Gold Diggers of 1935 | |
---|---|
Directed by | Busby Berkeley |
Screenplay by | Manuel Seff Peter Milne |
Story by | Robert Lord Peter Milne |
Produced by | Robert Lord |
Starring | Dick Powell Adolphe Menjou Gloria Stuart Alice Brady Hugh Herbert Glenda Farrell Frank McHugh |
Cinematography | George Barnes |
Edited by | George Amy |
Music by | Songs: Harry Warren (music) Al Dubin (lyrics) |
Production company | |
Distributed by | Warner Bros. |
Release date |
|
Running time | 95 minutes |
Country | United States |
Language | English |
Budget | $567,000 [2] |
Box office | $1,365,000 [2] |
Gold Diggers of 1935 is an American musical film directed and choreographed by Busby Berkeley, his first time as a film's overall director. It stars Dick Powell, Adolphe Menjou, Gloria Stuart, Alice Brady, Hugh Herbert, Glenda Farrell, and Frank McHugh, and features Joseph Cawthorn, Grant Mitchell, Dorothy Dare, and Winifred Shaw. The songs were written by Harry Warren (music) and Al Dubin (lyrics). The film is best known for its famous "Lullaby of Broadway" production number. That song, sung by Shaw, also won the Academy Award for Best Original Song. The screenplay was by Manuel Seff and Peter Milne, based on a story by Robert Lord, who also produced the film, and Milne.
The movie was the fourth in the Gold Diggers series of films, after the now lost silent film The Gold Diggers (1923), the partially lost "talkie" Gold Diggers of Broadway (1929), and Gold Diggers of 1933 (1933). The first three films, all financially successful, had all been based on the 1919 play The Gold Diggers ; Gold Diggers of 1935 was the first one based on a wholly original story. It was followed by Gold Diggers of 1937 and Gold Diggers in Paris .
In the resort of Lake Waxapahachie in New Hampshire, the swanky Wentworth Plaza is where the rich all congregate, and where the tips flow like wine. Handsome Dick Curtis is working his way through medical school as a desk clerk, and when rich, penny-pinching Mrs. Prentiss offers to pay him to escort her daughter Ann for the summer, Dick can't say no – even his fiancée, Arline Davis thinks he should do it. Mrs. Prentiss wants Ann to marry eccentric middle-aged millionaire T. Mosley Thorpe, who is a world-renowned expert on snuffboxes, but Ann has other ideas. Meanwhile, her brother, Humbolt has a weakness for a pretty face: he has been married and bought out of trouble by his mother several times.
Every summer, Mrs. Prentiss produces a charity show for the "Milk Fund", and this year she hires the flamboyant and conniving Russian dance director Nicolai Nicoleff to direct the show. The parsimonious Mrs. Prentiss wants to spend the least amount possible, but Nicoleff and his set designer Schultz want to be as extravagant as they can, so they can rake off more money for themselves, and for the hotel manager and the hotel stenographer Betty Hawes, who's blackmailing the hapless snuffbox fancier Thorpe.
Of course, Dick and Ann fall in love, Humbolt marries Arline, and the show ends up costing Mrs. Prentiss an arm and a leg, but in the end she realizes that having a doctor in the family will save money in the long run. [3]
|
|
The songs in Gold Diggers of 1935 were written by Harry Warren (music) and Al Dubin (lyrics), and the two production numbers were staged by Busby Berkeley.
Gold Diggers of 1935 was filmed at Warner Bros.' Burbank studios, completing on January 14, 1935; it was released on March 16 of that year. [1] During production a chorus dancer, Jack Grieves, died on the set due to acute indigestion. [4] [6]
The film was Busby Berkeley's first time at the helm of a film as the official director, although he had his own unit at Warners to do the elaborate production numbers he conceived, designed, staged and directed, which were the major elements of the Warners musicals of that period.
In 1935, Mae Tinee of the Chicago Daily Tribune wrote "As revues go, the present "Gold Diggers" has considerable to offer. There is some bright patter and a number of really amusing situations". [7] In The New York Times the same year, Andre Sennwald wrote "The photoplay, in its preparations for the climactic Berkeley effects, is a brash and lively entertainment which allows Adolphe Menjou and Hugh Herbert to be reasonably amusing." [8]
According to Warner Bros records, the film earned $897,000 in the U.S. and $468,000 in other markets. [2]
Harry Warren and Al Dubin received an Oscar for Best Original Song for "Lullaby of Broadway", and Busby Berkeley was nominated for the short-lived category Best Dance Direction. [9]
The film is recognized by American Film Institute in these lists:
Footlight Parade is a 1933 American pre-Code musical film directed by Lloyd Bacon, with songs written by Harry Warren (music), Al Dubin (lyrics), Sammy Fain (music) and Irving Kahal (lyrics). The film's numbers were staged and choreographed by Busby Berkeley. It starred James Cagney, Joan Blondell, Ruby Keeler and Dick Powell, with featured appearances by Frank McHugh, Guy Kibbee, Hugh Herbert, and Ruth Donnelly.
Harry Warren was an American composer and the first major American songwriter to write primarily for film. He was nominated for the Academy Award for Best Original Song eleven times and won three Oscars for composing "Lullaby of Broadway", "You'll Never Know" and "On the Atchison, Topeka and the Santa Fe". He wrote the music for the first blockbuster film musical, 42nd Street, choreographed by Busby Berkeley, with whom he would collaborate on many musical films.
Berkeley William Enos, known professionally as Busby Berkeley, was an American film director and musical choreographer. Berkeley devised elaborate musical production numbers that often involved complex geometric patterns. Berkeley's works used large numbers of showgirls and props as fantasy elements in kaleidoscopic on-screen performances.
Alexander Dubin was an American lyricist. He is best known for his collaborations with the composer Harry Warren.
42nd Street is a 1933 American pre-Code musical film directed by Lloyd Bacon, with songs by Harry Warren (music) and Al Dubin (lyrics). The film's numbers were staged and choreographed by Busby Berkeley. It starred an ensemble cast of Warner Baxter, Bebe Daniels, George Brent, Ruby Keeler, Dick Powell, and Ginger Rogers.
Dames is a 1934 Warner Bros. musical comedy film directed by Ray Enright with dance numbers created by Busby Berkeley. The film stars Ruby Keeler, Dick Powell, Joan Blondell, Guy Kibbee, ZaSu Pitts, and Hugh Herbert. Production numbers and songs include "When You Were a Smile on Your Mother's Lips ", "The Girl at the Ironing Board", "I Only Have Eyes for You", "Dames" and "Try to See It My Way".
"Lullaby of Broadway" is a popular song with music written by Harry Warren and lyrics by Al Dubin, published in 1935. The lyrics salute the nightlife of Broadway and its denizens, who "don't sleep tight until the dawn."
Gold Diggers of 1933 is an American pre-Code musical film directed by Mervyn LeRoy with songs by Harry Warren (music) and Al Dubin (lyrics). The film's numbers were staged and choreographed by Busby Berkeley. It starred Warren William, Joan Blondell, Aline MacMahon, Ruby Keeler, and Dick Powell. It featured appearances by Guy Kibbee, Ned Sparks and Ginger Rogers.
Wini Shaw, sometimes credited as Winifred Shaw, was a 20th century American actress, dancer and singer.
Gold Diggers of Broadway is a 1929 American pre-Code musical comedy film directed by Roy Del Ruth and starring Winnie Lightner and Nick Lucas. Distributed by Warner Bros., the film is the second all-talking, all-Technicolor feature-length film.
"The Gold Diggers' Song " is a song from the 1933 Warner Bros. film Gold Diggers of 1933, sung in the opening sequence by Ginger Rogers and chorus. The entire song is never performed in the 1933 movie, though it introduces the film in the opening scene. Later in the movie, the tune is heard off stage in rehearsal as the director continues a discussion on camera about other matters.
In Caliente is a 1935 American romantic musical comedy film directed by Lloyd Bacon, starring Dolores del Río and Pat O'Brien. The film was written by Ralph Block and Warren Duff. The musical numbers were choreographed by Busby Berkeley. It was released by Warner Bros. on May 25, 1935.
Wonder Bar is a 1934 American pre-Code film adaptation of a Broadway musical of the same name directed by Lloyd Bacon with musical numbers created by Busby Berkeley.
Gold Diggers of 1937 is a Warner Bros. movie musical directed by Lloyd Bacon with musical numbers created and directed by Busby Berkeley. The film stars Dick Powell and Joan Blondell, who were married at the time, with Glenda Farrell and Victor Moore.
Gold Diggers in Paris is a 1938 Warner Bros. movie musical directed by Ray Enright with musical numbers created and directed by Busby Berkeley, starring Rudy Vallee, Rosemary Lane, Hugh Herbert, and Allen Jenkins.
The Gold Diggers is a Warner Bros. silent comedy film directed by Harry Beaumont with screenplay by Grant Carpenter based on the play The Gold Diggers by Avery Hopwood which ran for 282 performances on Broadway in 1919 and 1920. Both the play and the film were produced by David Belasco. The film stars Hope Hampton, Wyndham Standing, and Louise Fazenda. It was also the (uncredited) film debut of Louise Beavers.
Colleen is a 1936 American romantic musical comedy film directed by Alfred E. Green and starring Dick Powell, Ruby Keeler, and Joan Blondell. It was produced and distributed by Warner Bros. and was the seventh and final picture starring both Keeler and Powell.
The Hard Way is a 1943 Warner Bros. musical drama film starring Ida Lupino, Dennis Morgan, and Joan Leslie. Directed by Vincent Sherman, it is based on a story by Irwin Shaw which was reportedly based on Ginger Rogers' relationship with her first husband, Jack Pepper and her own mother, Lela.
Broadway Gondolier (1935) is a musical film directed by Lloyd Bacon. The film was released by Warner Bros., and featured Dick Powell, Joan Blondell and Adolphe Menjou.
Broadway Hostess is a 1935 American romantic comedy musical film directed by Frank McDonald and starring Wini Shaw, Genevieve Tobin and Lyle Talbot. The film was nominated at the 1935 Academy Awards for the short lived Best Dance Direction category. For which Bobby Connolly was nominated for, along with the film Go into Your Dance.