Blondie Johnson | |
---|---|
Directed by | Ray Enright |
Written by | Earl Baldwin |
Starring | Joan Blondell Chester Morris |
Cinematography | Tony Gaudio |
Edited by | George Marks |
Music by | Leo F. Forbstein |
Distributed by | Warner Bros. |
Release date |
|
Running time | 67 minutes |
Country | United States |
Language | English |
Blondie Johnson is a 1933 American pre-Code gangster film directed by Ray Enright and starring Joan Blondell and Chester Morris. It was produced by Warner Bros. [1]
Set during the Great Depression, Blondie Johnson (Joan Blondell) quits her job after her boss sexually harasses her. She and her sick mother are then evicted from their apartment and are unable to get any government relief funds. After her mother dies, Blondie is determined to become rich. She soon gets involved in a criminal organization and falls in love with Danny, one of its members (Chester Morris). Later she convinces him to take down his boss. Blondie eventually climbs up the criminal ladder, becoming boss to the "little navy" gang before the gang is exposed. Blondie is convicted and sent to prison for six years, but she and Danny promise each other that they will make a fresh start after paying their debts to society.
Footlight Parade is a 1933 American pre-Code musical film starring James Cagney, Joan Blondell, Ruby Keeler and Dick Powell and featuring Frank McHugh, Guy Kibbee, Hugh Herbert and Ruth Donnelly. The film was written by Manuel Seff and James Seymour based on a story by Robert Lord and Peter Milne, and was directed by Lloyd Bacon, with musical numbers created and directed by Busby Berkeley. The film's songs were written by Harry Warren (music), Al Dubin (lyrics), Sammy Fain (music) and Irving Kahal (lyrics), and include "By a Waterfall", "Honeymoon Hotel" and "Shanghai Lil".
The Public Enemy is a 1931 American pre-Code gangster film produced and distributed by Warner Bros. The film was directed by William A. Wellman and stars James Cagney, Jean Harlow, Edward Woods, Donald Cook and Joan Blondell. The film relates the story of a young man's rise in the criminal underworld in Prohibition-era urban America. The supporting players include Beryl Mercer, Murray Kinnell, and Mae Clarke. The screenplay is based on an unpublished novel—Beer and Blood by two former newspapermen, John Bright and Kubec Glasmon—who had witnessed some of Al Capone's murderous gang rivalries in Chicago. In 1998, The Public Enemy was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant".
Rose Joan Blondell was an American actress who performed in film and television for 50 years.
Gold Diggers of 1933 is a pre-Code Warner Bros. musical film directed by Mervyn LeRoy with songs by Harry Warren (music) and Al Dubin (lyrics), staged and choreographed by Busby Berkeley. It stars Warren William, Joan Blondell, Aline MacMahon, Ruby Keeler, and Dick Powell, and features Guy Kibbee, Ned Sparks and Ginger Rogers.
Me and My Gal is a 1932 American pre-Code crime romantic comedy-drama film starring Spencer Tracy and Joan Bennett, directed by Raoul Walsh, and released by the Fox Film Corporation. The film tells the story of jaunty young policeman Danny Dolan (Tracy), who falls in love with waterfront cafe waitress Helen Riley (Bennett). It is admired as a pre-Code classic today. According to TCM, it did well with critics and audiences, featuring fine performances from its two stars, “displaying the superb chemistry” that can be seen in their other pictures together.
Blonde Crazy is a 1931 American pre-Code romantic comedy-drama film directed by Roy Del Ruth and starring James Cagney, Joan Blondell, Noel Francis, Louis Calhern, Ray Milland, and Guy Kibbee. The film is notable for one of Cagney's lines, a phrase often repeated by celebrity impersonators: "That dirty, double-crossin' rat!"
Goodbye Again is a 1933 pre-Code romantic comedy film made by First National Pictures and Warner Bros.
Night Nurse is a 1931 American pre-Code crime drama mystery film produced and distributed by Warner Bros. directed by William A. Wellman, and starring Barbara Stanwyck, Ben Lyon, Joan Blondell and Clark Gable. The film is based on the 1930 novel of the same name by Dora Macy, the pen name of Grace Perkins. The film was considered risqué at the time of its release, particularly the scenes where Stanwyck and Blondell are shown in their lingerie. Clark Gable portrays a viciously violent chauffeur who is gradually starving two little girls to death after having already purposely run over their slightly older sister with a limousine, killing her.
The Office Wife is a 1930 American pre-Code romantic drama film directed by Lloyd Bacon, released by Warner Bros., and based on the novel of the same name by Faith Baldwin. It was the talkie debut for Joan Blondell who would become one of the major Warner Bros. stars for the following nine years.
God's Gift to Women is a 1931 American pre-Code romantic musical comedy film directed by Michael Curtiz, starring Frank Fay, Laura LaPlante, and Joan Blondell. The film, based on the play The Devil Was Sick by Jane Hinton, was originally completed as a musical film; however, because of audience dislike for musicals at that time, all the songs were cut in American prints. The full film was released intact in other countries, where there was no such decline in popularity.
Havana Widows is a 1933 American pre-Code comedy film directed by Ray Enright, starring Joan Blondell and Glenda Farrell. It was released by Warner Bros. on November 18, 1933. Two chorus girls travel to Havana in search of rich husbands. Their target is Deacon Jones, a self-appointed moralist who cannot drink without getting drunk.
I've Got Your Number is a 1934 American Pre-Code romantic comedy film directed by Ray Enright and starring Joan Blondell, Pat O'Brien, Allen Jenkins and Glenda Farrell. The film was released by Warner Bros. on February 24, 1934. Two telephone repairmen romance a pair of blondes with many adventures. The supporting cast features Eugene Pallette.
Public Hero ﹟1 is a 1935 American crime film starring Lionel Barrymore, Jean Arthur, Chester Morris and Joseph Calleia. The Metro-Goldwyn-Mayer production was directed by J. Walter Ruben.
Sinners' Holiday is a 1930 American pre-Code all-talking crime drama film starring Grant Withers and Evalyn Knapp, and featuring James Cagney, Lucille La Verne, and Joan Blondell. It is based on the 1930 play Penny Arcade by Marie Baumer. Both Cagney and Blondell reprised the roles they played in the original Broadway production.
Miss Pacific Fleet is a 1935 American comedy film directed by Ray Enright. The film stars Joan Blondell, Glenda Farrell, and Hugh Herbert. The film was based on the short story of the same name by Frederick Hazlitt Brennan in the Collier's magazine. It was released by Warner Bros. on December 14, 1935. Two stranded showgirls in California enter a beauty contest "Miss Pacific Fleet" to win the fare back home to New York City.
Back in Circulation is a 1937 American comedy drama film directed by Ray Enright and starring Pat O'Brien and Joan Blondell. Based on the short story "Angle Shooter" by Adela Rogers St. Johns, Blondell plays a fast-moving newspaper reporter who senses a story when she spots a young recent widow partying in a night club. This film is preserved in the Library of Congress collection.
Central Park is a 1932 United States pre-Code feature-length crime drama film directed by John G. Adolfi. This rarely seen film stars Wallace Ford and Joan Blondell and exists in a nitrate print at the Library of Congress. It has seen a DVD release by Teakwood Video.
The Reckless Hour is a 1931 American pre-Code drama film directed by John Francis Dillon and starring Dorothy Mackaill, Conrad Nagel, H.B. Warner and Joan Blondell. It was produced and distributed by First National Pictures, which was controlled by Warner Brothers. It was based on the play Ambush by Arthur Richman.
Divorce Among Friends is a 1930 American Pre-Code comedy film. The film stars James Hall, Lew Cody and Natalie Moorhead. The film survives only in a 16mm copy made in the 1950s for television.
Big Business Girl is a 1931 American pre-Code First National sound comedy film directed by William A. Seiter and starring Loretta Young, then eighteen years old. It was released theatrically through First National's parent company Warner Bros.