Babes on Broadway | |
---|---|
Directed by | Busby Berkeley Vincente Minnelli (uncredited) |
Written by | Fred F. Finklehoffe |
Produced by | Arthur Freed |
Starring | Mickey Rooney Judy Garland |
Cinematography | Lester White |
Edited by | Fredrick Y. Smith |
Music by | Score: Leo Arnaud George Bassman George Stoll (all uncredited) Songs: Burton Lane (music) Roger Edens (music) E.Y. Harburg (lyrics) Ralph Freed (lyrics) et al. (all uncredited) |
Production company | |
Distributed by | Loew's Inc. |
Release dates |
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Running time | 118 minutes |
Country | United States |
Language | English |
Budget | $955,000 [2] |
Box office | $3.8 million [2] |
Babes on Broadway is a 1941 American musical film starring Mickey Rooney and Judy Garland and directed by Busby Berkeley, with Vincente Minnelli directing Garland's big solo numbers. [3] The film, which features Fay Bainter and Virginia Weidler, was the third in the "Backyard Musical" series about kids who put on their own show, following Babes in Arms (1939) and Strike Up the Band (1940). Songs in the film include "Babes on Broadway" by Burton Lane (music) and E.Y. "Yip" Harburg (lyrics), and "How About You?" by Lane with lyrics by Ralph Freed, the brother of producer Arthur Freed. The movie ends with a minstrel show performed by the main cast in blackface.
Tommy Williams (Mickey Rooney) is a talented performer with aspirations of making it on Broadway. He teams up with his friend Penny Morris (Judy Garland) to organize a charity show aimed at benefiting British children affected by World War II. Despite facing numerous obstacles, such as financial difficulties and misunderstandings, their determination and talent push them forward. They gather a diverse group of friends and fellow performers, each bringing their unique skills to the project, to help overcome the challenges they encounter.
As preparations for the show progress, the group faces a series of comedic and dramatic incidents that test their resolve and ingenuity. From securing a venue and costumes to dealing with unexpected mishaps, Tommy and Penny's leadership and creativity keep the project on track. The group’s camaraderie strengthens as they work together, highlighting the power of community and collaboration.
The climax of their efforts is the charity performance, a dazzling showcase of musical and theatrical talent that enthralls the audience. The show is a resounding success, raising the necessary funds for the cause and earning Tommy and Penny the recognition they have been striving for. Their journey underscores themes of friendship, perseverance, and the collective power of working towards a common goal, set against the vibrant backdrop of 1940s New York. The experience celebrates youthful ambition and the joys of bringing people together through the arts. [4] [5]
Babes on Broadway was the third film in the "Backyard Musical" series, which included Babes in Arms (1939), Strike Up the Band (1940) and Girl Crazy (1943).
The film was stalled in the middle of production when Garland secretly flew to Las Vegas to wed her first husband David Rose. She was 19 years old.
According to MGM records, the film earned $2,363,000 in the US and Canada and $1,496,000 elsewhere resulting in a profit of $1,720,000. [2] [6]
Babes on Broadway was released on DVD for the first time as part of a 5-disc DVD set The Mickey Rooney & Judy Garland Collection on September 25, 2007. The set contains Babes on Broadway, Babes in Arms , Girl Crazy , and Strike Up the Band , as well as a fifth disc containing bonus features on Rooney and Garland. [7]
Mickey Rooney was an American actor. In a career spanning nearly nine decades, he appeared in more than 300 films and was among the last surviving stars of the silent-film era. He was the top box-office attraction from 1939 to 1941, and one of the best-paid actors of that era. At the height of a career marked by declines and comebacks, Rooney performed the role of Andy Hardy in a series of 16 films in the 1930s and 1940s that epitomized the mainstream United States self-image.
Babes in Arms is a 1937 coming-of-age musical comedy with music by Richard Rodgers, lyrics by Lorenz Hart, and book by Rodgers and Hart. It concerns a group of small-town Long Island teenagers who put on a show to avoid being sent to a work farm by the town sheriff. Several songs in Babes in Arms became pop standards, including the title song, "Where or When", and "The Lady Is a Tramp." The film version, released in 1939, starred Judy Garland and Mickey Rooney and was directed by Busby Berkeley.
The year 1938 in film involved some significant events.
Arthur Freed was an American lyricist and a Hollywood film producer. He won the Academy Award for Best Picture twice, in 1951 for An American in Paris and in 1958 for Gigi. Both films were musicals, and both were directed by Vincente Minnelli. In addition, he produced the film Singin' in the Rain, the soundtrack for which primarily consisted of songs he co-wrote earlier in his career.
Richard Quine was an American director, actor, and singer.
Virginia Anna Adeleid Weidler was an American child actress, popular in Hollywood films during the 1930s and 1940s.
That's Entertainment! is a 1974 American compilation film released by Metro-Goldwyn-Mayer to celebrate the studio's 50th anniversary. The success of the retrospective prompted a 1976 sequel, the related 1985 film That's Dancing!, and a third installment in 1994.
That's Dancing! is a 1985 American compilation film produced by Metro-Goldwyn-Mayer that looked back at the history of dancing in film. Unlike the That's Entertainment! series, this film not only focuses specifically on MGM films, but also included films from other studios.
That's Entertainment, Part II is a 1976 American compilation film released by Metro-Goldwyn-Mayer and a sequel to That's Entertainment! (1974). Like the previous film, That's Entertainment, Part II was a retrospective of famous films released by MGM from the 1930s to the 1950s. Some posters for the film use Part 2 rather than Part II in the title.
Till The Clouds Roll By is a 1946 American Technicolor musical film produced by Metro-Goldwyn-Mayer and a fictionalized biopic of composer Jerome Kern, portrayed by Robert Walker. Kern was involved with the production, but died before its completion. It was the first in a series of MGM biopics about Broadway composers.
Presenting Lily Mars is a 1943 American musical comedy film directed by Norman Taurog, produced by Joe Pasternak, starring Judy Garland and Van Heflin, and based on the 1933 novel by Booth Tarkington. The film is often cited as Garland's first film playing an adult role. However, the issue is complicated by the delay in this film's release caused by reshooting the finale, and Garland's brutal work schedule—she was filming Girl Crazy and For Me and My Gal at the same time. Also, in Little Nellie Kelly, released in 1940, she plays her character's mother, dying in childbirth. Tommy Dorsey and Bob Crosby appear with their orchestras in this Metro-Goldwyn-Mayer production.
"Where or When" is a show tune from the 1937 Rodgers and Hart musical Babes in Arms. It was first performed by Ray Heatherton and Mitzi Green. That same year, Hal Kemp recorded a popular version. The song also appeared in the film version of Babes in Arms two years later.
For Me and My Gal is a 1942 American musical film directed by Busby Berkeley, and starring Judy Garland, George Murphy, Martha Eggerth, Ben Blue and Gene Kelly in his film debut. The film was written by Richard Sherman, Fred F. Finklehoffe and Sid Silvers, based on a story by Howard Emmett Rogers inspired by a true story about vaudeville actors Harry Palmer and Jo Hayden, when Palmer was drafted into World War I. The film was a production of the Arthur Freed unit at MGM.
Babes in Arms is the 1939 coming of age American film version of the 1937 Broadway musical of the same title. Directed by Busby Berkeley, it stars Mickey Rooney and Judy Garland, and features Charles Winninger, Guy Kibbee, June Preisser, Grace Hayes, and Betty Jaynes. It was Garland and Rooney's second film together as lead characters after their earlier successful pairing in the fourth of the Andy Hardy films. The film concerns a group of youngsters trying to put on a show to prove their vaudevillian parents wrong and make it to Broadway. The original Broadway script was significantly revamped, restructured, and rewritten to accommodate Hollywood's needs. Almost all of the Rodgers and Hart songs from the Broadway musical were discarded.
Good News is a 1947 American Metro-Goldwyn-Mayer musical film based on the 1927 stage production of the same name. It starred June Allyson, Peter Lawford, Mel Tormé, and Joan McCracken. The screenplay by Betty Comden and Adolph Green was directed by Charles Walters in Technicolor.
"I Wish I Were in Love Again" is a show tune from the 1937 Rodgers and Hart musical Babes in Arms. In the original show, Dolores, the Sheriff's daughter, talks to Gus, her former boyfriend, who tries to woo her unsuccessfully. They then sing about how they do not care that their relationship is over. The song was omitted from the 1939 film version.
June Preisser was an American actress, popular in musical films during the late 1930s and through the 1940s, many of which capitalized on her skills as an acrobat.
Girl Crazy is a 1943 American musical film starring Judy Garland and Mickey Rooney. Produced by the Freed Unit of Metro-Goldwyn-Mayer, it is based on the stage musical Girl Crazy – which was written by Guy Bolton and Jack McGowan, with music and lyrics by George and Ira Gershwin. It was the last of Garland and Rooney's nine movies as co-stars, the pair appearing only once more together on film, as guest stars in 1948's Words and Music.
Strike Up the Band is a 1940 American musical film produced by the Arthur Freed unit at Metro-Goldwyn-Mayer. The film was directed by Busby Berkeley and stars Mickey Rooney and Judy Garland, in the second of a series of musicals they co-starred in, after Babes in Arms, all directed by Berkeley. The story written for the 1927 stage musical Strike Up the Band, and its successful 1930 Broadway revision, bear no resemblance to this film, aside from the title song.
Georgie Stoll was a musical director, conductor, Academy Award-winning composer, and jazz violinist, associated with the Golden Age of Metro-Goldwyn-Mayer musicals and performers from the 1940s to 1960s. He was also later credited as George E. Stoll.