Still Life with Head-Shaped Vase and Japanese Woodcut | |
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Artist | Paul Gauguin |
Year | 1889 |
Medium | Oil on canvas |
Dimensions | 72 cm× 93 cm(28.5 in× 36.5 in) |
Location | Tehran Museum of Contemporary Art, Tehran |
Still Life with Head-Shaped Vase and Japanese Woodcut is an 1889 still life painting by French artist, Paul Gauguin. It is currently in the collection of the Museum of Contemporary Art in Tehran, Iran. [1]
In 1888 and 1889 Gauguin's enthusiasm for Japanese ukiyo-e woodcuts emerged. Japanese prints appeared in the background of his Apple and Vase painting, his portrait of The Schuffenecker Family and also Still Life with Head-Shaped Vase and Japanese Woodcut, which depicts an ukiyo-e portrait of an actor. [2]
The painting was formerly owned by Josef Rosensaft, a Holocaust survivor who led the community of Jewish displaced persons, who died in September 1975. He left a formidable art collection that had to be sold to settle debts related to the acquisition of the art and by some accounts an extravagant lifestyle. The 1976 sale arranged by Sotheby's was bought in its entirety by the Tehran Museum of Contemporary Art, where it all remains today and is one of the oldest paintings in the museum's collection. [3] This sale set a record for Still Life with Japanese Woodcut at $1.4 million, and the work is currently valued at $45 million. [3]
During the direction of Mahmoud Shalouithe, the National Gallery of Art in Washington, D.C., and the Tate Modern in London tried to borrow the painting but the requests were rejected. [4]
Ukiyo-e is a genre of Japanese art which flourished from the 17th through 19th centuries. Its artists produced woodblock prints and paintings of such subjects as female beauties; kabuki actors and sumo wrestlers; scenes from history and folk tales; travel scenes and landscapes; flora and fauna; and erotica. The term ukiyo-e translates as 'picture[s] of the floating world'.
Eugène Henri Paul Gauguin was a French Post-Impressionist artist. Unappreciated until after his death, Gauguin is now recognized for his experimental use of colour and Synthetist style that were distinct from Impressionism. Toward the end of his life, he spent ten years in French Polynesia. The paintings from this time depict people or landscapes from that region.
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