Royal Wedding | |
---|---|
Directed by | Stanley Donen |
Written by | Alan Jay Lerner |
Produced by | Arthur Freed |
Starring | |
Cinematography | Robert Planck |
Edited by | Albert Akst |
Music by | Burton Lane (music) Alan Jay Lerner (lyrics) |
Production company | |
Distributed by | Loew's, Inc. |
Release dates |
|
Running time | 93 minutes [1] |
Country | United States |
Language | English |
Budget | $1.7 million [2] |
Box office | $3.9 million [2] |
Royal Wedding is a 1951 American musical comedy film directed by Stanley Donen, and starring Fred Astaire and Jane Powell, with music by Burton Lane and lyrics by Alan Jay Lerner. Set in 1947 London at the time of the wedding of Princess Elizabeth and Philip Mountbatten, the film follows an American brother-sister song and dance duo who, while performing, each fall in love — he, with a female dancer, and she, with an impoverished but well-connected nobleman. The film marked Donen's second directorial feature. It was released as Wedding Bells in the United Kingdom. [3]
Royal Wedding is one of several MGM musicals that entered the public domain because the studio failed to renew the copyright registration in the 28th year after its publication. [4]
The story sees brother and sister Tom and Ellen Bowen as stars of a show Every Night at Seven, a Broadway success. They are persuaded to take the show to London, capitalizing on the imminent royal wedding of Princess Elizabeth and Philip Mountbatten.
On the ship, Ellen meets and quickly falls in love with the impoverished but well-connected Lord John Brindale. Whilst casting the show in London, Tom falls in love with a newly engaged dancer, Anne Ashmond. Tom assists Anne in reconciling her estranged parents and also asks his agent to locate Anne's supposed fiancé in Chicago – only to discover that he's married and therefore Anne is free to do what she likes.
Carried away by the emotion of the wedding, the two couples decide that they will also be married that day. Thanks to the resourcefulness of Tom's London agent, Edgar Klinger, who knows someone in the Archbishop's office who can cut through the official red tape and also has a cooperative minister in his pocket, Anne and Tom, and Ellen and John, are in fact married on the royal wedding day.
Stanley Donen and Jane Powell were not part of the film's original crew and cast; former dancer Charles Walters was the film's original director, with June Allyson as Astaire's co-star. [1] Judy Garland was then signed as Ellen due to Allyson's pregnancy, over the objection of Walters who had spent a year-and-a-half nurturing her through her previous film, Summer Stock . Instead of listening to Walters' objection, Arthur Freed brought in Donen as director; Garland, who during rehearsal worked only half-days, started calling in sick as principal photography was to begin. Her behavior prompted Freed to replace her with Jane Powell and suspend Garland. According to Garland biographer Gerold Frank, she was despondent about her career and personal life and she asked MGM to be released from her contract. MGM agreed and the contract that had begun in 1935 was abrogated on September 28, 1950. [1] [5]
Principal photography took place in 1950, from July 6 to August 24; retakes took place in mid-October. [1]
The scene featuring the song "You're All the World to Me" was filmed by building a set inside a revolving barrel and mounting the camera and its operator to an ironing board which could be rotated along with the room. [1] Astaire danced in the barrel set as if he really danced on the wall and ceiling. It inspired the Lionel Richie song "Dancing on the Ceiling" with the music video featuring Richie doing the same room dance as a tribute to Astaire.
The songs in Royal Wedding were written by Burton Lane (music) and Alan Jay Lerner (lyrics). The dances were choreographed by Nick Castle. [6]
According to MGM's records, the film earned $2,548,000 in the US and Canada and $1,354,000 elsewhere, resulting in a profit to the studio of $584,000. [2] The film was listed by Variety as one of the top box office hits of 1951. [9]
Upon its release, Bosley Crowther in The New York Times wrote that the film had "a lively lot of dancing and some pleasantly handled songs"; according to Crowther, "Mr. Astaire has fared better in his lifetime - and he has also fared much worse." [10]
On the review aggregator website Rotten Tomatoes, Royal Wedding had a 91% approval rating based on 23 reviews. The site's consensus reads: "Vintage MGM musical stuff, characterized by Stanley Donen's fleet direction and some amazing dance performances from star Fred Astaire." [11]
"Too Late Now" was nominated for an Academy Award for Best Original Song at the 24th Academy Awards, losing the award to "In the Cool, Cool, Cool of the Evening" by Hoagy Carmichael and Johnny Mercer, which featured in Here Comes the Groom .
The film is recognized by American Film Institute in these lists:
In 2007, Warner Home Video released Royal Wedding in a DVD set as part of its "Classic Musicals From The Dream Factory" series, along with "three fine-but-unexceptional films directed by Norman Taurog" and two other films: The Belle of New York and The Pirate . [14]
The film was later featured in an episode of Cinema Insomnia. [15] It is also distributed through Corinth Films. [16]
The songs listed above were published by MGM on an early 10 inch long play record recorded at 33⅓ rpm (MGM E-543).
The song "Sunday Jumps" was referenced by Mel Gibson in What Women Want and by David Byrne in the Talking Heads concert film Stop Making Sense . "Sunday Jumps" was also parodied by Kermit the Frog in The Great Muppet Caper .[ citation needed ]
Eugene Curran Kelly was an American dancer, actor, singer, director and choreographer. He was known for his energetic and athletic dancing style and sought to create a new form of American dance accessible to the general public, which he called "dance for the common man". He starred in, choreographed, and, with Stanley Donen, co-directed some of the most well-regarded musical films of the 1940s and 1950s.
Fred Astaire was an American dancer, actor, singer, musician, choreographer, and presenter, whose career in stage, film, and television spanned 76 years. He is widely regarded as the "greatest popular-music dancer of all time" and received numerous accolades, including an Honorary Academy Award, three Primetime Emmy Awards, a BAFTA Award, two Golden Globe Awards, and a Grammy Award.
Jane Powell was an American actress, singer, and dancer who appeared in Metro-Goldwyn-Mayer musicals in the 1940s and 50s. With her soprano voice and girl-next-door image, Powell appeared in films, television and on the stage, performing in the musicals A Date with Judy (1948), Royal Wedding (1951), Seven Brides for Seven Brothers (1954), and Hit the Deck (1955).
Funny Face is a 1957 American musical romantic comedy film directed by Stanley Donen and written by Leonard Gershe, containing assorted songs by George and Ira Gershwin. Although having the same title as the 1927 Broadway musical Funny Face by the Gershwin brothers, and featuring the same male star, the plot is completely different and only four of the songs from the stage musical are included. Alongside Astaire, the film stars Audrey Hepburn and Kay Thompson.
Stanley Donen was an American film director and choreographer. He received the Honorary Academy Award in 1998, and the Career Golden Lion at the Venice Film Festival in 2004. Four of his films have been inducted into the National Film Registry at the Library of Congress.
Easter Parade is a 1948 American Technicolor musical film directed by Charles Walters, written by Sidney Sheldon, Frances Goodrich, and Albert Hackett from a story by Goodrich and Hackett, and starring Judy Garland, Fred Astaire, Peter Lawford, and Ann Miller. The film contains some of Astaire's and Garland's best-known songs, including "Easter Parade", "Steppin' Out with My Baby", and "We're a Couple of Swells", all by Irving Berlin.
That's Entertainment! is a 1974 American compilation film released by Metro-Goldwyn-Mayer to celebrate the studio's 50th anniversary. The success of the retrospective prompted a 1976 sequel, the related 1985 film That's Dancing!, and a third installment in 1994.
Blue Skies is a 1946 American musical comedy film directed by Stuart Heisler and starring Bing Crosby, Fred Astaire, and Joan Caulfield. Based on a story by Irving Berlin, the film is about a dancer who loves a showgirl who loves a compulsive nightclub-opener who can't stay committed to anything in life for very long. Produced by Sol C. Siegel, Blue Skies was filmed in Technicolor and released by Paramount Pictures. The music, lyrics, and story were written by Irving Berlin, with most of the songs recycled from earlier works.
Broadway Melody of 1940 is a 1940 MGM film musical starring Fred Astaire, Eleanor Powell and George Murphy. It was directed by Norman Taurog and features music by Cole Porter, including "Begin the Beguine".
Cover Girl is a 1944 American musical romantic comedy film directed by Charles Vidor, and starring Rita Hayworth and Gene Kelly. The film tells the story of a chorus girl given a chance at stardom when she is offered an opportunity to be a highly paid cover girl. It was one of the most popular musicals of the war years.
Ziegfeld Follies is a 1945 American musical comedy film released by Metro-Goldwyn-Mayer, primarily directed by Vincente Minnelli, with segments directed by Lemuel Ayers, Roy Del Ruth, Robert Lewis, and George Sidney, the film's original director before Minnelli took over. Other directors that are claimed to have made uncredited contributions to the film are Merrill Pye, Norman Taurog, and Charles Walters. It stars many MGM leading talents, including Fred Astaire, Lucille Ball, Lucille Bremer, Fanny Brice, Judy Garland, Kathryn Grayson, Lena Horne, Gene Kelly, James Melton, Victor Moore, William Powell, Red Skelton, and Esther Williams.
That's Entertainment, Part II is a 1976 American compilation film released by Metro-Goldwyn-Mayer and a sequel to That's Entertainment! (1974). Like the previous film, That's Entertainment, Part II was a retrospective of famous films released by MGM from the 1930s to the 1950s. Some posters for the film use Part 2 rather than Part II in the title.
The Belle of New York is a 1952 Metro-Goldwyn-Mayer Hollywood musical comedy film set in New York City circa 1900 and stars Fred Astaire, Vera-Ellen, Alice Pearce, Marjorie Main, Gale Robbins, and Keenan Wynn, with music by Harry Warren and lyrics by Johnny Mercer. The film was directed by Charles Walters.
Summer Stock is a 1950 American Technicolor musical film produced by Metro-Goldwyn-Mayer. It was directed by Charles Walters, stars Judy Garland and Gene Kelly, and features Eddie Bracken, Gloria DeHaven, Marjorie Main, and Phil Silvers. Musical numbers were staged by Nick Castle and Kelly.
Charles Powell Walters was an American Hollywood director and choreographer most noted for his work in MGM musicals and comedies from the 1940s to the 1960s.
Yolanda and the Thief is a 1945 American Technicolor MGM musical-comedy film set in a fictional Latin American country. It stars Fred Astaire, Lucille Bremer, Frank Morgan, and Mildred Natwick, with music by Harry Warren and lyrics by Arthur Freed. The film was directed by Vincente Minnelli and produced by Arthur Freed.
Three Little Words is a 1950 American musical film biography of the Tin Pan Alley songwriting partnership of Kalmar and Ruby. It stars Fred Astaire as lyricist Bert Kalmar and Red Skelton as composer Harry Ruby, along with Vera-Ellen and Arlene Dahl as their wives, with Debbie Reynolds in a small but notable role as singer Helen Kane and Gloria DeHaven as her own mother, Mrs. Carter DeHaven.
Till The Clouds Roll By is a 1946 American Technicolor musical film produced by Metro-Goldwyn-Mayer and a fictionalized biopic of composer Jerome Kern, portrayed by Robert Walker. Kern was involved with the production, but died before its completion. It was the first in a series of MGM biopics about Broadway composers.
Carefree is a 1938 American musical comedy film directed by Mark Sandrich and starring Fred Astaire, Ginger Rogers and Ralph Bellamy. With a plot similar to screwball comedies of the period, Carefree is the shortest of the Astaire-Rogers films, featuring only four musical numbers. Carefree is often remembered as the film in which Astaire and Rogers shared a long on-screen kiss at the conclusion of their dance to "I Used to Be Color Blind," all previous kisses having been either quick pecks or simply implied.
"You're All The World to Me" is an American song written in 1950 by composer Burton Lane and lyricist Alan Jay Lerner for the 1951 MGM musical, Royal Wedding. The lyrics by Lerner, who also wrote the story and screenplay, give song-and-dance man Tom Bowen, played by Fred Astaire, the opportunity to proclaim his love for Anne Ashmond while dancing on the walls and ceiling of a custom-made set which, along with an attached camera and camera operator, rolled on an axis to provide the anti-gravity illusion.
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