Dames | |
---|---|
Directed by | Ray Enright Busby Berkeley (musical numbers) |
Screenplay by | Delmer Daves |
Story by | Robert Lord Delmer Daves |
Produced by | Hal B. Wallis (executive producer) |
Starring | Ruby Keeler Dick Powell Joan Blondell Guy Kibbee ZaSu Pitts Hugh Herbert |
Cinematography | George Barnes Sidney Hickox Sol Polito |
Edited by | Harold McLernon |
Music by | Harry Warren (music) Al Dubin (lyrics) Heinz Roemheld |
Distributed by | Warner Bros. |
Release dates |
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Running time | 91 minutes |
Country | United States |
Language | English |
Budget | $779,000 [1] |
Box office | $1,513,000 [1] |
Dames is a 1934 Warner Bros. musical comedy film directed by Ray Enright with dance numbers created by Busby Berkeley. The film stars Ruby Keeler, Dick Powell, Joan Blondell, Guy Kibbee, ZaSu Pitts, and Hugh Herbert. Production numbers and songs include "When You Were a Smile on Your Mother's Lips (and a Twinkle in Your Daddy's Eye)", "The Girl at the Ironing Board", "I Only Have Eyes for You", "Dames" and "Try to See It My Way".
Eccentric multimillionaire Ezra Ounce (Hugh Herbert), whose main purpose in life is raising American morals through a nationwide campaign, wants to be assured that his fortune will be inherited by upstanding relatives. He visits his cousin Matilda Hemingway (ZaSu Pitts) in New York City, in Horace's view the center of immorality in America. What Ounce finds most offensive are musical comedy shows and the people who put them on, and it just so happens that Matilda's daughter Barbara (Ruby Keeler) is a dancer and singer in love with a struggling singer and songwriter, her 13th cousin, Jimmy Higgens (Dick Powell). On Ezra's instructions, Jimmy the "black sheep" has been ostracized by the family, on pain of not receiving their inheritance.
Matilda's husband Horace (Guy Kibbee) meets a showgirl named Mabel (Joan Blondell), who's been stranded in Troy when her show folds, and connives her way into sleeping in Horace's train compartment as a way to get back home. Terrified of scandal, he leaves her some money and his business card, along with a note telling her to not mention their meeting to anyone; but when Mabel discovers that Horace is Barbara's father, she blackmails him into backing Jimmy's show. [2]
Dick Powell as Jimmy Higgens | |
Ruby Keeler as Barbara Hemingway | |
Joan Blondell as Mabel Anderson | |
ZaSu Pitts as Matilda Ounce Hemingway | |
Guy Kibbee as Horace Peter Hemingway | |
Hugh Herbert as Ezra Ounce |
Arthur Vinton | as Bulger, Ounce's bodyguard |
Phil Regan | as Johnny Harris, songwriter |
Arthur Aylesworth | as train conductor |
Johnny Arthur | as Billings, Ounce's secretary |
Leila Bennett | as Laura, the maid |
Berton Churchill | as Harold Ellsworthy Todd |
The musical sequences in Dames were designed, staged and directed by Busby Berkeley - the Warner Bros. publicity office invented the phrase "cinematerpsichorean" to describe Berkeley's creations. [3] By this time, after the success of 42nd Street , Footlight Parade and Gold Diggers of 1933 , Berkeley had his own unit at Warners under his total control as supervised by producer Hal Wallis. [4]
One of the effects of the Production Code on this film is a musical number that never made it to the screen. Berkeley had planned one featuring Joan Blondell about a fight between a cat and a mouse that ended with Blondell inviting everyone to "come up and see my pussy sometime". Producer Hal Wallis removed this number from the script before it even got to the censors of the Hays Office. [4]
The director originally slated to do the film was Archie Mayo, and then a second director, before Ray Enright got the job a week before filming began. [4] Some early casting considerations had Ruth Donnelly playing Mathilda instead of ZaSu Pitts, and Hobart Cavanaugh as Ellsworthy Todd. [3] At one point, it was suggested that Eleanor Powell do a specialty number, but she declined to do so. [7]
Dames began production at the Warner Bros. studios in Burbank, California on March 28, 1934. Ray Enright completed the dramatic scenes in mid-April of that year, and Busby Berkeley continued working on the musical numbers until July 3. The film had its premiere on August 16, 1934 and went into general release on September 1 of that year. [8] [9]
According to Warner Bros., the film earned $1,057,000 in the U.S. and $456,000 in other markets. [1]
The film is recognized by American Film Institute in these lists:
Footlight Parade is a 1933 American pre-Code musical film directed by Lloyd Bacon, with songs written by Harry Warren (music), Al Dubin (lyrics), Sammy Fain (music) and Irving Kahal (lyrics). The film's numbers were staged and choreographed by Busby Berkeley. It starred James Cagney, Joan Blondell, Ruby Keeler and Dick Powell, with featured appearances by Frank McHugh, Guy Kibbee, Hugh Herbert, and Ruth Donnelly.
Ethel Ruby Keeler was an American actress, dancer, and singer who was paired on-screen with Dick Powell in a string of successful early musicals at Warner Bros., particularly 42nd Street (1933). From 1928 to 1940, she was married to actor and singer Al Jolson. She retired from show business in the 1940s, but made a widely publicized comeback on Broadway in 1971.
Richard Ewing Powell was an American actor, singer, musician, producer, director, and studio head. Though he came to stardom as a musical comedy performer, he showed versatility and successfully transformed into a hardboiled leading man, starring in projects of a more dramatic nature. He was the first actor to portray private detective Philip Marlowe on screen.
Rose Joan Blondell was an American actress who performed in film and television for 50 years.
Alexander Dubin was an American lyricist. He is best known for his collaborations with the composer Harry Warren.
42nd Street is a 1933 American pre-Code musical film directed by Lloyd Bacon, with songs by Harry Warren (music) and Al Dubin (lyrics). The film's numbers were staged and choreographed by Busby Berkeley. It starred an ensemble cast of Warner Baxter, Bebe Daniels, George Brent, Ruby Keeler, Dick Powell, and Ginger Rogers.
Gold Diggers of 1933 is an American pre-Code musical film directed by Mervyn LeRoy with songs by Harry Warren (music) and Al Dubin (lyrics). The film's numbers were staged and choreographed by Busby Berkeley. It starred Warren William, Joan Blondell, Aline MacMahon, Ruby Keeler, and Dick Powell. It featured appearances by Guy Kibbee, Ned Sparks and Ginger Rogers.
Gold Diggers of 1935 is an American musical film directed and choreographed by Busby Berkeley, his first time as a film's overall director. It stars Dick Powell, Adolphe Menjou, Gloria Stuart, Alice Brady, Hugh Herbert, Glenda Farrell, and Frank McHugh, and features Joseph Cawthorn, Grant Mitchell, Dorothy Dare, and Winifred Shaw. The songs were written by Harry Warren (music) and Al Dubin (lyrics). The film is best known for its famous "Lullaby of Broadway" production number. That song, sung by Shaw, also won the Academy Award for Best Original Song. The screenplay was by Manuel Seff and Peter Milne, based on a story by Robert Lord, who also produced the film, and Milne.
Convention City is a 1933 American pre-Code sex comedy film directed by Archie Mayo, and starring Joan Blondell, Guy Kibbee, Dick Powell, Mary Astor and Adolphe Menjou. The film was produced by Henry Blanke and First National Pictures and distributed by Warner Bros.
Wonder Bar is a 1934 American pre-Code film adaptation of a Broadway musical of the same name directed by Lloyd Bacon with musical numbers created by Busby Berkeley.
Ready, Willing, and Able is a 1937 American musical film directed by Ray Enright and starring Ruby Keeler, Lee Dixon, Allen Jenkins and Ross Alexander. It was produced and distributed by Warner Brothers. Songs in the film were written by composer Richard A. Whiting and lyricist Johnny Mercer. The most successful song introduced by Wini Shaw and Ross Alexander, and reprised throughout, was "Too Marvelous for Words", which has become a pop and jazz standard.
Gold Diggers of 1937 is a Warner Bros. movie musical directed by Lloyd Bacon with musical numbers created and directed by Busby Berkeley. The film stars Dick Powell and Joan Blondell, who were married at the time, with Glenda Farrell and Victor Moore.
Gold Diggers in Paris is a 1938 Warner Bros. movie musical directed by Ray Enright with musical numbers created and directed by Busby Berkeley, starring Rudy Vallee, Rosemary Lane, Hugh Herbert, and Allen Jenkins.
Havana Widows is a 1933 American pre-Code comedy film directed by Ray Enright, starring Joan Blondell and Glenda Farrell. It was released by Warner Bros. on November 18, 1933. Two chorus girls travel to Havana in search of rich husbands. Their target is Deacon Jones, a self-appointed moralist who cannot drink without getting drunk.
Colleen is a 1936 American romantic musical comedy film directed by Alfred E. Green and starring Dick Powell, Ruby Keeler, and Joan Blondell. It was produced and distributed by Warner Bros. and was the seventh and final picture starring both Keeler and Powell.
Go into Your Dance is a 1935 American musical drama film starring Al Jolson, Ruby Keeler, and Glenda Farrell. The film was directed by Archie Mayo and is based on the novel of the same name by Bradford Ropes. It was released by Warner Bros. on April 20, 1935. An irresponsible Broadway star gets mixed up with gambling and gangsters.
We're in the Money is a 1935 American romantic comedy film directed by Ray Enright. It was released by Warner Bros. on August 17, 1935. The film stars Joan Blondell and Glenda Farrell and is one of five Warner Bros. films in which they were paired as blonde bombshell comedy duo. The other films include Havana Widows (1933), Kansas City Princess (1934), Traveling Saleslady (1935) and Miss Pacific Fleet (1935). Ginger and Dixie are two process servers, who serve legal papers to a playboy, a racketeer, a wrestler and a singer.
Traveling Saleslady is a 1935 American comedy film directed by Ray Enright and starring Joan Blondell and Glenda Farrell. It was released by Warner Bros. on March 28, 1935. It is one of five films by Warner Bros. where Farrell and Blondell were paired as two blonde bombshells. The other films include: Havana Widows (1933), Kansas City Princess (1934), We're in the Money (1935) and Miss Pacific Fleet (1935). Actress Joan Blondell was married to the film's cinematographer George Barnes at the time of filming.
I Live for Love is a 1935 American musical comedy film directed by Busby Berkeley and starring Dolores del Río, Everett Marshall and Guy Kibbee.
Stage Struck is 1936 American musical comedy film directed by Busby Berkeley and starring Dick Powell, Joan Blondell and Warren William. It was produced and distributed by Warner Brothers. The film's sets were designed by the art director Robert M. Haas.