| Nave Nave Mahana (Delicious day) | |
|---|---|
 | |
| Artist | Paul Gauguin |
| Year | 1896 |
| Type | Oil painting |
| Dimensions | 95 cm× 130 cm(37 in× 51 in) |
| Location | Museum of Fine Arts of Lyon, Lyon |
Nave Nave Mahana (Tahitian: Delicious day) was made in 1896 by Paul Gauguin in Tahiti. It is kept in the Museum of Fine Arts of Lyon. The painting became part of the collections of the Lyon Museum in 1913.
In 1891, Gauguin sailed to Polynesia to escape the evils of European civilization and "everything that is artificial and conventional". To his disappointment, Polynesia was already tainted by European influences when he first arrived in his long-dreamed-of paradise. [1]
His works of that period are full of quasi-religious symbolism and an exoticized view of the inhabitants of Polynesia.
In 1896, he painted Nave Nave Mahana in Tahiti after he came back from a short stay in France. [2]
The painting was exhibited at the Grand Palais in Paris as part of the Gauguin the Alchemist exhibition which was held from October 11, 2017 to January 22, 2018. [3]
A group of mysterious young women seem to be gathering fruit from the branches of plants. Their feet are solidly anchored on the red ground. Behind them, we can see a yellow sky. Frozen, distant, silent, with eyes cast down and solemn faces, the figures are perhaps a revealing indication of the artist's isolation and ill health at the time of painting. [4]
 | This article about a nineteenth-century painting is a stub. You can help Wikipedia by expanding it. |
Eugène Henri Paul Gauguin was a French Post-Impressionist artist. Unappreciated until after his death, Gauguin is now recognized for his experimental use of colour and Synthetist style that were distinct from Impressionism. Toward the end of his life, he spent ten years in French Polynesia. The paintings from this time depict people or landscapes from that region.
Tahiti is the largest island of the Windward group of the Society Islands in French Polynesia. It is located in the central part of the Pacific Ocean and the nearest major landmass is Australia. Divided into two parts, Tahiti Nui and Tahiti Iti, the island was formed from volcanic activity; it is high and mountainous with surrounding coral reefs. Its population was 189,517 in 2017, making it by far the most populous island in French Polynesia and accounting for 68.7% of its total population; the 2022 Census recorded a population of 191,779.
The Paul Gauguin Cultural Center was finished in 2003, to coincide with the 100th anniversary of the death of Paul Gauguin, in Atuona, on Hiva ʻOa, in the Marquesas Islands.
The Paul Gauguin Museum is a Japanese-styled art museum dedicated to the life and works of Paul Gauguin in Tahiti, French Polynesia. The Museum is closed for renovations - but the sister museum in Hiva Oa is open.
Tahitian Women on the Beach is an oil painting by the French artist Paul Gauguin. Depicting two Tahitian women, this piece is one of a series of works completed by Gauguin during his first stay on the Pacific island chain. Enamored by the environment and people of the islands and their separation from European cultural and aesthetic attitudes, Gauguin portrays two figures shrouded in the mystery and symbolism of Tahiti’s paradise.
The Way to Paradise is a novel published by Mario Vargas Llosa in 2003.
Oviri is an 1894 ceramic sculpture by the French artist Paul Gauguin. In Tahitian mythology, Oviri was the goddess of mourning and is shown with long pale hair and wild eyes, smothering a wolf with her feet while clutching a cub in her arms. Art historians have presented multiple interpretations—usually that Gauguin intended it as an epithet to reinforce his self-image as a "civilised savage". Tahitian goddesses of her era had passed from folk memory by 1894, yet Gauguin romanticises the island's past as he reaches towards more ancient sources, including an Assyrian relief of a "master of animals" type, and Majapahit mummies. Other possible influences include preserved skulls from the Marquesas Islands, figures found at Borobudur, and a 9th-century Mahayana Buddhist temple in central Java.
Spirit of the Dead Watching (Manao tupapau) is an 1892 oil on burlap canvas painting by Paul Gauguin, depicting a nude Tahitian girl lying on her stomach. An old woman is seated behind her. Gauguin said the title may refer to either the girl imagining the ghost, or the ghost imagining her.
Paul Gauguin Cruises is a cruise line that was owned by Beachcomber Croisieres Limited until 2019, when it was purchased by French company Compagnie du Ponant. Paul Gauguin Cruises operates cruises with one ship, the Paul Gauguin, to Tahiti, French Polynesia and the South Pacific.
When Will You Marry? is an oil painting from 1892 by the French Post-Impressionist artist Paul Gauguin. On loan to the Kunstmuseum in Basel, Switzerland for nearly a half-century, it was sold privately by the family of Rudolf Staechelin to Sheikha Al-Mayassa bint Hamad Al-Thani, in February 2015 for close to US$210 million, one of the highest prices ever paid for a work of art. The painting was on exhibition at the Fondation Beyeler, Riehen, until 28 June 2015.
Fatata te Miti is an 1892 oil painting by French artist Paul Gauguin, located in the National Gallery of Art, in Washington, DC.
Merahi metua no Tehamana is an 1893 painting by the French artist Paul Gauguin, currently in the collection of the Art Institute of Chicago. The painting is a portrait of Paul Gauguin's wife Teha'amana during his first visit to Tahiti in 1891–1893. This marriage has always provoked controversy because it was arranged and completed in the course of a single afternoon and Gauguin claimed Teha'amana was just thirteen years old at the time.
Soyez amoureuses vous serez heureuses is a bas-relief wood panel carved and polychromed by French artist Paul Gauguin in the autumn of 1889. Gauguin depicts himself in the upper right, sucking his thumb and grasping the hand of the fleshy nude woman, a Polynesian or African, who seems to recoil in fear.
Arii Matamoe or The Royal End is a painting on coarse cloth by the French artist Paul Gauguin, created in 1892 during the painter's first visit to Tahiti. It depicts a man's severed head on a pillow, displayed before mourners, and although it did not depict a common or contemporary Tahitian mourning ritual, may have been inspired by the death of Pōmare V in 1891 shortly after Gauguin's arrival. A curator for the J. Paul Getty Museum suggested Gauguin likely painted the canvas "to shock Parisians" upon his expected return to the city.
Today the term South Seas, or South Sea, most commonly refers to the portion of the Pacific Ocean south of the equator. The term South Sea may also be used synonymously for Oceania, or even more narrowly for Polynesia or the Polynesian Triangle, an area bounded by the Hawaiian Islands, New Zealand and Easter Island. Pacific Islanders are commonly referred to as South Sea Islanders, particularly in Australia.
Denise Girard-Goupil, the first female lawyer in French Polynesia, was born in 1931 to parents Emile Goupil and Eliane Garnier. According to official records, Emile served as a police officer, bailiff and deputy-notary during his life. Girard-Goupil's great-grandfather was Auguste Goupil (1847-1921), a prominent lawyer who owned a plantation in Papeete, French Polynesia. He struck a friendship with Impressionist painter Paul Gauguin. Auguste's daughter Jeanne was even the subject of Gauguin's painting “Portrait of a Young Woman. Vaïte (Jeanne) Goupil”.
A Man with an Axe is an 1891 oil on canvas painting by Paul Gauguin, now in a Swiss private collection. It is one his first major paintings from his Tahiti period being painted shortly after his arrival in Papeete. A study for it is now in the Art Institute of Chicago.
Eiaha Ohipa is an 1896 oil on canvas painting by Paul Gauguin, now in Pushkin Museum, Moscow. It was produced during his second stay in Tahiti
Mahana no atua is an 1894 oil painting by the French Post-Impressionist artist Paul Gauguin which is in the collection of the Art Institute of Chicago.
Nave nave moe is an oil on canvas painting by Paul Gauguin, produced in Paris in 1894 but inspired by his trip to Tahiti three years earlier. It is now in the Hermitage Museum.