Bells Are Ringing | |
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Directed by | Vincente Minnelli |
Screenplay by |
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Based on | Bells Are Ringing 1956 musical by Betty Comden, Adolph Green and Jule Styne |
Produced by | Arthur Freed |
Starring | |
Cinematography | Milton Krasner |
Edited by | Adrienne Fazan |
Music by |
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Color process | Metrocolor |
Production company | |
Distributed by | Metro-Goldwyn-Mayer |
Release date |
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Running time | 126 minutes |
Country | United States |
Language | English |
Budget | $3.2 million [1] |
Box office | $3.6 million [1] [2] |
Bells Are Ringing is a 1960 American romantic comedy-musical film directed by Vincente Minnelli and starring Judy Holliday and Dean Martin. Based on the successful 1956 Broadway production of the same name by Betty Comden, Adolph Green and Jule Styne, the film focuses on Ella Peterson, based on the life of Mary Printz, [3] who works in the basement office of a telephone answering service.
Ella Peterson works as a switchboard operator at the Susanswerphone answering service. She can't help breaking the rules by becoming overly involved in the lives of the subscribers. Some of the more peculiar ones include a dentist who exuberantly composes song lyrics on an air hose, an actor who emulates Marlon Brando and a little boy for whom she pretends to be Santa Claus.
Ella has a secret crush on the voice of subscriber Jeffrey Moss, a playwright for whom she plays a comforting motherly character. She finally meets him in person when she brings him a message under a false name, and romantic sparks and some confusion begin.
A humorous subplot involves the courtly Otto, who convinces Susanswerphone to take orders for his "mail-order classical record business" known as Titanic Records. However, Otto is actually a bookie whose orders are a coded system for betting on horses. Unwittingly, Ella changes orders for the supposedly incorrect Beethoven's Tenth Symphony, Opus 6, not realizing she is changing bets.
Although the police begin to assume that Susanswerphone might be a front for an escort service, the plot ends happily, with Jeff proposing and Ella's wacky subscribers coming to thank her.
Character names are not indicated in on-screen cast credits.
Music by Jule Styne, lyrics by Betty Comden and Adolph Green
Judy Holliday and Jean Stapleton reprised their stage roles for the film. Jazz musician Gerry Mulligan, Holliday's real-life ex-lover, plays her disastrous blind date in a cameo role. Bells Are Ringing was Holliday's final film. [4] [5]
Hal Linden appears, uncredited, in his first film appearance, singing 'The Midas Touch' in the nightclub act, wearing a gold lame suit. A friend of Holliday, he portrayed Jeff Moss with her in the Broadway play in 1958-1959. [6]
Bells Are Ringing was also the final musical produced by the MGM "Freed Unit" headed by producer Arthur Freed, which had been responsible for many of the studio's greatest successes, including Meet Me in St. Louis (1944), Easter Parade (1948), On the Town (1949), An American in Paris (1951), Singin' in the Rain (1952) and Gigi (1958). The film marked the 13th and final collaboration between Freed and director Vincente Minnelli.
Several songs from the Broadway production were dropped or replaced, including "Salzburg", "Hello, Hello There", "On My Own" (replaced by "Do It Yourself"), "Long Before I Knew You" (replaced by "Better Than a Dream"), "Mu Cha Cha" (filmed but shortened) and "Is it a Crime?" (filmed, but cut before release). A new song for Dean Martin, "My Guiding Star", was also filmed but cut. The latter two songs have been released as extras on the Warner Home Video DVD. The soundtrack album was released by Capitol Records.
The row house used for exteriors stood at 215 East 68th Street, Manhattan, and had once been the residence of author Stephen Vincent Benet. It was a holdout from a row and was torn down in the early 1960s.
In a contemporary review, critic Bosley Crowther of The New York Times was critical of the script but praised Holliday's performance: "[T]he jangled romance they have prepared for her to play is a poor thing, made up of one slight gimmick and a lot of surrounding gags. What Miss Holliday does with the latter is the measure of the quality of the show. ... You can take our word for it: 'Bells Are Ringing' owes more to Miss Holliday than to its authors, its director (Vincent Minnelli), or even to Alexander Graham Bell." [7]
Comden and Green won the Writers Guild of America award for Best American Musical. Together with Styne, they shared a Grammy Award nomination for Best Soundtrack Album or Recording of Original Cast from a Motion Picture or TV. Minnelli earned a Best Director nomination from the Directors Guild of America. André Previn was nominated for an Academy Award for Best Music, Scoring of a Musical Picture. At the 18th Annual Golden Globe Awards, the film was nominated for Best Film - Musical, and Holliday was nominated for Best Actress - Musical.
According to MGM records, the film earned $2,825,000 in the U.S. and Canada but only $800,000 elsewhere, losing a total of $1,720,000. [1]
Jule Styne was an English-American songwriter and composer widely known for a series of Broadway musicals, including several famous frequently-revived shows that also became successful films: Gypsy,Gentlemen Prefer Blondes, and Funny Girl.
Meet Me in St. Louis is a 1944 American Christmas musical film made by Metro-Goldwyn-Mayer. Divided into a series of seasonal vignettes, starting with Summer 1903, it relates the story of a year in the life of the Smith family in St. Louis leading up to the opening of the Louisiana Purchase Exposition in the spring of 1904. The film stars Judy Garland, Margaret O'Brien, Mary Astor, Lucille Bremer, Tom Drake, Leon Ames, Marjorie Main, June Lockhart and Joan Carroll.
Adolph Green was an American lyricist and playwright who, with long-time collaborator Betty Comden, penned the screenplays and songs for musicals on Broadway and in Hollywood. Although they were not a romantic couple, they shared a unique comic genius and sophisticated wit that enabled them to forge a six-decade-long partnership. They received numerous accolades including four Tony Awards and nominations for two Academy Awards and a Grammy Award. Green was inducted into the Songwriters Hall of Fame in 1980 and American Theatre Hall of Fame in 1981. Comden and Green received the Kennedy Center Honor in 1991.
Betty Comden was an American lyricist, playwright, and screenwriter who contributed to numerous Hollywood musicals and Broadway shows of the mid-20th century. Her writing partnership with Adolph Green spanned six decades: "the longest running creative partnership in theatre history." The musical-comedy duo of Comden and Green collaborated most notably with composers Jule Styne and Leonard Bernstein, as well enjoyed success with Singin' in the Rain, as part of the famed "Freed unit" at MGM.
Judy Holliday was an American actress, comedian and singer.
Arthur Freed was an American lyricist and Hollywood film producer. He won the Academy Award for Best Picture twice, in 1951 for An American in Paris and in 1958 for Gigi. Both films were musicals, and both were directed by Vincente Minnelli. In addition, he produced and was a co-lyricist for the film Singin' in the Rain.
Vincente Minnelli was an American stage director and film director. He directed the classic movie musicals Meet Me in St. Louis (1944), An American in Paris (1951), The Band Wagon (1953), and Gigi (1958). An American in Paris and Gigi both won the Academy Award for Best Picture, with Minnelli winning Best Director for Gigi. In addition to having directed some of the best-known musicals of his day, Minnelli made many comedies and melodramas. He was married to Judy Garland from 1945 until 1951; the couple were the parents of Liza Minnelli.
Ziegfeld Follies is a 1945 American musical comedy film released by Metro-Goldwyn-Mayer, primarily directed by Vincente Minnelli, with segments directed by Lemuel Ayers, Roy Del Ruth, Robert Lewis, and George Sidney, the film's original director before Minnelli took over. Other directors that are claimed to have made uncredited contributions to the film are Merrill Pye, Norman Taurog, and Charles Walters. It stars many MGM leading talents, including Fred Astaire, Lucille Ball, Lucille Bremer, Fanny Brice, Judy Garland, Kathryn Grayson, Lena Horne, Gene Kelly, James Melton, Victor Moore, William Powell, Red Skelton, and Esther Williams.
The Pirate is a 1948 American musical film produced by Metro-Goldwyn-Mayer. With songs by Cole Porter, it stars Judy Garland and Gene Kelly with costars Walter Slezak, Gladys Cooper, Reginald Owen, The Nicholas Brothers, and George Zucco.
Undercurrent is a 1946 American film noir drama directed by Vincente Minnelli and starring Katharine Hepburn, Robert Taylor, and Robert Mitchum. The screenplay was written by Edward Chodorov, based on the story "You Were There'" by Thelma Strabel, and allegedly contained uncredited contributions from Marguerite Roberts.
Bells Are Ringing is a musical with a book and lyrics by Betty Comden and Adolph Green and music by Jule Styne. The story revolves around Ella, who works at an answering service, and the characters that she meets there. The main character was based on Mary Printz, who worked for Green's answering service. Three of the show's tunes, "Long Before I Knew You", "Just in Time", and "The Party's Over", became standards.
"The Party's Over" is a popular song composed by Jule Styne with lyrics by Betty Comden and Adolph Green. It was introduced in the 1956 musical comedy Bells Are Ringing by Judy Holliday. In the 1960 film version, Judy Holliday again performed the song.
A Party with Betty Comden and Adolph Green is a musical revue with a book and lyrics by Betty Comden and Adolph Green and music by Leonard Bernstein, Jule Styne, André Previn, Saul Chaplin, and Roger Edens.
"Just in Time" is a popular song with the melody written by Jule Styne and the lyrics by Betty Comden and Adolph Green. It was introduced by Judy Holliday and Sydney Chaplin in the musical Bells Are Ringing in 1956. Judy Holliday and Dean Martin sang the song in the 1960 film of Bells Are Ringing. Martin then recorded it for his 1960 album, This Time I'm Swingin'!. Tony Bennett recorded the song in 1956 and continued performing it until his retirement, at Radio City Music Hall, in 2021 at the age of 95.
Mr. Broadway: Tony Bennett's Greatest Broadway Hits is a 1962 album by Tony Bennett.
Mary Printz was an answering service operator who catered to many of the New York theater and business A-list in the 1950s. Bells Are Ringing, a Broadway musical, was based on her career, which was turned into the 1960 film of the same name.
Tea and Sympathy is a 1956 American drama film and an adaptation of Robert Anderson's 1953 stage play of the same name directed by Vincente Minnelli and produced by Pandro S. Berman for MGM in Metrocolor. The music score was by Adolph Deutsch and the cinematography by John Alton. Deborah Kerr, John Kerr and Leif Erickson reprised their original Broadway roles. Edward Andrews, Darryl Hickman, Norma Crane, Tom Laughlin, and Dean Jones were featured in supporting roles.
My Sister Eileen is a 1955 American CinemaScope comedy musical film directed by Richard Quine. It stars Janet Leigh, Betty Garrett, and Jack Lemmon.
Comden and Green was a 60-year songwriting partnership, comprising Betty Comden (1917–2006) and Adolph Green (1914–2002). They first worked together in 1941 at the Village Gate in New York City, as writers and performers in a nightclub act called The Revuers.
Bells Are Ringing is an album by drummer Shelly Manne's group Shelly Manne & His Friends, with pianist André Previn and bassist Red Mitchell. It was recorded in 1958 and released on the Contemporary label. The album features Manne's jazz interpretations of songs from Jule Styne, Betty Comden, and Adolph Green's broadway musical, Bells Are Ringing and followed the success of Manne's 1956 album, My Fair Lady. The album appeared a year prior to the release of the motion picture.