Tahitian Woman and Boy is an 1899 painting by Paul Gauguin, now in the Norton Simon Museum, to which it was donated in 1976. [1]
In 1964 the painting was bought at auction by the American dealers Hammer Galleries after its whereabouts had been unknown for 40 years. It had actually been hanging in the remote Ardross Castle in the Scottish Highlands after having been acquired in 1923 for 1,200 pounds sterling. [2]
Vincent Willem van Gogh was a Dutch Post-Impressionist painter who is among the most famous and influential figures in the history of Western art. In just over a decade, he created approximately 2100 artworks, including around 860 oil paintings, most of them in the last two years of his life. His oeuvre includes landscapes, still lifes, portraits, and self-portraits, most of which are characterized by bold colors and dramatic brushwork that contributed to the rise of expressionism in modern art. Van Gogh's work was beginning to gain critical attention before he died at age 37, by what was suspected at the time to be a suicide. During his lifetime, only one of Van Gogh's paintings, The Red Vineyard, was sold.
Eugène Henri Paul Gauguin was a French painter, sculptor, printmaker, ceramist, and writer, whose work has been primarily associated with the Post-Impressionist and Symbolist movements. He was also an influential practitioner of wood engraving and woodcuts as art forms. While only moderately successful during his lifetime, Gauguin has since been recognized for his experimental use of color and Synthetist style that were distinct from Impressionism.
Where Do We Come From? What Are We? Where Are We Going? is a 1897–98 painting by French artist Paul Gauguin. The painting was created in Tahiti, and is in the Museum of Fine Arts in Boston, Massachusetts. Viewed as a masterpiece by Gauguin, the painting is considered "a philosophical work comparable to the themes of the Gospels".
The Courtauld Gallery is an art museum in Somerset House, on the Strand in central London. It houses the collection of the Samuel Courtauld Trust and operates as an integral part of the Courtauld Institute of Art.
Fall of Leaves , or Falling Autumn Leaves is a pair of paintings by the Dutch painter Vincent van Gogh. They were executed during the two months at the end of 1888 that his artist friend Paul Gauguin spent with him at The Yellow House in Arles, France.
Les Demoiselles d'Avignon is a large oil painting created in 1907 by the Spanish artist Pablo Picasso. Part of the permanent collection of the Museum of Modern Art in New York, it portrays five nude female prostitutes in a brothel on Carrer d'Avinyó, a street in Barcelona, Spain. The figures are confrontational and not conventionally feminine, being rendered with angular and disjointed body shapes, some to a menacing degree. The far left figure exhibits facial features and dress of Egyptian or southern Asian style. The two adjacent figures are in an Iberian style of Picasso's Spain, while the two on the right have African mask-like features. Picasso said the ethnic primitivism evoked in these masks moved him to "liberate an utterly original artistic style of compelling, even savage force” leading him to add a shamanistic aspect to his project.
Oviri is an 1894 ceramic sculpture by the French artist Paul Gauguin. In Tahitian mythology, Oviri was the goddess of mourning and is shown with long pale hair and wild eyes, smothering a wolf with her feet while clutching a cub in her arms. Art historians have presented multiple interpretations—usually that Gauguin intended it as an epithet to reinforce his self-image as a "civilised savage". Tahitian goddesses of her era had passed from folk memory by 1894, yet Gauguin romanticises the island's past as he reaches towards more ancient sources, including an Assyrian relief of a "master of animals" type, and Majapahit mummies. Other possible influences include preserved skulls from the Marquesas Islands, figures found at Borobudur, and a 9th-century Mahayana Buddhist temple in central Java.
Spirit of the Dead Watching (Manao tupapau) is an 1892 oil on burlap canvas painting by Paul Gauguin, depicting a nude Tahitian girl lying on her stomach. An old woman is seated behind her. Gauguin said the title may refer to either the girl imagining the ghost, or the ghost imagining her.
Two Tahitian Women is an 1899 painting by Paul Gauguin. It depicts two topless women, one holding mango blossoms, on the Pacific Island of Tahiti. The painting is part of the permanent collection of the Metropolitan Museum of Art in New York City and was donated to the museum by William Church Osborn in 1949.
When Will You Marry? is an oil painting from 1892 by the French Post-Impressionist artist Paul Gauguin. On loan to the Kunstmuseum in Basel, Switzerland for nearly a half-century, it was sold privately by the family of Rudolf Staechelin to Sheikha Al-Mayassa bint Hamad Al-Thani, in February 2015 for close to US$210 million, one of the highest prices ever paid for a work of art. The painting was on exhibition at the Fondation Beyeler, Riehen, until 28 June 2015.
Still Life with Profile of Laval is an 1886 oil painting by French artist Paul Gauguin, located in the Indianapolis Museum of Art, which is in Indianapolis, Indiana. It depicts Gauguin's friend Charles Laval in profile with an assortment of inanimate objects, including a ceramic pot Gauguin made himself.
Fatata te Miti is an 1892 oil painting by French artist Paul Gauguin, located in the National Gallery of Art, in Washington, DC.
Vahine no te vi is an 1892 painting by Paul Gauguin, currently in the collection of the Baltimore Museum of Art. It is one of the earliest of about seventy paintings he produced during his first visit to Tahiti and is one of many works of modern art in the museum's Cone Collection.
Merahi metua no Tehamana is an 1893 painting by the French artist Paul Gauguin, currently in the collection of the Art Institute of Chicago. The painting is a portrait of Paul Gauguin's wife Teha'amana during his first visit to Tahiti in 1891–1893. This marriage has always provoked controversy because it was arranged and completed in the course of a single afternoon and Gauguin claimed Teha'amana was just thirteen years old at the time.
Self-Portrait with Halo and Snake, also known as Self-Portrait, is an 1889 oil-on-wood painting by French artist Paul Gauguin, which represents his late Brittany period in the fishing village of Le Pouldu in northwestern France. No longer comfortable with Pont-Aven, Gauguin moved on to Le Pouldu with his friend and student Meijer de Haan and a small group of artists. He stayed for several months in the autumn of 1889 and the summer of 1890, where the group spent their time decorating the interior of Marie Henry's inn with every major type of art work. Gauguin painted his Self-Portrait in the dining room with its companion piece, Portrait of Jacob Meyer de Haan (1889).
Arii Matamoe or The Royal End is a painting on coarse cloth by the French artist Paul Gauguin, created in 1892 during the painter's first visit to Tahiti. It depicts a man's severed head on a pillow, displayed before mourners, and although it did not depict a common or contemporary Tahitian mourning ritual, may have been inspired by the death of Pōmare V in 1891 shortly after Gauguin's arrival. A curator for the J. Paul Getty Museum suggested Gauguin likely painted the canvas "to shock Parisians" upon his expected return to the city.
Van Gogh's Chair is a painting created in 1888 by Dutch artist Vincent van Gogh. It is currently held by the National Gallery, London.
Study of a Nude, or Suzanne sewing is an 1880 painting made by Paul Gauguin in Paris. It is currently in the collection of the Ny Carlsberg Glyptotek in Copenhagen. The painting depicts a young woman who is arranging a garment in undisguised nakedness.
A Man with an Axe is an 1891 oil on canvas painting by Paul Gauguin, now in a Swiss private collection. It is one his first major paintings from his Tahiti period being painted shortly after his arrival in Papeete. A study for it is now in the Art Institute of Chicago.
The Bunch of Flowers or Flowers of France is an oil on canvas painting by Paul Gauguin, from 1891. It is held in the Pushkin Museum in Moscow. It was one of the first in his series of Tahitian works.
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