Wildflower | |
---|---|
Music | Herbert Stothart & Vincent Youmans |
Lyrics | Otto Harbach & Oscar Hammerstein II |
Book | Otto Harbach & Oscar Hammerstein II |
Wildflower or The Wildflower (as styled on the sheet music), is a musical in three acts with book and lyrics by Otto Harbach and Oscar Hammerstein II and music by Herbert Stothart and Vincent Youmans. The plot concerns a pretty Italian farmgirl, Nina, who has a fiery temper. She stands to inherit a fortune provided that she can keep her temper under control for six months. If she fails, the money goes to her cousin Bianca, who tries to provoke her. She manages to do it, and gets the money, as well as her man, Guido. Several of the songs were published, among which "Bambalina" and the title song were the most popular. The musical proved to be Day's last Broadway show before moving to London. [1]
The original Broadway production at the Casino Theatre on February 7, 1923 [2] and ran for 477 performances, closing on March 29, 1924. [3] "Wildflower was one of the biggest successes of the Twenties." [4] It was directed by Oscar Eagle and choreographed by David Bennett, with orchestration by Robert Russell Bennett. Costumes were by Charles LeMaire. Arthur Hammerstein produced the production. The cast starred Edith Day as Nina, Charles Judels as Gaston and Esther Howard as Lucrezia. [2] The musical then toured for two seasons and was given an Australian production in 1924 and a London West End production, opening on February 17, 1926 and running for 114 performances, starring Kitty Reidy as Nina, with Peter Gawthorne as Alberto and Mark Daley as Gabrielle. Its London run was hampered by the 1926 national strike in Britain. [1] [5]
Wildflower was Oscar Hammerstein's first successful musical and Vincent Youmans' second show. It ran over a year because of its simple-minded story. [6]
The New York Times ' opening night review stated erroneously that the show "contains the most tuneful score that Rudolph Friml has written in a number of seasons" and never mentions Youmans or Stothart. The review goes on to say: "To be sure, it is practically never funny, and now and then even a little dull." [7] Other critics also dismissed the show, although they conceded that the songs were good. [8] Notwithstanding the reviews, Wildflower was an instant success for its operetta-like score, Edith Day's performance, and the singing, dancing and Italian setting. [1] [6]
Pretty Nina Benedetto is a simple Italian farmgirl. Called "Wildflower" by her friends for her delightful, sunny disposition, she is nevertheless well known for her fiery temper (a family trait). She is set to marry her boyfriend, Guido, with whom she shares a tempestuous relationship. She hears that an elderly relative has left her a fortune, although the will specifies conditions: she must live for six months with her relatives on their estate at Lake Como, and if she loses her temper even once, the money falls to her scheming cousin Bianca. While there, Bianca taunts and provokes Nina and plots with her free-spending fiancé, Alberto, to make Nina melt down. Lawyer Gaston La Roche and his flirtatious wife Lucrezia would also benefit from Nina losing the inheritance. Astonishingly, Nina smiles and keeps her temper under control, defeating all their plots. So Alberto woos her, telling her that Guido is unfaithful, and tricks her into agreeing to marry him. Her loyal friend Gabriele, and the faithful Guido, help her to overcome all of this and to hold her temper, and she gets the money and her man.
Act I
Act II
Act III
Carousel is the second musical by the team of Richard Rodgers (music) and Oscar Hammerstein II. The 1945 work was adapted from Ferenc Molnár's 1909 play Liliom, transplanting its Budapest setting to the Maine coastline. The story revolves around carousel barker Billy Bigelow, whose romance with millworker Julie Jordan comes at the price of both their jobs. He participates in a robbery to provide for Julie and their unborn child; after it goes tragically wrong, he is given a chance to make things right. A secondary plot line deals with millworker Carrie Pipperidge and her romance with ambitious fisherman Enoch Snow. The show includes the well-known songs "If I Loved You", "June Is Bustin' Out All Over" and "You'll Never Walk Alone". Richard Rodgers later wrote that Carousel was his favorite of all his musicals.
Jerome David Kern was an American composer of musical theatre and popular music. One of the most important American theatre composers of the early 20th century, he wrote more than 700 songs, used in over 100 stage works, including such classics as "Ol' Man River", "Can't Help Lovin' Dat Man", "A Fine Romance", "Smoke Gets in Your Eyes", "The Song Is You", "All the Things You Are", "The Way You Look Tonight" and "Long Ago ". He collaborated with many of the leading librettists and lyricists of his era, including George Grossmith Jr., Guy Bolton, P. G. Wodehouse, Otto Harbach, Oscar Hammerstein II, Dorothy Fields, Johnny Mercer, Ira Gershwin and Yip Harburg.
Oscar Greeley Clendenning Hammerstein II was an American lyricist, librettist, theatrical producer, and director in musical theater for nearly 40 years. He won eight Tony Awards and two Academy Awards for Best Original Song. Many of his songs are standard repertoire for vocalists and jazz musicians. He co-wrote 850 songs.
Otto Abels Harbach, born Otto Abels Hauerbach was an American lyricist and librettist of nearly 50 musical comedies and operettas. Harbach collaborated as lyricist or librettist with many of the leading Broadway composers of the early 20th century, including Jerome Kern, Louis Hirsch, Herbert Stothart, Vincent Youmans, George Gershwin, and Sigmund Romberg. Harbach believed that music, lyrics, and story should be closely connected, and, as Oscar Hammerstein II's mentor, he encouraged Hammerstein to write musicals in this manner. Harbach is considered one of the first great Broadway lyricists, and he helped raise the status of the lyricist in an age more concerned with music, spectacle, and stars. Some of his more famous lyrics are "Smoke Gets in Your Eyes", "Indian Love Call" and "Cuddle up a Little Closer, Lovey Mine".
Oklahoma! is the first musical written by the duo of Rodgers and Hammerstein. The musical is based on Lynn Riggs' 1931 play, Green Grow the Lilacs. Set in farm country outside the town of Claremore, Indian Territory, in 1906, it tells the story of farm girl Laurey Williams and her courtship by two rival suitors, cowboy Curly McLain and the sinister and frightening farmhand Jud Fry. A secondary romance concerns cowboy Will Parker and his flirtatious fiancée, Ado Annie.
This is a list of notable events in music that took place in the year 1923.
South Pacific is a musical composed by Richard Rodgers, with lyrics by Oscar Hammerstein II and book by Hammerstein and Joshua Logan. The work premiered in 1949 on Broadway and was an immediate hit, running for 1,925 performances. The plot is based on James A. Michener's Pulitzer Prize–winning 1947 book Tales of the South Pacific and combines elements of several of those stories. Rodgers and Hammerstein believed they could write a musical based on Michener's work that would be financially successful and, at the same time, send a strong progressive message on racism.
Flower Drum Song was the eighth musical by the team of Rodgers and Hammerstein. It is based on the 1957 novel, The Flower Drum Song, by Chinese-American author C. Y. Lee. It premiered on Broadway in 1958 and was then performed in the West End and on tour. It was adapted for a 1961 musical film.
Vincent Millie Youmans was an American Broadway composer and producer.
Rose-Marie is an operetta-style musical with music by Rudolf Friml and Herbert Stothart, and book and lyrics by Otto Harbach and Oscar Hammerstein II. The story is set in the Canadian Rocky Mountains and concerns Rose-Marie La Flemme, a French Canadian girl who loves miner Jim Kenyon. When Jim falls under suspicion for murder, her brother Emile plans for Rose-Marie to marry Edward Hawley, a city man.
Rodgers and Hammerstein's Cinderella is a musical written for television, but later played on stage, with music by Richard Rodgers and a book and lyrics by Oscar Hammerstein II. It is based upon the fairy tale Cinderella, particularly the French version Cendrillon, ou la petite pantoufle de verre, by Charles Perrault. The story concerns a young woman forced into a life of servitude by her cruel stepmother and self-centered stepsisters, who dreams of a better life. With the help of her fairy godmother, Cinderella is transformed into a princess and finds her prince.
Me and Juliet is a musical with music by Richard Rodgers, and lyrics and book by Oscar Hammerstein II. The sixth stage collaboration by Rodgers & Hammerstein, it tells a story of romance backstage at a long-running musical: assistant stage manager Larry woos chorus girl Jeanie behind the back of her electrician boyfriend, Bob. Me and Juliet premiered in 1953 and was considered a modest success — it ran for much of a year on Broadway and had a limited run in Chicago, and returned a small profit to its backers.
Allegro is a musical by Richard Rodgers (music) and Oscar Hammerstein II, their third collaboration for the stage. Opening on Broadway on October 10, 1947, the musical centers on the life of Joseph Taylor Jr., who follows in the footsteps of his father as a doctor, but is tempted by fortune and fame at a big-city hospital.
Pipe Dream is the seventh musical by the team of Richard Rodgers and Oscar Hammerstein II; it premiered on Broadway on November 30, 1955. The work is based on John Steinbeck's novel Sweet Thursday—Steinbeck wrote the novel, a sequel to Cannery Row, in the hope of having it adapted into a musical. Set in Monterey, California, the musical tells the story of the romance between Doc, a marine biologist, and Suzy, who in the novel is a prostitute; her profession is only alluded to in the stage work. Pipe Dream was not an outright flop but was a financial disaster for Rodgers and Hammerstein.
Song of the Flame is a 1930 American pre-Code musical film photographed entirely in Technicolor. Based on the 1925 operetta of the same name, the film features a screenplay by Gordon Rigby adapted from the musical book written by Oscar Hammerstein II and Otto A. Harbach for the operetta. The movies also features many of the songs from the operetta which used lyrics by Hammerstein and Orbach and music by George Gershwin and Herbert Stothart. The film was produced and distributed by First National Pictures. It was the first color film to feature a widescreen sequence, using a process called Vitascope, the trademark name for Warner Bros.' widescreen process. The film, based on the 1925 Broadway musical of the same name, was nominated for an Academy Award for Sound Recording. It is part of the tradition of operetta films, popular at the time.
Herbert Pope Stothart was an American songwriter, arranger, conductor, and composer. He was nominated for twelve Academy Awards and won Best Original Score for The Wizard of Oz. Stothart was widely acknowledged as a prominent member of the top tier of Hollywood composers during the 1930s and 1940s.
Josefina Gabrielle Holmes, professionally known as Josefina Gabrielle, is a British actress, and former ballet dancer, best known for her performances in West End musicals and plays.
Helen Ford was an American actress.
Rodgers + Hammerstein's Cinderella is a musical in two acts with music by Richard Rodgers, lyrics by Oscar Hammerstein II, and a book by Douglas Carter Beane based partly on Hammerstein's 1957 book. The story is derived from the fairy tale Cinderella, particularly the French version Cendrillon ou la petite pantoufle de verre, by Charles Perrault. The story concerns a young woman forced into a life of servitude by her cruel stepmother. She dreams of a better life, and with the help of her Fairy Godmother, Cinderella is transformed into an elegant young lady and is able to attend the ball to meet her Prince. In this version, however, she opens the Prince's eyes to the injustice in his kingdom.
Mary Jane McKane is a musical comedy in three acts with book and lyrics by William Cary Duncan and Oscar Hammerstein, II and music by Herbert Stothart and Vincent Youmans. The show was produced by Arthur Hammerstein at the Imperial Theatre, and opened December 25, 1923.