Staircase (film)

Last updated
Staircase
Poster of the movie Staircase.jpg
Theatrical release poster
Directed by Stanley Donen
Screenplay by Charles Dyer
Based on Staircase
by Charles Dyer
Produced byStanley Donen
Starring
Cinematography Christopher Challis
Edited byRichard Marden
Music by Dudley Moore
Production
company
Stanley Donen Films
Distributed by 20th Century Fox
Release date
  • 20 August 1969 (1969-08-20)(New York) [1]
Running time
96 minutes
CountryUnited Kingdom
LanguageEnglish
Budget$6,370,000 [2]
Box office$1,850,000 (US/ Canada rentals) [3]

Staircase (also know as L'Escalier) is a 1969 British comedy-drama film directed by Stanley Donen and starring Richard Burton and Rex Harrison. [4] The screenplay was by Charles Dyer, adapted from his 1966 play of the same name.

Contents

The film concerns an ageing gay couple who own a barber shop in the East End of London. They discuss their loving but often volatile past together and ponder their possible future without each other, as Charles is about to go on trial for dressing as a woman in public.

The two main characters are named Charles Dyer (the name of the playwright/screenwriter) and Harry C. Leeds, which is an anagram of his name. [5]

Plot

Cast

Production

Dyer "opened up" the script to show the couple's neighbourhood, expanded the action to cover a period of ten days, and added characters. Rex Harrison and Richard Burton portrayed the couple and Cathleen Nesbitt and Beatrix Lehmann were featured as their mothers.

The film was produced by 20th Century Fox.

Because of Great Britain's tax laws, the stars insisted that the film be shot in Paris, which added to the film's budget, already inflated by their salaries ($1 million for Harrison, $1.25 million for Burton). Reportedly Elizabeth Taylor was shooting The Only Game in Town (1970) at the same time as this film was in production.[ citation needed ] While that film is set in Las Vegas, Taylor demanded that director George Stevens shoot in France so she could be close to her husband.[ citation needed ] This caused the budget of The Only Game in Town to grow higher than most large-scale, high-profile films that Fox was producing at the time.[ citation needed ]

The film's score was composed by Dudley Moore.

Reception

Box office

According to Fox records, the film required $10,675,000 in rentals to break even, and by 11 December 1970, had made $2,125,000. [6] In September 1970, the studio reported a loss of $5,201,000 on the film. [7]

Critical

Vincent Canby of The New York Times wrote "Although Burton and Harrison are interesting actors whose styles command attention even when the material does not, 'Staircase' is essentially a stunt movie ... Unlike Harry and Charlie, who eventually come to edgy terms with the emptiness of their lives, I couldn't quite come to terms with the emptiness of the movie." [8] Variety wrote that "Harrison and Burton have dared risky roles and have triumphed," but noted that the film "comes uncomfortably close to being depressing." [9] Roger Ebert gave the film 1 star out 4, calling it "an unpleasant exercise in bad taste...[Donen] gives us no warmth, humor or even the dregs of understanding. He exploits the improbable team of Rex Harrison and Richard Burton as a sideshow attraction." [10]

Gene Siskel of the Chicago Tribune gave it 3 stars out of 4, calling it "a satisfactory film achievement with a very good story. Richard Burton is marvelous in holding up Staircase. Rex Harrison is more of a broken step...[he] swishes and preens too much but controls the part as the movie progresses." [11]

Charles Champlin of the Los Angeles Times wrote "We cannot will ourselves to forget that these are Harrison and Burton playing at being homosexuals. These are performances and even if they are good (as they are) and for the most part quite restrained (as they are), we still look at the craft and not into the tortured soul." [12]

Gary Arnold of The Washington Post wrote "Artistically, the depressing thing about 'Staircase' is that it has no surprises. We see everything coming a few beats or lines or minutes before the filmmakers and the stars, deliberately planting the clues and laying the groundwork and working up the old momentum, finally throw their best punches." [13]

Penelope Gilliatt of The New Yorker wrote "Written by someone else and directed by a man more fond, it could have been a love story, and it could have been wonderful. Instead of that, it comes out like some total-immersion course in Camp banter, conceived in a way that keeps signalling the heroes' freakishness. The lack of affection for them makes the film depressing ... Only Burton's acting runs deep and true and comic." [14]

Nigel Andrews of The Monthly Film Bulletin wrote "It is the air of unreality over the film that makes it finally so unsatisfying—the desultory studio street, the barber's shop permanently empty of customers, the sheer improbability of some of the acting (notably Beatrix Lehmann's grotesque cameo as Charlie's mother). If one were charitable, one could regard the whole thing as a vehicle, an opportunity for Harrison and Burton to show their paces in extravagant character roles ... Neither, however, can quite save the film from its inflated production values and the feeling that it has been cleaned up a little for popular consumption." [15]

Legacy

The play inspired Jean Poiret and Michel Serrault to write, and star in, La Cage aux Folles , [16] which was itself later adapted by Mike Nichols as The Birdcage (1996).

Related Research Articles

<i>Soylent Green</i> 1973 film by Richard Fleischer

Soylent Green is a 1973 American ecological dystopian thriller film directed by Richard Fleischer, and starring Charlton Heston, Leigh Taylor-Young, and Edward G. Robinson in his final film role. It is loosely based on the 1966 science-fiction novel Make Room! Make Room! by Harry Harrison, with a plot that combines elements of science fiction and a police procedural. The story follows a murder investigation in a dystopian future of dying oceans and year-round humidity caused by the greenhouse effect, with the resulting pollution, depleted resources, poverty, and overpopulation. In 1973, it won the Nebula Award for Best Dramatic Presentation and the Saturn Award for Best Science Fiction Film.

<i>Heaven Can Wait</i> (1978 film) 1978 film by Warren Beatty and Buck Henry

Heaven Can Wait is a 1978 American sports fantasy comedy-drama film directed by Warren Beatty and Buck Henry about a young man being mistakenly taken to heaven by his guardian angel, and the resulting complications of how this mistake can be undone, given that his earthly body has been cremated. It was the second film adaptation of Harry Segall's play of the same name, the first being Here Comes Mr. Jordan (1941).

<i>Interiors</i> 1978 film by Woody Allen

Interiors is a 1978 American drama film written and directed by Woody Allen. It stars Kristin Griffith, Mary Beth Hurt, Richard Jordan, Diane Keaton, E. G. Marshall, Geraldine Page, Maureen Stapleton, and Sam Waterston.

<i>Quintet</i> (film) 1979 film by Robert Altman

Quintet is a 1979 American post-apocalyptic science fiction film directed by Robert Altman. It stars Paul Newman, Brigitte Fossey, Bibi Andersson, Fernando Rey, Vittorio Gassman and Nina Van Pallandt.

<i>Beyond the Valley of the Dolls</i> 1970 film

Beyond the Valley of the Dolls is a 1970 American satirical musical melodrama film starring Dolly Read, Cynthia Myers, Marcia McBroom, Phyllis Davis, John LaZar, Michael Blodgett, and David Gurian. The film was directed by Russ Meyer and screenwritten by Roger Ebert from a story by Ebert and Meyer.

<i>Stroszek</i> 1977 film by Werner Herzog

Stroszek is a 1977 West German tragicomedy film directed by Werner Herzog and starring Bruno S., Eva Mattes, and Clemens Scheitz. Written specifically for Bruno S., the film was shot in Plainfield, Wisconsin, and North Carolina. Most of the lead roles are played by inexperienced actors.

<i>Family Plot</i> 1976 film by Alfred Hitchcock

Family Plot is a 1976 American black comedy thriller film directed by Alfred Hitchcock in his final directing role. It was based on Victor Canning's 1972 novel The Rainbird Pattern, which Ernest Lehman adapted for the screen. The film stars Karen Black, Bruce Dern, Barbara Harris and William Devane; it was screened at the 1976 Cannes Film Festival, but was not entered into the main competition.

<span class="mw-page-title-main">Cathleen Nesbitt</span> English actress (1888–1982)

Cathleen Nesbitt was an English actress.

<i>French Connection II</i> 1975 film by John Frankenheimer

French Connection II is a 1975 American neo-noir action thriller film starring Gene Hackman and directed by John Frankenheimer. It is a sequel to the 1971 film The French Connection, and continues the story of the central character, Detective Jimmy "Popeye" Doyle, who travels to Marseille in order to track down French drug-dealer Alain Charnier, played by Fernando Rey, who escaped at the end of the first film. Hackman and Rey are the only returning cast members.

<i>The Candidate</i> (1972 film) 1972 film by Michael Ritchie

The Candidate is a 1972 American political comedy-drama film starring Robert Redford and Peter Boyle, and directed by Michael Ritchie. The Academy Award–winning screenplay, which examines the various facets and machinations involved in political campaigns, was written by Jeremy Larner, a speechwriter for Senator Eugene J. McCarthy during McCarthy's campaign for the 1968 Democratic presidential nomination.

<i>The Arrangement</i> (film) 1969 film directed by Elia Kazan

The Arrangement is a 1969 American drama film directed by Elia Kazan, based upon his 1967 novel of the same title.

<i>La Cage aux Folles</i> (film) 1978 film by Édouard Molinaro

La Cage aux Folles is a 1978 comedy film directed by Édouard Molinaro, based on Jean Poiret's 1973 play of the same name. It stars Ugo Tognazzi and Michel Serrault as a gay couple operating a drag nightclub in a French resort town, Rémi Laurent as the former's son, and Michel Galabru and Carmen Scarpitta as his new fiancée's ultra-conservative parents. The French-language picture was a Franco-Italian co-production by United Artists.

<i>The Iceman Cometh</i> (1973 film) 1973 film by John Frankenheimer

The Iceman Cometh is a 1973 American drama film directed by John Frankenheimer. The screenplay, written by Thomas Quinn Curtiss, is based on Eugene O'Neill's 1946 play of the same name. The film was produced by Ely Landau for the American Film Theatre, which from 1973 to 1975 presented thirteen film adaptations of noted plays.

Staircase is a two-character play by Charles Dyer about an ageing gay couple who own a barber shop in the East End of London. One of them is a part-time actor about to go on trial for propositioning a police officer. The action takes place over the course of one night as they discuss their loving but often volatile past together and possible future without each other.

<i>Childs Play</i> (1972 film) 1972 film by Sidney Lumet

Child's Play is a 1972 American drama-mystery film directed by Sidney Lumet. It stars James Mason, Robert Preston and Beau Bridges. The screenplay by Leon Prochnik is based on the 1970 play of the same title by Robert Marasco.

<i>The Ritz</i> (film) 1976 film by Richard Lester

The Ritz is a 1976 British-American comedy farce film directed by Richard Lester based on the 1975 play of the same name by Terrence McNally. Actress Rita Moreno – who had won a Tony Award for her performance as Googie Gomez in the Broadway production – and many others from the 1975 original cast, such as Jack Weston, Jerry Stiller, and F. Murray Abraham, reprised their stage roles in the film version. Also in the cast were Kaye Ballard and Treat Williams. The film, Jack Weston, and Rita Moreno all received Golden Globe nominations in the comedy category. It opened to mixed reviews.

<i>Portnoys Complaint</i> (film) 1972 film by Ernest Lehman

Portnoy's Complaint is a 1972 American comedy film written and directed by Ernest Lehman. His screenplay is based on the bestselling 1969 novel of the same name by Philip Roth. It was Lehman's first and only directorial effort.

<i>Lucky Lady</i> 1975 film by Stanley Donen

Lucky Lady is a 1975 American comedy-drama film directed by Stanley Donen and starring Liza Minnelli, Gene Hackman, Burt Reynolds and Robby Benson. Its story takes place in 1930 during Prohibition in the United States.

Charles Raymond Dyer was an English playwright, actor and screenwriter.

References

  1. "Staircase - Details". AFI Catalog of Feature Films . American Film Institute . Retrieved November 20, 2018.
  2. Solomon, Aubrey. Twentieth Century Fox: A Corporate and Financial History (The Scarecrow Filmmakers Series). Lanham, Maryland: Scarecrow Press, 1989. ISBN   978-0-8108-4244-1. p255
  3. "Big Rental Films of 1969", Variety, 7 January 1970 p 15
  4. "Staircase". British Film Institute Collections Search. Retrieved 13 April 2024.
  5. Canby, Vincent (1969-08-21). "Burton-Harrison Team On View in 'Staircase'". The New York Times. ISSN   0362-4331 . Retrieved 2022-09-02.
  6. Silverman, Stephen M (1988). The Fox that got away : the last days of the Zanuck dynasty at Twentieth Century-Fox . L. Stuart. p.  328. ISBN   9780818404856.
  7. Silverman p 259
  8. Canby, Vincent (August 21, 1969). "Burton-Harrison Team On View in 'Staircase'". The New York Times : 46.
  9. "Staircase". Variety : 18. August 13, 1969.
  10. Ebert, Roger (November 4, 1969). "Staircase". RogerEbert.com . Retrieved November 19, 2018.
  11. Siskel, Gene (November 3, 1969). "Staircase". Chicago Tribune . Section 2, p. 19.
  12. Champlin, Charles (September 26, 1969). "Burton, Harrison, Starred". Los Angeles Times . Part IV, p. 19.
  13. Arnold, Gary (August 21, 1969). "'Staircase' Is a Dreary Drag". The Washington Post . p. G11.
  14. Gilliatt, Penelope (August 30, 1969). "The Current Cinema". The New Yorker . p. 74.
  15. Andrews, Nigel (December 1969). "Staircase". The Monthly Film Bulletin . 36 (431): 261.
  16. https://www.rts.ch/info/culture/cinema/8739694-la-cage-aux-folles-phenomene-tout-public.html