is a painting on coarse cloth by the French artist Paul Gauguin, created in 1892 during the painter's first visit to Tahiti. It depicts a man's severed head on a pillow, displayed before mourners, and although it did not depict a common or contemporary Tahitian mourning ritual, may have been inspired by the death of Pōmare V in 1891 shortly after Gauguin's arrival. A curator for the J. Paul Getty Museum suggested Gauguin likely painted the canvas "to shock Parisians" upon his expected return to the city.
Study of a Nude, or Suzanne sewing is an 1880 painting made by Paul Gauguin in Paris. It is currently in the collection of the Ny Carlsberg Glyptotek in Copenhagen. The painting depicts a young woman who is arranging a garment in undisguised nakedness.
Parau na te varaua ino is an 1892 oil on canvas painting by Paul Gauguin, produced during the artist's first stay on Tahiti. It is now in the National Gallery of Art
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