The Desert Song is an operetta with music by Sigmund Romberg and book and lyrics by Oscar Hammerstein II, Otto Harbach and Frank Mandel. It was inspired by the 1925 uprising of the Riffs, a group of Berber fighters, against French colonial rule in Morocco. It was also inspired by stories of Lawrence of Arabia aiding native guerrillas. Many tales romanticizing Saharan North Africa were in vogue, including Beau Geste and The Son of the Sheik.
King of Jazz is a 1930 American pre-Code color musical film starring Paul Whiteman and his orchestra. The film title refers to Whiteman's popular cultural appellation. At the time the film was made, "jazz", to the general public, meant jazz-influenced syncopated dance music heard on phonograph records, on radio broadcasts, and in dance halls. In the 1920s Whiteman signed and featured white jazz musicians including Joe Venuti and Eddie Lang, Bix Beiderbecke, Frank Trumbauer, and others.
Mystery of the Wax Museum is a 1933 American pre-Code mystery-horror film directed by Michael Curtiz and starring Lionel Atwill, Fay Wray, Glenda Farrell, and Frank McHugh. It was produced and released by Warner Bros. and filmed in two-color Technicolor; Doctor X and Mystery of the Wax Museum were the last two dramatic fiction films made using this process.
Gold Diggers of Broadway is a 1929 American pre-Code musical comedy film directed by Roy Del Ruth and starring Winnie Lightner and Nick Lucas. Distributed by Warner Bros., the film is the second all-talking, all-Technicolor feature-length film.
On with the Show! is a 1929 American pre-Code musical film produced by Warner Bros. Filmed in two-color Technicolor, the film became the first all-talking, all-color feature-length film, and the second color film released by Warner Bros.; the first was the partly color musical The Desert Song (1929).
John Boles was an American singer and actor best known for playing Victor Moritz in the 1931 film Frankenstein.
Hold Everything is a 1930 American pre-Code film. This musical comedy film was photographed entirely in early two-color Technicolor. The first all Technicolor musical comedy film was "On With the Show" in 1929. "Hold Everything" was adapted from the DeSylva-Brown-Henderson Broadway musical of the same name that had served as a vehicle for Bert Lahr and starred Winnie Lightner and Joe E. Brown as the comedy duo. The romantic subplot was played by Georges Carpentier and Sally O'Neil. Only three songs from the stage show remained: "You're the Cream in My Coffee", "To Know You Is To Love You", and "Don't Hold Everything". New songs were written for the film by Al Dubin and Joe Burke, including one that became a hit in 1930: "When The Little Red Roses Get The Blues For You". The songs in the film were played by Abe Lyman and his orchestra.
The Show of Shows is a 1929 American pre-Code musical revue film directed by John G. Adolfi and distributed by Warner Bros. The all-talking Vitaphone production cost almost $800,000 and was shot almost entirely in Technicolor.
Sally is a 1929 American Pre-Code film. It is the fourth all-sound, all-color feature film made, and it was photographed in the Technicolor process. It was the sixth feature film to contain color that had been released by Warner Bros.; the first five were The Desert Song (1929), On with the Show! (1929), Gold Diggers of Broadway (1929), Paris (1929) and The Show of Shows (1929).. Although exhibited in a few theaters in December 1929, Sally entered general release on January 12, 1930.
Song of the Flame is a 1930 American pre-Code musical film photographed entirely in Technicolor. Based on the 1925 operetta of the same name, the film features a screenplay by Gordon Rigby adapted from the musical book written by Oscar Hammerstein II and Otto A. Harbach for the operetta. The movie also features many of the songs from the operetta which used lyrics by Hammerstein and Orbach and music by George Gershwin and Herbert Stothart. The film was produced and distributed by First National Pictures. It was the first color film to feature a widescreen sequence, using a process called Vitascope, the trademark name for Warner Bros.' widescreen process. The film, based on the 1925 Broadway musical of the same name, was nominated for an Academy Award for Sound Recording. It is part of the tradition of operetta films, popular at the time.
Golden Dawn is a 1930 Warner Bros. American pre-Code musical operetta film directed by Ray Enright that was photographed entirely in Technicolor. It stars Vivienne Segal, Walter Woolf King and Noah Beery. The film is based on the 1927 stage musical of the same name.
Bride of the Regiment is a 1930 American pre-Code musical film directed by John Francis Dillon and filmed entirely in Technicolor. The screenplay by Ray Harris and Humphrey Pearson is based on the book of the 1922 stage musical The Lady in Ermine by Frederick Lonsdale and Cyrus Wood, which had been adapted from the 1919 operetta Die Frau im Hermelin by Rudolph Schanzer and Ernst Welisch. The story is a remake of a 1927 First National silent film, The Lady in Ermine, that starred Corinne Griffith. It was later remade by 20th Century-Fox as That Lady in Ermine (1948) starring Betty Grable and Douglas Fairbanks Jr.
Sit Tight is a 1931 American Pre-Code musical comedy film, directed by Lloyd Bacon, written by Rex Taylor, edited by James Gibbon, and produced and distributed by Warner Bros. It was originally intended as a full musical, but due to the backlash against musicals, all the songs were cut from the film except for one – sung by Winnie Lightner – in all release prints in the United States.
Manhattan Parade is a 1931 American pre-Code musical comedy film photographed entirely in Technicolor. It was originally intended to be released, in the United States, early in 1931, but was shelved due to public apathy towards musicals. Despite waiting a number of months, the public proved obstinate and the Warner Bros. reluctantly released the film in December 1931 after removing all the music. Since there was no such reaction to musicals outside the United States, the film was released there as a full musical comedy in 1931.
Viennese Nights is a 1930 American all-talking pre-Code musical operetta film directed by Alan Crosland and starring Alexander Gray, Vivienne Segal, Walter Pidgeon, Jean Hersholt, Bela Lugosi and Louise Fazenda. It was photographed entirely in Technicolor and released by Warner Brothers. Viennese Nights was the first original operetta written especially for the screen by Oscar Hammerstein II and Sigmund Romberg. It was filmed in March and April 1930, before anyone realized the extent of the economic hardships that would arrive with the Great Depression, which had begun in the autumn of the previous year. Although not a box office hit in the United States, the film had long box office runs in Britain and Australia. It is one of the earliest sound films to have a short pre-credit sequence.
The Desert Song is a 1929 American pre-Code operetta film directed by Roy Del Ruth and starring John Boles, Carlotta King, Louise Fazenda, and Myrna Loy. It was photographed partly in two-color Technicolor, the first film released by Warner Bros. to include footage in color. The film included a 10-minute intermission during which music was played.
No, No, Nanette is a 1930 American pre-Code musical comedy film with Technicolor sequences that was directed by Clarence G. Badger and released by First National Pictures. It was adapted from the play of the same title by Otto A. Harbach and Frank Mandel. No, No, Nanette was a popular show on Broadway, running for 321 performances, and was produced and directed by Harry Frazee.
Paris is a 1929 American pre-Code musical comedy film, featuring Irène Bordoni. It was filmed with Technicolor sequences: four of the film's ten reels were originally photographed in Technicolor.
Children of Dreams is a 1931 American pre-Code musical operetta drama film photographed entirely in Part Technicolor and produced and distributed by Warner Bros.
Rainbow is a musical in two acts with music by Vincent Youmans, lyrics by Oscar Hammerstein II, and a book co-authored by Laurence Stallings and Hammerstein. After flopping on Broadway in 1928, it was adapted by Warner Bros. into the 1930 Western musical film Song of the West.
