Summer Stock

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Summer Stock
Summerstock.jpg
theatrical release poster
Directed by Charles Walters
Screenplay by George Wells
Sy Gomberg
Story bySy Gomberg
Produced by Joe Pasternak
Starring Judy Garland
Gene Kelly
Cinematography Robert H. Planck
Edited by Albert Akst
Music byScore:
Conrad Salinger (uncredited)
Songs-Music:
Harry Warren
Harold Arlen
Songs-Lyrics:
Mack Gordon
Jack Brooks
Saul Chaplin
Ted Koehler
Color process Technicolor
Production
company
Distributed by Loew's, Inc.
Release date
  • August 31, 1950 (1950-08-31)
Running time
109 minutes
CountryUnited States
LanguageEnglish
Budget$2,025,000 [1]
Box office$3,357,000 [1]
Judy Garland with daughter Liza Minnelli on the set Garland and Liza.jpg
Judy Garland with daughter Liza Minnelli on the set

Summer Stock is a 1950 American Technicolor musical film produced by Metro-Goldwyn-Mayer. It was directed by Charles Walters, stars Judy Garland and Gene Kelly, and features Eddie Bracken, Gloria DeHaven, Marjorie Main, and Phil Silvers. Musical numbers were staged by Nick Castle and Kelly.

Contents

Garland struggled with many personal problems during filming and Summer Stock proved to be her final film for MGM, as well as her last onscreen pairing with Kelly. By mutual agreement, MGM terminated Garland's contract in September 1950, a move studio head L. B. Mayer said he later regretted. [2]

Plot

Jane Falbury (Judy Garland) is a farm owner whose actress sister, Abigail (Gloria DeHaven), arrives at the family farm with her theater troupe. They need a place to rehearse, and Jane and her housekeeper, Esme (Marjorie Main), reluctantly agree to let them use their barn. The actors and actresses, including the director, Joe Ross (Gene Kelly), repay her hospitality by doing chores around the farm. Although Joe is engaged to Abigail, he begins to fall in love with Jane after Abigail leaves him in an angry fit. Similarly, although Jane is engaged to Orville (Eddie Bracken), she falls in love with Joe.

Highlights

The film's most famous scene is the now-classic final song-and-dance number "Get Happy" performed by Garland in a tuxedo jacket, black fedora, and black nylons to an arrangement by Skip Martin. It was choreographed by Charles Walters and filmed two months after the rest of the film, after Garland sought the help of a hypnotist in Santa Barbara and lost 20 pounds (9 kg). She performed it perfectly in just a couple of takes. According to New York Times critic Bosley Crowther "'Get Happy' finds Miss Garland looking and performing her best." [3] [4] [5]

In another notable sequence, Kelly performs a solo dance in a darkened barn, using a newspaper and a creaky board as partners and props; the musical accompaniment reprises "You Wonderful You". The dance "turned out to be one of the breakthrough numbers" of his career. [6]

In the film, Garland and Kelly share a dance duet, the swinging "Portland Fancy," where a square dance turns into a heated challenge dance for them.

Cast

Songs

All songs were written by Harry Warren (music) and Mack Gordon (lyrics) except where noted. Orchestration chores were divided between Conrad Salinger and Skip Martin.

  1. "If You Feel Like Singing, Sing" – Garland
  2. "(Howdy Neighbor) Happy Harvest" - Garland and company stock members
  3. "Dig-Dig-Dig Dig For Your Dinner" – Kelly, Silvers and company stock members
  4. "Mem'ry Island" – Gloria DeHaven and Hans Conried (dubbed by Pete Roberts)
  5. "Portland Fancy" – (traditional New England contra dance tune) stock company members, Kelly and Garland
  6. "You Wonderful You" (Jack Brooks and Saul Chaplin, lyrics and Warren, music) – Kelly and Garland
  7. "Friendly Star" – Garland
  8. "You Wonderful You" – Kelly
  9. "All for You" (Chaplin) – Kelly and Garland
  10. "You Wonderful You" (Reprise) – Kelly and Garland
  11. "Heavenly Music" (Chaplin) – Kelly, Silvers and dogs
  12. "Get Happy" (Harold Arlen (music) and Ted Koehler (lyrics)) – Garland and chorus
  13. "(Howdy Neighbor) Happy Harvest" (finale) – Kelly, Garland, Silvers, and company stock members
Source [7]

Production

Summer Stock was in the mold of the "unknown saves show" musical genre, [8] Although Garland and Kelly were the stars originally announced by MGM in 1948 to appear in the film, in February 1949 the studio announced that Garland would be replaced by June Allyson. She was suspended in May 1949, during the filming of Annie Get Your Gun, and spent three months in a hospital in Boston being treated for drug dependence. Betty Hutton replaced her on that film, but Garland was reinstated to the lead in Summer Stock, which was her first one following the suspension. [9]

Kelly was not the first choice for the role: the producer, Joe Pasternak, originally wanted Mickey Rooney, but was prevailed on to go with Kelly because Rooney was no longer the box office draw he had once been. Busby Berkeley was originally slated to direct the film, but was replaced by Charles Walters before production began. He and Kelly worked on it as a favor to Garland, whose career needed a boost at the time, and Walters later complimented Kelly for the help he gave to Garland. Kelly believed that he was miscast, because he was far too old for the role, and that the script was "a piece of crap." [8]

Principal photography began in November 1949. Garland had gained weight, and costume designer Walter Plunkett tried "to make her look as thin as possible, but we weren't miracle workers and we did not succeed." [8] The filming was sometimes a struggle for Garland, who was facing many pressures in her personal life, aside from her heavy reliance on prescription medication, [10] [11] and she required frequent reassurance from Walters about her appearance and the quality of her performance. He later recalled that "flattery was food for her." [8] She was frequently late during production of the film, and her behavior was erratic. After filming began, Pasternak asked Mayer if he should abandon the film because of Garland's behavior, but studio head Louis B. Mayer insisted that she be given another chance. [9] Mayer said: "Judy Garland has made this studio a fortune in the good days, and the least we can do is to give her one more chance. If you stop production now, it'll finish her." [11]

The production was also beset by tension between Kelly and dance director Nick Castle, who almost came to blows at one time. The difficulties on the set caused Walters to later call the film "absolute torture" for him. [8]

Castle did not choreograph "You Wonderful You," "All for You", and "Portland Fancy" these were done by Kelly but did do "Dig-Dig-Dig Dig For Your Dinner" and other numbers. He also did not shoot "Get Happy," which was shot by Chuck Walters. Garland's work on the film ended in early February 1950, and it became evident to Walters that no "Garland payoff" appeared in the film. Garland agreed to appear for another week of filming, asked to sing "Get Happy," and wore the costume she wore in the "Mr. Monotony" number cut from Easter Parade . [8] Garland had been treated by a hypnotist for weight loss and took off 15-20 pounds; she appears considerably thinner in the number. [3] [9] [10] [11]

In his biography of Walters, Get Happy, author Brent Phillips points out that production records belie subsequent claims that the "Get Happy" number was produced three months after production ended. The number was produced in March 1950, and production on other musical numbers continued through April. [8]

After filming, Garland embarked on a long-promised vacation. Soon, however, she was called back to star with Fred Astaire and Peter Lawford in the film Royal Wedding , replacing June Allyson, who was pregnant. Once again, she struggled to perform in the face of exhaustion and overwork. She was fired from Royal Wedding, and her contract with MGM was terminated through mutual agreement. [9] [12] [13]

Overall, Summer Stock took six months to film, and was a box-office success.

Reception

According to MGM's records, during the film's initial release it earned $2,498,000 in the US and Canada and $859,000 overseas, resulting in a small $80,000 loss to the studio at the time. [1] The film played to record audiences at the Capitol Theater in New York. Future playwright Edward Albee was at the theater at one performance, and later recalled that after the "Get Happy" number, "the audience watching the film was breathless for a moment and then, to a person, burst into sustained applause" as if it were a live performance. [8]

The film is recognized by American Film Institute in these lists:

The film, specifically the iconic "Get Happy" sequence, has been referenced in many pop culture contexts. Michael Jackson performed "Dangerous" in a way that paid tribute to the film, most notably at the 1993 American Music Awards and the 1995 MTV Video Music Awards. He and his dancers wore suits, and a dancer stood in front of him until the beginning of the song, just like in the film, in which Garland is covered by a dancer at first. Some excerpts from the song can be heard in his performance.

British singer Duffy's "Rain on Your Parade" music video was also inspired by that sequence, and she can be seen wearing an outfit similar to Garland's, and dancing against a white background along with some male dancers dressed in suits.

Actress Katie Holmes paid homage to Garland, performing "Get Happy" on the television show So You Think You Can Dance . She wore a similar outfit and danced alongside male dancers in suits in front of a match-painted background.

Drag queen and recording artist Alaska Thunderfuck's music video "Anus" pays homage to the "Get Happy" sequence. A scene in the video shows her in a blazer and tilted fedora, backed by two male dancers, dancing in a similar fashion to the original number. This is a tribute to Garland and the song's importance in the LGBT community.

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References

Citations

  1. 1 2 3 The Eddie Mannix Ledger, Los Angeles: Margaret Herrick Library, Center for Motion Picture Study.
  2. Frank, p. 285
  3. 1 2 Wayne, p. 211
  4. Crowther, Bosley (September 1, 1950). "Metro Musical, Summer Stock, with Judy Garland and Gene Kelly, Opens at Capitol". The New York Times.
  5. Hemming, Roy (1999). The Melody Lingers On. Newmarket Press. ISBN   1-55704-380-9. pp. 19-20.
  6. Yudkoff, Alvin (2001). Gene Kelly. Watson-Guptill. ISBN   0-8230-8819-7. p. 207.
  7. Summer Stock' soundtrack listing imdb.com, accessed July 22, 2009
  8. 1 2 3 4 5 6 7 8 McCullough-Phillips, Brent (2 December 2014). Charles Walters: The Director Who Made Hollywood Dance. University Press of Kentucky. pp. 119–127. ISBN   978-0-8131-4723-9 . Retrieved 24 September 2022.
  9. 1 2 3 4 "Notes" on TCM.com
  10. 1 2 Green, p. 161
  11. 1 2 3 Soares, Emily. Summer Stock (article) TCM.com, accessed July 23, 2009
  12. Green, p. 162
  13. Frank, p. 280
  14. "AFI's 100 Years...100 Songs" (PDF). American Film Institute . Retrieved 2016-08-13.
  15. "AFI's Greatest Movie Musicals Nominees" (PDF). Retrieved 2016-08-13.

General and cited references